Who feel everything and everything has feeling."In My Head, the debut release of one of Instagram's most popular poets whose writing has been liked by millions, dives below the surface of love, loss, and life.J.M. Storm has crafted a haunting yet hopeful poetry collection that is meant to be felt as much as it is read.

    It seemed that this marriage had a price to pay. She had never contacted him and he had forgotten all about her existence. He had never thought that he would have a baby with his one-night-only wife. Would their son bind them together? See for yourself!

    Living in Bangalore with her best friend, Farida, and working as the social media head of a software firm, she's weighed down by the thought of becoming a responsible thirty-year-old. To add to this, sge also has to fend off her nother's persistent queries about when she intends to get married. Things begin to look up when Priya bumps into her charming new neighbour, Ajay. Sparks fly, but she soon finds out that he's a widower who has some baggage to deal with.Thabkfully, Priya finds comfort in the fact that her friends Farida, Mini and Namrata are approaching the three-O milestone too. Free-spirited Farida, shy Namrata, feisty Mini and Priya are brought together by family drama, boy trouble, and their fast-approachung birthdays. As they navigate love and friendships, they realise there's a difference between growing up and growing old....

    Sara Peters combines poetry and short prose vignettes to create a singular, unflinching portrait of a Town in which the lives of girls and women are shaped by the brutality meted upon them and by their acts of defiance and yearning towards places of safety and belonging. Through lucid detail, sparkling imagery and illumination, Peters' individual characters and the collective of The Town leap vividly, fully formed off the page. A hybrid in form, I Become a Delight to My Enemies is an awe-inspiring example of the exquisite force of words to shock and to move, from a writer of exceptional talent and potential.

    Its centerpiece is the song cycle, "Drift," which takes the anonymous 10th century Anglo-Saxon quest poem The Seafarer as its inspiration. Both ancient and contemporary tales of travel and exile shadow the plight and losses of wanderers across the waters in this haunting new book. Drift is the second of Bergvall's explorations of historical English language.

    The Book of Craw -- comprised of poems and proverbs from Craw's own notebook -- is the companion volume to The Dirty Parts of the Bible: A Novel.

    Included in this volume is the work from Eavan Boland's five early volumes of poetry: New Territory, The War Horse, In Her Own Image, Night Feed, and The Journey.The poems from Boland's first book, New Territory, show her to be, at twenty-two, a master of formal verse reflecting Irish history and myth. This collection charts the ways in which Boland's work breaks from poetic tradition, honors it, and reinvents it. Poems like "Anorexic," "Mastectomy," and "Witching" have an intensity reminiscent of Sylvia Plath and Anne Sexton. In later poems, her subjects become more personal, sequencing Boland's life as a woman, poet, and mother. Boland writes, "I grew to understand the Irish poetic tradition only when I went into exile with it," becoming, in effect, "a displaced person / in a pastoral chaos."This collection demonstrates how Boland's mature voice developed from the poetics of inner exile into a subtle, flexible idiom uniquely her own.

    But Ulysses (or his half brother) is but one of the beguiling guises Komunyakaa dons over the course of this densely lyrical book. Here his speaker observes a doomed court jester; here he is with Napoleon, as the emperor "tells the doctor to cut out his heart / & send it to the empress, Marie-Louise"; here he is at the circus, observing as "The strong man presses six hundred pounds, / his muscles flexed for the woman / whose T-shirt says, these guns are loaded"; and here is just a man, placing "a few red anemones / & a sheaf of wheat" on Mahmoud Darwish's grave, reflecting on why "I'd rather die a poet / than a warrior." Through these mutations and migrations and permutations and peregrinations there are constants: Komunyakaa's jazz-inflected rhythms; his effortlessly surreal images; his celebration of natural beauty and of love. There is also his insistent inquiry into the structures and struggles of power: not only of, say, king against jester but of man against his own desire and of the present against the pernicious influence of the past. Another brilliant collection from the man David Wojahn has called one of our "most significant and individual voices," The Emperor of Water Clocks delights, challenges, and satisfies.

