She's always wanted to try Japanese food. Sashimi, ramen, onigiri with sour plum stuffed inside - the food her Japanese father liked to eat. And then there is bubble tea and iced-coffee, ice cream and cake, and foraged herbs and plants, and the vegetables grown by the other young artists at the London studio space she is secretly squatting in. But, Lydia can't eat any of these things. Her body doesn't work like those of other people. The only thing she can digest is blood, and it turns out that sourcing fresh pigs' blood in London--where she is living away from her vampire mother for the first time - is much more difficult than she'd anticipated.Then there are the humans--the other artists at the studio space, the people at the gallery she interns at, the strange men that follow her after dark, and Ben, a boyish, goofy-grinned artist she is developing feelings for. Lydia knows that they are her natural prey, but she can't bring herself to feed on them. In her windowless studio, where she paints and studies the work of other artists, binge-watches Buffy the Vampire Slayer and videos of people eating food on YouTube and Instagram, Lydia considers her place in the world. She has many of the things humans wish for--perpetual youth, near-invulnerability, immortality--but, she is miserable; she is lonely; and she is hungry--always hungry.As Lydia develops as a woman and an artist, she will learn that she must reconcile the conflicts within her--between her demon and human sides, her mixed ethnic heritage, and her relationship with food, and, in turn, humans if she is to find a way to exist in the world. Before any of this, however, she must eat.

    Bertie is a semi-failed cartoonist, working for a prominent Silicon Valley tech firm. Her job depresses her, but not as much as the fact that Kate has recently decided to move from San Francisco to Los Angeles.When Bertie’s attempts to make Kate stay fail, she suggests the next-best thing: a trip to Paris that will hopefully distract the duo from their upcoming separation. The vacation is also a sort of last hurrah, coming during a ceasefire in a series of escalating world conflicts.One night in Paris, they meet a strange man in a bar who offers them a private tour of the Louvre. The women find themselves alone in the museum, where nothing is quite as it seems. Caught up in a day that keeps repeating itself, Bertie and Kate are eventually separated, and Bertie is faced with a mystery that threatens to derail everything. In order to make her way back to Kate, Bertie has to figure out how much control she has over her future—and her past—and how to survive an apocalypse when the world keeps refusing to end.

    But after four years of painstaking research, she has nothing but anxiety and stomach pain to show for her efforts. When she accidentally stumbles upon a strange and curious note in the Chou archives, she convinces herself it’s her ticket out of academic hell. But Ingrid’s in much deeper than she thinks. Her clumsy exploits to unravel the note’s message lead to an explosive discovery, one that upends her entire life and the lives of those around her. With her trusty friend Eunice Kim by her side and her rival Vivian Vo hot on her tail, together they set off a rollercoaster of mishaps and misadventures, from campus protests and OTC drug hallucinations, to book burnings and a movement that stinks of “Yellow Peril” propaganda. In the aftermath, nothing looks quite the same to Ingrid—including her gentle and doting fiancé, Stephen Greene. When he embarks on a book tour with the “super kawaii” Japanese author he’s translated, doubts and insecurities creep in. At the same time, she finds herself drawn to the cool and aloof Alex Kim (even though she swears he’s not her type). As the events Ingrid instigated keep spiraling, she’ll have to confront her sticky relationship to white men and white institutions—and most of all, herself. An uproarious and bighearted satire, alive with sharp edges, immense warmth, and a cast of unforgettable characters, Disorientation is both a blistering send-up of white supremacy in academia, and a profound reckoning of a Taiwanese American woman’s complicity and unspoken rage. In this electrifying debut novel from a provocative new voice, Chou asks who gets to tell our stories—and how the story changes when we finally tell it ourselves.

    Against all the odds, he has survived torture and lived to see his home and his family taken from him … and now someone is going to pay. For Wydrin of Crosshaven and her faithful companion, Sir Sebastian Caverson, a quest to the Citadel looks like just another job. There’s the promise of gold and adventure. Who knows, they might even have a decent tale or two once they’re done.But sometimes there is truth in rumour.Soon this reckless trio will be the last line of defence against a hungry, restless terror that wants to tear the world apart. And they’re not even getting paid.

    One of five houses where vampires reside as celebrities and humans are paid to be their living donors. While others came here seeking fortune, I came in search of my sister who walked into Belle Morte five months ago . . . and never walked back out.Now that I’m here, the secrets about this world have proven to be much bigger than I ever anticipated. And lurking around every corner are shocking insinuations of what happened to my sister.There’s only one person who might have the answers I need, and the undeniable pull I feel toward him is terrifying: Edmond Dantès―a vampire, and my mortal enemy.The harder I try to resist him, the further I fall under his spell. And in one instant my life is irrevocably changed. My past becomes prologue and my fate becomes sealed behind these doors.Belle Morte has spoken. And it may never let me go.

