Following the accidental drowning of her sister, sixteen-year-old Nif and her family move to a small village on the Welsh borders to escape their grief. But rural seclusion doesn't bring any relief. As her family unravels, Nif begins to put together her own form of witchcraft - collecting talismans from the sun-starved land. That is, until she meets Mally, a teen boy who takes a keen interest in her, and has his own secret rites to divulge.Reminiscent of the suspense of Shirley Jackson and soaked in the folk horror of the British landscape, Water Shall Refuse Them is an atmospheric coming-of-age novel and a thrilling debut.

    Flo and Clara, two impressionable students, are obsessed with each other and with a daring young writer named Mary MacLane, the author of a scandalous bestselling memoir. To show their devotion to Mary, the girls establish their own private club and call it The Plain Bad Heroine Society. They meet in secret in a nearby apple orchard, the setting of their wildest happiness and, ultimately, of their macabre deaths. This is where their bodies are later discovered with a copy of Mary’s book splayed beside them, the victims of a swarm of stinging, angry yellow jackets. Less than five years later, The Brookhants School for Girls closes its doors forever—but not before three more people mysteriously die on the property, each in a most troubling way. Over a century later, the now abandoned and crumbling Brookhants is back in the news when wunderkind writer, Merritt Emmons, publishes a breakout book celebrating the queer, feminist history surrounding the “haunted and cursed” Gilded-Age institution. Her bestselling book inspires a controversial horror film adaptation starring celebrity actor and lesbian it girl Harper Harper playing the ill-fated heroine Flo, opposite B-list actress and former child star Audrey Wells as Clara. But as Brookhants opens its gates once again, and our three modern heroines arrive on set to begin filming, past and present become grimly entangled—or perhaps just grimly exploited—and soon it’s impossible to tell where the curse leaves off and Hollywood begins. A story within a story within a story and featuring black-and-white period illustrations.

    Michael⁠⁠--with a ponytail down his back and a septum piercing⁠--lives with his aunt in the cramped stucco cottage next door. When Bunny catches Michael smoking in her yard, he discovers that her life is not as perfect as it seems. At six foot three, Bunny towers over their classmates. Even as she dreams of standing out and competing in the Olympics, she is desperate to fit in, to seem normal, and to get a boyfriend, all while hiding her father's escalating alcoholism. Michael has secrets of his own. At home and at school Michael pretends to be straight, but at night he tries to understand himself by meeting men online for anonymous encounters that both thrill and scare him. When Michael falls in love for the first time, a vicious strain of gossip circulates and a terrible, brutal act becomes the defining feature of both his and Bunny's futures⁠⁠--and of their friendship. With storytelling as intoxicating as it is intelligent, Rufi Thorpe has created a tragic and unflinching portrait of identity, a fascinating examination of our struggles to exist in our bodies, and an excruciatingly beautiful story of two humans aching for connection.

    Jonah Keller moved to New York City with dreams of becoming a successful playwright, but, for the time being, lives in a rundown sublet in Bushwick, working extra hours at a restaurant only to barely make rent. When he stumbles upon a photo of Richard Shriver—the glamorous Pulitzer Prize–winning playwright and quite possibly the stepping stone to the fame he craves—Jonah orchestrates their meeting. The two begin a hungry, passionate affair. When summer arrives, Richard invites his young lover for a spell at his sprawling estate in the Hamptons. A tall iron fence surrounds the idyllic compound where Richard and a few of his close artist friends entertain, have lavish dinners, and—Jonah can’t help but notice—employ a waitstaff of young, attractive gay men, many of whom sport ugly bruises. Soon, Jonah is cast out of Richard’s good graces and a sinister underlay begins to emerge. As a series of transgressions lead inexorably to a violent climax, Jonah hurtles toward a decisive revenge that will shape the rest of his life. Riveting, unpredictable, and compulsively readable, Yes, Daddy is an exploration of class, power dynamics, and the nuances of victimhood and complicity. It burns with weight and clarity—and offers hope that stories may hold the key to our healing.

    But he's also certain that she's a psychopath--clinically, threateningly, dangerously. Recently Rosa has been making trouble, hurting things. Che is the only one who knows; he's the only one his sister trusts. Rosa is smart, talented, pretty, and very good at hiding what she is and the manipulation she's capable of.Their parents, whose business takes the family from place to place, brush off the warning signs as Rosa's -acting out.- Now that they have moved again--from Bangkok to New York City--their new hometown provides far too many opportunities for Rosa to play her increasingly complex and disturbing games. Che's always been Rosa's rock, protecting her from the world. Now, the world might need protection from her.

