I squirt ketchup on my fingers and lick it off. I’m never full. I think it was one of the reasons I had to leave, or, rather, my mother kicked me out. Jenna’s a runaway, but I’m a throwaway. Tossed out. Like garbage.Keep your wits about you. Check your back. Do what it takes to survive on the streets. Dylan is living on the streets not through any choice of his own, unlike some of the teenagers he meets in the same situation. He’s been cut loose by his unstable mother, and lost most contact with his two younger brothers. He has nothing but his backpack stuffed with a few precious belongings and the homeless kids he meets. At least he has his theories. No one can take those away from him. Like how every fourth person throws him spare change; how no one does anything for anyone without a price; and how he just might be able to find a place in this complicated world. Disturbing, gritty, painful, hopeful—this is a story of a sixteen-year-old determined to survive against all odds.

    H recalls when he himself was sixteen—his godson’s age—as they search for the site of H’s life-altering friendship with a boy named Finn. Finn lives alone on an isolated slip of land and follows no rules: he spends his days swimming, fishing, and collecting driftwood for his tiny beach hut. H, on the other hand, is an upper-class boarding school boy stifled by monotony and endless rules. They meet by chance on the beach, and H is immediately awed by (and jealous of) Finn’s way of life. They strike up an unlikely friendship but the gap between their lives becomes difficult to bridge, and before long the idyll that nurtured their relationship is shattered by heart-wrenching scandal. Meg Rosoff was formerly a YA author, but her work transcends categorization and we are delighted to bring it to adult readers for the first time. What I Was is a timeless, enthralling story destined to become a classic.

    Her feelings don't make it any easier for her to cope with Molly's strange illness and eventual death.

    Her clan believes she has been cursed by bad luck, and she is confined to her family's tent to cook and sew. But Oyuna dreams of bringing honor and good luck to her family. Disguised as a boy and with only her beloved old mare and heroic cat for company, she sets off on a journey--a journey that will change her luck forever.

    They are each other’s strongest source of support even as their family life seems to be unraveling and their parents are considering divorce. Then the Boyers have a tragic encounter that will shatter everyone’s world forever.Giselle wakes up in a hospital room, injured and unable to speak or move. She doesn’t know what’s happened to her sister, to her family, to herself. Trapped in the prison of her own body, Giselle must revisit her past in order to understand how the people closest to her—her friends, her parents, and above all, Isabelle—have shaped and defined her. Will she allow her love for her family and friends to buoy her and lead her on the path to recovery? Or will she remain lost in a painful spiral of longing and regret?Untwine is a spellbinding tale, lyrical and filled with love, mystery, humor, and heartbreak. Award-winning author Edwidge Danticat brings her extraordinary talent to this graceful and unflinching examination of the bonds of friendship, romance, and family; the horrors of loss; and the strength we must discover in ourselves when all seems hopeless.

    A rogue black bear, 300 pounds of fury, is attacking the family's campsite, pouncing on her parents as prey.At her dying mother's faint urging, Anna manages to get her brother into the family's canoe and paddle away. But when the canoe dumps the two children on the edge of the woods, and the sister and brother must battle hunger, the elements, and a dangerous wilderness, we see Anna's heartbreaking love for her family -- and her struggle to be brave when nothing in her world seems safe anymore.Told in the honest, raw voice of five-year-old Anna, this is a riveting story of love, courage, and survival.

    In her late twenties, she reconnected with her first family and returned to Seoul where she spent four months getting to know other adoptees, as well as her Korean mother, father, siblings, and extended family. At the guesthouse for transnational adoptees where she lived, alliances were troubled by violence and fraught with the trauma of separation and of cultural illiteracy. Unsurprisingly, heartbreakingly, Wills found that her nascent relationships with her family were similarly fraught.Ten years later, Wills sustains close ties with her Korean family. Her Korean parents and her younger sister attended her wedding in Montreal, and that same sister now lives in Canada. Remarkably, meeting Jenny caused her birth parents to reunite after having been estranged since her adoption. Little by little, Jenny Heijun Wills is learning and relearning her stories and those of her biological kin, piecing together a fragmented life into something resembling a whole.Delving into gender, class, racial, and ethnic complexities, as well as into the complex relationships between Korean women—sisters, mothers and daughters, grandmothers and grandchildren, aunts and nieces—Older Sister. Not Necessarily Related. describes in visceral, lyrical prose the painful ripple effects that follow a child's removal from a family, and the rewards that can flow from both struggle and forgiveness.

