In the first a doctor has to confront his father's killer, in the second a detective investigates a series of horrific murders, and in the third an international organization devises a masterplan of apocalyptic dimensions.

    In a style intelligent and ironic, Littell tells it like it was: CIA agents fighting not only 'the good fight' against foreign enemies, but sometimes the bad one as well, with the ends justifying such means as CIA-organized assassinations, covert wars, kidnappings, and toppling of legitimate governments. Behind every manoeuvre and counter-manoeuvre, though, one question spans the length of the book... Who is the mole within the CIA? The Company - an astonishing novel that captures the life and death struggle of an entire generation of CIA operatives during a long Cold War.

    But when those dearest to him are murdered on the day of his homecoming, Reece discovers that this was not an act of war by a foreign enemy but a conspiracy that runs to the highest levels of government.Now, with no family and free from the military’s command structure, Reece applies the lessons that he’s learned in over a decade of constant warfare toward avenging the deaths of his family and teammates. With breathless pacing and relentless suspense, Reece ruthlessly targets his enemies in the upper echelons of power without regard for the laws of combat or the rule of law.An intoxicating thriller that cautions against the seduction of absolute power and those who would do anything to achieve it, The Terminal List is perfect for fans of Vince Flynn, Brad Thor, Stephen Hunter, and Nelson DeMille.

    A secret his government has hidden in the deepest vaults of the Pentagon.Someone is trying to raise Black Flag from the dead, and drag Petrovich back into the poisonous life he abandoned. Someone who knows his darkest secrets.In exchange for the promise of a clean slate, and a chance to keep the life he has built with the woman he loves, he agrees to carry out one more mission. Now Daniel has an even bigger problem. The assassination of Mohammed Ghani, a wealthy Muslim importer, wasn't the uncomplicated mission he had been promised. Seven other prominent Muslim businessmen are killed on the same night along the East Coast, suddenly extinguishing Task Force HYDRA, the most significant counter-terrorism investigation in recent FBI history.Daniel's life is about to disintegrate, as he becomes the focus of a relentless FBI manhunt, and the target of a vengeful CIA agent. To survive, he'll be forced to release a dark side he fought for years to keep suppressed. A dark side with no boundaries, and few loyalties.

    Ten months have passed since Nicholas II’s reign was cut short by revolutionaries. Tonight, the White Army advances on the town where the Tsar and his family are being held captive by the Bolsheviks. Nicholas dares to hope for salvation. Instead, the Romanovs are coldly and methodically executed.Moscow: Present Day. Atlanta lawyer Miles Lord, fluent in Russian and well versed in the country’s history, is thrilled to be in Moscow on the eve of such a momentous event. After the fall of Communism and a succession of weak governments, the Russian people have voted to bring back the monarchy. The new tsar will be chosen from the distant relatives of Nicholas II by a specially appointed commission, and Miles’ job is to perform a background check on the Tsarist candidate favored by a powerful group of Western businessmen. But research quickly becomes the least of Miles’ concerns when he is nearly killed by gunmen on a city plaza.Suddenly Miles is racing across continents, shadowed by nefarious henchmen. At first, his only question is why people are pursuing him. But after a strange conversation with a mysterious Russian, who steers Miles toward the writings of Rasputin, he becomes desperate to know more–most important, what really happened to the family of Russia’s last tsar?His only companion is Akilina Petrov, a Russian circus performer sympathetic to his struggle, and his only guide is a cryptic message from Rasputin that implies that the bloody night of so long ago is not the last chapter in the Romanovs’ story . . . and that someone might even have survived the massacre. The prophecy’s implications are earth-shattering–not only for the future of the tsar and mother Russia, but also for Miles himself.

