She’s also convinced her brother-in-law is a murderer. Josh has one dead wife and one missing fiancée, and though he grieved for them he starts dating someone new. Elisa fears for that woman’s safety, and she desperately wants to know what happened to her friend, Josh’s missing fiancée.Searching for clues means investigating her own family. And she doesn’t like what she finds. A laptop filled with incriminating information. Other women.But when Elisa becomes friends with Josh’s new girlfriend and starts to question things she thinks are true, Elisa wonders if the memories of a horrible incident a year ago have finally pushed her over the edge and Josh is really innocent. With so much at stake, Elisa fights off panic attacks and a strange illness. Is it a breakdown or something more? The race is on to get to the truth before another disappearance because there’s a killer in the family… or is there?

    An intoxicating cocktail of loyalty and secrets, lies and betrayal, reminiscent of Rosamund Lupton’s Sister and Kimberly McCreight’s Reconstructing Amelia.A decade ago, Ella Brooke’s older sister, Miranda, vanished without a trace. With every passing year, Ella has come to resemble more closely the sister she lost—the same dark hair, the same piercing blue eyes—and now she’s the same age Miranda was when she disappeared.Ella has never let go of her sister. She can still feel Miranda’s presence, still hear her voice. She still talks to her. What holds Ella together is her love for her sister’s ten-year-old son and her work as a self-defense expert helping victims.Ella is certain that Miranda was taken, and that one man is key to her disappearance: Jason Thorne. The tabloids report that a new link has been found connecting Miranda to this sadistic serial killer locked away in a psychiatric hospital. Ignoring warnings from the police and the disapproval of her parents, she seeks Thorne out. Ella will do whatever it takes to uncover the truth—no matter how dangerous…

    She’s a freshman honor student, a leggings-wearing hot girl next door, who also happens to be a psychopath. Her hobbies include yogalates, frat parties, and plotting to kill Will Bachman, a childhood friend who grievously wronged her.Chloe is one of seven students at her DC-based college who are part of an unusual clinical study for psychopaths—students like herself who lack empathy and can’t comprehend emotions like fear or guilt. The study, led by a renowned psychologist, requires them to wear smart watches that track their moods and movements.When one of the students in the study is found murdered in the psychology building, a dangerous game of cat and mouse begins, and Chloe goes from hunter to prey. As she races to identify the killer and put her own plan into action, she’ll be forced to decide if she can trust any of her fellow psychopaths—and everybody knows you should never trust a psychopath.Never Saw Me Coming is a compulsive, voice-driven thriller by an exciting new voice in fiction, that will keep you pinned to the page and rooting for a would-be killer.

    kids. She’s dating Kayode and wants him to be “the one” (perfect, like her dead father). Her friends think he’s just another in a long line of dodgy Nigerian boyfriends.Boo has everything Ronke wants—a kind husband, gorgeous child. But she’s frustrated, unfulfilled, plagued by guilt, and desperate to remember who she used to be.Simi is the golden one with the perfect lifestyle. No one knows she’s crippled by impostor syndrome and tempted to pack it all in each time her boss mentions her “urban vibe.” Her husband thinks they’re trying for a baby. She’s not.When the high-flying, charismatic Isobel explodes into the group, it seems at first she’s bringing out the best in each woman. (She gets Simi an interview in Hong Kong! Goes jogging with Boo!) But the more Isobel intervenes, the more chaos she sows, and Ronke, Simi, and Boo’s close friendship begins to crack.A sharp, modern take on friendship, ambition, culture, and betrayal, Wahala (trouble) is an unforgettable novel from a brilliant new voice.

    No more traffic gridlock or getting stuck on the tube in tunnels (you’re claustrophobic); now you’ve got an iconic Thames view, fresh air ?— a whole lifestyle upgrade. You’ve made new friends onboard — led by your hedonistic young neighbour, Kit ?— and just had your first ‘water rats’ Christmas drinks. But the first day back after Christmas, Kit isn’t on the morning boat. The river landmarks are all the same, but something’s off. You disembark to find the police waiting. Kit’s wife, Melia, has reported him missing and another passenger witnessed the two of you arguing on the last boat home after your drinks. Police say you had a reason to lash out at him. To kill him.You protest. You and Kit are friends ?— ask Melia, she’ll vouch for you. And who exactly is this other passenger pointing the finger? What do they know about your private lives? No, whatever coincidences might have occurred that night, you are innocent, totally innocent.Aren’t you?

