Read each year at the Seder table, the Haggadah recounts the miraculous tale of the liberation of the Children of Israel from slavery in Egypt, with a celebration of prayer, ritual, and song. Wiesel and Podwal guide you through the Haggadah and share their understanding and faith in a special illustrated edition that will be treasured for years to come. Accompanying the traditional Haggadah text (which appears here in an accessible new translation) are Elie Wiesel's poetic interpretations, reminiscences, and instructive retellings of ancient legends. The Nobel laureate interweaves past and present as the symbolism of the Seder is explored. Wiesel's commentaries may be read aloud in their entirety or selected passages may be read each year to illuminate the timeless message of this beloved book of redemption. This volume is enhanced by more than fifty original drawings by Mark Podwal, the artist whom Cynthia Ozick has called a "genius of metaphor through line." Podwal's work not only complements the traditional Haggadah text, as well as Wiesel's poetic voice, but also serves as commentary unto itself. The drawings, with their fresh juxtapositions of insight and revelation, are an innovative contribution to the long tradition of Haggadah illustration.

    Gangsters dealt with in this book include Louis Lepke Buchalter, Benjamin Bugsy Siegel, Arthur Dutch Schultz Flegenheimer, Meyer The Little Man Lansky, Chalie King Solomon, Max Boo Boo Hoff and Abner Longy Zwillman.

    Someone was trying to kill her, "to put a bullet in my head," Sonia told anyone who would listen. Polish and Jewish, Sonia Reich had survived the Holocaust by staying always on the run. She and Howard's father, Robert, also a Holocaust survivor, had fled to America, moved to Chicago, and raised their young son to tell no one that they were Jewish. It was only after moving to Skokie, a town filled with Holocaust survivors, that his family would live as Jews. Still, his parents told Howard almost nothing about their past. The First and Final Nightmare… is Reich's moving and bittersweet memoir of growing up in Skokie, discovering an odd and personal American freedom in jazz, and his riveting, revealing investigation into his family's past and the nature of his mother's illness, called late-onset Post Traumatic Stress Disorder. This is a poignant story of a mother and a son, a haunted past, and the irony of what may happen when that often repeated admonition to "never forget" becomes a curse.

    During the 1948 War of Independence--a time when pigeons are still used to deliver battlefield messages--a gifted young pigeon handler is mortally wounded. In the moments before his death, he dispatches one last pigeon. The bird is carrying his extraordinary gift to the girl he has loved since adolescence. Intertwined with this story is the contemporary tale of Yair Mendelsohn, who has his own legacy from the 1948 war. Yair is a tour guide specializing in bird-watching trips who, in middle age, falls in love again with a childhood girlfriend. His growing passion for her, along with a gift from his mother on her deathbed, becomes the key to a life he thought no longer possible. Unforgettable in both its particulars and its sweep, A Pigeon and A Boy is a tale of lovers then and now--of how deeply we love, of what home is, and why we, like pigeons trained to fly in one direction only, must eventually return to it. In a voice that is at once playful, wise, and altogether beguiling, Meir Shalev tells a story as universal as war and as intimate as a winged declaration of love. From the Hardcover edition.

    Violence in the Middle Ages, however, functioned differently, according to David Nirenberg. In this provocative book, he focuses on specific attacks against minorities in fourteenth-century France and the Crown of Aragon (Aragon, Catalonia, and Valencia). He argues that these attacks--ranging from massacres to verbal assaults against Jews, Muslims, lepers, and prostitutes--were often perpetrated not by irrational masses laboring under inherited ideologies and prejudices, but by groups that manipulated and reshaped the available discourses on minorities. Nirenberg shows that their use of violence expressed complex beliefs about topics as diverse as divine history, kinship, sex, money, and disease, and that their actions were frequently contested by competing groups within their own society.Nirenberg's readings of archival and literary sources demonstrates how violence set the terms and limits of coexistence for medieval minorities. The particular and contingent nature of this coexistence is underscored by the book's juxtapositions--some systematic (for example, that of the Crown of Aragon with France, Jew with Muslim, medieval with modern), and some suggestive (such as African ritual rebellion with Catalan riots). Throughout, the book questions the applicability of dichotomies like tolerance versus intolerance to the Middle Ages, and suggests the limitations of those analyses that look for the origins of modern European persecutory violence in the medieval past.

