Their King has forgotten all about them, thanks to the swamp creatures who surround the castle. “They’re slippery!” “—and scaly!” “and SLIMY!" Donald is just a caveman. But when the people ask for his help, he realizes there’s only one way to save the kingdom:  DRAIN… THE… SWAMP! Written by #1 national bestselling author and humorist Eric Metaxas and illustrated by award-winning artist Tim Raglin, Donald Drains the Swamp is a whimsical parable for the current political moment.

    This isn't one of them." What it is, instead, is utterly interesting, antedotes (John Hancock fixates on salmon), from the inside out (at the Battle of Eutaw Springs, hundreds of soldiers plunged into battle "naked as they were born") close-up narrative filled with little-known details, lots of quotes that capture the spirit and voices of the principals ("If need be, I will raise one thousand men, subsist them at my own expense, and march myself at their head for the relief of Boston" -- George Washington), and action, It's the story of the birth of our nation, complete with soldiers, spies, salmon sandwiches, and real facts you can't help but want to tell to everyone you know.King George: What Was His Problem? is a 2009 Bank Street - Best Children's Book of the Year.

    But what will happen when they encounter a group of humans?Humorous and entertaining, Jeffrey Brown’s signature comical touch enlivens the scientific and historical content, including a special paleontologist section that helps to dispel common Neanderthal myths.

    Seuss was drawing biting cartoons for adults that expressed his fierce opposition to anti-Semitism and fascism. An editorial cartoonist from 1941 to 1943 for PM magazine, a left-wing daily New York newspaper, Dr. Seuss launched a battle against dictatorial rule abroad and America First (an isolationist organization that argued against U.S. entry into World War II) with more than 400 cartoons urging the United States to fight against Adolf Hitler and his cohorts in fascism, Benito Mussolini, Pierre Laval, and Japan (he never depicted General Tojo Hideki, the wartime prime minister, or Togo Shigenori, the foreign minister). Dr. Seuss Goes to War, by Richard H. Minear, includes 200 of these cartoons, demonstrating the active role Dr. Seuss played in shaping and reflecting how America responded to World War II as events unfolded.As one of America's leading historians of Japan during World War II, Minear also offers insightful commentary on the historical and political significance of this immense body of work that, until now, has not been seriously considered as part of Dr. Seuss's extraordinary legacy.Born to a German-American family in Springfield, Massachusetts, in 1904, Theodor Geisel began his cartooning career at Dartmouth College, where he contributed to the humor magazine. After a run-in with college authorities for bootlegging liquor, he had to use a pseudonym to get his work published, choosing his middle name, Seuss, and adding "Dr." several years later when he dropped out of graduate school at Oxford University in England. He had never planned on setting poison political pen to paper until he realized his deep hatred of Italian fascism. The first editorial cartoon he drew depicts the editor of the fascist paper Il Giornale d'Italia wearing a fez (part of Italy's fascist uniform) and banging away at a giant steam typewriter while a winged Mussolini holds up the free end of the banner of paper emerging from the roll. He submitted it to a friend at PM, an outspoken political magazine that was "against people who push other people around," and began his two-year career with the magazine before joining the U.S. Army as a documentary filmmaker in 1943.Dr. Seuss's first caricature of Hitler appears in the May 1941 cartoon, "The head eats, the rest gets milked," portraying the dictator as the proprietor of "Consolidated World Dairy," merging 11 conquered nations into one cow. Hitler went on to become one of the main caricatures in Seuss's work for the next two years, depicted alone, among his generals and other Germans, and with his allies Benito Mussolini and Pierre Laval. He is also drawn alongside "Japan," which Dr. Seuss portrays quite offensively, with slanted, bespectacled eyes and a sneering grin. While Dr. Seuss was outspoken against antiblack racism in the United States, he held a virulent disdain for the Japanese and rendered sinister and, at times, slanderous caricatures of their wartime actions even before the bombing of Pearl Harbor. But Dr. Seuss's aggression wasn't solely reserved for the fascists abroad. He was also loudly critical of America's initial apathy toward the war, skewering isolationists like America First advocate Charles Lindbergh, the Chicago Tribune's Colonel Robert McCormick, Eleanor Medill Patterson of the Washington Times-Herald, and Joseph Patterson of the New York Daily News, whom he considered as evil as Hitler. He encouraged Americans to buy war savings bonds and stamps and to do everything they could to ensure victory over fascism.Minear provides historical background in Dr. Seuss Goes to War that not only serves to contextualize these cartoons but also deftly explains the highly problematic anti-Japanese and anticommunist stances held by both Dr. Seuss and PM magazine, which contradicted the leftist sentiments to which they both eagerly adhered. As Minear notes, Dr. Seuss eventually softened his feelings toward communism as Russia and the United States were united on the Allied front, but his stereotypical portrayals of Japanese and Japanese-Americans grew increasingly and undeniably racist as the war raged on, reflecting the troubling public opinion of American citizens. Minear does not attempt to ignore or redeem Dr. Seuss's hypocrisy; rather, he shows how these cartoons evoke the mood and the issues of the era. After Dr. Seuss left PM magazine, he never drew another editorial cartoon, though we find in these cartoons the genesis of his later characters Yertle the dictating turtle and the Cat in the Hat, who bears a striking resemblance to Uncle Sam. Dr. Seuss Goes to War is an astonishing collection of work that many of his devoted fans have not been able to see until now. But this book is also a comprehensive, thoughtfully researched, and exciting history lesson of the Second World War, by a writer who loves Dr. Seuss as much as those who grow up with his books do.