    But the residents of the domestic violence shelter where Katie worked disagree. These women have spent weeks or even years waiting for the men they're running from to catch up with them. They know immediately: This was murder.Still, Detective Dan Whitworth and his team expect an open-and-shut case--until they discover evidence that suggests Katie wasn't who she appeared. Weaving together the investigation with Katie's final months as it barrels toward the truth, The Keeper is a riveting mystery and a searing examination of violence against women and the structures that allow it to continue, marking the debut of an incredible new voice in crime fiction.

    It’s taken Joan Lurie three years to write her article exposing a famous newspaper tycoon as a sexual predator. On the eve of its publication, she celebrates at a party thrown in her honor and is riding high…only to be brutally attacked as she is returning home late that night. Traumatized and suffering the effects of a concussion, she moves to a highly secure new apartment building in northern Manhattan called the Refuge. Safely sequestered away, she tries to begin writing a book that expands her much-lauded exposé.At the Refuge, Joan encounters a frail 96-year-old woman who has been living in the building since the 1940s when it was a Magdalen Laundry and Refuge for Fallen Women. When Lillian first arrived, she was hiding out from the infamous Murder, Inc mobsters. As Lillian relates her story about the long-ago incriminating incident she witnessed that forced her into hiding, Joan recalls certain details of her own investigation.The more Joan learns about Lillian and the fabled story of the Refuge, the more she realizes they may be linked to the book she is writing—and to her attacker that fateful night. As Joan starts to connect the clues and unravel decades worth of history, she must stay one step ahead of those who are desperate to make sure Joan never uncovers the final truth.

    Five years old. Gray eyes, brown hair. Missing since June.Emma is lonely. Living with her cruel mother and clueless father, Emma retreats into her own world of quiet and solitude.Sarah Walker. Successful entrepreneur. Broken-hearted. Kidnapper.Sarah has never seen a girl so precious as the gray-eyed child in a crowded airport terminal. When a second-chance encounter with Emma presents itself, Sarah takes her—far away from home. But if it’s to rescue a little girl from her damaging mother, is kidnapping wrong?Amy Townsend. Unhappy wife. Unfit mother. Unsure whether she wants her daughter back.Amy’s life is a string of disappointments, but her biggest issue is her inability to connect with her daughter. And now Emma is gone without a trace.As Sarah and Emma avoid the nationwide hunt, they form an unshakeable bond. But what about Emma’s real mother, back at home?

    Today, he's teaching in a third-rate MFA program and struggling to maintain what's left of his self-respect; he hasn't written--let alone published--anything decent in years. When Evan Parker, his most arrogant student, announces he doesn't need Jake's help because the plot of his book in progress is a sure thing, Jake is prepared to dismiss the boast as typical amateur narcissism. But then... he hears the plot.Jake returns to the downward trajectory of his own career and braces himself for the supernova publication of Evan Parker's first novel: but it never comes. When he discovers that his former student has died, presumably without ever completing his book, Jake does what any self-respecting writer would do with a story like that--a story that absolutely needs to be told.In a few short years, all of Evan Parker's predictions have come true, but Jake is the author enjoying the wave. He is wealthy, famous, praised and read all over the world. But at the height of his glorious new life, an e-mail arrives, the first salvo in a terrifying, anonymous campaign: You are a thief, it says.As Jake struggles to understand his antagonist and hide the truth from his readers and his publishers, he begins to learn more about his late student, and what he discovers both amazes and terrifies him. Who was Evan Parker, and how did he get the idea for his "sure thing" of a novel? What is the real story behind the plot, and who stole it from whom?Hailed as breathtakingly suspenseful, Jean Hanff Korelitz's The Plot is a propulsive read about a story too good not to steal, and the writer who steals it.

