His unforgettable characters illuminate familial love in all its forms: a single father goes to jail for avenging a hate crime perpetrated against his gay son; a mother returns home to her husband and children after an affair; an aging grandfather mediates between his quarreling son and his granddaughter; a man comes to New York to heal from the tragic death of his child. As emotionally acute as Lorrie Moore’s Birds of America, as unique and elegant as Jonathan Lethem’s 9 Inches, these stories of love, loss, estrangement, and the many names for family announce the arrival of a bold new literary talent.

    Although fellow novelists William Dean Howells and Hamlin Garland immediately recognized genius in the twenty-one-year-old author of Maggie: A Girl of the Streets, in 1893 most readers were unwilling to accept its unconventional theme and were uneasy with a style that was at once darkly naturalistic and vividly impressionistic. Today Maggie is esteemed as an American classic, the first of an impressive group of works in which Crane explored the underside of urban life, portraying the rise of the metropolis as it alters not just the human environment but human nature itself. This volume includes "George's Mother" and eleven other tales and sketches of New York written between 1892 and 1896. Together in their dignified realism these tales confirm Crane's place as the first modern American writer.

    Ending up homeless – not to mention husbandless – has come as an almighty shock. All she wants to do is lie low for a while, but when she arrives in a quiet street in South London she’s in for a surprise.The residents of Farewell Square are anything but quiet. There’s a housewife with a secret that needs to be shared, a publicist whose behaviour outside office hours would shock his clients and an artist who can’t seem to control her lodgers. They’re as intrigued by Lucy as she is by them, and as she’s drawn into their midst, she realises that life can be kind as well as cruel. And that no one has to be lonely if they don’t want to be.

    Three novels selected and condensed by Reader's Digest.

    As she struggles with her health, amongst an increasingly indifferent husband and volatile mother, she encounters unimaginable depths of loneliness and realizes that, even after she recovers, her life will never be the same.As the collection progresses, it picks up the threads of other people’s lives that have also been abruptly upended –- through death, divorce, illness and estrangements –- leaving them shocked and disoriented as they try to navigate their lives in new directions. A Montreal cookbook author remembers her stepmother's exquisite taste in dinner parties, and her failed marriage — both of which she seemed to inherit. An abandoned wife catches her glamorous author friend stealing from an old, billionaire widower. A woman loses her daughter to suicide while her architect husband, in the grips of Alzheimer’s years later, sits on a subway platform day after day, drawing hearts for all the young women he sees.Silcoff’s stories are sophisticated, detailed, and infused with humour, intelligence and touching emotional insights into the human condition.

     “Wait, not yet, I’m awake.” Will’s breath tickled my ear as he brought me closer and even threw one of his legs over mine. He backed us both away from the edge of the bed and I was pretty sure he was hitting the wall with his back. “You’ll make it harder for me to sneak out without waking you up.” I whispered, my slight annoyance edging in my voice. The quick exhale of breath coming from his nose was a probable chuckle as he murmured back to me: “That’s the point.”

    Evoking nostalgia for a time gone by, these poignant chronicles of life in India's hills and small towns describe the hopes and passions that capture young minds and hearts, highlighting the uneasy reconciliation of dreams and destiny. The six novels included in the collection are: 'The Room on the Roof', 'Vagrants in the Valley', 'Delhi Is Not Far', 'A Flight of Pigeons', 'The Sensualist', and 'A Handful of Nuts'.

    Weaving the legend of witches, warlocks, and alchemists with original stories are Christopher Stasheff, Katherine Kurtz, Esther Friesner, and others. 1 • The Alchemist and the Witch • Christopher Stasheff35 • Of Art and Science • Judith R. Conly37 • A Cup of Chaos • Wendy Wheeler61 • The Seal of Solomon • Robert Sheckley84 • The Seeing Stone • Jody Lynn Nye103 • Education • Doug Houseman and Anna O'Connell135 • A Little Learning • Esther M. Friesner160 • A Spell for Brass Buttons • Ru Emerson210 • The Summoning • Katherine Kurtz224 • Unholy Alliance • Morgan Llywelyn

    With and introduction by Wallace Brockway.

    'You have to marry outside your clan,' she said. 'That's law. All the people we knew were Bird Clan. All the others were gone.'When Gloria's great-grandmother, Green Leaf, left her home in the Hiwassee Valley of Tennessee, it was with a man on a stolen horse. She was one of the fugitive bands of Cherokee who'd resisted capture long ago.Decades later, her family takes Great Mam on a road trip home. But the place that holds the scattered bones of her ancestors is no longer the land she remembers.Bringing together past, present and future in our ninetieth year, Faber Stories is a celebratory compendium of collectable work.

    It argued that classical Aboriginal society was more sophisticated than Australians had been led to believe because it resembled more closely the farming communities of Europe.In Farmers or Hunter-gatherers? Peter Sutton and Keryn Walshe ask why Australians have been so receptive to the notion that farming represents an advance from hunting and gathering. Drawing on the knowledge of Aboriginal elders, previously not included within this discussion, and decades of anthropological scholarship, Sutton and Walshe provide extensive evidence to support their argument that classical Aboriginal society was a hunter-gatherer society and as sophisticated as the traditional European farming methods.Farmers or Hunter-gatherers? asks Australians to develop a deeper understanding and appreciation of Aboriginal society and culture.

    Book is in Very good condition throughout.

    Two grown sisters struggle with old assumptions about each other as they stumble to build a new relationship in A Map of Modern Palm Springs. Rome is the setting of Puttanesca, as two young widows move tentatively forward, still surrounded by ghosts and disappointments from the past.These twelve stories, filled with the sharp humor, emotional acuity, and joyful language that are sure to become Straub’s hallmarks, announce the arrival of a major new talent.

    As novelist Richard Ford has said, "Dubus is a patient, resourceful and profound writer who never gives in to convention--although his situations are our situations, and imminently recognizable. The great, addictive pleasure of reading him arises from our anticipation that he is always going to say something interesting."

    In considering the connections between literature and lived experience, this book contemplates four key questions at the heart of Indigenous kinship traditions: How do we learn to be human? How do we become good relatives? How do we become good ancestors? How do we learn to live together? Blending personal narrative and broader historical and cultural analysis with close readings of key creative and critical texts, Justice argues that Indigenous writers engage with these questions in part to challenge settler-colonial policies and practices that have targeted Indigenous connections to land, history, family, and self. More importantly, Indigenous writers imaginatively engage the many ways that communities and individuals have sought to nurture these relationships and project them into the future. This provocative volume challenges readers to critically consider and rethink their assumptions about Indigenous literature, history, and politics while never forgetting the emotional connections of our shared humanity and the power of story to effect personal and social change. Written with a generalist reader firmly in mind, but addressing issues of interest to specialists in the field, this book welcomes new audiences to Indigenous literary studies while offering more seasoned readers a renewed appreciation for these transformative literary traditions.