    A windswept private island off the coast of Massachusetts. A hungry ocean, churning with secrets and sorrow.A fiery, addicted heiress. An irresistible, unpredictable boy. A summer of unforgivable betrayal and terrible mistakes. Welcome back to the Sinclair family. They were always liars.

    On the eve of a recurring catastrophic event known to extinguish nations and reshape continents, a troubled orphan evades death and slavery to uncover her own bloody past… while a world goes to war with itself.In the frozen kingdom of Saiduan, invaders from another realm are decimating whole cities, leaving behind nothing but ash and ruin.As the dark star of the cataclysm rises, an illegitimate ruler is tasked with holding together a country fractured by civil war, a precocious young fighter is asked to betray his family and a half-Dhai general must choose between the eradication of her father’s people or loyalty to her alien Empress.Through tense alliances and devastating betrayal, the Dhai and their allies attempt to hold against a seemingly unstoppable force as enemy nations prepare for a coming together of worlds as old as the universe itself.In the end, one world will rise – and many will perish.

    Now, hundreds of years later, a new tomb has been uncovered, and despite the legends that disturbing a shapeshifter’s final resting place will wake them once again, the Warlord is determined to dig it up.But it isn’t just the Warlord who means to brave the traps and pitfalls guarding the crypt.A healer obsessed with tracking down the man who murdered her twin brother.A runaway member of the Warlord’s Devoted order, haunted by his sister’s ghost.A snotty archaeologist bent on finding the cure to his magical wasting disease.A girl desperate to escape the cloistered life she didn’t choose.All four are out to steal the same cursed sword rumored to be at the very bottom of the tomb. But of course, some treasures should never see the light of day, and some secrets are best left buried…

    The enemy won. Now it's time to fight back.For generations, the people of Jia - a land where magic has long since faded from the world, clinging on in only a few rare individuals - have been protected from the northern Egril hordes by their warrior caste, but their enemy has not been idle. They have rediscovered magic and use it to launch an overwhelming surprise attack. An invasion has begun.And in moments, the war is over. Resistance is quashed. Kings and city leaders are barricaded in their homes awaiting banishment and execution, the warriors are massacred, and a helpless people submit to the brutality of Egril rule.Jia's heroes have failed it. They are all gone. And yet... there is still hope. Soon the fate of the kingdom will fall into the hands of a schoolboy terrorist, a crippled Shulka warrior and his wheelchair bound son, a single mother desperate enough to do anything she can to protect her baby... and Tinnstra, disgraced daughter of the Shulka's greatest leader, who now lies dead by Egril hands.A brand new epic fantasy: gritty and modern featuring a unique ensemble of characters who will lead a revolution against their overlords.

    So polite. So sweet. Such an upstanding young man. A virgin, too, I hear. He never gets naughty with a girl. Probably because Jesus told him not to. And now here he is, trying to be the hero by protecting another girl from me. He calls me a bully. Irrational. Unreasonable. A criminal. He can call me anything he wants, I’ve heard worse. And he can try to stand between me and my money, but he’s never had to fight for food. That rich, clean, school boy doesn’t have what it takes. HAWKE I surprised her. You should’ve seen her face. Just because I don’t have a record, honey, doesn’t mean I’m clean. It just means I’m better at not getting caught. That is until I realize I might’ve actually gone too far this time. She’s there. I’m there. The scene of the crime. It’s dark. The police show up. We have no choice. We run. Down High Street, into Quinn’s bake shop, and I pull her through the entrance to the old speakeasy that everyone forgot was here decades ago. The door locks, the cops circle the building, never knowing we’re right here, and I’m hidden in plain sight, indefinitely, with someone’s who’s awful. Mean. Rough. Dirty. A thief. A delinquent. Until one night, lost in all of these rooms together, I don’t see any of those things anymore. She’s smart. Daring. Soft. Hot... Everything’s changing. It’s this place. It does something to people. We have a silly urban legend in Shelburne Falls about mirrors. They’re a gateway. Don’t lean back into them. But we came through front first. I don’t care what the county records say. This was never a speakeasy. It’s Carnival Tower.*FALLS BOYS is a standalone New Adult romance suitable for readers 18+. Reading the Falls Away series first is helpful but not necessary.