    Eyes aren't the windows to the soul. Emails are.Cassie Woodson is adrift. After suffering an epic tumble down the corporate ladder, Cassie finds the only way she can pay her bills is to take a thankless temp job reviewing correspondence for a large-scale fraud suit. The daily drudgery amplifies all that her life is lacking--love, friends, stability--and leaves her with too much time on her hands, which she spends fixating on the mistakes that brought her to this point.While sorting through a relentless deluge of emails, something catches her eye: the tender (and totally private) exchanges between a partner at the firm, Forest Watts, and his enchanting wife, Annabelle. Cassie knows she shouldn't read them. But it's just one look. And once that door opens, she finds she can't look away.Every day, twenty floors below Forest's corner office, Cassie dissects their emails from her dingy workstation. A few clicks of her mouse and she can see every adoring word they write to each other. By peeking into their apparently perfect life, Cassie finds renewed purpose and happiness, reveling in their penchant for vintage wines, morning juice presses, and lavish dinner parties thrown in their stately Westchester home. There are no secrets from her. Or so she thinks.Her admiration quickly escalates into all-out mimicry, because she wants this life more than anything. Maybe if she plays make-believe long enough, it will become real for her. But when Cassie orchestrates a "chance" meeting with Forest in the real world and sees something that throws the state of his marriage into question, the fantasy she's been carefully cultivating shatters. Suddenly, she doesn't simply admire Annabelle--she wants to take her place. And she's armed with the tools to make that happen.

    Until he meets Emily.Emily is perfect.Scott offers Emily a summer job as a housekeeper on his remote, beautiful French estate. Enchanted by his lovely wife Nina, and his eccentric young daughter, Aurelia, Emily falls headlong into this oasis of wine-soaked days by the pool. But soon Emily realizes that Scott and Nina are hiding dangerous secrets, and if she doesn't play along, the consequences could be deadly.Superbly tense and oozing with atmosphere, Anna Downs's debut is the perfect summer suspense, with the modern gothic feel of Ruth Ware and the morally complex family dynamics of Lisa Jewell.Welcome to paradise...will you ever be able to leave?

    Now one of them is dead. Could this be the perfect murder?56 DAYS AGOCiara and Oliver meet in a supermarket queue in Dublin the same week Covid-19 reaches Irish shores.35 DAYS AGOWhen lockdown threatens to keep them apart, Oliver suggests that Ciara move in with him. She sees a unique opportunity for a new relationship to flourish without the pressure of scrutiny of family and friends. He sees it as an opportunity to hide who - and what - he really is.TODAYDetectives arrive at Oliver's apartment to discover a decomposing body inside.Will they be able to determine what really happened, or has lockdown provided someone with the opportunity to commit the perfect crime?

    And for very good reasons—we'll get to those later. But when their wealthy grandfather dies and leaves a cryptic final message in his wake, the siblings and their respective partners must come together for a cross-country road trip to fulfill his final wish and—more importantly—secure their inheritance.But time with your family can be tough. It is for everyone.It's even harder when you're all keeping secrets and trying to forget a memory—a missing person, an act of revenge, the man in the black truck who won't stop following your car—and especially when at least one of you is a killer and there's a body in the trunk. Just to name a few reasons.But money is a powerful motivator. It is for everyone.

    And yet he stands accused of a terrible crime. Sophie is convinced he is innocent and desperate to protect her precious family from the lies that threaten to rip them apart.Kate is the lawyer hired to prosecute the case: an experienced professional who knows that the law is all about winning the argument. And yet Kate seeks the truth at all times. She is certain James is guilty and is determined he will pay for his crimes.Who is right about James? Sophie or Kate? And is either of them informed by anything more than instinct and personal experience? Despite her privileged upbringing, Sophie is well aware that her beautiful life is not inviolable. She has known it since she and James were first lovers, at Oxford, and she witnessed how easily pleasure could tip into tragedy.Most people would prefer not to try to understand what passes between a man and a woman when they are alone: alone in bed, alone in an embrace, alone in an elevator… Or alone in the moonlit courtyard of an Oxford college, where a girl once stood before a boy, heart pounding with excitement, then fear. Sophie never understood why her tutorial partner Holly left Oxford so abruptly. What would she think, if she knew the truth?

    Why would Beth do that, and risk dredging up painful memories? She hasn't seen Flora for twelve years. She doesn't want to see her today, or ever again.But she can't resist. She parks outside the open gates of Newnham House, watches from across the road as Flora and her children Thomas and Emily step out of the car. Except... There's something terribly wrong. Flora looks the same, only older. As Beth would have expected. It's the children. Twelve years ago, Thomas and Emily were five and three years old. Today, they look precisely as they did then. They are still five and three. They are Thomas and Emily without a doubt - Hilary hears Flora call them by their names - but they haven't changed at all. They are no taller, no older... Why haven't they grown?