    But we can visit our fears at night, in the dark. We can turn them over and weigh them in our hands and maybe that will protect us from them. But maybe not.The characters in this collection find their aspirations for happy homes, happy families and happy memories dissected and imbued with shimmering menace. Alone in a remote house in Iceland a woman is unnerved by her isolation; another can only find respite from the clinging ghost that follows her by submerging herself in an overgrown pool. Couples wrestle with a lack of connection to their children; a schoolgirl becomes obsessed with the female anatomical models in a museum; and a cheery account of child’s day out is undercut by chilling footnotes.These dark tales explore women’s fears with electrifying honesty and invention and speak to one another about female bodies, domestic claustrophobia, desire and violence. From a talented writer who has been compared to Angela Carter, Things We Say in the Dark is a powerful contemporary collection of feminist stories, ranging from vicious fairy tales to disturbing horror and tender ghost stories.KIRSTY LOGAN WAS SELECTED AS ONE OF BRITAIN'S TEN MOST OUTSTANDING LGBTQ WRITERS by Val McDermid for the International Literature Showcase in 2019

    Elliot McHugh is not one of those people. But picking a major is the last thing on Elliot’s mind when she’s too busy experiencing all that college has to offer—from dancing all night at off-campus parties, to testing her RA Rose’s patience, to making new friends, to having the best sex one can have on a twin-sized dorm room bed. But she may not be ready for the fallout when reality hits. When the sex she’s having isn’t that great. When finals creep up and smack her right in the face. Or when her roommate’s boyfriend turns out to be the biggest a-hole. Elliot may make epic mistakes, but if she’s honest with herself (and with you, dear reader), she may just find the person she wants to be. And maybe even fall in love in the process . . . Well, maybe.

    There are a couple of other odd things, too. He weighs the same in his clothes and out of them, no matter how heavy they are. Scott doesn’t want to be poked and prodded. He mostly just wants someone else to know, and he trusts Doctor Bob Ellis.In the small town of Castle Rock, the setting of many of King’s most iconic stories, Scott is engaged in a low grade—but escalating—battle with the lesbians next door whose dog regularly drops his business on Scott’s lawn. One of the women is friendly; the other, cold as ice. Both are trying to launch a new restaurant, but the people of Castle Rock want no part of a gay married couple, and the place is in trouble. When Scott finally understands the prejudices they face–including his own—he tries to help. Unlikely alliances, the annual foot race, and the mystery of Scott’s affliction bring out the best in people who have indulged the worst in themselves and others.

    She has a first-kiss tree and a broken-arm tree. She has a car-accident tree. There is a tree at the hospital where Jackie’s mother passed away into the long good night. When one of them gets cut down, Jackie doesn’t know what to do but she doesn’t let that stop her. She picks up the biggest rock she can carry and puts it through the window of a car. Smash. She intends to leave before the police arrive, but they’re early. Ann is Jackie’s best friend, but she’s got problems of her own. Her mother is chained up in the basement. How do you bring that up in casual conversation? “Oh, sorry I’ve been so distant, Jackie. My mother has more teeth than she’s supposed to, and she won’t eat anything that’s already dead.” Ann and her sister Margaret don’t have much of a choice here. Their mother needs to be fed. It isn’t easy but this is family. It’s not supposed to be easy. It’ll be okay as long as Margaret and Ann still have each other. Add in a cantankerous old man, his powerfully stupid dog, a headless ghost, a lesbian crush and a few unsettling visits from Jackie’s own dead mother, and you’ll find that One Bloody Thing After Another is a different sort of horror novel from the ones you’re used to. It’s as sad and funny as it is frightening, and it is as much about the way families rely on each other as it is about blood being drooled on the carpet. Though, to be honest, there is a lot of blood being drooled on the carpet.