    The wit and wisdom of the West, as documented by Dalton Wilcox, poet laureate of the West.

    But never drama with "the family." When a member of the mob shows up on her elderly neighbor's wedding day, Annabelle is surprised. But she's even more surprised when she learns the truth about Leatrice's past. To add insult to injury, Annabelle is one of the bridesmaids and everyone keeps asking her about her wedding plans. With wise guys on the loose, colorful hairdresser Fern dressed as a priest, and guests dropping from the heat, suddenly bridezillas don't seem so bad! Can Annabelle and her crew get the bride down the aisle before someone sleeps with the fishes?Godfather of the Bride, a novella, is the 14th book in Laura Durham's hilarious Annabelle Archer Wedding Planner Mystery series. If you like larger-than-life characters, madcap capers, and an insider’s look at glamorous society weddings, then you’ll love this award-winning cozy series.

    . . focus is so unwaveringly aimed toward the transcendent—not God, but the beloved—that we seem to slip into a less cluttered time.”—The Virginia Quarterly Review, “Editor’s Choice”"Mary Oliver calls him '...a Walt Whitman without an inch of Whitman's bunting or oratory.' In these pages, he is more nearly a modern-day Rumi. This is not primarily a poetry of image, but of ideas, perfectly distilled. Orr brings together the monumental themes of love and loss in small, spare, and exquisite koan-like poems."—ForeWord"...magnetic poems that open the world of lyrical verse to the larger questions of what is true and timeless." —The Bloomsbury ReviewGregory Orr continues his acclaimed project on the “beloved” with a lyrical sequence about the joys and hungers of being fully engaged in life. Through concise, perfectly formed poems, he wakes us to the ecstatic possibilities of recognizing and risking love. Mary Oliver has called this project “gorgeous,” and said that he "speaks of the events that have no larger or more important rival in our lives—of our love and our loving."If to say it onceAnd once only, then stillTo say: Yes.And say it complete,Say it as if the wordFilled the whole momentWith its absolute saying.Later for “but,” Later for “if.”NowOnly the single syllableThat is the beloved.That is the world.Gregory Orr is the author of ten books of poetry. He teaches at the University of Virginia and lives in Charlottesville.

    But on the way back home, she finds herself snowbound at the airport and forced to share a ride with a handsome stranger. Normally, she's not the sort of girl to pick up a stranger, much less sleep with him-but this is a moment out of time and place and Lucy goes for it. Back in London, just as Lucy decides to put this little secret adventure behind her, she encounters something shocking. Namely, a brightly-colored train-station poster asking "Lucy Blue, where are you?" And thus begins a journey that just might make Lucy see her chance meeting as the chance of a lifetime...

    Until the other bizarre and eccentric inhabitants of the building start arriving on his doorstep.And the Savage gets a visit from a homeless waif he meets in the local launderette called Korky.Korky's intrusion on Savage's private world alters his whole existence. High above the London rooftops this strange and contradictory relationship blooms like an improbable flower and Savage begins to realise that the world can creep under even the most firmly closed doors.'As ever in a Thomas novel, we constantly shift from tears to laughter and back again' Daily Express' A moving and jolly book ... with hardly a dull moment and difficult not to be cheered by' Times

    Not since Allen Ginsberg tried to levitate the Pentagon has American poetry seen the likes of the hallucinatory wit and moral clarity that Hillman brings to Washington in her poems about Congressional Hearings on the Iraq War. Here also--because it is about many kinds of power--is a sequence of twinned lyrics for the moon, governess of tides and night vision, for visible and invisible faces. Violence and the common world, fact and dream, science and magic, intuition and perception are reconfigured as the poet explores matters of spirit in political life and earthly fate. If it is time to weep by the waters of Babylon, it is also time to touch water's living currents. No one is reimagining the possibilities of lyric poetry with more inventiveness; this is masterful work by one of our finest poets.

    She is working as a software engineer in an investment bank in USA. She has money ($$$$), she can afford sex outside marriage. She also has opinion on everything. She is dating various marriage prospects, will she get her dream guy?