    Luke Stone, head of an elite, secretive, department within the FBI, is the only man they can turn to. Luke realizes right away that the terrorists’ aim is to create a dirty bomb, that they seek a high-value target, and that they will hit it within 48 hours. A cat and mouse chase follows, pitting the world’s most savvy government agents versus its most sophisticated terrorists. As Agent Stone peels back layer after layer, he soon realizes he is up against a vast conspiracy, and that the target is even more high value than he could have imagined—leading all the way to the President of the United States. With Luke framed for the crime, his team threatened and his own family in danger, the stakes could not be higher. But as a former special forces commando, Luke has been in tough positions before, and he will not give up until he finds a way to stop them—using any means necessary. Twist follows twist as one man finds himself up against an army of obstacles and conspiracies, pushing even the limits of what he can handle, and culminating in a shocking climax. A political thriller with heart-pounding action, dramatic international settings, and non-stop suspense, Any Means Necessary marks the debut of an explosive new series that will leave you turning pages late into the night.

    Christine Palmer, a young American doctor sailing solo across the Atlantic, makes an incredible discovery - a man narrowly clinging to his life in the frigid waters. But there is much more to this desperate survivor than meets the eye. David Slaton is a Kidon - a highly-trained, highly-precise, and highly-dangerous assassin. The Kidon is both the hunter and the hunted, and he and Christine are in grave danger. Will they win in this race against time?With the precision of a sharpshooter, author Ward Larsen weaves an intricate tale of espionage and intrigue.

    So when a passenger from the same plane disappears into the crowds of Manhattan, it’s up to Fisk and his partner Krina Gersten to find him before the celebrations begin... And time is running out.

    His job? Professional "cleaner." Nothing too violent, just disposing of bodies, doing a little cleanup if necessary. But in Brett Battles's electrifying debut novel, Quinn's latest assignment will change everything, igniting a harrowing journey of violence, betrayal, and revenge.The job seemed simple enough: investigating a suspicious case of arson. But when a dead body turns up where it doesn't belong, and Quinn's handlers at "the Office" turn strangely silent, he knows he's in over his head. With only a handful of clues, Quinn scrambles for cover, struggling to find out why someone wants him dead . . . and if it's linked to a larger attempt to wipe out the Office. Quinn's only hope may be Orlando, a woman from his past who's reluctant to help but who may hold the key to solving the case. Suddenly the two are prying into old crimes, crisscrossing continents, struggling to stay alive long enough to unbury the truth.But as the hunt intensifies, Quinn is stunned by what he uncovers: a chilling secret . . . and a brilliantly orchestrated conspiracy, with an almost unimaginable goal.Furiously paced, filled with superbly drawn characters and pitch-perfect dialogue, The Cleaner puts a powerful twist on all our expectations as it confirms Brett Battle's place as one of the most exciting new talents in suspense fiction today.

    And people are killing for it… London, 1992. Late one night, Edward Crane, 76, is declared dead at a London hospital. An obituary describes him only as a 'resourceful career diplomat'. But Crane was much more than that – and the circumstances surrounding his death are far from what they seem. Fifteen years later, academic Sam Gaddis needs money. When a journalist friend asks for his help researching a possible sixth member of the notorious Trinity spy ring, Gaddis knows that she's onto a story that could turn his fortunes around. But within hours the journalist is dead, apparently from a heart attack. Taking over her investigation, Gaddis trails a man who claims to know the truth about Edward Crane. Europe still echoes with decades of deadly disinformation on both sides of the Iron Curtain. And as Gaddis follows a series of leads across the continent, he approaches a shocking revelation – one which will rock the foundations of politics from London to Moscow…

    He visited them and brought them sweets. He treated them like sons. He trained them to be assassins.Now he is trying to have them killed.

    He's just passing through Margrave, Georgia, and in less than an hour, he's arrested for murder. Not much of a welcome. All Jack knows is that he didn't kill anybody. At least not here. Not lately. But he doesn't stand a chance of convincing anyone. not in Margrave, Georgia. Not a chance in hell.