    Y2K is expected to end in chaos: planes falling from the sky, elevators plunging to earth, world markets collapsing. A digital apocalypse. None of that happens. But at a Blockbuster Video in Linden, New Jersey, four teenage girls working the night shift are attacked. Only one survives. Police quickly identify a suspect who flees and is never seen again.Fifteen years later, in the same town, four teenage employees working late at an ice cream store are attacked, and again only one makes it out alive. Both surviving victims recall the killer speaking only a few final words... “Goodnight, pretty girl.”In the aftermath, three lives intersect: the survivor of the Blockbuster massacre who’s forced to relive her tragedy; the brother of the original suspect, who’s convinced the police have it wrong; and the FBI agent, who’s determined to solve both cases. On a collision course toward the truth, all three lives will forever be changed, and not everyone will make it out alive.Twisty, poignant, and redemptive, The Night Shift is a story about the legacy of trauma and how the broken can come out on the other side, and it solidifies Alex Finlay as one of the new leading voices in the world of thrillers.

    But thirty-four years later, Elton has left her, her hair will be crimped for the rest of immortality, and the only job she can get as a forever-sixteen-year-old is the midnight shift at Taco Bell.Holly’s afterlife takes an interesting turn when she meets Rose McKay and Ida Ripley. Having also been turned and discarded by Elton—Rose in 1954, and Ida, his ex-fiancée, in 1921—they want to help her, and ask for her help in return.Rose and Ida are going to kill Elton before he turns another girl. Though Holly is hurt and angry with Elton for tossing her aside, she’s reluctant to kill her ex, until Holly meets Parker Kerr—the new girl Elton has set his sights on—and feels a quick, and nerve-wracking attraction to her.

    Celia, a lapsed Catholic, arrives with her grandmother’s rosary beads in hand and a bottle of vodka in her suitcase; beautiful Bree pines for the fiancé she left behind in Savannah; Sally, pristinely dressed in Lilly Pulitzer, is reeling from the loss of her mother; and April, a radical, redheaded feminist wearing a “Riot: Don’t Diet” T-shirt, wants a room transfer immediately.Together they experience the ecstatic highs and painful lows of early adulthood: Celia’s trust in men is demolished in one terrible evening, Bree falls in love with someone she could never bring home to her traditional family, Sally seeks solace in her English professor, and April realizes that, for the first time in her life, she has friends she can actually confide in.When they reunite for Sally’s wedding four years after graduation, their friendships have changed, but they remain fiercely devoted to one another. Schooled in the ideals of feminism, they have to figure out how it applies to their real lives in matters of love, work, family, and sex. For Celia, Bree, and Sally, this means grappling with one-night stands, maiden names, and parental disapproval—along with occasional loneliness and heartbreak. But for April, whose activism has become her life’s work, it means something far more dangerous.Written with radiant style and a wicked sense of humor, Commencement not only captures the intensity of college friendships and first loves, but also explores with great candor the complicated and contradictory landscape facing young women today.

    

    . .Seventeen-year-old Ivy’s summer break kicks off with an accident, a punishment, and a mystery: a stranger whose appearance in the middle of the road, in the middle of the night, heralds a string of increasingly unsettling events. As the days pass, Ivy grapples with eerie offerings, corroded memories, and a secret she’s always known—that there’s more to her mother than meets the eye.THE CITY, BACK THEN . . .Dana has always been perceptive. And the summer she turns sixteen, with the help of her best friend and an ambitious older girl, her gifts bloom into a heady fling with the supernatural, set in a city of magical possibilities and secret mystics. As the trio’s aspirations darken, they find themselves speeding toward a violent breaking point.Years after it began, Ivy and Dana’s shared story will come down to a reckoning among a daughter, a mother, and the dark forces they never should’ve messed with.

    Duh. But the mother of modern physics never had to co-lead with Levi Ward. Sure, Levi is attractive in a tall, dark, and piercing-eyes kind of way. And sure, he caught her in his powerfully corded arms like a romance novel hero when she accidentally damseled in distress on her first day in the lab. But Levi made his feelings toward Bee very clear in grad school—archenemies work best employed in their own galaxies far, far away. Now, her equipment is missing, the staff is ignoring her, and Bee finds her floundering career in somewhat of a pickle. Perhaps it’s her occipital cortex playing tricks on her, but Bee could swear she can see Levi softening into an ally, backing her plays, seconding her ideas…devouring her with those eyes. And the possibilities have all her neurons firing. But when it comes time to actually make a move and put her heart on the line, there’s only one question that matters: What will Bee Königswasser do?