    

    The story of an adolescent whose life has been changed forever by his mother's suicide when he was twelve years old. The story of a man who leaves the constraints of his family and its community of dreamers, scholars, and failed businessmen to join a kibbutz, change his name, marry, have children. The story of a writer who becomes an active participant in the political life of his nation.(back cover)

    Her mother’s handwriting on the lined notepaper is so familiar, and the slight German accent Mali hears ticking through her words, so haunting. Mali reads the memories of her mother’s Jewish childhood in 1930s Berlin, then her life in war-torn London. But when she comes to her mother’s account of her too-early marriage and the divorce that forced her to leave her young daughter in London and go to New York, Mali is thrust back into her own unhappy childhood, where that relentless ache for her absent mother, lodged like a stony pit inside her, must now be reconciled.

    Bella's warm, humorous stories of her pious Jewish family are illustrated by 36 of her husband's pen-and-ink line drawings.

    Did Muslims and Jews in the Middle Ages cohabit in a peaceful interfaith utopia? Or were Jews under Muslim rule persecuted, much as they were in Christian lands? Rejecting both polemically charged myths, Mark Cohen offers a systematic comparison of Jewish life in medieval Islam and Christendom--the first in-depth explanation of why medieval Islamic-Jewish relations, though not utopic, were less confrontational and violent than those between Christians and Jews in the West.

    Wondering about their past, he wanders into the medieval haven of The Cloisters, and begins a conversation with a lovely and intriguing museum guide, Rachel Vedette.Rachel, a scholar of medieval history, has retreated to the quiet of The Cloisters after her harrowing experience as a Jewish woman in France during the Holocaust. She ponders her late father's greatest intellectual work: a study demonstrating the relationship between the famously discredited monk Peter Abelard and Jewish scholars. Something about Father Kavanagh makes Rachel think he might appreciate her continued studies, and she shares with him the work that cost her father his life.At the center of these interrelated stories is the classic romance between the great scholar Peter Abelard and his intellectual equal Heloise. For Rachel, Abelard is the key to understanding her people's place in intellectual history. For Kavanagh, he is a doorway to understanding the life he might have had outside of the Church. The Cloister is James Carroll at his best.

    France during the first Crusade.Feisty and smart, Elvina is not your average 12-year-old. She adores reading, writing, and studying like the boys. And she detests silly girls' chores, like keeping chicken eggs warm until they hatch. But she is also skilled in the art of healing, a skill that ultimately gets her into trouble. It's the 11th Century in France, and the Crusades are on a campaign to rid France of the Jews. The Jews live in terror and are on high alert that danger is drawing near to their town. One night, while Elvina is alone in her house, she hears a rap on the door. Can her guardian angel keep her safe?

    Their mother, a young American, devoutly recites Psalms at the bedside, refusing to answer any questions. Brought in to investigate, Detective Bina Tzedek follows a winding path that takes her through Jerusalem's Old City, kabbalists, mystical ancient texts, and terrifying cult rituals, until she finally uncovers the shocking truth.From internationally bestselling author Naomi Ragen, THE DEVIL IN JERUSALEM is a chilling tale of the paths that so easily lead us astray, and the darkness within us all.

    In this work Heschel explores despair and hope in Hasidism as he experienced it himself through study of the Baal Shem Tov and the Kotzker.

    In this mock autobiographical collection his mischievous drawings capture life's anxieties and ambitions from the mundane to the surreal. Here, at last, is The Truth about beer, doctors, shadow puppets, lunch, dolphins, boredom, and supernatural forces. Seductively strange and addictively amusing, this edgy little book welcomes the uninitiated and rewards the faithful.