A young boy and his adopted aunt become separated when the youngster is kidnapped by his wealthy, eccentric great-uncle, but mysterious ties continue to link the two unknowingly over the fifteen-year separation.

    features an Asian-American television news executive, Emi, and a Latino newspaper reporter, Gabriel, who are so focused on chasing stories they almost don't notice that the world is falling apart all around them. Karen Tei Yamashita's staccato prose works well to evoke the frenetic breeziness and monumental self-absorption that are central to their lives.-Janet Kaye, The New York Times Book Review

    Told by a narrator who has committed a botched robbery and brutal murder, the novel follows him and his adventures in a two-dimensional police station where, through the theories of the scientist/philosopher de Selby, he is introduced to "Atomic Theory" and its relation to bicycles, the existence of eternity (which turns out to be just down the road), and de Selby's view that the earth is not round but "sausage-shaped." With the help of his newly found soul named "Joe," he grapples with the riddles andcontradictions that three eccentric policeman present to him.The last of O'Brien's novels to be published, The Third Policeman joins O'Brien's other fiction (At Swim-Two-Birds, The Poor Mouth, The Hard Life, The Best of Myles, The Dalkey Archive) to ensure his place, along with James Joyce and Samuel Beckett, as one of Ireland's great comic geniuses.

    Now, Ball returns with this haunting tale of love and storytelling, hope and identity.When Selah Morse sees a young woman get hit by a speeding taxicab, he rushes her to the hospital. The girl has lost her memory; she is delirious and has no identification, so Selah poses as her boyfriend. She is released into his care, but the doctor charges him to keep her awake, and to help her remember her past. Through the long night, he tells her stories, inventing and inventing, trying to get closer to what might be true, and hoping she will recognize herself in one of his tales. Offering up moments of pure insight and unexpected, exuberant humor, The Way Through Doors demonstrates Jesse Ball's great artistry and gift for and narrative.

    Doug is a staunchly anti-Meme, anti-tech intellectual who fondly remembers the days when people used email (everything now is text or videoconference) to communicate—or even actually spoke to one another, for that matter. One evening, Doug disappears from the NADEL offices, leaving a single written clue: ALICE. It’s a code word he devised to signal if he ever fell into harm’s way. And thus begins Anana’s journey down the proverbial rabbit hole . . .Joined by Bart, her bookish NADEL colleague, Anana’s search for Doug will take her into dark  basements and subterranean passageways; the stacks and reading rooms of the Mercantile Library; and secret meetings of the underground resistance, the Diachronic Society. As Anana penetrates the mystery of her father’s disappearance and a pandemic of decaying language called “word flu” spreads, The Word Exchange becomes a cautionary tale that is at once a technological thriller and a meditation on the high cultural costs of digital technology.

    As the defiant but sensitive young genius is creating his theory of relativity, a new conception of time, he imagines many possible worlds. In one, time is circular, so that people are fated to repeat triumphs and failures over and over. In another, there is a place where time stands still, visited by lovers and parents clinging to their children. In another, time is a nightingale, sometimes trapped by a bell jar.Now translated into thirty languages, Einstein’s Dreams has inspired playwrights, dancers, musicians, and painters all over the world. In poetic vignettes, it explores the connections between science and art, the process of creativity, and ultimately the fragility of human existence.

    Most of the island's inhabitants are oblivious to these changes, while those few imbued with the power to recall the lost objects live in fear of the draconian Memory Police, who are committed to ensuring that what has disappeared remains forgotten.When a young woman who is struggling to maintain her career as a novelist discovers that her editor is in danger from the Memory Police, she concocts a plan to hide him beneath her floorboards. As fear and loss close in around them, they cling to her writing as the last way of preserving the past.A surreal, provocative fable about the power of memory and the trauma of loss, The Memory Police is a stunning new work from one of the most exciting contemporary authors writing in any language.

    It is curious that a reprint could be heroic. It is more curious that a book this good could go out of print so quickly. And it is most curious that an introduction would even be required for a novel that, if you examine it carefully in the right kind oflight, might actually be seen to be steaming. MOTORMAN is a central work, pulsing with mythology, created by a craftsman of language who was seemingly channeling the history of narrative when he wrote it. It is a book about the future that comes from the past, and we are caught in its amazing middle. To read MOTORMAN now is to encouter proof that a book can be both emotional and eccentric, smeared with humanity and artistically ambitious, messy with grief and dazzling with spectacle--Ben Marcus, from his introduction.

