Other outlandish tales include John Wayne battling cancer using a highly alternative therapy, a gene for integrity being harvested from the brain of an unwilling donor, and the landing of Christopher Columbus in modern-day Manhattan. Included are the Locus and Nebula Award-nominated novelette Auspicious Eggs and several previously unpublished pieces.ContentsIntroduction by Michael Swanwick“Auspicious Eggs”“Come Back, Dr. Sarcophagus”“Director’s Cut”“Fucking Justice”“Isabella of Castile Answers Her Mail”“Martyrs of the Upshot Knothole”“The Cat’s Pajamas”“The Eye That Never Blinks”“The Fate of Nations”“The War of the Worldviews”“The Wisdom of the Skin”“The Zombies of Montrose”

    Stern, domineering, fiercely loving, Lotty Kneen—born Dragitsa—was always tight-lipped about her early life and family history. She rebuffed Krissy’s curiosity and forbade her from taking the trip back to the old country that might have satisfied it.When her grandmother died recently, Krissy finally felt at liberty to explore the questions that had nagged at her for so long. In The Three Burials of Lotty Kneen Krissy sets out with a box containing her grandmother’s ashes, intending to trace the old woman’s early life in Slovenia and Egypt, and perhaps locate some remnants of family. Along the way she uncovers the extraordinary story of the colony of Slovene women who became the nannies of choice for the wealthy Italians of pre-war Alexandria—and identifies as best she can the places where Lotty’s restless, demanding spirit will be at peace.

    Pressured by a starving fellow poet, Will establishes The Poets' Preservation Society, a genteel organization to help poets in need. But when Will meets his muse, the enigmatic and athletic Lily White, he becomes inspired not only to write poetry, but to take guerrilla action in support of poets everywhere. Poetry meets parkour and culture clashes with commerce in this hilarious look at how we measure the value of art.

    Struggling to come to terms with her rampant fertility, disillusioned with a haughty obstetrician, and infuriated by an inordinate amount of peeing, Amy finds solace in a decision to homebirth. After all, it worked for the cavewomen, right? But as a tropical cyclone threatens to whip down the main street, Amy finds herself facing more than biology.Peace, Love and Khaki Socks explores what it is to be a woman, an expectant mother, a lover and a friend in a patriarchy. Sometimes horrifying, sometimes hilarious and always honest, this unforgettable story is one woman’s struggle to turn the ordinary into something extraordinary.

    If you have not yet bought Virgil Flowers Deadline, make sure to purchase it before buying this unofficial Sidekick. Welcome to Trippton, Minnesota, where life moves at a leisurely pace ... until your dog gets stolen, someone decides to start cooking meth next door, or the school board votes on a motion to murder you. Sandford’s beloved sleuth takes on three intertwining mysteries in Deadline, a fun and intriguing addition to the Virgil Flowers series. With this Sidekick, you’ll: • Discover some fascinating hidden gems and trivia about the novel • Spend some more time with the characters you’ve come to know and love • Learn what you might have missed on your first read • Explore possible alternate endings and imagine ideas for sequels • Get a chance to discuss the book with other readers on our Facebook forum Sidekicks are entertaining and insightful reading companions, filled with delightful commentary and thought-provoking questions. Readers have raved that Dave Eagle’s Sidekicks "really put you in touch with the many layers of the novel," "keep you entertained," and are "perfect if you want a vivid understanding of the story." Designed to be read side by side with the novels they complement, they’ll give you even more reasons to love some of today’s best books.

    Here, an angel, hastily thrown together by his fellow residents of Heaven, plummets to Earth in his first moments of consciousness. Jim Limber, the adopted mixed-race son of Jefferson Davis, wanders through the afterlife, reckoning with the nuances of America’s, as well as his own, racial history. Sometimes I Never Suffered is a search for purpose and atonement, freedom and forgiveness, imagining eternity not as an escape from the past or present, but as a reverberating record and as the culmination of time’s manifold potential to mend.

    Then he started writing down his conversations. Zoom, phone, yelled heart-to-hearts from kitchen window to pavement. This book is the result. A paperback account of one man’s experience of the most peculiar moment in our recent history.

    One snowy night, exhausted parents Evelyn and Gabe Mitchell have just put their colicky four month old baby, Abigail, to sleep in the nursery of their farmhouse. Afraid their large mixed breed dog, Girl, will wake the baby, they unsuccessfully try to coax her out from under the crib where she has slept since the baby was born. Girl refuses to budge, because Girl senses what nobody else knows: something is catastrophically wrong. Told in lean, luminous prose, and inspired by a real life rescue, Miracle on Wolf Hollow Lane is a riveting story about one dog’s power of fortitude and gritty determination to live, to beat the odds, to return home, and maybe, just maybe, save the family from impending tragedy.OTHER BEST SELLING AND AWARD-WINNING BOOKS BY BLAKE O'CONNOR:Trust MeUnspoken Bond

    As she’s bending it his eyes pop open and I move towards the bed, watching as he struggles to take a breath. Zoe smiles while tears roll down her face. I look on watching him fight for his life. He reaches out, trying to grab for Zoe and I grab a pillow from off the couch behind me and place it over his face. I press down hard. Zoe releases the tube and begins pressing down on the pillow with me too. We both press with all our might.

