Cinnamon had pearls for eyes. Cinnamon did not talk.Her father and mother offered many riches to anyone who could get Cinnamon to speak. One day a tiger came to the palace, armed with knowledge of the world, and everything changed.

    Life on the streets of the teeming city of Chennai is harsh for girls considered outcasts, but the sisters manage to find shelter on an abandoned bridge. There they befriend Muthi and Arul, two boys in a similar predicament, and the four children bond together and form a family of sorts. Viji starts working with the boys scavenging in trash heaps while Rukku makes bead necklaces, and they buy food with what little money they earn. They are often hungry and scared but they have each other--and Kutti, the best dog ever. When the kids are forced from their safe haven on the bridge, they take shelter in a graveyard. But it is now the rainy season and they are plagued by mosquitos, and Rukku and Muthu fall ill. As their symptoms worsen, Viji and Arul must decide whether to risk going for help--when most adults in their lives have proven themselves untrustworthy--or to continue holding on to their fragile, hard-fought freedom.

    270-380 BCE) was classical India's greatest thinker and teacher. Through his unparalleled ability to devise result-oriented military, political, and administrative strategy, he overthrew one king, crowned another and paved the way for the establishment of India's first great empire. His seminal work, the Arthashashtra, arguably the world's first comprehensive treatise on statecraft and governance, was written approximately two thousand years before Machiavelli's The Prince.What would Chanakya do if confronted with the various crises that beset contemporary India? Using this question as the starting point for his new book, celebrated writer and thinker Pavan K. Varma has drawn up a practical and detailed plan, modelled on the Arthashashtra, to bring about reform and change in five key areas that require urgent attention governance, democracy, corruption, security, and the building of an inclusive society. Whether it is laying the foundation for an independent and effective Lokpal, or decriminalizing politics and successfully weeding out the corrupt, the solutions he proposes are substantive, well within the constitutional framework, and can make all the difference between intent and action.Chanakya's New Manifesto is both a call to action as well as a deeply insightful account of the challenges facing the country today. It is a book that should be attentively read by everybody with a stake in India's future.

    

    Ganesha is just like any other kid, except that he has the head of an elephant and rides around on a magical mouse. And he loves sweets, especially the traditional dessert laddoo. But when Ganesha insists on biting into a super jumbo jawbreaker laddoo, his tusk breaks off! Ganesha is terribly upset, but with the help of the wise poet Vyasa, and his friend Mr. Mouse, he learns that what seems broken can actually be quite useful after all. With vibrant, graphic illustrations, expressive characters, and offbeat humor, this is a wonderfully inventive rendition of a classic tale.

    But it is for his writing for children that he is best remembered.This book is a selection of the best of his stories and the most fascinating of his characters: Goopy and Bagha, dedicated but unsuccessful musicians who are cast out of their homes because their music drives their families and neighbours crazy; Tuntuni, the little bird; the clever fox; Majantali Sarkar, the cat; the intrepid Granny Hunchback; and many others.Swagata Deb’s vibrant translation brings Upendrakishore’s unique magic to a wider audience.

    

    The heady mix of human depravity, humour, satire, tragedy, revenge and drama makes these stories an essential cocktail of emotions.Review:“Breezy, Flippant, Poignant... Tales of pleasurable wickedness.”-Salil Desai, author of Inspector Saralkar Mystery Series“Although not all sugar and sunshine, Dalvi's voice is an important one, because he chooses to tell stories that others would normally shy away from. There's a serene resignation in his tales, one that is completely devoid of both hope as well as regret. I thoroughly enjoyed the stories.”-Bhaskar Chattopadhyay, author of Patang, Penumbra, Here Falls the Shadow, The Disappearance of Sally Sequeira and Best Served Cold“Gripping short-stories by Rafaa Dalvi. I am both intrigued and scared by his plot-twists. Thrilled to have read this book.”-Sanhita Baruah, author of The Art of Letting Go and The Art of Healing“Some of the best stories I have read so far. Rafaa has a gift of telling complex stories in a very intuitive and straightforward and are easy to read. This book is the best thing that has come out during these current circumstances.”-S. G. Kabe, author of Everything is Normal“Rafaa Dalvi is a flash fiction expert.”-T.F. Carthick, author of Carthick’s Unfairy Tales and More Unfairy Tales“Taut, propulsive and riveting, Rafaa’s mesmerising stories pack a big punch. Chasing Nirvana has been carefully crafted for maximum impact. A highly compelling read.”-Vivek Banerjee, author of ‘The Long Road’ and ‘The Other Side’

