This Penguin Classics edition includes an introduction and notes by Paul Goring.When Yorick, the roving narrator of Sterne's innovative final novel, sets off for France on a whim, he produces no ordinary travelogue. Jolting along in his coach from Calais, through Paris, and on towards the Italian border, the amiable parson is blithely unconcerned by famous views or monuments, but he engages us with tales of his encounters with all manner of people, from counts and noblewomen to beggars and chambermaids. And as drama piles upon drama, anecdote, flirtation and digression, Yorick's destination takes second place to an exhilarating voyage of emotional and erotic exploration. Interweaving sharp wit with warm humour and irony with genuine feeling, A Sentimental Journey paints a captivating picture of an Englishman's adventures abroad.In his introduction, Paul Goring discusses Sterne's literary career and his semi-autobiographical depiction of Yorick, and sets the novel within the context of eighteenth-century travel writing and the vogue of sentimental fiction. This edition also includes a chronology, updated further reading and notes.Laurence Sterne (1713-1768) graduated from Cambridge in 1737 and took holy orders, becoming a prebend in York Cathedral. His masterpiece, The Life and Opinions of Tristram Shandy, Gentleman made him a celebrity but ill-health necessitated recuperative travel and A Sentimental Journey grew out of a seven-month trip through France and Italy. He died the year it was published, 1768.If you enjoyed A Sentimental Journey, you might like Sterne's The Life and Opinions of Tristram Shandy, Gentleman, also available in Penguin Classics.

    E. Talbot Donaldson's translation of the text has been selected for this Norton Critical Edition because of its skillful emulation of the original poem's distinct alliterative verse. Selections of the authoritative Middle English text are also included for comparative analysis. Sources and Backgrounds includes a large collection of contemporary religious and historical documents pertaining to the poem, including selections from the Douai Bible, accounts of the plague, and legal statutes. Criticism includes twenty interpretive essays by leading medievalists, among them E. Talbot Donaldson, George Kane, Jill Mann, Derek Pearsall, C. David Benson, and Elizabeth D. Kirk. A Glossary and Selected Bibliography are also included.

    He imagines us capable of disinterested curiosity in the behaviour of our kind.' In this, the most dazzlingly intellectual of all his novels, Meredith tries to illuminate the pretensions of the most powerful class within the very citadel of security which its members have built. He develops to their logical extremity his ideas on egoism, on sentimentality and on the power of comedy. Meredith saw egoism as the great enemy of truth, feeling and progress, and comedy as the great dissolver of artifice. The Egoist is the extreme expression of his recurrent theme: the defeat of egoism by the power of comedy.

    By the time Owen was killed at the age of 25 at the Battle of Sambre, he had written what are considered to be the most important British poems of WWI. This definitive edition is based on manuscripts of Owen's papers in the British Museum and other archives.

    A lyrical, moving valedictory.

    However much the reader may sympathize with Hetty Sorrel and identify with Arthur Donnithorne, her seducer, and with Adam Bede, the man Hetty betrays,it is George Eliots's creation of the distant aesthetic whole - the complex, multifarious life of Hayslope - which so grips the reader's imagination. As Stephen Gill comments: 'Reading the novel is a process of learning simultaneously about the world of Adam Bede and the world of Adam Bede.'

    Published in 1854, the story concerns one Thomas Gradgrind, a "fanatic of the demonstrable fact," who raises his children, Tom and Louisa, in a stifling and arid atmosphere of grim practicality.Without a moral compass to guide them, the children sink into lives of desperation and despair, played out against the grim background of Coketown, a wretched community shadowed by an industrial behemoth. Louisa falls into a loveless marriage with Josiah Bouderby, a vulgar banker, while the unscrupulous Tom, totally lacking in principle, becomes a thief who frames an innocent man for his crime. Witnessing the degradation and downfall of his children, Gradgrind realizes that his own misguided principles have ruined their lives.Considered Dickens' harshest indictment of mid-19th-century industrial practices and their dehumanizing effects, this novel offers a fascinating tapestry of Victorian life, filled with the richness of detail, brilliant characterization, and passionate social concern that typify the novelist's finest creations.Of Dickens' work, the eminent Victorian critic John Ruskin had this to say: "He is entirely right in his main drift and purpose in every book he has written; and all of them, but especially Hard Times, should be studied with close and earnest care by persons interested in social questions."

    Eliot himself wished to preserve than this volume, published two years before his death in 1965.Poet, dramatist, critic, and editor, T. S. Eliot was one of the defining figures of twentieth-century poetry. This edition of Collected Poems 1909-1962 includes his verse from Prufrock and Other Observations (1917) to Four Quartets (1943), and includes such literary landmarks as 'The Waste Land' and 'Old Possum's Book of Practical Cats'.