    Set against the ever-building pressure and pace of a large Boston medical center, the tensions flare-and explode-when a surgical operation tragically ends in death, raising countless questions. Was it accidental malpractice? A violation of the Hippocratic oath? Or cold-blooded murder?

    security organizations-- the FBI and CIA among them--lies a heavily guarded, anonymous government agency dedicated to intelligence surveillance and to a highly specialized brand of citizen protection. Shock waves of alarm ripple through the clandestine agency when Washington, D.C., police detective Ryan Kessler inexplicably becomes the target of Henry Loving, a seasoned, ruthless "lifter" hired to obtain information using whatever means necessary. While Loving is deft at torture, his expertise lies in getting an "edge" on his victim--leverage--usually by kidnapping or threatening family until the "primary" caves under pressure.The job of keeping the Kessler family alive falls to a man named Corte, a senior federal protection officer known as a "shepherd." Uncompromising, relentlessly devoted to protecting those in his care and a passionate board game aficionado, he applies brilliant gaming strategy to his work. For Corte, the reappearance of Loving--the man who, six years earlier, had tortured and killed someone close to him--is also an opportunity to avenge his friend's death. The assignment soon escalates into a fast-paced duel between Corte and Loving, a dangerous volley of wits and calculated risks.As he shepherds the Kesslers to a concealed safe house, Corte must anticipate Loving's every step as the lifter moves in on his prey, and with the help of razor-sharp investigator Claire DuBois and his longtime ally, FBI agent Paul Fredericks, pinpoint which of Kessler's seemingly insignificant cases has triggered Loving's return. As the team digs deeper, each of the Kesslers comes under close scrutiny, and in captivity their family bonds are stretched to the breaking point--as the lifter draws near, Corte must ultimately choose between protecting his charges and exposing them to a killer in the name of long-awaited revenge.