    . .Business returns to a once-prosperous restaurant when a mysterious stranger pays for his meal with a magical paper crane that comes alive and dances. The Paper Crane is illustrated with cut-paper collages and paintings. It is a wonderful book to use with children learning about patterns in storytelling. "A delight to the eye and imagination."—The Horn Book. "An enchanting book."—School Library JournalSupports the Common Core State Standards

    Trouble is, Crocodile is hungry, too—for Monkey! Will clever Monkey come up with a way to get the mangoes and escape Crocodile's sharp teeth? Master storyteller and artist Gerald McDermott brings the vibrant colors of India to his telling of this classic trickster tale, which has plenty of cleverness and a sprinkling of mischief.

    Step back into ancient India as Marcia Williams brings her inviting comic-book style to eight animal folktales that continue to enchant children today.Have you heard about the elephant and the dog who became not just unlikely companions, but the best of friends? Or the traveler whose greed for gold lures him straight into the scrawny tiger’s trap? How about the talkative tortoise who can’t keep his mouth closed to save his life? Drawing from three books of best-loved Indian folktales — Hitopadesha Tales, Jataka Tales, and Panchantra Tales — this graphic storybook collection, alive with kid-friendly illustrations, is infused with humor and warmth.

    Set in India, England, and New York City, A Lovesong for India reveals what unites us across oceans, cultures, and lifetimes.In “Innocence,” an older couple, whose social standing is marred from a decades-old scandal, rent out rooms in their Delhi home for both companionship and income. Isolated and battling blame and guilt, the couple becomes deeply invested in the lives of their two tenants. With the addition of a third renter—a beautiful and provocative woman from India—tensions in the household push the story to its feverish conclusion.The story “Talent” finds Jhabvala in New York City reflecting on the friction between family and societal expectations. Magda is a talent scout whose entire life is her work until she meets Ellie, a singer whose immense ability and unguarded personality captivate Magda. Soon Ellie is integrated into Magda’s extended family for better or worse.Remarkable and unwavering, this collection is the hallmark of Jhabvala’s celebrated career and a testament to her “balance, subtlety, wry humor, and beauty” —The New York Times.

    He carefully places rocks around it as the local mango seller rushes past shouting, “Out of the way! Out of the way!” As the tree grows bigger, people and animals traverse the path until it becomes a lane, flowing like a river around the tree — getting out of its way. Over time, the lane becomes a road, and a young man crossing the road with his children remembers the baby tree from long ago. By the time he is an old man, the tree has become a giant. The city traffic continues to rattle past, noisier and busier than ever, but sometimes the great tree works its magic, and people just stop, and listen.In this simple, lyrical story, a wide-spreading tree and a busy road grow simultaneously, even as time passes and the footsteps of people and animals give way to speeding cars, buses and trucks. The illustrations, in pen-and-ink with vibrant blocks of color, have a classic folk-art feel.The author and illustrator, who really do share the same name (except for the last letter!), have always wanted to do a book together.For an author interview about Out of the Way! Out of the Way! go to http://www.youtube.com/watch?v=jXu36O...

    A great resource for teachers!Read and Wonder books tell stories, take children on adventures, and reveal how big and WONDER-full the natural world really is.

    Covering almost seventy years of conflict, it chronicles the events leading up to Partition, reflects on the consequent strife, and provides a fresh, discursive perspective on the figures who have shaped the story of this land—from Lord Louis Mountbatten and Muhammad Ali Jinnah to Atal Bihari Vajpayee and Manmohan Singh.Covering historical, diplomatic and military perspectives, Where Borders Bleed is intrepid, engaging with a range of contentious issues that have shaped Indo-Pak relations—water sharing, Kashmir and Article 370. Equally, it is speculative. It asks: would terror have affected the world the way it has, if ‘PakIndia’ had been a benign single entity? What if India and Pakistan were to reunite, much like East and West Germany? As the now-largest nation in the world, would the mammoth PakIndia radically change the globe’s geo-political framework?These questions—combined with the author’s own diplomatic access to rare archival material and key leaders across borders—make this a one-of-a-kind book on the story of India and Pakistan.