This collection will feature brand new stand-alone books from KL Donn, Evan Grace, Ashley Lane, C.M. Lally, Michelle Windsor, Sophia Henry, K.L. Humphreys, and Natalie Hill.THIS COLLECTION INCLUDES:Command by KL Donn, International Bestselling Author (Mafia Romance)A picture says a thousand words. Hers gives me a lifetime of peace. I am Viktor Vashchenko.Faceoff by Sophia Henry (Sports Romance)I was rocking the single dad thing, until my mom's sudden move to take care of my grandfather. When the most beautiful—and outspoken—woman at my daughter's daycare volunteers to be our live-in nanny, I want to say no, but I leave for training camp in two days, so I don’t have a choice. I knew our personalities would clash, but I didn’t expect a full-blown face-off.Anti-Venom: Vipers MC by Ashley Lane (MC Romance)Alone we're dangerous. Together we'll be deadly. They should know better than to mess with a viper in a bed of poison ivy, but it's a lesson some still need to learn.Saint's Angel by K.L. Humphreys & Natalie Hill (MC Romance)They call me Saint; I'm anything but. When a 5'4 angel crashes into my life, everything changes. Can she be the one to save me?Legend by C.M. Lally (Sports Romance)I have it all. Fame. Money. Respect. All a man could want from a pair of golden feet on the soccer field. But one moment can make or break you. For me, that moment has arrived. I. An. Legend.Catching Chase by Michelle Windsor (Sports Romance)Jasper Chase is in town for a weekend playoff game. Megan Lewis is in town for the week on business. Two strangers in the right place at the right time. After three passion-filled nights, they go their separate ways. No regrets, no fake promises, and no looking back. Until fate intervenes, reuniting them four years later. Except, she’s not very happy to see him. And he’s just figured out why. It’s clinging to her leg and has eyes just like his. So much for no regrets... The Change Up by Evan Grace (Sports Romance)Two years ago I slept with my best friend after being drafted to the Chicago Hawks MLB team. I left her without saying goodbye and I've regretted it ever since. I've drowned out thoughts of her in random women ever since, but nothing helps me forget. A chance encounter brings us back together, but there's something she's never told me...we have a son. Now I'll fight to keep him and to keep her--that's if she can forgive me for leaving and if I can forgive her for keeping my boy from me.

    Living in the port city of Halifax, Goyette’s days are bounded by the substantial fact of the North Atlantic, both by its physical presence and by its metaphoric connotations. And like many of life’s overwhelming facts, our awareness of the ocean’s importance and impact waxes and wanes as the ocean sometimes lurks in the background, sometimes imposes itself upon us, yet always, steadily, is. This collection is not your standard “Oh, Ocean!” versifying. Goyette plunges in and swims well outside the buoys to craft a sort of alternate, apocryphal account of our relationship with the ocean. In these linked poems, Goyette’s offbeat cast of archetypes (fog merchants, lifeguards, poets, carpenters, mothers, daughters) pronounce absurd explanations to both common and uncommon occurrences in a tone that is part cautionary tale, part creation myth and part urban legend: how fog was responsible for marriages, and for in-laws; why running, suburbs and chairs were invented; what happens when you smoke the exhaust from a pride of children pretending to be lions. All the while, the anthropomorphized ocean nibbles hungrily at the shoreline of our understanding,refusing to explain its moods and winning every staring contest. “I wrote these poems,” comments Goyette, “because I know very little about the ocean and yet rely on it like a mirror, a compass.” In Ocean, Goyette demonstrates how a spirited, playful and richly mythopoetic engagement with the world can actually strengthen our grasp on its bigger truths.

    But payback - in the shape of a man - will be hers.

    From "Accuracy" to "Wound," "Adam" to "Void," "Babel" to "Silence," these cross-referential, highly associative entries comprise an utterly singular work of art. A Whaler’s Dictionary is the mesmerizing product of a total immersion into one of the greatest novels in the English language.

    What do you do when: Mr Could Do Worse dumps you on the very night you think he's going to propose? Your twenty-something son turns up on your doorstep, with a broken heart and dirty washing in tow? You find out you're going to be a granny - at 45? Your son's maybe ex-girlfriend's father starts making wickedly naughty suggestions? Your ex's new bit of stuff wants to become your new best friend? Your 70-year-old father is dating someone young enough to be your sister? You make the same mistakes you made in your twenties two whole decades later? You can't get the one person you want out of your head? You grab the vodka and wonder if you're too old for all this crap!