    Like the first two, this new thriller combines gripping contemporary suspense with a high-concept mystery rooted in history, philosophy, religion, and science. And like those novels, it is bound for bestseller lists nationwide. In Antarctica, a scientific expedition drops anchor for a live news feed. As the CNN journalist begins her report, a massive, shimmering sphere of light suddenly appears in the sky, enveloping the ship in luminous white light before disappearing as mysteriously as it arrived, the entire event witnessed by an incredulous world audience.Meanwhile in a dusty bar in Egypt, a dozen men are lazily discussing the state of the world when the brilliant, glowing symbol on the television stops them cold. One man breaks out in a sweat, crosses himself repeatedly, and rushes out of the bar muttering the same phrase over and over again: It can't be.Across the Internet and around the globe, a stunning controversy threatens to consume the world: Has God finally decided to reveal himself? Or is something more sinister at hand? Raymond Khoury/Steve Berry interview STEVE BERRY: Your new thriller, THE SIGN. I'm gonna come right out and say it: I think it's your best one yet. What do you think?RAMOND KHOURY: Tough call. It's my new baby, and much as I adore its elder siblings, it does have that newborn magic to it.STEVE: Trust me, it is. It's also a bit of a departure from your first two books, in that it doesn't have the past-and-present storylines. Knowing how stories kind of take on a life of their own, that wasn't a conscious decision from the get-go, was it?RAYMOND KHOURY: No, it wasn't premeditated. It's just the way the story came out. The whole story happens in the present. It takes place over a few manic days, I think you're familiar with that pacing, right? And it deals with the present, it's about a what if situation that's very today and now, there's a mystery, something to figure out, but there's no throwback to the past, no long lost secret to uncover.STEVE BERRY: It's also very topical. Your editors must be pleased.RAYMOND: I guess it happened that way because the story came out of some very strong feelings I had, feelings about what was going on around the world, in the US and abroad.STEVE: Tell me about that process. Where the story came from.RAYMOND: It's where they all come from, isn't it? That kernel, that one thought or one observation you have that just sticks and triggers a book, the one that bugs you late at night and that you can't shake. This one came to me while watching the news one day, and every item, one after another, it was all bad news. Not just bad, but it was like a lot of people were behaving so insanely in so many places around the world, and, sadly, a lot of it was fuelled by the manipulation or distortion of religious faith.STEVE: By intolerance?RAYMOND: Exactly. Intolerance and closed minds. And it got me thinking. About how divided we are, about how so many people all over the world believe in the absolute infallibility of their faith and how it rules every aspect of their lives, you know what I mean, we're right, everyone else is wrong, that medieval mindset and wondering if anything could ever unite the planet under a single faith.STEVE: One global religion. RAYMOND: Well, imagine if something did happen that convinced everyone that what we had until now, all these different religions that have grown over the last few thousand years, what if something new came along that was so overwhelming that it was impossible to ignore? Would we listen? Would we drop our previous faiths and embrace it?STEVE: But your book's about much more than that. Without wanting to give too much away, it's really a political thriller, isn't it?RAYMOND: It's always so hard to talk about a book without giving too much away.STEVE: It's the fine line we walk.RAYMOND: True. But yes, you're right, it's really about the absolute power something like that would bring, and how it could be abused. Cause above all else, it's a thriller. There's got to be a brilliantly dastardly scheme, right?STEVE: Always. And this one certainly is dastardly. One thing I've noticed, though, in all three of your books so far, they're all, essentially, about the big questions that face us: why we believe, whether or not we have to die. Religion, longevity, life and death, science vs. faith ... Big questions. And in this one, you revisit, though in a completely different way, the power of religion, the good it can bring as well as the bad, something that was also central to The Last Templar. Will this always be your signature genre, books that have a big, central theme at their core?RAYMOND: You asked me earlier about where the story came from. For me, in order to get excited about a book, it has to have a big central theme about how we live at its heart, something I'm interested in exploring. It's got to be about something I care about deeply. That's what drives the story and the characters forward for me. That's what I hope makes the books stand out. That they're not just page-turners, which ain't easy in itself, but that they're also about something. I see it in your books too. A point of view about things, a passion for laying out interesting information about a topic that interests you. Michael Crichton used to do that very successfully. Dan Brown, of course, does it brilliantly. That's what makes the books worth writing, I think.STEVE: And in reading the book, it's clear you still had tons of research to do, even though there isn't a historic mystery to unravel?RAYMOND: Absolutely. Some of it was about history, the monasteries in Egypt, for one. Again, part of the story, organically. Had to be done, and we do love our history, don't we?STEVE: Guilty as charged.RAYMOND: But for this book, I didn't need to do that much of it's nothing like what you did for THE CHARLEMAGNE PURSUIT, for instance. Which I loved, by the way. Particularly since you beat me to using the Voynich Manuscript in a story!STEVE: We do seem to be spookily in sync with our writing as further evidenced by THE SIGN's opening in Antarctica?RAYMOND: I know!STEVE: So tell me, Matt and Gracie. Are we going to see them again?RAYMOND: I don't know. On the one hand, I envy your situation with Cotton Malone, you've got a solid anchor for your books, you're building this great world around him, his son and Stephanie and Henrik and Cassiopeia, who I hope we see again real soon, and it's meaty and it's epic and like the rest of your readers, I'm hooked and I want to know what they do next. You've got that, Lee Child has had it since day one with Reacher, Harlan Coben with Myron Bolitar, the list goes on. Great characters. I'd love to do that one day, but it has to feel right. I wasn't in that frame of mind in my first two books, certainly the world after the end of THE SANCTUARY would be a very different place from the world Mia started out in at the beginning of that book. Tess and Reilly, I could maybe bring back. A lot of fans have asked for that. But with THE SIGN, Iinitely think Matt and Gracie are characters that I could bring back. I'd like to put them through another wringer, and it feels like it would come naturally. But before I do that, I'm writing the next book which introduces a new lead character, so they'll be getting a bit of a breather.STEVE: They sure can use it. Good luck with the book.RAYMOND: Thank you.