One day, the rabbi asks his children a powerful question: "How much do you love me?" His older daughters profess their love in gold and diamonds, but his youngest daughter, Mireleh, declares she loves her father the way meat loves salt. For this remark, she is banished from her father's home. In this flavorful Jewish Cinderella tale, Mireleh's courageous journey is peppered with a perfect blend of magic and romance, leading to a reconciliation with her beloved father. Lavishly illustrated in Louise August's bold linocuts, The Way Meat Loves Salt will make a wonderful gift for the Jewish holidays.

    "Executed with chromatic splendor--a unique combination of brilliance and restraint".--The Horn Book. Full-color illustrations.

    At 15, she's still allowed to come and go as she wishes in the kingdom of Mandria, visiting Melikar the wizard and playing at magic. But she knows that as soon as she turns 16, she will become a woman. A parade of suitors will court her until she chooses one--or the king chooses one for her--then comes marriage, childbearing, and royal protocol. But Quinn isn't ready for this life of predictability. More than anything, she wants to travel to "outer earth," the world above the wishing pool. When a magical mishap sends her to Earth, Quinn gets far more than she bargained for. As she is drawn deeper into this strange new world of skateboards, Halloween dances, and pizza, danger and adolescent intrigue surround her. There's only one problem: she doesn't know how to return to Mandria, and she's not even sure she wants to!

    Zelinsky has once again with unmatched emotional authority, control of space, and narrativecapability brought forth a unique vision for an age-old tale. Few artists at work today can touch the level at which his paintings tell a story and exert their hold.Zelinsky's retelling of Rapunzel reaches back beyond the Grimms to a late-seventeenth-century French tale by Mlle. la Force, who based hers on the Neapolitan tale Petrosinella in a collection popular at the time. The artist understands the story's fundamentals to be about possessiveness, confinement, and separation, rather than about punishment and deprivation. Thus the tower the sorceress gives Rapunzel here is not a desolate, barren structure of denial but one of esoteric beauty on the outside and physical luxury within. And the world the artist creates through the elements in his paintings the palette, control of light, landscape, characters, architecture,interiors, costumes speaks to us not of an ugly witch who cruelly imprisons a beautiful young girl, but of a mother figure who powerfully resists her child's inevitable growth, and of a young woman and man who must struggle in the wilderness for the self-reliance that is the true beginningof their adulthood.As ever, and yet always somehow in newly arresting fashion, Paul O. Zelinsky's work thrillingly shows us the events of the story while guiding us beyond them to the truths that have made it endure.

    It's perfect for Disney Princess fans ages 2-5.

    Because she is so tiny, adventure and mishap easily befall her — a giant frog leaves her stranded on a lily pad, she is freed by curious fish, then pestered by crazy bugs. Lina lives by herself in the depths of a forest until the cold of winter approaches and she begins to feel lonely. She encounters a mouse, who is happy to have someone to dust and sweep for him, but one day in the back room of his house Lina comes across the body of a swallow. The mouse is convinced the bird is dead but Lina, thinking she sees a wing tremble, brings it food and water. Amazingly, the swallow revives and the two of them fly together to the garden of wishes…Iranian-born illustrator Nasrin Khosravi won the Grand Prize at the Noma Concours in Japan (2000) and was selected as best illustrator at the Tehran International Biennial of Illustration (1999) when these paintings were first published in a Farsi version of Andersen’s tale. They now grace this new Thumbelina story, giving young readers in North America an opportunity to delight in her work. Uma Krishnaswami’s text perfectly captures the spirit of the luminous illustrations, creating a book that is beautiful, magical and mysterious.

    Embittered and suspicious from the war, the people hide their food and close their windows tight. That is, until the clever strangers suggest making a soup from stones. Intrigued by the idea, everyone brings what they have until-- together, they have made a feast fit for a king! In this inspiring story about the strength people possess when they work together, Muth takes a simple, beloved tale and adds his own fresh twist.

    There's a problem outside and this cute bug is going to fix it by swapping colors. TThis is a fun and colorful, fully illustrated ebook, for ages 18 months and up.

    However, the peace is shattered one night when soldiers of the Emperor arrive and kidnap the storyteller.Everyone knows that the Emperor wants something called the Luminous Stone That Lights the Night. Determined to have her grandmother returned, Pinmei embarks on a journey to find the Luminous Stone alongside her friend Yishan, a mysterious boy who seems to have his own secrets to hide. Together, the two must face obstacles usually found only in legends to find the Luminous Stone and save Pinmei's grandmother--before it's too late.A fast-paced adventure that is extraordinarily written and beautifully illustrated, When the Sea Turned to Silver is a masterpiece companion novel to Where the Mountain Meets the Moon and Starry River of the Sky.

    Or was it just the odd light of dusk or dawn playing tricks? As Lise Lunge-Larsen’s magical, timeless stories reveal and Beth Krommes’s enchanting scratchboard illustrations capture, the hidden folk are there, all right: you just have to know where—and how—to look.

    So, while his sister Sootica learns how to ride a broomstick and turn mice into toads, Gobbolino sets off to find a nice warm fire and a family to care for him. He has many adventures along the way and makes many friends, until he finally finds the home he dreams of. First published in 1942, Gobbolino the Witch's Cat continues to delight children - a true modern classic.

    Jahanara is the daughter of one of these ultra-rich and powerful figures, Shah Jahan The Magnificent. The oldest and favorite of his children, she is showered with emeralds, diamonds, and rubies, and is attended by numerous servants and learned tutors. Yet, her world is not one of pure contentment. It is rife with intrigue and turmoil as her father fights for his rights to rule - and she struggles against the confinement her Muslim religion dictates. Jahanara's diary allows readers to witness the exotic splendor and unforgettable drama of this past great dynasty.

    She loves her neighbors–she lets the children use her flowers for trumpets, and the families use her leftover tortillas for rafts. So when a huge puma is terrifying the village, of course Flor is the one to investigate. Featuring Spanish words and phrases throughout, as well as a glossary, Pat Mora’s story, along with Raúl Colón’s glorious artwork, makes this a treat for any reader, tall or small. Award-winning author Pat Mora’s previous book with Raúl Colón, Tomás and the Library Lady, received the Tomás Rivera Mexican American Children’s Book Award, an IRA Teacher’s Choice Award, a Skipping Stones Award, and was also named a Texas Bluebonnet Award Master List title and an Americas Award for Children’s and Young Adult Literature commended title. She lives in Santa Fe, New Mexico.

    Instead, this sweet heroine remains steadfast in her kind, gentle ways, and her generosity flows like a mountain stream. This tale of virtue rewarded is as charming and rich as any prince. McClintock's warm, humorous, and lucious artwork that reflects the story's French roots, coupled with her disarming text will insure that this book will be loved and cherished -- happily ever after.

    "Elegance has become the Dillons' hallmark. . . . Matching the art is Aardema's uniquely onomatopoeic text . . . An impressive showpiece."-Booklist, starred review.Winner of Caldecott Medal in 1976 and the Brooklyn Art Books for Children Award in 1977.