I’m weird, but I’m not dangerous. And I won’t send you ads.Sara: The truth is, I couldn’t bear to go back to the way things were before you read my poem. Maybe it doesn’t matter who you are. . . . They’ve never met.They’re hundreds of miles apart.He won’t tell her his real name.And they have nothing in common.Or do they?From the Hardcover edition.

    Steve Nickelson, his assistant Norman Bleistift, and the Magic Moscow restaurant are transported through space to compete in an intergalactic junk food cooking contest.

    But that was before seventh grade, when everything changed—everything except Marjorie. While Sarah wants to meet new people and try new things, Marjorie still likes doing the same things they always did. It seems the more time the two girls spend together, the more time Sarah wants to spend apart. How did a promise that was so easy to make become so hard to keep?With beautifully drawn characters and vivid details, this incisive novel portrays middle school in all its complexity—both the promise of what is to come and the pain of what must be left behind.

    Historically accurate and genealogically significant, this first novel by eminent genealogist Elizabeth Shown Mills is a gripping tale of racial bias, human conflict, and economic ruin told against the backdrop of colonial Louisiana. This novel is the result of more than thirty years of research. To fuel the story, as well as to maintain historical accuracy, the author found and referenced actual family history documents such as baptism records, manumission papers, probate records, land records, book extracts, and more to reconstruct the lives and times of Francois, Fanny, Coincoin, Augustin, and countless other unforgettable characters. But it takes more than documents on paper and microfilm to bring such an epic story to life. Mills' engaging prose puts flesh on the bones and pulls you into the lives and lifestyle of long-ago Louisiana.""

    She was born with several physical challenges. Lana is an albino with silver eyes, milky-white skin, white hair and webbed fingers and toes. Lana hides her fingers by wearing fingerless gloves and she never shows her feet.Lana's father (Cole Prentis) is the lighthouse keeper and the keeper of many secrets. He has told Lana that her mother drowned when Lana was only three years old. He never allows Lana in the water and it bothers her that he refuses to talk to her about her mother or her physical challenges.Lana develops a friendship with her P. E. Teacher (Miss Rose Perry). When Miss Perry secretly gives Lana swimming lessons, it sets off a chain of events that leads Lana to discover who she is and the truth about her mother as well.Lana discovers that she has a large and extended family that has been waiting for her to come home. She also finds out that she does have a purpose to her life and that she has a heritage as rich and deep as the sea and that her future lies beneath it.

    As far as Iz is concerned they've been engaged since first grade.But Iz needs ammunition to win Stuart away from Ketti -- and it arrives in the shape of Gregory Arrington, a fellow poet and all-around romantic klutz. Much to her horror, Gregory adores her. And sensible, honest, kind-hearted Iz could never bring herself to lead Gregory even if it would make Stuart jealous...or could she?

    Content to be alone and work on her photography, Vaughn’s seclusion is disrupted when she meets her new neighbor, Sophie Birch. The two form a tentative friendship, hanging out at Dragon Park with the rest of Nashville’s teens. There, the relationship deepens: Sophie becomes the subject of Vaughn’s artistic experiments and Vaughn becomes the subject of Sophie’s social experimentation as she pushes Vaughn to loosen up and let down her guard. After a fight with her mother, Sophie moves in with Vaughn and her academic parents who embrace Sophie’s wild side — until the girls push each other a step too far. In her debut novel, Susannah Felts perfectly captures the feel of growing up Southern-style, the universal push-pull of adolescent limit testing, and, above all, the intoxicating power that comes with burgeoning creativity.

    "You're on a Pass/Fail basis now. If you pass enough tests you'll graduate with honors and I'll shake your hand. If you fail three tests, I'll personally take you behind the gymnasium and put a bullet in your head."Now Jake's navigating a crazy maze of diabolic puzzles and impossible moral choices. And he's already failed his first test...

