Screenplays for Pink Flamingos and Desperate Living, and the unmade sequel Flamingos Forever.

    His dialogue--abrasive, rhythmic--illuminates a modern aesthetic evocative of Samuel Beckett. His plots--surprising, comic, topical--have evoked comparisons to masters from Alfred Hitchcock to Arthur Miller. Here are two screenplays demonstrating the astounding range of Mamet's talents.         The Spanish Prisoner, a neo-noir thriller about a research-and-development cog hoodwinked out of his own brilliant discovery, demonstrates Mamet's incomparable use of character in a dizzying tale of twists and mistaken identity. The Winslow Boy, Mamet's revisitation of Terence Rattigan's  classic 1946 play, tells of a thirteen-year-old boy accused of stealing a five-shilling postal order and the tug of war for truth that ensues between his middle-class family and the Royal Navy. Crackling with wit, intelligent and surprising, The Spanish Prisoner and The Winslow Boy celebrate Mamet's unique genius and our eternal fascination with the extraordinary predicaments of the common man.

    Two of them—The School for Scandal and The Rivals—are among the funniest in the English language.The Rivals, brimming with false identities and with romantic entanglements carried on amid a cloud of parental disapproval, satirizes the pretentiousness and sentimentality of the age. It features a cast of memorable characters, among them the lovely Lydia Languish, whose pretty head has been filled with nonsense from romantic novels; Capt. Jack Absolute, a young officer in love with Lydia; Sir Anthony Absolute, Jack's autocratic father; Sir Lucius O'Trigger, a fiery Irishman; and Jack's provincial neighbor, Bob Acres, a bumptious but lovable country squire in love with Lydia.Hoping to win Lydia's affection, Captain Jack woos the pretty miss by pretending to be a penniless ensign named Beverley, an act that nearly incites a duel with Acres. His actions also provoke serious objections from Lydia's aunt, Mrs. Malaprop, a misspeaking matron whose ludicrous misuse of words gave the English language a new term: malapropism. Ultimately, the hilarious complications are resolved in a radiant comic masterpiece that will entertain and delight theater devotees and students of English drama alike.

    Among the families traced in Men, Women & Children: •Kent, a recent divorcé re-entering the dating world—and his son, Tim, a football star-turned-World of Warcraft-addict, who learns via Facebook that his mom is getting remarried. • Dawn, a single mom who charges anonymous men $12.95 a month to view suggestive online pictures of her daughter, Hannah—who wants to lose her v-card before any other eighth grader. • Don, who sneaks onto any available computer for his daily fix of streaming porn—and his son, Chris, whose porn tastes make his father’s look like Disney. • Patricia, who is determined to keep the demons of the Internet from preying on her daughter, Brandy—who uses her secret MySpace identity to try on an alternative Goth identity and blog about threesomes she’s never had. Whether thirteen or thirty-five, Kultgen’s characters inhabit a world where privacy is non-existent, sex is currency, and information never disappears—yet happiness is still a dream.

    Marc Norman and renowned dramatist, Tom Stoppard have created the best screenplay of the year according to the Golden Globes and the New York Film Critics Circle.

    Determined, controversial, and visionary, she creatively worked to bridge the gap between her own culture and mainstream American society and advocated for Native rights on a national level. Susan Rose Dominguez provides a new introduction to this edition.

    But when Teddy dies of an overdose on the last day of 1987, Jude's relationship with drugs and with his parents devolves to new extremes. Sent to live with his pot-dealing father in New York City's East Village, Jude stumbles upon straight edge, an underground youth culture powered by the paradoxical aggression of hardcore punk and a righteous intolerance for drugs, meat, and sex. With Teddy's half brother, Johnny, and their new friend, Eliza, Jude tries to honor Teddy's memory through his militantly clean lifestyle. But his addiction to straight edge has its own dangerous consequences. While these teenagers battle to discover themselves, their parents struggle with this new generation's radical reinterpretation of sex, drugs, and rock 'n' roll and their grown-up awareness of nature and nurture, brotherhood and loss.Moving back and forth between Vermont and New York City, Ten Thousand Saints is an emphatically observed story of a frayed tangle of family members brought painfully together by a death, then carried along in anticipation of a new and unexpected life. With empathy and masterful skill, Eleanor Henderson has conjured a rich portrait of the modern age and the struggles that unite and divide generations.

