Born to teenage parents in Mississippi, Starla is being raised by a strict paternal grandmother, Mamie, whose worst fear is that Starla will turn out like her mother. Starla hasn’t seen her momma since she was three, but is convinced that her mother will keep her promise to take Starla and her daddy to Nashville, where her mother hopes to become a famous singer—and that one day her family will be whole and perfect.When Starla is grounded on the Fourth of July, she sneaks out to see the parade. After getting caught, Starla’s fear that Mamie will make good on her threats and send her to reform school cause her to panic and run away from home. Once out in the country, Starla is offered a ride by a black woman, Eula, who is traveling with a white baby. She happily accepts a ride, with the ultimate goal of reaching her mother in Nashville.As the two unlikely companions make their long and sometimes dangerous journey, Starla’s eyes are opened to the harsh realities of 1963 southern segregation. Through talks with Eula, reconnecting with her parents, and encountering a series of surprising misadventures, Starla learns to let go of long-held dreams and realizes family is forged from those who will sacrifice all for you, no matter if bound by blood or by the heart.

    With her signature style and grace, Mayes explores the power of landscape, the idea of home, and the lasting force of a chaotic and loving family. From her years as a spirited, secretive child, through her university studies—a period of exquisite freedom that imbued her with a profound appreciation of friendship and a love of travel—to her escape to a new life in California, Mayes exuberantly recreates the intense relationships of her past, recounting the bitter and sweet stories of her complicated family: her beautiful yet fragile mother, Frankye; her unpredictable father, Garbert; Daddy Jack, whose life Garbert saved; grandmother Mother Mayes; and the family maid, Frances’s confidant Willie Bell.Under Magnolia is a searingly honest, humorous, and moving ode to family and place, and a thoughtful meditation on the ways they define us, or cause us to define ourselves. With acute sensory language, Mayes relishes the sweetness of the South, the smells and tastes at her family table, the fragrance of her hometown trees, and writes an unforgettable story of a girl whose perspicacity and dawning self-knowledge lead her out of the South and into the rest of the world, and then to a profound return home.

    Seventeen-year-old Josephine Bell decides to run from the failing tobacco farm where she is a slave and nurse to her ailing mistress, the aspiring artist Lu Anne Bell. New York City, 2004. Lina Sparrow, an ambitious first-year associate in an elite law firm, is given a difficult, highly sensitive assignment that could make her career: she must find the "perfect plaintiff" to lead a historic class-action lawsuit worth trillions of dollars in reparations for descendants of American slaves. It is through her father, the renowned artist Oscar Sparrow, that Lina discovers Josephine Bell and a controversy roiling the art world: are the iconic paintings long ascribed to Lu Anne Bell really the work of her house slave, Josephine? A descendant of Josephine's would be the perfect face for the reparations lawsuit - if Lina can find one. While following the runaway girl's faint trail through old letters and plantation records, Lina finds herself questioning her own family history and the secrets that her father has never revealed: How did Lina's mother die? And why will he never speak about her? Moving between antebellum Virginia and modern-day New York, this searing, suspenseful and heartbreaking tale of art and history, love and secrets, explores what it means to repair a wrong and asks whether truth is sometimes more important than justice.

    And what could be better than to seek out the Duffy diamonds, stolen from the Esselmont's country house, Croys, after the Armistice Ball? Before long, though, the puzzle of what really happened to the Duffy diamonds has been swept aside by the sudden, unexpected death of lovely young Cara Duffy in a lonely seaside cottage in Galloway. Society and the law seem ready to call it an accident but Dandy, along with Cara Duffy's fiancé Alec, is sure that there is more going on than meets the eye. What is being hidden by members of the Duffy family: the watchful Lena, the cold and distant Clemence and old Gregory Duffy with his air of quiet sadness, not to mention Cara herself whose secret always seems just tantalizingly out of view? Dandy must learn to trust her instincts and swallow most of her scruples if he is to uncover the truth and earn the right to call herself a sleuth.

    Anna Denton is not like the other prospectors traveling to the Yukon on the promise of riches. It’s duty—not profit—that calls her into the wild unknown. With her family nearing financial ruin, Anna has agreed to marry Henry Bradwell, the wealthy King of the Klondike.She meets Will and Silas, childhood friends, on the steamer north. After the ship docks in a lawless Alaska town, Anna’s chaperones run afoul of local criminals, leaving her stranded. Will and Silas agree to escort her the hundreds of treacherous miles to Dawson City—the gateway to the goldfields—and her betrothed, a man she doesn’t know.Upon their arrival, Bradwell warmly welcomes them all. But as a brutal winter sets in, relations sour, and Anna is caught between the promise her family made to the power-hungry Bradwell and her feelings for Will. Anna and her companions soon find themselves in a deadly game where few can be trusted and where the greatest danger in the frozen wilderness of the Klondike is man himself.