    From the online hookup world of DMs, double taps, and secret texts to earth-shakingly erotic encounters under the northern stars to the ever-complicated relationship Indigenous women have with mainstream society, this poetry collection doesn't shy away from depicting the gorgeous diversity in decolonized desire. Instead, Campbell creates the most intimate of spaces, where the tea is hot and a seat is waiting, surrounded by the tantalizing laughter of aunties telling stories.These wise, jubilant poems chronicle many failed attempts at romance, with the wry humour needed to not take these heartbreaks personally, and the growth that comes from sitting in the silence of living a solo life in a world that insists everyone should be partnered up. With a knowing smile, this book side-eyes the political existence and celebrates the lived experience of an Indigenous woman falling in love and lust with those around her--but, most importantly, with herself.nedí nezų is a smart, sensual, and scandalous collection dripping in Indigenous culture yet irresistible to anyone in thrall to the magnificent disaster that is dating, sex, and relationships.

    

    In this wise and intimate telling—which carries us through the seasons when her marriage was ending—Sharon Olds opens her heart to the reader, sharing the feeling of invisibility that comes when we are no longer standing in love’s sight; the surprising physical bond that still exists between a couple during parting; the loss of everything from her husband’s smile to the set of his hip. Olds is naked before us, curious and brave and even generous toward the man who was her mate for thirty years and who now loves another woman. As she writes in the remarkable “Stag’s Leap,” “When anyone escapes, my heart / leaps up.  Even when it’s I who am escaped from, / I am half on the side of the leaver.” Olds’s propulsive poetic line and the magic of her imagery are as lively as ever, and there is a new range to the music—sometimes headlong, sometimes contemplative and deep. Her unsparing approach to both pain and love makes this one of the finest, most powerful books of poetry Olds has yet given us.

    In the end, she was forced to leave another country. Five years later, she returned with a pair of beautiful dragon and phoenix treasures! However, on the day of her return, she had offended the handsome CEO. What shocked her even more was that this CEO and her son looked exactly the same! "A pair of cute photos of Gongzi Bao accidentally went viral on the internet. One day, the CEO stepped forward and blocked her path." "Women, let's talk about the right to the care of children!" "Let's not talk about it!" A man placed her against the wall, "Alright, let's not talk about our children. Let's talk about when we can get a marriage certificate!"

    Ranging from the sixteenth century to the present day, The New Faber Book of Love Poems contains a fantastic mix of classics and popular favorites, as well as blues lyrics, American folk poetry, Elizabethan lyrics and Broadway songs. There are poems by men about women, women about men, men about men and women about women - in short, something for everyone, and a must-have for everyone's bookshelf.

    Samson captures the essential images of contemporary life. Whether on the streets of his beloved and bewildering hometown of Winnipeg, an outpost in Antarctica, or a room in an Edward Hopper painting, he finds whimsy and elegance in the everyday, beauty and sorrow in the overlooked.This collection gathers together Samson's writing, starting with his band The Weakerthans' 1997 debut album Fallow, through Left and Leaving, Reconstruction Site, and the award-winning Reunion Tour. It also features lyrics from Samson's newly released solo album, Provincial, and selected poems.

    His work has been a huge favorite of lucky insiders like me for years, and now the secret is finally and definitely out." -Dennis Cooper, author of The Marbled Swarm

    Particularly moving is "Days of 1981," in which he recalls the memory of his first gay lover--a sculptor he met in a bar. "Nothing was promised, nothing sustained/or lethal offered. I wish I'd kept the heart./Even the emblems of our own embarrassment/become acceptable to us, after a while." Doty derives much of his success by offering readers a full gulp of his longish verse, rather than teasing, incomplete sips. My Alexandria won the National Book Critics Circle Award for Poetry for 1993.

    Ammons, ancient Kumeyaay Bird Songs, and Beyoncé’s visual albums. It follows Teebs, a reservation-born, queer NDN weirdo, trying to figure out his impulses/desires/history in the midst of Brooklyn rooftops, privacy in the age of the Internet, street harassment, suicide, boys boys boys, literature, colonialism, religion, leaving one's 20s, and a love/hate relationship with English. He’s plagued by an indecision, unsure of which obsessions, attractions, and impulses are essentially his, and which are the result of Christian conversion, hetero-patriarchal/colonialist white supremacy, homophobia, Bacardi, gummy candy, and not getting laid. IRL asks, what happens to a modern, queer indigenous person a few generations after his ancestors were alienated from their language, their religion, and their history? Teebs feels compelled towards “boys, burgers,booze,” though he begins to suspect there is perhaps a more ancient goddess calling to him behind art, behind music, behind poetry.

    That place gives its name to Louise Glück's tenth collection: in a landscape turned irretrievably to winter, it is a gate or passageway that invites traffic between worlds while at the same time resisting their reconciliation. Averno is an extended lamentation, its long, restless poems no less spellbinding for being without conventional resoltution or consolation, no less ravishing for being savage, grief-stricken. What Averno provides is not a map to a point of arrival or departure, but a diagram of where we are, the harrowing, enduring present.Averno is a 2006 National Book Award Finalist for Poetry.