This collection includes a selection of his science fiction and fantasy stories from the last five years — sixteen of his best — plus a new novelette.In addition to these seventeen selections, The Hidden Girl and Other Stories also features an excerpt from the forthcoming book three in the Dandelion Dynasty series, "The Veiled Throne".Contents:- Ghost Days (2013)- Maxwell's Demon (2012)- The Reborn (2014)- Thoughts and Prayers (2019)- Byzantine Empathy (2018)- The Gods Will Not Be Chained (2014)- Staying Behind (2011)- Real Artists (2011)- The Gods Will Not Be Slain (2014)- Altogether Elsewhere, Vast Herds of Reindeer (2011)- The Gods Have Not Died in Vain (2015)- Memories of My Mother (2012)- Dispatches from the Cradle: The Hermit - Forty-Eight Hours in the Sea of Massachusetts (2016)- Grey Rabbit, Crimson Mare, Coal Leopard (2020)- A Chase Beyond the Storms: An excerpt from "The Veiled Throne", Book 3 of the Dandelion Dynasty- The Hidden Girl (2017)- Seven Birthdays (2016)- The Message (2012)- Cutting (2012)

    Already an award-winning writer, ZZ Packer now shares with us her debut, Drinking Coffee Elsewhere. Her impressive range and talent are abundantly evident: Packer dazzles with her command of language, surprising and delighting us with unexpected turns and indelible images, as she takes us into the lives of characters on the periphery, unsure of where they belong. We meet a Brownie troop of black girls who are confronted with a troop of white girls; a young man who goes with his father to the Million Man March and must decides where his allegiance lies; an international group of drifters in Japan, who are starving, unable to find work; a girl in a Baltimore ghetto who has dreams of the larger world she has seen only on the screens in the television store nearby, where the Lithuanian shopkeeper holds out hope for attaining his own American Dream.With penetrating insight that belies her youth—she was only nineteen years old when Seventeen magazine printed her first published story—ZZ Packer helps us see the world with a clearer vision. Drinking Coffee Elsewhere is a striking performance—fresh, versatile, and captivating. It introduces us to an arresting and unforgettable new voice.Brownies --Every tongue shall confess --Our Lady of Peace --The ant of the self --Drinking coffee elsewhere --Speaking in tongues --Geese --Doris is coming

    Brief dreamlike sketches deal with a safari in the suburbs, a mother struck by lightning, a cow wearing lingerie, and a visit from dead parents.

    In one narrative, a man wakes up one morning to find the odor of dead fish won't go away, but no one else can smell it. In another, a couple's visit with friends to watch the Academy Awards has the protagonist envying his friends' lawn and lifestyle. In these and eleven other stories, Christopher Meeks balances tragedy and wit. As novelist David Scott Milton explains, "In this collection, Christopher Meeks examines the small heartbreaks of quiet despair that are so much a part of all our lives. He does it in language that is resonant, poetic, and precise.... If you like Raymond Carver, you'll love Meeks. He may be as good--or better."

    These stories crackle with humor, intelligence and style and add up to an outrageously funny, unforgettable debut.Sam the cat --Not this --The royal palms --Linda's daddy's loaded --There should be a name for it --Issues I dealt with in therapy --European wedding

    . . . Krauss’s depictions of the nuances of sex and love, intimacy and dependence, call to mind the work of Natalia Ginzburg in their psychological profundity, their intellectual rigor. . . . Krauss’s stories capture characters at moments in their lives when they’re hungry for experience and open to possibilities, and that openness extends to the stories themselves: narratives too urgent and alive for neat plotlines, simplistic resolutions or easy answers.”  —Molly Antopol, New York Times Book Review “From a contemporary master, an astounding collection of ten globetrotting stories, each one a powerful dissection of the thorny connections between men and women. . . . Each story is masterfully crafted and deeply contemplative, barreling toward a shimmering, inevitable conclusion, proving once again that Krauss is one of our most formidable talents in fiction.” — Esquire In one of her strongest works of fiction yet, Nicole Krauss plunges fearlessly into the struggle to understand what it is to be a man and what it is to be a woman, and the arising tensions that have existed from the very beginning of time. Set in our contemporary moment, and moving across the globe from Switzerland, Japan, and New York City to Tel Aviv, Los Angeles, and South America, the stories in To Be a Man feature male characters as fathers, lovers, friends, children, seducers, and even a lost husband who may never have been a husband at all. The way these stories mirror one other and resonate is beautiful, with a balance so finely tuned that the book almost feels like a novel. Echoes ring through stages of life: aging parents and new-born babies; young women’s coming of age and the newfound, somewhat bewildering sexual power that accompanies it; generational gaps and unexpected deliveries of strange new leases on life; mystery and wonder at a life lived or a future waiting to unfold. To Be a Man illuminates with a fierce, unwavering light the forces driving human existence: sex, power, violence, passion, self-discovery, growing older. Profound, poignant, and brilliant, Krauss’s stories are at once startling and deeply moving, but always revealing of all-too-human weakness and strength.

    Alternate-cover edition can be found here In his second collection, Carver establishes his reputation as one of the most celebrated and beloved short-story writers in American literature—a haunting meditation on love, loss, and companionship, and finding one’s way through the dark.