    Free to satisfy only herself, she mesmerizes those around her, exerting an unearthly fascination that lives beyond her still.

    With most of their animals dead, zookeepers Jan and Antonina Zabinski began smuggling Jews into empty cages. Another dozen "guests" hid inside the Zabinskis' villa, emerging after dark for dinner, socializing, and, during rare moments of calm, piano concerts. Jan, active in the Polish resistance, kept ammunition buried in the elephant enclosure and stashed explosives in the animal hospital. Meanwhile, Antonina kept her unusual household afloat, caring for both its human and its animal inhabitants—otters, a badger, hyena pups, lynxes.With her exuberant prose and exquisite sensitivity to the natural world, Diane Ackerman engages us viscerally in the lives of the zoo animals, their keepers, and their hidden visitors. She shows us how Antonina refused to give in to the penetrating fear of discovery, keeping alive an atmosphere of play and innocence even as Europe crumbled around her.

    In the days following the end of the Second World War, the world seems to offer itself up, and the two women are on the cusp of their 'real lives': Helena is off to Hollywood and a new marriage, while Nick is heading for a reunion with her own young husband, Hughes, about to return from the war. Soon the gilt begins to crack. Helena's husband is not the man he seemed to be, and Hughes has returned from the war distant, his inner light curtained over. On the brink of the 1960s, back at Tiger House, Nick and Helena—with their children, Daisy and Ed—try to recapture that sense of possibility. But when Daisy and Ed discover the victim of a brutal murder, the intrusion of violence causes everything to unravel. The members of the family spin out of their prescribed orbits, secrets come to light, and nothing about their lives will ever be the same.Brilliantly told from five points of view, with a magical elegance and suspenseful dark longing, Tigers in Red Weather is an unforgettable debut novel from a writer of extraordinary insight and accomplishment.

    My older sister, Helen, came to my room, took me by the hand, and sat me down on the bed. She opened her mouth to say something, but then her face flushed, and she turned her head to look out the window. After a second, she squeezed my hand and looked back in my eyes. She said, “You’ve always been a good girl, Maude, and done what I told you. Now, you’re going to be a married woman, and he will be the head of the house. When you go home tonight after your party, no matter what he wants to do to you, you have to let him do it. Do you understand?"I didn’t understand, but I nodded my head anyway. It sounded strange to me, the way so many things did. I would do what she told me. I didn’t have a choice, any more than I had a choice in being born.

     Always a lover of history, Mary Higgins Clark wrote this extensively researched biographical novel and titled it Aspire to the Heavens, after the motto of George Washington's mother. Published in 1969, the book was more recently discovered by a Washington family descendant and reissued as Mount Vernon Love Story. Dispelling the widespread belief that although George Washington married Martha Dandridge Custis, he reserved his true love for Sally Carey Fairfax, his best friend's wife, Mary Higgins Clark describes the Washington marriage as one full of tenderness and passion, as a bond between two people who shared their lives -- even the bitter hardship of a winter in Valley Forge -- in every way. In this author's skilled hands, the history, the love, and the man come fully and dramatically alive.

