It has been celebrated for its beauty and mystery, its realistic depiction of space travel and dazzling display of visual effects, the breathtaking scope of its story, which reaches across millions of years, and the thought-provoking depth of its meditation on evolution, technology and humanity's encounters with the unknown. 2001 has been described as the most expensive avant-garde movie ever made and as a psychedelic trip, a unique expression of the spirit of the 1960s and as a timeless masterpiece. Peter Krämer's insightful study explores the complex origins of the film, the unique shape it took and the extraordinary impact it made on contemporary audiences. Drawing on new research in the Stanley Kubrick Archive at the University of the Arts London, Krämer challenges many of the widely-held assumptions about the film. He argues that 2001 was Kubrick's attempt to counter the deep pessimism of his previous film, Dr Strangelove (1964), which culminates in the explosion of a nuclear 'doomsday' device, with a more hopeful vision of humanity's future, facilitated by the intervention of mysterious extra-terrestrial artifacts. This study traces the project's development from the first letter Kubrick wrote to his future collaborator Arthur C. Clarke in March 1964 all the way to the dramatic changes Kubrick made to the film shortly before its release by MGM in April 1968. Krämer shows that, despite – or, perhaps, because of – Kubrick's daring last-minute decision to turn the film itself into a mysterious artifact, 2001 was an instant success with both critics and general audiences, and has exerted enormous influence over Hollywood's output of science fiction movies ever since. The book argues that 2001 invites us to enjoy and contemplate its sounds and images over and over again, and, if we are so inclined, to take away from it an important message of hope.

    But on the way to the race, Lightning's impatience causes him to get separated from his driver. In his struggle to find the interstate, Lightning tears through the forgotten Route 66 town of Radiator Springs, demolishing its main street in the process. With the race just days away, Lightning is arrested and forced to slow down for the first time in his life. As he gets to know the town's offbeat residents, he learns the importance of teamwork and friendship--and discovers that life is about the journey, not the finish line.

    In the tradition of Terms of Endearment, Beaches and Steel Magnolias comes a heartbreaking tale of love and loss that beautifully captures the intensity of motherhood, the vulnerability of children, and the courage it takes to let go and say goodbye.

    As Elmore Leonard said of him, "Gifford cuts right through to the heart of what makes a good novel readable and entertaining . . . the way Barry Gifford does it, it's high art."

    He relates his story via flashbacks to a reporter visiting him on death row. Based on the original screenplay for the upcoming Universal Studios film, starring Kevin Spacey, Laura Linney, and Kate Winslet, set for release in December. Original.

    Secretly in love with Cheryl for years, Elaine hopes she'll finally have a chance to win Cheryl's heart. But will she? Mickey's fling will soon be over and she'll want Cheryl back...in the worst way.

    Offers an intimate look at the work of Hollywood director John Ford through the observant eyes of actor Harry Carey, Jr.