As a matter of routine, or so it seems, the case passes across the desk of Detective Sergeant Smith, recently returned to work after an internal investigation into another case that has led to tensions between officers at Kings Lake police headquarters. As an ex DCI, Smith could have retired by now, and it is clear that some of his superiors wish that he would do so. The latest trainee detective to work with him is the son of a member of his former team, and together they begin to unravel the truth about what happened to Wayne Fletcher. As the investigation proceeds, it becomes clear that others are involved - some seem determined to prevent it, some seem to be taking too much interest. In the end Smith operates alone, having stepped too far outside standard procedures to ask for support. He knows that his own life might be at risk but he has not calculated on the life of his young assistant also being put in danger. He might still get his man but at what cost?

    But when the billionaire philanthropist is discovered murdered in his London home, tied naked to a bed, the scandal is only a shadow of the darkness lurking off-camera.Laura Fletcher returns from an Italian vacation to find her husband dead and her home under siege by paparazzi. Is she shocked? Yes. But is she distraught? Not exactly. Especially when Chief Inspector Tom Douglas reveals his suspicions that Hugo’s killer is female. Laura always knew she wasn’t the only woman in Hugo’s life. And she knows she wasn’t the only one with a motive to kill.The deeper Douglas digs, the more sordid details about Hugo Fletcher he uncovers. And yet nothing compares to the secret Laura guards, a secret that could bring the guilty to justice—or destroy an innocent life forever.

    Twenty years. Now the killer is back for more…DCI Matilda Darke has returned to work after a nine month absence. A shadow of her former self, she is tasked with re-opening a cold case: the terrifyingly brutal murders of Miranda and Stefan Harkness. The only witness was their eleven-year-old son, Jonathan, who was too deeply traumatized to speak a word.Then a dead body is discovered, and the investigation leads back to Matilda's case. Suddenly the past and present converge, and it seems a killer may have come back for more…A darkly compelling debut crime novel. The start of a brilliant series, perfect for fans of Stuart MacBride, Val McDermid, and James Oswald.

    Five years ago, her family home was the scene of a shocking and bloody crime that left her parents dead and her foster brother in prison. Marnie doesn’t talk much about her personal life, preferring to focus on work. Not even her partner, DS Noah Jake, knows much about Marnie’s past. Though as one of the few gay officers on the force and half Jamaican to boot, Noah’s not one to overshare about his private life either. Now Marnie and Noah are tackling a case of domestic violence, and a different brand of victim.Hope Proctor stabbed her husband in desperate self-defense. A crowd of witnesses in the domestic violence shelter where she’s staying saw it happen, but none of them are telling quite the same story, and the simple question remains: how did Leo Proctor get in to the secure shelter? Marnie and Noah shouldn’t even have been there when it happened but they were interviewing another resident, Ayana Mirza. They’re trying to get Ayana to testify against her brothers for pouring bleach on her face for bringing dishonor to the family, and blinding her in one eye. But Ayana knows that her brothers are looking for her, and she has no doubt that they’ll kill her this time.As the violence spirals, engulfing the residents of the women's shelter, Marnie finds herself drawn into familiar territory: A place where the past casts long shadows and she must tread carefully to survive.

    To that moment when the masked man appeared from the doorway of the church and looked into his eyes.‘Is there anything distinctive, Sarge?’ asks Nielsen.‘Yes’, he says, with the sudden sense that memory is important.‘There were tears in his eyes.’DS Aector McAvoy is a man with a troubled past. His unwavering belief in justice has made him an outsider in the police force he serves.When three seemingly unconnected people are brutally murdered in the weeks before Christmas, the police must work quickly to stop more deaths. It is only McAvoy who can see the connection between the victims. A killer is playing God – and McAvoy must find a way to stop the deadly game.

    Now, the war is over but victory's wine has soured and Brodie's back in Scotland to try and save childhood friend Hugh Donovan from the gallows. Everyone thought Donovan was dead, shot down in the war. Perhaps it would have been kinder if he had been killed. The man who returned was unrecognizable: mutilated, horribly burned. Donovan keeps his own company, only venturing out for heroin to deaden the pain of his wounds. When a local boy is found raped and murdered, there is only one suspect...Donovan claims he's innocent but a mountain of evidence says otherwise. Despite the hideousness of the crime, ex-policeman Brodie feels compelled to try and help his one-time friend. Working with Donovan's advocate Samantha Campbell, Brodie trawls both the mean streets of the Gorbals and the green hills of western Scotland in their search for the truth. What they find is an unholy alliance of church, police and Glasgow's deadliest razor gang, happy to slaughter to protect their dark secrets. As time runs out for the condemned man, and the tally of murdered innocents rises, Brodie reverts to his wartime role as a trained killer. It's them or him.

    And when her body is found in the woods, Cooper's investigation begins with a short list of markedly uncooperative suspects: retired miner Harry Dickinson, whose black Labrador discovered Laura's body, and Laura's wealthy parents. Uneasily teamed with ambitious newcomer Detective Constable Diane Fry, Cooper tests a town's family ties, friendships, and loyaties -- and finds that in order to understand the present, they must unearth the past.