    And, for young Orbie Ray, the swirling heavens may just have the power to tear open his family’s darkest secrets. Then Like The Blind Man: Orbie’s Story is the enthralling debut novel by Freddie Owens, which tells the story of a spirited wunderkind in the segregated South of the 1950s, and the forces he must overcome to restore order in his world.Nine-year-old Orbie already has his cross to bear. After the death of his father, his mother Ruby has off and married Victor, a slick talking man with a snake tattoo. Orbie hates his stepfather more than he can stand; a fact that lands him at his grandparents’ place in Harlan’s Crossroads, Kentucky. Orbie grudgingly adjusts to life with his doting Granny and carping Granpaw, who are a bit too keen on their black neighbor’s for Orbie’s taste, not to mention their Pentecostal congregation of snake handlers. Soon, however, he finds his worldviews changing, particularly when it comes to matters of race, religion, and the true cause of his father’s death. Equal parts Hamlet and Huckleberry Finn, 'Blind Man' is certain to resonate with lovers of literary fiction, particularly in the grand Southern tradition of storytelling. Owens captures his characters’ folksy Appalachian diction without overdoing it and subtly reveals character through dialogue and description. A psychologically astute, skillful, engrossing and satisfying novel. – Starred For Exceptional Merit by Kirkus ReviewsEvery once in a while you read a book in which every element fits together so perfectly that you just sit back in awe at the skill of the storyteller. Then Like The Blind Man is one of these books.– The San Francisco Book ReviewIn an American coming-of- age novel, the author presents a stunning story with clarity and historical accuracy, rich in illuminating the Appalachian culture of the time period.– Publisher's WeeklyOrbie's sharecropping grandparents, by defying convention with unnerving grace, become founts of colloquial wisdom whose appeal is impossible to resist, and the Orbie they nurture – the best version of a boy who may otherwise have been lost – is someone the reader comes to love. – Michelle Anne Schingler / ForeWord ReviewsThis is a rural-America version of Hamlet...but with intriguingly different choices made by the protagonist that have their inevitable effect on the ending. The symbolism is both omnipresent and beautifully handled.– Catherine Langrehr / The Indie Reader

    But a tragedy that touches all of Atlanta sends her reeling in grief. When the family maid challenges her to reach out to the less fortunate as a way to ease her own pain, Mary Swan meets Carl-and everything changes. For although Carl is her opposite in nearly every way, he has something her privileged life could not give her. And when she seeks his help to uncover a mystery, she learns far more than she ever could have imagined.

    On a dark Kentucky night in 1952 exactly halfway between her fifteenth and sixteenth birthdays, Annie Holleran crosses into forbidden territory. Everyone knows Hollerans don’t go near Baines, not since Joseph Carl was buried two decades before, but, armed with a silver-handled flashlight, Annie runs through her family’s lavender fields toward the well on the Baines’ place. At the stroke of midnight, she gazes into the water in search of her future. Not finding what she had hoped for, she turns from the well and when the body she sees there in the moonlight is discovered come morning, Annie will have much to explain and a past to account for.It was 1936, and there were seven Baine boys. That year, Annie’s aunt, Juna Crowley, with her black eyes and her long blond hair, came of age. Before Juna, Joseph Carl had been the best of all the Baine brothers. But then he looked into Juna’s eyes and they made him do things that cost innocent people their lives. Sheriff Irlene Fulkerson saw justice served—or did she? As the lavender harvest approaches and she comes of age as Aunt Juna did in her own time, Annie’s dread mounts. Juna will come home now, to finish what she started. If Annie is to save herself, her family, and this small Kentucky town, she must prepare for Juna’s return, and the revelation of what really happened all those years ago

    Childhood tells the story of a misfit child's single-minded determination to become a poet; Youth describes her early experiences of sex, work, and independence. Dependency picks up the story as the narrator embarks on the first of her four marriages and goes on to describe her horrible descent into drug addiction, enabled by her sinister, gaslighting doctor-husband.Throughout, the narrator grapples with the tension between her vocation as a writer and her competing roles as daughter, wife, mother, and drug addict, and she writes about female experience and identity in a way that feels very fresh and pertinent to today's discussions around feminism. Ditlevsen's trilogy is remarkable for its intensity and its immersive depiction of a world of complex female friendships, family and growing up--in this sense, it's Copenhagen's answer to Elena Ferrante's Neapolitan Novels. She can also be seen as a spiritual forerunner of confessional writers like Karl Ove Knausgaard, Annie Ernaux, Rachel Cusk and Deborah Levy. Her trilogy is drawn from her own experiences but reads like the most compelling kind of fiction.Born in a working-class neighborhood in Copenhagen in 1917, Ditlevsen became famous for her poetry while still a teenager, and went on to write novels, stories and memoirs before committing suicide in 1976. Having been dismissed by the critical establishment in her lifetime as a working-class, female writer, she is now being rediscovered and championed as one of Denmark's most important modern authors, with Tove fever gripping readers.

    Eleven-year-old Nannerl Mozart is performing before the crowned heads of Europe with her younger brother, Wolfgang. But behind the glamour lurk dark difficulties-- the hardship of travel, agonizing bouts of illness, and the constant concern over money. Their father, Leopold, is driven by a desire to bring his son's genius to the attention of the world. But what about Nannerl? Is she not just as talented? In a time where women's choices are limited, what hope does she have of ever realizing her own dreams?