    They find themselves in bathhouses, sports bars, grocery stores, and forests in search of exits, pink tennis balls, licorice, and independence. Yet all of her beautifully strange characters are possessed by a familiar and human longing for connection: to their homes, families, God, and themselves.Miniature catastrophes --The rope barrier --Coed picnic --Winners --Grocery story --Garden party --Arranged marriage --American interiors --A house for living --The dance --The nearby place --Invitation --Doorstop --Imaginary museums --Your shining trapdoor --Slovak sceneries --Sabbatical --Flowers for Angelika --Thursdays at Waterhouse --The seamstress --How to eat well --Owls fall in Nitra --Library of lost things --Girls I no longer know --Guest books --Field notes --Rest in pieces --Pets I no longer have --The squinter's watch --Love language

    Roller dexter of eligible friends rattling thin. Thirties breathing down her neck like an inappropriate uncle. She jogs. Looks good in turquoise. Finds herself punctuating gas “better out than in!” patting her stomach like a department store Santa. This is who I am, she thinks.The women in Lara Williams’ debut story collection, A Selfie as Big as the Ritz, navigate the tumultuous interval between early twenties and middle age. In the title story, a relationship implodes against the romantic backdrop of Paris. In “One of Those Life Things,” a young woman struggles to say the right thing at her best friend’s abortion. In “Penguins,” a girlfriend tries to accept her boyfriend’s bizarre sexual fantasy. In “Treats,” a single woman comes to terms with her loneliness. As Williams’ characters attempt to lean in, fall in love, hold together a family, fend off loneliness, and build a meaningful life, we see them alternating between expectation and resignation, giddiness and melancholy, the rollercoaster we all find ourselves on.

    A poisoned apple and a monkey's paw with the power to change fate; a girl whose extraordinarily long hair causes catastrophe; a man with one human arm and one swan's wing; and a house deep in the forest, constructed of gumdrops and gingerbread, vanilla frosting and boiled sugar. In A Wild Swan and Other Tales, the people and the talismans of lands far, far away, the mythic figures of our childhoods and the source of so much of our wonder are transformed by Michael Cunningham into stories of sublime revelation. Here are the moments that our fairy tales forgot or deliberately concealed: the years after a spell is broken, the rapturous instant of a miracle unexpectedly realized, or the fate of a prince only half cured of a curse. The Beast stands ahead of you in line at the convenience store, buying smokes and a Slim Jim, his devouring smile aimed at the cashier. A malformed little man with a knack for minor acts of wizardry goes to disastrous lengths to procure a child. A loutish and lazy Jack prefers living in his mother's basement to getting a job, until the day he trades a cow for a handful of magic beans. Re-imagined by one of the most gifted storytellers of his generation, and exquisitely illustrated by Yuko Shimizu, rarely have our bedtime stories been this dark, this perverse, or this true.

    Real people live their lives here. They wrestle with familiar instincts, with sex and desire, with everyday routine. But the wild is always close at hand, ready to erupt. This is a place where animals and people commingle and fuse, where curious metamorphoses take place, where myth and dark magic still linger. So here a teenager may starve herself into the shape of an eel. A house might fall in love with a girl. A woman might give birth to a – well what?

    editions of "Youth in Revolt." Each passage is keyed to the page from which it was deleted for ease in reading. Now you can discover what happening to Lefty in Book II. Did Millie Filbert try to seduce Nick? Who ratted on Nick to the police to collect the reward? And more--a must read for Nick Twisp fans! Also collected here are a dozen short humor pieces by C.D. Payne.

    These are stories about friendships and relationships confused by unsettling tensions bubbling beneath the surface. A woman who plans to conceive ends up in the arms of her husband's best friend; a man who baby-sits a neglected four-year-old ends up questioning his own dysfunctional relationship; a chance encounter at a gala event causes a woman to remember when she volunteered for a nightmarish drug-testing clinic; another woman discovers that her best friend who is about to get married has just had an affair; a young teenager tries to escape from her controlling father and finds an unexpected lover on a bus ride home; a wife tries to overcome her dying mother-in-law's resistance to her marriage by revealing to her own strange aural stigmata; a friend tries to talk another friend out of dating her cheating ex-boyfriend; and a superstitious candle-maker confesses to a tempestuous relationship that implodes spectacularly. Sarah Selecky is a talented young writer who evokes a generation teetering on the shoals of consumerism and ambiguous mores. Reminiscent of early Atwood, with echoes of Lisa Moore and Barbara Gowdy, these absorbing stories are about love and longing, stories that touch us in a myriad of subtle and affecting ways."

    A recent widower and his adult son ferry to a craggy Scottish island in search of puffins. An actress who plays a children’s game-show villainess ushers in the New Year with her deadbeat half brother. A mother, pining for her children, feasts on loaves of challah to fill the void. A new couple navigates a tightrope walk toward love. And on a trip to a Texas water park with their son, two fathers each confront a personal fear. With sentences that crackle and spark and showcase her trademark wit, McCracken traces how our closely held desires—for intimacy, atonement, comfort—bloom and wither against the indifferent passing of time. Her characters embark on journeys that leave them indelibly changed—and so do her readers. The Souvenir Museum showcases the talents of one of our finest contemporary writers as she tenderly takes the pulse of our collective and individual lives.

    In other stories, a young woman battles with the cancers draining her body and her family; menacing undercurrents among a group of teenagers explode in violence on a winter night; a little girl tears through a house like a tornado, driving her babysitter to the brink; and couples feel out the jagged edges of connection, comfort, and cruelty.One of the breakout literary stars of 2020, Brandon Taylor has been hailed by Roxane Gay as "a writer who wields his craft in absolutely unforgettable ways." With Filthy Animals he renews and expands on the promise made in Real Life, training his precise and unsentimental gaze on the tensions among friends and family, lovers and others. Psychologically taut and quietly devastating, Filthy Animals is a tender portrait of the fierce longing for intimacy, the lingering presence of pain, and the desire for love in a world that seems, more often than not, to withhold it.