    No single event precedes society's fall. There is talk of a war overseas and upheaval in Congress, but it still comes as a shock when the electricity runs out and gas is nowhere to be found. The sisters consume the resources left in the house, waiting for the power to return. Their arrival into adulthood, however, forces them to reexamine their place in the world and their relationship to the land and each other.Reminiscent of Margaret Atwood's A Handmaid's Tale, Into the Forest is a mesmerizing and thought-provoking novel of hope and despair set in a frighteningly plausible near-future America.

    Louisa, a young maid at the hotel determined to befriend him, wins his attention through a shared love of pigeons; with her, we hear his tragic and tremendous life story unfold. Meanwhile, Louisa discovers that her father—and her handsome, enigmatic love interest, Arthur Vaughan—are on an unlikely mission to travel back in time and find his beloved late wife. A masterful hybrid of history, biography, and science fiction, The Invention of Everything Else is an absorbing story about love and death and a wonderfully imagined homage to one of history's most visionary scientists.

    G. Ballard lived far ahead of his time. Called his "prophetic masterpiece" by many, The Atrocity Exhibition practically lies outside of any literary tradition. Part science fiction, part eerie historical fiction, part pornography, its characters adhere to no rules of linearity or stability. This reissued edition features an introduction by William S. Burroughs, extensive text commentary by Ballard, and four additional stories. Of specific interest are the illustrations by underground cartoonist and professional medical illustrator Phoebe Gloeckner. Her ultrarealistic images of eroticism and destruction add an important dimension to Ballard's text.

    If you're living in Germany in the 1930s, it probably isn't. But that's no consolation to Egon Loeser, whose carnal misfortunes will push him from the experimental theatres of Berlin to the absinthe bars of Paris to the physics laboratories of Los Angeles, trying all the while to solve two mysteries: whether it was really a deal with Satan that claimed the life of his hero, the great Renaissance stage designer Adriano Lavicini; and why a handsome, clever, charming, modest guy like him can't, just once in a while, get himself laid. From the author of the acclaimed Boxer, Beetle comes a historical novel that doesn't know what year it is; a noir novel that turns all the lights on; a romance novel that arrives drunk to dinner; a science fiction novel that can't remember what 'isotope' means; a stunningly inventive, exceptionally funny, dangerously unsteady and (largely) coherent novel about sex, violence, space, time, and how the best way to deal with history is to ignore it. LET'S HOPE THE PARTY WAS WORTH IT

    During his stay he agrees to serve as a guinea pig for a new drug that Magnus has discovered in his scientific research. When Dick samples Magnus's potion, he finds himself doing the impossible: traveling through time while staying in place, thrown all the way back into Medieval Cornwall. The concoction wear off after several hours, but its effects are intoxicating and Dick cannot resist his newfound powers. As his journeys increase, Dick begins to resent the days he must spend in the modern world, longing ever more fervently to get back into his world of centuries before, and the home of the beautiful Lady Isolda...

    Every night, before she puts them to bed, she whispers to them: “You are good, you are kind, you are clever, you are funny.” She’s determined that they never doubt for a minute that their mother loves them unconditionally. After all, her own mother Jeanie had died when she was only seven years old and Faye has never gotten over that intense pain of losing her.But one day, her life is turned upside down when she finds herself in 1977, the year before her mother died. Suddenly, she has the chance to reconnect with her long-lost mother, and even meets her own younger self, a little girl she can barely remember. Jeanie doesn’t recognize Faye as her daughter, of course, even though there is something eerily familiar about her...As the two women become close friends, they share many secrets—but Faye is terrified of revealing the truth about her identity. Will it prevent her from returning to her own time and her beloved husband and daughters? What if she’s doomed to remain in the past forever? Faye knows that eventually she will have to choose between those she loves in the past and those she loves in the here and now, and that knowledge presents her with an impossible choice.Emotionally gripping and ineffably sweet Faye, Faraway is a brilliant exploration of the grief associated with unimaginable loss and the magic of being healed by love.

    Restless, insatiably curious, Anna learns to read, and in this ancient city, famous for its libraries, she finds a book, the story of Aethon, who longs to be turned into a bird so that he can fly to a utopian paradise in the sky. This she reads to her ailing sister as the walls of the only place she has known are bombarded in the great siege of Constantinople. Outside the walls is Omeir, a village boy, miles from home, conscripted with his beloved oxen into the invading army. His path and Anna’s will cross.Five hundred years later, in a library in Idaho, octogenarian Zeno, who learned Greek as a prisoner of war, rehearses five children in a play adaptation of Aethon’s story, preserved against all odds through centuries. Tucked among the library shelves is a bomb, planted by a troubled, idealistic teenager, Seymour. This is another siege. And in a not-so-distant future, on the interstellar ship Argos, Konstance is alone in a vault, copying on scraps of sacking the story of Aethon, told to her by her father. She has never set foot on our planet.