"If America has a folksinger today he is Carl Sandburg, a singer who comes out of the prairie soil... who can hand back to the people a creation that has scraps of their own insight, humor, and imagination" (Padraic Colum).

    This work contains the 26 visions of Hildegard of Bingen (1098-1179), who was the first of the great German mystics, as well as a poet and a prophet, a physician and a political moralist.

    For thirty years, beginning in the hippie scene of San Francisco in 1965, they were a musical institution, the original jam band that broke new ground in so many ways. From the music to their live concert sound systems and fan recordings, they were forward-thinking champions of artistic control and outlaw artists who marched to the beat of their own drums.In Deal, Bill Kreutzmann, one of their founding members and drummer for every one of their over 2,300 concerts has written an unflinching and wild account of playing in the greatest improvisational band of all time. Everything a rock music fan would expect is here, but what sets this apart is Bill's incredible life of adventure that was at the heart of the Grateful Dead experience. This was a band that knew no limits and Bill lived life to the fullest, pushing the boundaries of drugs, drums and high times, through devastating tragedy and remarkable triumph.But at this book's beating heart is the music--theirs and others. Some of the greatest musicians and concerts were a part of the Grateful Dead's career, from sharing the stage with Janis Joplin, Bob Dylan, and The Who, to playing in the Acid Tests, The Monterey Pop Festival, Woodstock and Altamont. Bill's life is a chronicle of American music and pop culture history and his epic personal journey is one of sonic discovery and thrilling experiences.

    

    The linking of psychosomatic to literary and literary to a larger political horizon raises the question of conservative premises to linguistic, pyschoanalystic, philisophical, and literary theories and criticisms of such.

    He is senior pastor of Oak Cliff Bible Fellowship in Dallas, TX and founder of The Urban Alternative, a ministry which promotes a kingdom agenda philosophy designed to enable people to live all of life underneath the comprehensive rule of God.   The Tony Evans Bible Commentary includes an introduction to each Bible book followed by passage-by-passage exposition of the entire Bible by Dr. Tony Evans. In addition, there is a special front matter section with introductory resources. The insights in this commentary will help explain God’s Word in a fresh way. Applying these truths will empower readers to have transformed lives that then transfer the values of the kingdom of God to others.   The Tony Evans Bible Commentary features the highly readable, highly reliable text of the Christian Standard Bible® (CSB). The CSB stays as literal as possible to the Bible's original meaning without sacrificing clarity, making it easier to engage with Scripture's life-changing message and to share it with others.

    M. Montgomery, (1874-1942) was a Canadian author, best known for a series of novels beginning with Anne of Green Gables (1908). In 1893, following the completion of her grade school education in Cavendish, she attended Prince of Wales College in Charlottetown. Completing a two year program in one year, she obtained her teaching certificate. In 1895 and 1896 she studied literature at Dalhousie University in Halifax, Nova Scotia. After working as a teacher in various island schools, in 1898 Montgomery moved back to Cavendish. For a short time in 1901 and 1902 she worked in Halifax for the newspapers Chronicle and Echo. She returned to live with and care for her grandmother in 1902. Montgomery was inspired to write her first books during this time on Prince Edward Island. Her works include: The Story Girl (1911), Chronicles of Avonlea (1912), The Golden Road (1913), Anne of the Island (1915), Anne's House of Dreams (1917), Rainbow Valley (1919), Further Chronicles of Avonlea (1920) and Rilla of Ingleside (1921).

    With bold imaginative speculation he investigates thirty-four literary conundrums, ranging from Daniel Defoe to Virginia Woolf. Covering issues well beyond the strict confines of Victorian fiction, Sutherland explores the questions readers often ask but critics rarely discuss: Why does Robinson Crusoe find only one footprint? How does Magwitch swim to shore with a great iron on his leg? Where does Fanny Hill keep her contraceptives? Whose side is Hawkeye on? And how does Clarissa Dalloway get home so quickly? As in its universally well received predecessor, the questions and answers in Can Jane Eyre Be Happy? are ingenious and convincing, and return the reader with new respect to the great novels they celebrate.

    The history covers almost 1800 years. Hume saw English history as an evolution from a government of will to a government of law. Advanced in Hume's masterly prose, this argument continues to make the "History" a valuable study for the modern reader. This Liberty Fund edition is based on the edition of 1778, the last to contain corrections by Hume. The typography has been modernized for ease of reading. Hume's own index to the entire work may be found at the conclusion of volume VI.

    It contains some of his most influential early essays and reviews, among them 'Tradition and the Individual Talent', 'Hamlet and his Problems', and Eliot's thoughts on Marlowe, Jonson and Massinger, as well as his first tribute to Dante. Many of his most famous critical pronouncements come from the pages of The Sacred Wood.Reviewing his career as a critic in 1961 Eliot wrote that 'in my earlier criticism, both in my general affirmations about poetry and in writing about authors who influenced me, I was implicitly defending the sort of poetry that I and my friends wrote. This gave my essays a kind of urgency, the warmth of appeal of the advocate, which my later, more detached and I hope more judicial essays cannot claim.' This urgency is still apparent more than eighty years after the essays first appeared.

    But no matter what his subject, Mr. White always writes about it in a prose that is a joy to read."--New York Times

    Democracy Is in the Streets is the definitive history of the major people and ideas that shaped the New Left in America during that turbulent decade. Because the 1960s generation is now moving into positions of power in politics, education, the media, and business, their early history is crucial to our understanding. James Miller, in his new Preface, puts the 1960s and them into a context for our time, claiming that something of value did happen: "Most of the large questions raised by that moment of chaotic openness--political questions about the limits of freedom, and cultural questions, too, about the authority of the past and the anarchy of the new--are with us still."

    The aim of the series is to give readers accessible and informative introductions to some of the most popular, most acclaimed and most influential novels of recent years - from ‘The Remains of the Day' to ‘White Teeth'. A team of contemporary fiction scholars from both sides of the Atlantic has been assembled to provide a thorough and readable analysis of each of the novels in question.

    When she “accidentally” shot her husband, popular high school coach, Russ, the police were inclined to believe her—until they learned that ten years earlier, her first husband had died in a strangely similar way. Sgt. Rick Buchanan’s relentless investigation into Stager’s life revealed a stunning vortex of compulsive lying, obsessive spending, and sexual promiscuity. With every new discovery, more of Barbara’s impeccable image unraveled. But the greatest shock—a damning piece of evidence Russ Stager left behind—revealed the nightmare truth about Barbara. With “the fine-toothed-comb reporting of [an] ace crime journalist,” this book takes us deep into a spellbinding case of double life, lethal lust, and almost perfect murder (Kirkus Reviews).“A shocking and well-written portrait of a dangerous woman.” —The New York Times“Mesmerizing.” —Ann Rule, New York Times–bestselling author of The Stranger Beside Me “This account of manipulation, compulsive spending, lying, promiscuity, and murder is made even more chilling by the fact that appearances are often deceiving.” —Library Journal“A profile of evil . . . Fascinating.” —The Baltimore Sun“Jerry Bledsoe is the master of true crime, the conclusion to what Truman Capote began. . . . Another stunning success.” —Patricia Cornwell, New York Times–bestselling author of Chaos

    "Will you give me your blood to drink, though you die of it?" In an unexpected twist on a fairy tale, an artist goes into the wilderness to fulfill his father's debt and finds himself the prisoner of a dangerous, alienly beautiful monster.