She can see fairies.But not the fairies we imagine. These fairies cast spells on her, rousing her from her sleep and propelling her out of bed. Disturbed by her daughter’s behaviour, Tanya’s mother sends her away to live with her grandmother at Elvesden Manor, a secluded countryside mansion on the outskirts of town.Then an old photograph leads Tanya to an unsolved mystery. Fifty years ago a girl vanished in the woods, a girl Tanya’s grandmother will not speak of. Tanya is determined to find the truth, but as she unearths more secrets she finds herself dangerously close to following in the missing girl’s footsteps . . .

    The purple blossoms serve as an assurance of her mother's love. But Rose is dealt a second blow when her father dies and his greedy widow, Ombrine, and her daughter, Desirée, move in and take over the manor in true Cinderella fashion. Fate has been cruel to Ombrine and Desirée, too. So despite their harsh ways, Rose has compassion. But these feelings are bitterly tested when, in a rage, Ombrine tears out the garden. Rose nearly gives up all hope--until a chance meeting with the king. Happiness might be within her reach, but first she must prevail over Ombrine. And then she must determine if she has the courage to love.

    Buran cannot—Buran will not—sit quietly at home and wait to be married to the man her father chooses. Determined to use her skills and earn a fortune, she instead disguises herself as a boy and travels by camel caravan to a distant city. There, she maintains her masculine disguise and establishes a successful business. The city's crown prince comes often to her shop, and soon Buran finds herself falling in love. But if she reveals to Mahmud that she is a woman, she will lose everything she has worked for.

    In nineteenth-century England, a powerful sorcerer and King of the Goblins chooses Kate, the elder of two orphan girls recently arrived at their ancestral home, Hallow Hill, to become his bride and queen...

    The book tells the adventures of the real boy who came to London and became a well-known figure more than a hundred years before James Barrie penned his classic. Peter the Wild Boy lived in eighteenth century England, through the reigns of three kings (all named George), and achieved legendary status in his own lifetime. He was not only a popular figure, but also drew intense philosophical and scientific study, and was a subject of interest to literary figures such as Daniel Defoe and Jonathan Swift. Peter retained a youthful appearance throughout his life, and had a joyful, intuitive spirit that was both challenging and infectious. This imaginative dramatization of the life of Peter the Wild Boy captures the joy, innocence and fire of a bright, feral child living in the midst of the Age of Enlightenment. It is narrated by the girl who perhaps knew him best. The epic story of his life, spanning approximately seventy years, navigates a tumultuous and thoughtful period in English history, rich with characters. Peter is a magical, poignant tale full of humor, love, and courage in the face of life's difficulties. It will make you laugh, cry, dream and remember what it means to be young.

    But when you are a boy, the whole world can be your home. Men build houses and ships and sail off to discover strange new lands. But women must stay indoors, sewing stitches so fine that no one will ever see them. Our work is only visible if we do it badly. Aunt Elinor says I must be ladylike, like Sabine. But I will never be like Sabine in a thousand years...

    I'll be a knight.And so young Alanna of Trebond begins the journey to knighthood. Though a girl, Alanna has always craved the adventure and daring allowed only for boys; her twin brother, Thom, yearns to learn the art of magic. So one day they decide to switch places: Thom heads for the convent to learn magic; Alanna, pretending to be a boy, is on her way to the castle of King Roald to begin her training as a page. But the road to knighthood is not an easy one. As Alanna masters the skills necessary for battle, she must also learn to control her heart and to discern her enemies from her allies.Filled with swords and sorcery, adventure and intrigue, good and evil, Alanna's first adventure begins - one that will lead to the fulfillment of her dreams and the magical destiny that will make her a legend in her land.

    The dazzling lights cast shadows that grow ever darker as the glitzy prosperity of the Roaring Twenties screeches to a halt. Enter a cast of familiar characters: a young girl, Samantha White, returning after being sent away by her cruel stepmother, the Queen of the Follies, years earlier; her father, the King of Wall Street, who survives the stock market crash only to suffer a strange and sudden death; seven street urchins, brave protectors for a girl as pure as snow; and a mysterious stock ticker that holds the stepmother in its thrall, churning out ticker tape imprinted with the wicked words "Another . . . More Beautiful . . . KILL." In a moody, cinematic new telling of a beloved fairy tale, extraordinary graphic novelist Matt Phelan captures the essence of classic film noir on the page—and draws a striking distinction between good and evil.

    A witch haunts our woods. Bandits roam our moors" . . . King Stromgard swept on. "In the tradition of so many monarchs, I offer my daughter's hand in marriage and half my kingdom to the prince who can rid us of these evils, restoring peace and prosperity to our realm."And so the contest in the Kingdom of Greeve begins. But Princess Margaret is not your traditional princess. Meg firmly objects to her parents' giving her away, and she certainly has no intention of remaining in the tower where she is sequestered. Instead, she sets out to win the contest herself by enlisting the help of her good friend, her loyal maid, an eager guardsman, a young wizard, and a tenacious witch. Does Meg find her distinct place in the kingdom, or is she doomed to fulfill her royal duties?Kate Coombs weaves a magical tale full of pesky princes, enchanted frogs, a beady-eyed scarf, and invisibility juice – a tale of wonder, but a story familiar to all who struggle to find their own place in the world.

    For the house is positively overflowing with sparkling magic—she can feel it. And it’s not long before Rose realises that maybe, just maybe, she has a little bit of magic in her, too. . . .The first book in an exciting, get-lost-in-the-world series about orphans, alchemy, magical powers and sinister child-catchers.