    Imagine, then, the excitement that Howard Carson, an amateur archeologist at best, experienced when in crossing the perimeter of an abandoned excavation site he felt the ground give way beneath him and found himself at the bottom of a shaft, which, judging from the DO NOT DISTURB sign hanging from an archaic doorknob, was clearly the entrance to a still-sealed burial chamber. Carson's incredible discoveries, including the remains of two bodies, one of then on a ceremonial bed facing an altar that appeared to be a means of communicating with the Gods and the other lying in a porcelain sarcophagus in the Inner Chamber, permitted him to piece together the whole fabric of that extraordinary civilization.

    LikeWhen does a bee go through metamorphosis?Why does a queen bee sometimes leave her hive?And where does all this honey come from, anyway?!But Nyuki’s biggest question is, “What is this inner voice I hear, and why does it tell me to go forth to adventure?Follow Nyuki on a lifelong journey as she annoys her sisters, avoids predators, and learns to trust her inner voice as she masters the way of the hive.And if you still have questions at the end, the back of the book uncovers even more mysteries about the lives of these incredible insects!

    She blazed trails to the peaks of the male-centric worlds of education and law, where women had rarely risen before.Ruth Bader Ginsburg has often said that true and lasting change in society and law is accomplished slowly, one step at a time. This is how she has evolved, too. Step by step, the shy little girl became a child who questioned unfairness, who became a student who persisted despite obstacles, who became an advocate who resisted injustice, who became a judge who revered the rule of law, who became…RBG.

    Benjamin Franklin, perhaps the pivotal figure in colonial and revolutionary America, comes vividly to life in this masterly biography.Wit, diplomat, scientist, philosopher, businessman, inventor, and bon vivant, Benjamin Franklin was in every respect America’s first Renaissance man. From penniless runaway to highly successful printer, from ardently loyal subject of Britain to architect of an alliance with France that ensured America’s independence, Franklin went from obscurity to become one of the world’s most admired figures, whose circle included the likes of Voltaire, Hume, Burke, and Kant. Drawing on previously unpublished letters and a host of other sources, acclaimed historian H. W. Brands has written a thoroughly engaging biography of the eighteenth-century genius. A much needed reminder of Franklin’s greatness and humanity, The First American is a work of meticulous scholarship that provides a magnificent tour of a legendary historical figure, a vital era in American life, and the countless arenas in which the protean Franklin left his legacy.