    Fielding's far more spirited and sexually honest heroine, by contrast, merely uses coyness and mock modesty as techniques to catch a rich husband. Joseph Andrews, Fielding's first full-length novel, can also be seen as a response to Richardson, as the lascivious Lady Booby sets out to seduce her comically chaste servant Joseph, (himself in love with the much-put-upon Fanny Goodwill). As in Tom Jones, Fielding takes a huge cast of characters out on the road and exposes them to many colourful and often hilarious adventures.

    It appeared in two phases. A few first copies were printed and illuminated by William Blake himself in 1789; five years later he bound these poems with a set of new poems in a volume titled Songs of Innocence and of Experience Shewing the Two Contrary States of the Human Soul.

    It relates the story of a young dreamer and English soldier, Edward Waverley, who was sent to Scotland in 1745. He journeys North from his aristocratic family home, Waverley-Honour, in the south of England (alleged in an English Heritage notice to refer to Waverley Abbey in Surrey) first to the Scottish Lowlands and the home of family friend Baron Bradwardine, then into the Highlands and the heart of the 1745 Jacobite uprising and aftermath.

    Important poems by the late New York poet published in The New American Poetry, Evergreen Review, Floating Bear and stranger places.Often O'Hara, strolling through the noisy splintered glare of a Manhattan noon, has paused at a sample Olivetti to type up thirty or forty lines of ruminations, or pondering more deeply has withdrawn to a darkened ware- or firehouse to limn his computed misunderstandings of the eternal questions of life, coexistence, and depth, while never forgetting to eat lunch, his favorite meal.

    In his work he brought to life the personalities of a diverse range of characters, and introduced a new immediacy, colloquial energy and psychological complexity to the poetry of his day. This selection brings together verse ranging from early dramatic monologues such as the chilling 'My Last Duchess' and the ribald 'Fra Lippo Lippi', which show his gift for inhabiting the mind of another, to the popular children's poem 'The Pied Piper of Hamelin' and many lesser known works. All display his innovative techniques of diction, rhythm and symbol, which transformed Victorian poetry and influenced major poets of the twentieth century such as Ezra Pound, T. S. Eliot and Robert Frost.

    Unjustly neglected today, Tasso's epic poem 'Jerusalem Delivered'(first published in 1581) is set in the 11th century and tells the story of the First Crusade and the siege which gave Christian armies control over Jerusalem and the Holy Lands for a time.As in other epic poems, 'Jerusalem Delivered' deftly mixes history and myth. Tasso's heroes - Godfrey, leader of the Christian armies; Rinaldo, bravest of the Christian warriors; and Tancred, the Italian prince who falls in love with the pagan warrioress Clorinda, whom he eventually (andsimultaneously) converts and kills - must face not only the Saracens and their allies, but also a host of fearsome and manipulative devils, demons, and sorcerers. This is a sweeping and often thrilling tale of war, faith, love, and sex that easily rivals its classical predecessors. Writing at a time when Christianity was bitterly divided, Tasso was naturally concerned with the nature of leadership and loyalty, with the importance of sacrifice, with the evils of corruption, and with the existence of truth, themes that continue to resonate today. No wonder that for three centuries, 'Jerusalem Delivered' was considered the great modern epic. Indeed, Spenser borrowed scenes and episodes from this poem in writing the 'Faerie Queen', and Milton was greatly influenced by Tasso when writing his own Christian epic, 'Paradise Lost'.English-language readers who are familiar with Tasso's grand romance have until now known it only through a verse translation by English poet Edward Fairfax published in 1600. In order to fit Tasso's stanzas into the then popular Spenserian verse form, Fairfax had to alter the original poem considerably. Now, 400 years later, Anthony Esolen presents a new translation that transforms 'Jerusalem Delivered' into an English-language masterpiece. The first major verse translation into English since Fairfax's, Esolen's version is both more true to its original source and more fluid than that of hisElizabethan predecessor. Esolen has translated 'Jerusalem Delivered' with the care of poet, capturing the delight of Tasso's descriptions, the different voices of its cast of characters, the shadingsbetween glory and tragedy, and does them all in an English as powerful as Tasso's Italian. Esolen's will immediately be acclaimed as the definitive translation of this powerful work of faith and war. Like theFagles 'Iliad' and 'Odyssey', the Pinsky 'Inferno', and Seamus Heaney's imaginative new rendering of 'Beowulf', Anthony Esolen's bold, fast-moving, and faithful translation of Tasso'sCrusade-era adventure will introduce a new generation of readers to a masterpiece of world literature.

    In addition to the title poem, it includes such masterpieces as "The Scholar Gipsy," "Thyrsis," "The Forsaken Merman," "Memorial Verses," and "Rugby Chapel."Although as a literary critic, Arnold championed the serene poise and impersonal grandeur of the classics, his own poems were often more romantic than classical in nature — intimate, personal, sentimental, even nostalgic. Yet it is these engaging qualities, together with his poems' lyrical inspiration and lofty meditative character, that continue to endear Matthew Arnold to lovers of poetry.