    With an essay by Kevin Power.

    104 pages of gossiping, loving and pestering of the British upper class, accompanied by illustrations, will definitely not disappoint.

    James Lasdun's great gift is his unfailing psychological instinct for the vertiginous moments when the essence of a life discloses itself. With forensic skill he exposes his characters' hidden desires and fears, drawing back the folds of their familiar self-delusions, their images of themselves, their habits and routines, to reveal their interior lives with brilliant clarity.In sharply evoked settings that range from the wilds of Northern Greece to the beaches ofCape Cod, these intensely dramatic tales chart the metamorphoses of their characters as they fall prey to the full range of human passions. They rise to unexpected heights of decency or stumble into comic or tragic folly. They throw themselves open to lust, longing, and paranoia--always recognizably mirrors of our own conflicted selves.As James Wood has written, "James Lasdun seems to be one of the secret gardens of English writing . . . When we read him we know what language is for again." This collection of haunting, richly humane pieces is further proof of the powers of an enormously inventive writer.

    All the ten year old Bowden knew about golf was that it was a stupid game that took up too much of his father’s time, and that he’d much rather kick around a soccer ball or stay home and read a book. But all that changed once Bowden’s father, a renowned local doctor, introduced him to one of his patients, Freddie Bennett, the legendary Augusta National caddie master. Though Bowden was a white child of considerable privilege and Bennett was an older black gentleman of more modest means, the two formed an unusual bond. It was Bennett who introduced Bowden to the game of golf, a sport that would one day earn him a Division 1 golf scholarship and lead him to the final stage of a British Open qualifier. But it was the lessons Bennett taught the young Bowden off the course that had their profoundest impact on his life. Through Freddie and his particular brand of homespun wisdom, the author learned invaluable lessons about personal responsibility, hard work, and respect for others regardless of age, race or religion. He also learned that there’s much more to life than just playing golf. Like the bestsellers Tuesdays With Morrie and Seasons of Life before it, Freddie & Me is a heartwarming tale of two unlikely friends and their uncommon bond forged through sport.

    When they meet they find the tender beginnings of love and healing. Alice is fifteen, with hair as red as fire and skin as pale as bone, but something inside her is broken. She has acquired brain injury, the result of an assault, and her words come out slow and slurred. But when she writes, heartwords fly from her pen. She writes poems to express the words she can't say and leaves them in unexpected places around the town. Manny was once a child soldier. He is sixteen and has lost all his family. He appears to be adapting to his new life in this country, where there is comfort and safety, but at night he runs, barefoot, to escape the memory of his past. When he first sees Alice, she is sitting on the rusty roof of her river-house, looking like a carving on an old-fashioned ship sailing through the stars.

    Yet for all their metaphorical suggestiveness, Dickinson’s and Whitman’s poems about the natural world neither preclude nor erase nature’s relevance as an actual living environment. In their respective poetic projects, the earth matters both figuratively, as a realm of the imagination, and also as the physical ground that is profoundly affected by human action. This double perspective, and the ways in which it intersects with their formal innovations, points beyond their traditional status as curiously disparate icons of American nature poetry. That both of them not only approach nature as an important subject in its own right, but also address human-nature relationships in ethical terms, invests their work with important environmental overtones. Dickinson and Whitman developed their environmentally suggestive poetics at roughly the same historical moment, at a time when a major shift was occurring in American culture’s view and understanding of the natural world. Just as they were achieving poetic maturity, the dominant view of wilderness was beginning to shift from obstacle or exploitable resource to an endangered treasure in need of conservation and preservation.A Place for Humility examines Dickinson’s and Whitman’s poetry in conjunction with this important change in American environmental perception, exploring the links between their poetic projects within the context of developing nineteenth-century environmental thought. Christine Gerhardt argues that each author's poetry participates in this shift in different but related ways, and that their involvement with their culture’s growing environmental sensibilities constitutes an important connection between their disparate poetic projects. There may be few direct links between Dickinson’s “letter to the World” and Whitman’s “language experiment,” but via a web of environmentally-oriented discourses, their poetry engages in a cultural conversation about the natural world and the possibilities and limitations of writing about it—a conversation in which their thematic and formal choices meet on a surprising number of levels.