    Married to a successful business man, she’s always been a bit of a dreamer. Until now.Her sister Zoe is her polar opposite. A detective inspector working out of Bath Central, she loves her job, and oozes self-confidence. No one would guess that she hides a crippling secret that dates back twenty years, and which – if exposed – may destroy her.Then Sally’s daughter gets into difficulties, and Sally finds she needs cash – lots of it – fast. With no one to help her, she is forced into a criminal world of extreme pornography and illegal drugs; a world in which teenage girls can go missing.Two sisters intent on survival. Until one does something so terrifying that there’s no way back …

    With the exception of his chosen career, too sordid for his blue-blooded family to condone, his life has been safe and predictable. But then he meets Detective Sergeant Kate Wakefield — beautiful, willful, and nearly half his age. When Hetheridge saves the outspoken, impetuous young detective from getting the sack, siding with her against Scotland Yard's powerful male hierarchy, his cold, elegantly balanced world spins out of control. Summoned to London's fashionable Belgravia to investigate the brutal murder of a financier, Hetheridge must catch the killer while coping with his growing attraction to Kate, the reappearance of an old flame, and the secret that emerges from his own past.

    Was the biggest case of his career the worst mistake he ever made?Ten years ago, DCI Jack Logan stopped the serial child-killer dubbed 'Mister Whisper,' earning himself a commendation, a drinking problem, and a broken marriage in the process.Now, he spends his days working in Glasgow's Major Incident Team, and his nights reliving the horrors of what he saw.And what he did.When another child disappears a hundred miles north in the Highlands, Jack is sent to lead the investigation and bring the boy home.But as similarities between the two cases grow, could it be that Jack caught the wrong man all those years ago?And, if so, is the real Mister Whisper about to claim his fourth victim?A Litter of Bones is the explosive debut crime thriller novel from JD Kirk, an exciting new voice in Scottish crime fiction.

    While out celebrating with a group of friends a few nights before the wedding, Michael suddenly and unexpectedly finds himself enclosed in a coffin equipped only with a flashlight, a dirty magazine, a walkie-talkie, and a tiny breathing tube. It's all in good fun — payback for the grief his mates suffered due to his own penchant for tomfoolery — that is until the four are killed in a drunk driving accident just moments after leaving Michael completely alone and buried alive.Detective Superintendent Grace—himself dealing with the pain of losing his wife—is brought on to the case when Ashley reports Michael missing. Suspicions are raised when Michael's only friend not at the bachelor party refuses to cooperate, and Ashley's faithfulness—not to mention her increasingly mysterious past—are suddenly thrown in to question. As Superintendent Grace soon discovers, one man's disaster is another man's fortune.

    Calladine and D.S. Ruth Bayliss race against time to track down a killer before the whole area erupts in violence. Their boss thinks it’s all down to drug lord Ray Fallon, but Calladine’s instincts say something far nastier is happening on the Hobfield housing estate. Can this duo track down the murderer before anyone else dies and before the press publicize the gruesome crimes? Detectives Calladine and Bayliss are led on a trail which gets dangerously close to home. In a thrilling finale they race against time to rescue someone very close to Calladine’s heart. If you like Angela Marsons, Rachel Abbott, Mel Sherratt, Ruth Rendell, or Mark Billingham you will be gripped by this exciting new crime fiction writer. DEAD WRONG is the first in a new series of detective thrillers featuring D.S. Ruth Bayliss and D.I. Tom Calladine. Tom Calladine is a single, fifty-one-year-old detective inspector who is devoted to his job. His personal life, however, is not so successful. Having been married and divorced before the age of twenty-one has set a pattern that he finds difficult to escape. Ruth Bayliss is in her mid-thirties, plain-speaking but loyal. She wishes she had more time for the gym and a love life. She uses her demanding workload as an excuse not to try too hard with the men she meets. The series is set in the fictional village of Leesdon on the outskirts of an industrial northern English city. There is little work and a lot of crime. The bane of Calladine’s life is the Hobfield housing estate, breeding ground to all that is wrong with the area that he calls home.

    But when a letter arrives from the prison cell of Lillian Grimes, one half of a notorious husband-and-wife serial-killer team, it contains a revelation that will tear her life apart.Responsible for a string of heinous killings decades ago, Lillian is pure evil. A psychopathic murderer. And Amy’s biological mother. Now, she is ready to reveal the location of three of her victims—but only if Amy plays along with her twisted game.While her fellow detectives frantically search for a young girl taken from her mother’s doorstep, Amy must confront her own dark past. Haunted by blurred memories of a sister who sacrificed herself to save her, Amy faces a race against time to uncover the missing bodies.But what if, from behind bars, Grimes has been pulling the strings even tighter than Amy thought? And can she overcome her demons to prevent another murder?

    Ruth Galloway is in her late thirties and lives happily alone with her two cats in a bleak, remote area near Norfolk, land that was sacred to its Iron Age inhabitants—not quite earth, not quite sea. But her routine days of digging up bones and other ancient objects are harshly upended when a child’s bones are found on a desolate beach. Detective Chief Inspector Nelson calls Galloway for help, believing they are the remains of Lucy Downey, a little girl who went missing a decade ago and whose abductor continues to taunt him with bizarre letters containing references to ritual sacrifice, Shakespeare, and the Bible. Then a second girl goes missing and Nelson receives a new letter—exactly like the ones about Lucy. Is it the same killer or a copycat murderer, linked in some way to the site near Ruth’s remote home?

    When a body is found in a locked house, Detective Sergeant Jessica Daniel is left to not only find the killer but discover how they got in and out.With little in the way of leads and a journalist that seems to know more about the case than she does, Jessica is already feeling the pressure—and that’s before a second body shows up in identical circumstances to the first.How can a murderer get to victims in seemingly impossible situations and what, if anything, links the bodies?