    Mitchell died in 1998, he was described as "Canada's best-loved writer." Every commentator agreed that his best—and his best-loved—book was Who Has Seen the Wind. Since it was first published in 1947, this book has sold almost a million copies in Canada.As we enter the world of four-year-old Brian O'Connal, his father the druggist, his Uncle Sean, his mother, and his formidable Scotch grandmother ("she belshes … a lot"), it soon becomes clear that this is no ordinary book. As we watch Brian grow up, the prairie and its surprising inhabitants like the Ben and Saint Sammy—and the rich variety of small-town characters—become unforgettable. This book will be a delightful surprise for all those who are aware of it, but have never quite got around to reading it, till now.

    But when he discovers that his Filipino cousin Jun was murdered as part of President Duterte's war on drugs, and no one in the family wants to talk about what happened, Jay travels to the Philippines to find out the real story.Hoping to uncover more about Jun and the events that led to his death, Jay is forced to reckon with the many sides of his cousin before he can face the whole horrible truth -- and the part he played in it.

    As the Dunbar boys love and fight and learn to reckon with the adult world, they discover the moving secret behind their father’s disappearance. At the center of the Dunbar family is Clay, a boy who will build a bridge—for his family, for his past, for greatness, for his sins, for a miracle. The question is, how far is Clay willing to go? And how much can he overcome?

    At mealtimes he is seated at the "cat's table" - as far from the Captain's Table as can be - with a ragtag group of "insignificant" adults and two other boys, Cassius and Ramadhin. As the ship makes its way across the Indian Ocean, through the Suez Canal, into the Mediterranean, the boys tumble from one adventure to another, bursting all over the place like freed mercury. But there are other diversions as well: one man talks with them about jazz and women, another opens the door to the world of literature. The narrator's elusive, beautiful cousin Emily becomes his confidante, allowing him to see himself "with a distant eye" for the first time, and to feel the first stirring of desire. Another Cat's Table denizen, the shadowy Miss Lasqueti, is perhaps more than what she seems. And very late every night, the boys spy on a shackled prisoner, his crime and his fate a galvanizing mystery that will haunt them forever.As the narrative moves between the decks and holds of the ship and the boy's adult years, it tells a spellbinding story - by turns poignant and electrifying - about the magical, often forbidden, discoveries of childhood and a lifelong journey that begins unexpectedly with a spectacular sea voyage.

    Then Calvin’s mom washed Hobbes to death, Susie grew up beautiful and stopped talking to him, and Calvin pretty much forgot about the strip—until now. Now he is seventeen years old and has been diagnosed with schizophrenia. Hobbes is back, as a delusion, and Calvin can’t control him. Calvin decides that Watterson is the key to everything—if he would just make one more comic strip, but without Hobbes, Calvin would be cured. Calvin and Susie (is she real?) and Hobbes (he can’t be real, can he?) set out on a dangerous trek across frozen Lake Erie to track down Watterson.

    Told in a succession of short and powerful poems, it takes us deep into the cyclone of the narrator’s emotions: despair, anger, guilt, resentment, and ultimately, acceptance.

    Gradually they begin to comprehend that their country has been invaded and everyone in their town has been taken prisoner. As the reality of the situation hits them, they must make a decision — run and hide, give themselves up and be with their families, or fight back.

    Jahanara is the daughter of one of these ultra-rich and powerful figures, Shah Jahan The Magnificent. The oldest and favorite of his children, she is showered with emeralds, diamonds, and rubies, and is attended by numerous servants and learned tutors. Yet, her world is not one of pure contentment. It is rife with intrigue and turmoil as her father fights for his rights to rule - and she struggles against the confinement her Muslim religion dictates. Jahanara's diary allows readers to witness the exotic splendor and unforgettable drama of this past great dynasty.