    When Eddie's mom goes into rehab and his aunt and uncle take him away to Boston, everything changes. His new school, which he attends with his cousin Alex, is experimental: there's a CEO instead of a principal, classes are held in an office building, and the students, all sporting business-casual looks, are the only urban kids Eddie has ever seen outside of a rap video. As for Alex, it's bad enough that he has to share his bedroom with Eddie, but his parents are on his case about including his quiet cousin in his social life as well. Alex wants to do the right thing, but between talking to girls, playing video games, thinking about girls, laughing with his friends, and looking at girls, when is he supposed to find time to help Eddie and "work up to his potential" in school?Two boys find that they have a lot to learn from each other in this touching, funny novel about finding your place and looking out for your friends.

    She understands and exploits the unique strengths of her medium: the ability to viscerally connect with an audience.” –The EconomistExperimental Korean American theatre artist Young Jean Lee has been called “one of the best experimental playwrights in America” (Time Out New York). This volume contains two of her recent works:In The Shipment, Lee provides a provocative look at African-American identity in our not-yet post-racial society. The New York Times calls this take on cultural images of black America “a subversive, seriously funny new theater piece… Ms. Lee wields sharp, offbeat humor to point up the clichés, distortions and absurdities” (Charles Isherwood, New York Times).LEAR is Lee’s own version of Shakespeare’s tragedy, focusing on the king’s three daughters. A production in which Lear himself never appears, LEAR is a “wacky blend of ‘To be or not to be,’ Beckett, and Pirandello…full of exhilarating, illuminating moments” (Village Voice).Young Jean Lee has written and directed shows in New York with Young Jean Lee’s Theater Company and toured her work to over twenty cities around the world. Her plays include Straight White Men, We’re Gonna Die, Untitled Feminist Show, The Shipment, Lear and Songs of the Dragons Flying to Heaven. Awards include two Obies, the Festival Prize of the Zuercher Theater Spektakel, a Prize in Literature from the American Academy of Arts and Letters, a Guggenheim Fellowship and a Doris Duke Artist Award.

    These four constant companions become one in this brilliantly witty, time-jumping, loving tribute (and cautionary tale) dedicated to the people-and machines-upon which we all depend.

    McGinnis's practical, easy-to-follow strategy offers twelve characteristics of optimists that show how they stave off disappointment and keep motivation high. Enjoy success, better health, happy relationships, and perhaps a longer life with this powerful book.

    Instead, she's blindsided by a man as infuriating as he is irresistible--a man who makes it clear he plays to win, especially where a beautiful woman is concerned.Marah is feisty and furious, but all John can think about is the feel of her soft skin and full, sensual lips. The line between business and pleasure is crossed the moment she storms into his office wearing skinny jeans and sultry perfume. Determined to get closer to this passionate woman who has invaded his life, he begins their negotiations with a kiss....

    Jobs are scarce, kids are bored, and it sometimes seems there’s nothing better to do than drink. But when eighteen-year-old Kyle Nelson and a motley group of friends decide to challenge both the legal drinking age and the local drinking culture with a daring act of civil disobedience, they find there’s more to do than they ever imagined. Garret Keizer’s gripping novel about young men and women in revolt bears witness to the power of ideas, the bonds of friendship, and the trials of working-class kids on the margins of American society. His story never flinches in the face of those forces that conspire against, but needn’t overcome, the resilient spirits of the young.

    In the midst of a volcanic eruption miles outside of her village, Ember discovers she can see magic and change the appearance of things at will. Against her mother's wishes, she leaves for the mage trials only to be kidnapped before arriving. In trying to escape, she discovers she has inherited her father's secret-a secret that places her in direct conflict with her father's greatest enemy. At the same time, Kayla is given guardianship of the sapphire flute and told not to play it. The evil mage C'Tan has been searching for it for decades and the sound alone is enough to call her. For the flute to be truly safe, Kayle must find its birthplace in the mountains high above Javak. The girls' paths are set on a collision course...a course that C'Tan is determined to prevent at all costs.