    In a novel that “retains the complexity, immediacy, and indirection of a poem,” Glancy brings to life the Cherokees’ 900-mile forced removal to Oklahoma in 1838 and gives us “a powerful witness to one of the most shameful episodes in american history” (Los Angeles Times).

    Needing to pay elder care for his mother, Victor has devised an ingenious scam: he pretends to choke on pieces of food while dining in upscale restaurants. He then allows himself to be “saved” by fellow patrons who, feeling responsible for Victor’s life, go on to send checks to support him. When he’s not pulling this stunt, Victor cruises sexual addiction recovery workshops for action, visits his addled mom, and spends his days working at a colonial theme park. His creator, Chuck Palahniuk, is the visionary we need and the satirist we deserve.

    Just when she's resigned herself to her fate, she sees a movie that will change her life--Sixteen Candles. But in her case, life doesn't imitate art. Tormented in school and hopelessly in unrequited love with a handsome football player, Davie finds it bittersweet to dream of Molly Ringwald endings. When a cruel school prank goes too far, Davie leaves the life she knows and reinvents herself in the glittery world of Hollywood as a beautiful and successful lounge singer. Just as she's about to ride off into the L.A. sunset, the past comes back with a vengeance, threatening to crush Davie's dreams--and break her heart again.With wholly original characters and a cinematic storyline, 32 Candles introduces Ernessa T. Carter, a new voice in fiction with smarts, attitude, and sassiness to spare.

    Her host family is a couple in upstate New York: Ginger, a failed artist on the fringe of Alcoholics Anonymous, and Paul, an academic who wonders what it will mean to “make a difference” in such a contrived situation. The Mare illuminates the couple’s changing relationship with Velvet over the course of several years, as well as Velvet’s powerful encounter with the horses at the stable down the road, as Gaitskill weaves together Velvet’s vital inner-city community and the privileged country world of Ginger and Paul.

    This novel of the Dakota Sioux written by Sioux ethnologist Deloria takes protagonist Waterlily through the everyday and the extraordinary events of a Sioux woman's life.

    Abigail Mather is a woman of passionate sensual and sexual appetites, while her sister, the book loving local librarian Dorcas, lives a quiet life of the mind. But when the sisters are sought out by the predatory and famous poet, Guy DeVilbiss, who introduces them to Hollywood hack writer and possible psychopath Conrad Lowe, they rapidly become pawns in a game that leads to betrayal, shame and ultimately, murder.Darkly comic and satirical, Jincy Willett's Winner of the National Book Award is unnervingly funny and disarmingly tender whether she is writing about sex, literary delusion or Yankee pretension.

    Take in the atmosphere of the Great White Way in its heyday at a little speakeasy called Good Time Charley's. Here are thirty-two of Damon Runyon's best-loved, most "Runyonesque" stories, each woven around the mobsmen, chorus girls, gamblers, and racetrack hustlers of the Broadway he knew and loved. Runyon captures with an acute eye and ear the colorful lives and language of a bygone era, one that lives on in our imagination—and on stage.

    He knows he'll have to leave it behind when he and his brothers are sent to boarding school hundreds of miles from their Arctic village. At Sacred Heart School things are different. Instead of family, there are students -- Eskimo, Indian, White -- who line up on different sides of the cafeteria like there's some kind of war going on. And instead of comforting words like tutu and maktak, there's English. Speaking I'nupiaq -- or any native language -- is forbidden. And Father Mullen, whose fury is like a force of nature, is ready to slap down those who disobey. Luke struggles to survive at Sacred Heart. But he's not the only one. There's smart-aleck Amiq, a daring leader -- if he doesn't self destruct; Chickie, blond and freckled, a different kind of outsider; and small quiet Junior, noticing everything and writing it all down. Each has their own story to tell. But once their separate stories come together, things at Sacred Heart School -- and in the wider world -- will never be the same.