1954-Jan. 1956 on BBC.The Dreaded Batter Pudding Hurler of Bexhill-On-SeaThe Phantom Head Shaver of BrightonThe Affair of the Lone BananaThe CanalNapoleon's PianoFoiled by President FredThe Mighty WurlitzerThe Hastings FlyerThe House of Teeth

    Author Hunter Davies was allowed unparalleled access to the inner sanctum of a top professional soccer team, the Tottenham Hotspur (Spurs), and his pen spared nothing and no one. This 30th-anniversary edition will appeal to new and enthusiastic audiences.

    So begins William Broyles, Jr.'s fascinating introduction, written exclusively for this book, about the process and challenges inherent in writing a screenplay that was not, by design, going to have a lot of dialogue in it, and about his collaboration with two extraordinarily gifted artists, actor Tom Hanks and director Robert Zemeckis.Broyles's introduction shows how a movie and its story evolve, shift, and shape while the creators grapple with all manner of internal and external choices: from developing what was Tom Hanks's idea into a story, and building a narrative structure and thematic threads into a screenplay, to researching the details of the specific—and ironic—situation of a FedEx executive stranded on a desert island.Also included in this unique Newmarket Shooting Script® edition is the complete shooting script, a preface to the script by Academy Award®-winning filmmaker Robert Zemeckis (Forrest Gump, Contact), movie stills, and complete cast and crew credits.

    What began as a fun article turned into an almost instant national sensation and since stories of the elusive creature have poured in, not just from California and the Pacific Northwest, but from around the world.              BEYOND THE FRAY: BIGFOOT features some of these personal eyewitness accounts and terrifying encounters, most taken from the transcripts of the popular podcast, iNTO THE FRAY.  These stories are unique and scary. They will leave you wondering what this creature is and will no doubt give you pause before you cross the wood line and enter the woods.

    Overseas, war is raging in Vietnam, Civil Rights marches are on the streets, and women’s liberation is stirring – but at home in Corrigan Charlie Bucktin dreams of writing the Great Australian Novel. Charlie’s 14 and smart. But when 16-year-old, constantly-in-trouble Jasper Jones appears at his window one night, Charlie’s out of his depth. Jasper has stumbled upon a terrible crime in the scrub nearby, and he knows he’s the first suspect – that goes with the colour of his skin. He needs every ounce of Charlie’s bookish brain to help solve this awful mystery before the town turns on Jasper. Kate Mulvany’s adaptation of Craig Silvey’s award-winning novel is wise and beautiful. A coming-of-age story, Jasper Jones interweaves the lives of complex individuals all struggling to find happiness among the buried secrets of a small rural community.Whether you know the book or not, this piercing adaptation is very much worth seeing for the way it depicts – and shows ways across – some of the deep and enduring divides in our society." - Jason Blake SMH

    By emphasizing the relationship between structure and function, the authors provide a framework for understanding mechanisms and reactions. Stressing the importance of synthetic strategies and biological and industrial applications, the text introduces students to real chemistry as it is actually practised. This fourth edition offers significant updates in coverage and learning tools and enhanced media support at the book's companion website.

    It includes three examples of his naturalism -- The Father, 1887; Miss Julie, 1883; The Stronger, 1890 -- two of his expressionism -- A Dream Play, 1902; The Ghost Sonata, 1907 -- and Easter, a play whose interest derives from Its defying either of these categories.On these new translations by Elizabeth Sprigge, whose biography of Strindberg is the standard work on that figure, the American reader will have his first opportunity to know the true genius of the great Swedish playwright, for Miss Sprigge's unique achievement has been to render the original texts into an English that is at once fluent and accurate and to provide plays that capture the full vigor and impact of the original.

    When the U.S. Marines landed on Iwo Jima, they expected to secure it within a few days. No one had anticipated Japan's determination to defend the island to the last man. Morison describes the Japanese defense system of camouflaged rifle pits and fortified gunning positions that held the Allies at bay and the heavy and continuous cover of naval gunfire that prevented even greater losses. As it was, the securing of Iwo Jima cost the United States more casualties than had been incurred in taking any other island in the Pacific. On Okinawa, the conflict stretched over six long, bloody months. As land forces struggled for every inch they took on the islands, the U.S. Navy faced the desperate fury of the kamimaze corps and its harvest of flaming terror: explosions, burning and flooded ships, searing injuries and death. Fierce weather, logistical complexities, Japanese submarines, and the unexpected death of President Roosevelt also took their toll. Morison concludes his epic account with the final skirmishes of the war, the fateful decision to drop the atomic bomb, and the delicate negotiations leading to Japanese surrender.

    His unearthly style based on elaborate linguistic riddles and puns fascinated the Surrealists and famously influenced the composition of Marcel Duchamp's -Large Glass, - but also affected writers as diverse as Gide, Robbe-Grillet and Foucault (author of a book-length study of Roussel). The title essay of this collection is the key to Roussel's method, and it is accompanied by selections from all his major works of fiction, drama and poetry, translated by his New York School admirers John Ashbery, Kenneth Koch and Harry Mathews, and the painter and author Trevor Winkfield. Ashbery writes that Roussel's work is -like the perfectly preserved temple of a cult which has disappeared without a trace... we can still admire its inhuman beauty, and be stirred by a language that seems always on the point of revealing its secret.-