    Streetcars won't stop for Koji, and his classmates accuse him of being an enemy spy. When a letter arrives from the government notifying him that he must go to a relocation center for Japanese Americans, he and his mother are forced to leave everything they know behind. Once there, Koji soon discovers that being half white in the internment camp is just as difficult as being half Japanese in San Francisco.Koji's story, based on true events, is brought to life by Matt Faulkner's cinematic illustrations, which reveal Koji struggling to find his place in a tumultuous world—one where he is a prisoner of war in his own country.

    After a ship voyage fraught with danger from Nazi torpedoes, teenage Lily reunites with her parents in New York and helps her family earn a living by painting designs on wooden boxes. One day she sees an ad in the paper: a comics publisher is looking for artists. Lily has never drawn comics before, but teaches herself how they work. She is hired to draw the character Senorita Rio, a beautiful spy fighting the Nazis.

    But to fall in love in a place like Minidoka, a place built to make people feel like they weren’t human—that was miraculous.After the bombing of Pearl Harbor, Tama is sent to live in a War Relocation Center in the desert. All Japanese Americans from the West Coast—elderly people, children, babies—now live in prison camps like Minidoka. To be who she is has become a crime, it seems, and Tama doesn’t know when or if she will ever leave. Trying not to think of the life she once had, she works in the camp’s tiny library, taking solace in pages bursting with color and light, love and fairness. And she isn’t the only one. George waits each morning by the door, his arms piled with books checked out the day before. As their friendship grows, Tama wonders: Can anyone possibly read so much? Is she the reason George comes to the library every day? Beautifully illustrated and complete with an afterword, back matter, and a photo of the real Tama and George—the author’s grandparents—Maggie Tokuda-Hall’s elegant love story for readers of all ages sheds light on a shameful chapter of American history.

    Each volume of four 30-minute histories will dig into the petty name-calling and grumbling grudges that led to many of the world’s greatest advancements, all delivered with a cheeky sense of humor.Choose sides: Cope or Marsh, the jerks who discovered so many dinosaurs; Hamilton or Burr, whose rivalry fueled American politics; Queen Elizabeth or Mary Queen of Scots, who fought to rule England; Adidas or Puma, whose rivalry changed the world of sports and fashion.Kidnappings, rock fights, duels, and explosions, Rivals! shows world leaders at their absolute best and their worst, often at the same time.