    Sent into the forest to gather firewood, he stumbles across a trapped, wounded creature no bigger than a cat.The little goblin shares a terrible secret: Buried deep in the snow behind the monastery is an angel. But, Will wonders, how can an angel die? And what does this angel have to do with the history of Crowfield? When two cloaked strangers show up and start asking questions, Will is drawn into a dangerous world of Old Magic.

    Let's try again.Once upon a time, a boy did a horrible job as a sheep-sitter and burned his tongue on stolen pie.No, children in these stories are always good and virtuous. From the top.Once upon a time, a king and queen tried to find a princess for their son to marry, and he wound up fleeing from a group of very hairy vampires.Hmmm...What about, once upon a time, a bunch of fairy tales got twisted around to be completely hilarious, a tiny bit icky, and delightfully spooky scarytales... in other words, exactly what fairy tales were meant to be. Grab some flaming torches, maybe don't accept that bowl of pease porridge, and get ready for a wickedly fun ride with acclaimed author Kiersten White and fairy tales like you've never heard them before.

    Her grandfather, on the other hand, intends to see her starched and pressed into a fine society lady. When she's sent to Miss Eliza Crumb-Biddlecomb's Finishing School for Young Ladies, Jocelyn's hopes of following in her father's fearsome footsteps are lost in a heap of dance lessons, white gloves, and way too much pink.So when Jocelyn receives a letter from her father challenging her to avenge his untimely demise at the jaws of the Neverland crocodile, she doesn't hesitate-here at last is the adventure she has been waiting for. But Jocelyn finds that being a pirate is a bit more difficult than she'd bargained for. As if attempting to defeat the Neverland's most fearsome beast isn't enough to deal with, she's tasked with captaining a crew of woefully untrained pirates, outwitting cannibals wild for English cuisine, and rescuing her best friend from a certain pack of lost children, not to mention that pesky Peter Pan who keeps barging in uninvited.The crocodile's clock is always ticking in Heidi Schulz's debut novel, a story told by an irascible narrator who is both dazzlingly witty and sharp as a sword. Will Jocelyn find the courage to beat the incessant monster before time runs out?

    Consisting of a series of episodes in the story of the English outlaw Robin Hood and his band of Merry Men, the novel compiles traditional material into a coherent narrative in a colorful, invented "old English" idiom that preserves some flavor of the ballads, and adapts it for children. The novel is notable for taking the subject of Robin Hood, which had been increasingly popular through the 19th century, in a new direction that influenced later writers, artists, and filmmakers through the next century.[1]Pyle had been submitting illustrated poems and fairy tales to New York publications since 1876, and had met with success. The Merry Adventures of Robin Hood was the first novel he attempted. He took his material from Middle Age ballads and wove them into a cohesive story, altering them for coherence and the tastes of his child audience. For example, he included "Robin Hood and the Curtal Friar" in the narrative order to reintroduce Friar Tuck. He needed a cooperative priest for the wedding of outlaw Allan a Dale (Pyle's spelling of the original Alan-a-Dale) to his sweetheart Ellen. In the original "A Gest of Robyn Hode", the life is saved of an anonymous wrestler who had won a bout but was likely to be murdered because he was a stranger. Pyle adapted it and gave the wrestler the identity of David of Doncaster, one of Robin's band in the story "Robin Hood and the Golden Arrow." In his novelistic treatment of the tales, Pyle thus developed several characters who had been mentioned in only one ballad, such as David of Doncaster or Arthur a Bland. Pyle's book continued the 19th-century trend of portraying Robin Hood as a heroic outlaw who robs the rich to feed the poor; this portrayal contrasts with the Robin Hood of the ballads, where the protagonist is an out-and-out crook, whose crimes are motivated by personal gain rather than politics or a desire to help others.[1] For instance, he modified the ballad "Robin Hood's Progress to Nottingham", changing it from Robin killing fourteen foresters for not honoring a bet to Robin defending himself against a band of armed robbers. Pyle has Robin kill only one man, who shoots at him first. Tales are changed in which Robin steals all that an ambushed traveler carried, such as "Robin Hood and the Bishop of Hereford", so that the victim keeps a third and another third is dedicated to the poor. Pyle did not have much concern for historical accuracy, but he renamed the queen-consort in the story "Robin Hood and Queen Katherine" as Eleanor (of Aquitaine). This made her compatible historically with King Richard the Lion-Hearted, with whom Robin eventually makes peace. The novel was first published by Scribner's in 1883, and met with immediate success,[1] ushering in a new era of Robin Hood stories. It helped solidify the image of a heroic Robin Hood, which had begun in earlier works such as Walter Scott's 1819 novel Ivanhoe. In Pyle's wake, Robin Hood has become a staunch philanthropist protecting innocents against increasingly aggressive villains.[1] Along with the publication of the Child Ballads by Francis James Child, which included most of the surviving Robin Hood ballads, Pyle's novel helped increase the popularity of the Robin Hood legend in the United States. The Merry Adventures also had an effect on subsequent children's literature. It helped move the Robin Hood legend out of the realm of penny dreadfuls and into the realm of respected children's books.[2] After Pyle, Robin Hood became an increasingly popular subject for children's books: Louis Rhead's Bold Robin Hood and His Outlaw Band (1912) and Paul Creswick's Robin Hood (1917), illustrated by Pyle's pupil N. C.

    As readers follow the siblings through a forest brimming with menacing foes, they learn the true story behind (and beyond) the bread crumbs, edible houses, and outwitted witches. Fairy tales have never been more irreverent or subversive as Hansel and Gretel learn to take charge of their destinies and become the clever architects of their own happily ever after.