    With the War for Independence playing out across the colonies, young Seth and Mercy Abbott find their new marriage tested at every turn as the demands of the frontlines and the home front collide. Not merely rehashing the tales of the most famous men of the time, Rebels details the epic story of the colonists, explorers and traders, wives and daughters, farmers and volunteer soldiers who, in a few short, turbulent years, created the brand-new nation of America. With the American Revolution in the national zeitgeist, creators Brian Wood ("The Massive, DMZ, Northlanders") and Andrea Mutti ("The Girl with the Dragon Tattoo, Avengers") deliver a gripping piece of historical fiction with Rebels. Praise for the series: Thrilling . A comic with heart. --"COMIC BEAT" Rebels is a great & beautiful book! Read issue 1 & can't wait for the next one! "Matt Kindt, MIND MGMT" A fresh take on a familiar historical era. -- "LOS ANGELES TIMES/ HERO COMPLEX" The New World comes to life in a way you ve never see in it before. A comic. --"MAN CAVE DAILY" Like nothing you read in your school textbooks. --"NEWSARAMA" Rebels is a rare treat in the world of comic books today . The book offers a great start to a more intimate story of our country s founding, and is something that speaks a lot of truths about the state of our nation then and now. --"THE NERDIST" In Rebels, Wood focuses on the politics behind the war and the roiling discontent of the British colonists that eventually boiled over into eight years of bloody conflict . [Wood and c-creator Mutti] have produced a historical drama that s straightforward and easy to follow, but that doesn t shy away from exploring stickier issues like class divides, the role of women in the colonies, and the complex distinction between friend and foe. -"-VULTURE" Poignant and so incredibly powerful. --"POPMATTERS" One of Wood's biggest strengths is creating rich, believable characters with clear voices and "Rebels" is no different . Andrea Mutti delivers fast-paced action and panels full of emoting, active characters with spot-on design work Though it's set against the backdrop of the American Revolution, Wood and Mutti's "Rebels" is about basic human rights and the freedom to grow into a person or a country on one's own time. --"COMIC BOOK RESOURCES" An epic historical fiction that embodies the spirit of the American revolution like no other comic, has before. Wood has a proven track record for telling pulse pounding emotional stories. --"BLOODY DISGUSTING" You'll definitely want to check out [Wood s] latest creator-owned series. Rebels focuses on the many sides of the Revolutionary War conflict. [and] given Wood's track record with historical and politically-charged comics, we're expecting another winner. --"IGN" The art really steals the show in Rebels. Andrea Mutti s attention to detail and character design perfectly captured the 1770 s and the colonies. He was able to display his diverse talent by drawing serene forests of New Hampshire to the intense scenes of violence in the courthouse. Jordie Bellaire s colors are, naturally, beautiful and push the art to a different level. -"COMICOSITY" Fascinating. -"COMICVINE" Rebels #1 is a historical comic telling a story much different than what most publishers are producing. It is an exciting look back at a different time and an overlooked chapter in the American Revolution. History buffs will enjoy the story with its references to the overall big picture of the revolution. But the humanity of Seth Abbott and his family and friends give the story significance in how it affects everyday life. --"EXAMINER" The detailed and historically accurate artwork of Andrea Mutti (with the reliably rich coloring work from Jordie Bellaire) that really brings this to life. --"MENTAL FLOSS" Captivating. --"UNLEASH THE FANBOY" Excellent. -"FLICKERING MYTH" Andrea Mutti does a fantastic job of showcasing how bristly, dirty and violent fighting for freedom can be. -"BLOODY DISGUSTING " Very highly recommended. -"Si Spurrier" Brian Wood may be the best history teacher you never had. --"PASTE MAGAZINE" Absolutely entertaining, and thought-provoking. In today s world where we're still debating liberty and tyranny, Rebels is yet another timely relevant comic, much like . Demo, Channel Zero, Mara, The New York Four, DMZ, and more. --"GRAPHIC POLICY " "A welcome breath of fresh air. Rebels #1 is that rare comic book that makes historical fiction come alive. --"FREAK SUGAR" Engrossing, enlightening and entertaining. --TECH TIMES I m looking forward to it. --FANBOY COMICS A masterful recreation of America in the 18th century. Mutti has beautifully constructed historical Vermont with verdant forests, large farms, and serene towns that capture the ruralness of American culture at the time. His careful attention to clothing and weaponry shows an understanding of the era while Jordie Bellaire s (Everything) coloring brings the rustic feel of the century to life. . Even without Wood s dialogue the art is able to take readers back in time and give them a sense of the political tensions of the period. --GEEK CHIC LITE An action packed and dynamic first issue that sucks you in and doesn t let go. If this issue is any indicator then Rebels is going to be a very special and memorable series. --GEEKED OUT NATION"

    Birthday: February 18Sex: Female Where she lives: In the house, on the couch, underfootHer favorite pastime: Blogging, sleepingHer best feature: Her toe beans Her favorite food: All of themPusheen is a pleasantly plump cat who has warmed hearts and tickled funny bones of millions worldwide with her signature GIF animated bops, bounces, and tail wiggles. Now, Pusheen is ready to make the leap from digital to print in her first comic collection! Learn what makes her purr and find out why millions of people have already fallen in love with this naughty, adorable kitty. Featuring some of the most popular stories from Pusheen’s Tumblr and Facebook pages (plus a healthy serving of never-before-seen material), I Am Pusheen the Cat is a treat for cat lovers and comics fans alike.

    From the secret meetings of the Sons of Liberty to the final victory at Yorktown and the new Congress, Patriots vividly re-creates one of history's great eras.