"I like this London life . . . the street-sauntering and square-haunting."--Virginia Woolf, diary, 1925In the early twentieth century, Mecklenburgh Square--a hidden architectural gem in London's Bloomsbury--was a radical address, home to students, struggling artists, and revolutionaries. And in the pivotal era between the two world wars, the lives of five remarkable women intertwined around this one address: the modernist poet H. D., detective novelist Dorothy L. Sayers, classicist Jane Harrison, economic historian Eileen Power, and author and publisher Virginia Woolf. In an era when women's freedoms were fast expanding, they each sought a space where they could live, love, and--above all--work independently.With sparkling insight and a novelistic style, Francesca Wade sheds new light on a group of artists and thinkers whose pioneering work would enrich the possibilities of women's lives for generations to come.

     Free BONUS Inside! Amelia Earhart was a legend—but perhaps an unlikely one at that. You see, Amelia Earhart was not always the dashing heroine that most of us associate with her name. She began life as a rather shy girl, who often found herself having to hide from her troubled upbringing. As her family life spiraled out of control, Amelia Earhart was forced to move from state to state, town to town, never getting the chance to put down roots. The high school she graduated from was one of many she attended, and a caption by her photo for that semester’s yearbook seems to have said it all. It read, “the girl in brown who walks alone.” But even as her peers scoffed at the girl in brown slacks who walked a lonely path, Amelia Earhart was charting a course for a tremendous destiny. In this book, we will follow all of the hurdles that this heroine surmounted in order to become one of the most famous pilots of all time. Discover a plethora of topics such as A Turbulent Childhood First Transatlantic Flight Earhart in the White House Amelia Earhart's Disappearance Theories and Explanations And much more! So if you want a concise and informative book on Amelia Earhart, simply scroll up and click the "Buy now" button for instant access!

     Throughout the 1970s, there was no more feared group of terrorists. On the surface, they were militant revolutionaries. But in reality they were 'Hitler's Children' - both in the sense that most of them were born during the Nazi regime, and in the sense that they were fiercely opposed to individual freedom and liberal democracy. In this ground-breaking book, Jillian Becker examines the roots of the Gang. The terrorists in the Federal Republic of Germany came out of the pacifist ‘new left’ student protest movement of the late 1960s. Few in number, almost all of them came from prosperous, educated families. Unaware how closely they resembled their Nazi predecessors, they described themselves as ‘anti-fascist’. ‘Fascism’, they claimed, lay just under the surface of liberal democracy and would be called into the open by the use of terrorist violence. They were beneficiaries of American aid, and of the West German ‘economic miracle’, and they had no cause of their own to fight for. And so they identified themselves with Third World victims of wars, poverty and oppression, whose plight they blamed on ‘Western imperialism’. In the name of ‘peace’, ‘national liberation’, ‘anti-imperialism’, and ‘anti-capitalism’, they killed Germans, Americans, Jews and others with bullets and bombs. Their dreams of leading a revolution were ended when one after another of them died in shoot-outs with the police, or was blown up with him own bomb, or was arrested and condemned to long terms of imprisonment. All four leader of the Gang eventually committed suicide in prison. Detailed biographical portraits, especially of Ulrike Meinhof and Gudrun Ensslin, reveal how they laid waste their own lives, and drove themselves furiously to their own destruction. 'A first rate piece of journalism in the best sense of the word ... Ms Becker is the only person who has managed in recent years to tell me something which I had not heard before about these desperate, hysterical, perverted idealists whose revolt against authoritarianism ... made them indistinguishable from fascists' The Times 'Jillian Becker finds an uncanny similarity between those supposedly leftist views and those expressed in Mein Kampf more than 50 years ago' TIME 'An important and highly readable book, thoroughly researched and written with the pace and excitement of a crime thriller' TLS 'A serious and readable study of events which few people in Britain have seriously tried to understand' The Observer 'Superbly researched . . . Mrs Becker has performed a great service with this book' Sunday Telegraph Jillian Becker was born in Johannesburg in 1932. She has had a strong interest in Germany for many years, a concern which now finds expression in Hitler's Children. Jillian Becker also writes fiction. Her titles include ‘The Keep’, ‘The Union’, and ‘The Virgins’, all of which have been highly praised by the critics.

    The village has been suffering a famine, and the villagers are desperately hungry. The friar’s arrival is a miracle, and when he claims he can restore the town to prosperity, the men and women gathered to hear him rejoice. The friar has a book called the Malleus Maleficarum—“The Witch’s Hammer”—a guide to gaining confessions of witchcraft. The friar promises he will identify the guilty woman who has brought God’s anger upon the town; she will be burned, and bounty will be restored. Tierkinddorf is filled with hope. Neighbors wonder aloud who has cursed them and how quickly can she be found? They begin sharing secrets with the friar. Güde Müller, an elderly woman, has stark and frightening visions—recently she has seen things that defy explanation. None in the village know this, and Güde herself worries that perhaps her mind has begun to wander—certainly she has outlived all but one of her peers in Tierkinddorf. Yet of one thing she is absolutely certain: She has become an object of scorn and a burden to her son’s wife. In these desperate times her daughter-in-law would prefer one less hungry mouth at the family table. As the friar turns his eye on each member of the tiny community, Güde dreads what her daughter-in-law might say to win his favor.Then one terrible night Güde follows an unearthly voice and the scent of charred meat into the snow-filled woods. Come morning, she no longer knows if the horror she witnessed was real or imagined. She only knows that if the friar hears of it, she may be damned in this life as well as the next.The Witch’s Trinity beautifully illuminates a dark period of history; it is vividly imagined, elegantly written, haunting, and unforgettable.From the Hardcover edition.

    At least 96 Jews were killed and hundreds more injured, as many as 2,000 synagogues were burned, almost 7,500 Jewish businesses were destroyed, cemeteries and schools were vandalized, and 30,000 Jews were arrested and sent to concentration camps. This pogrom has come to be called "Kristallnacht," "the Night of Broken Glass." Although numerous anti-Jewish regulations had been adopted prior to Kristallnacht, these measures had only imposed restrictions on German Jews' economic activity and occupational opportunities. Prior to Kristallnacht, the Jews had little reason to believe their physical safety was at risk. That all changed 70 years ago this coming November. The events of that night were the beginning of the Holocaust. It is fitting that a book record the events of this seminal historical event on the occasion of the 70th anniversary of Kristallnacht. This book provides an account of the incidents immediately preceding the attacks on November 9-10, an oral history that provides a minute-by-minute and hour-by-hour account of what happened during the pogroms, and an analysis of the immediate aftermath and why the Holocaust can be dated from this evening.

    It was a glorious day. The sun shone warmly. Everyone was in good spirits. There were aristocrats, artists, even my mother looked happy. She who has been so opposed to my work with the WSPU. More than 10,000 people had rallied and there were dozens of bands playing. It was quite incredible. We waved banners, carried flowers, sang along with the tunes. Hundreds who have been imprisoned for our Cause marched together in a powerful band. It was all very rousing of spirit. I felt proud to be a woman, proud to be alive, proud to be a part of a movement that is fighting to make a difference.

    He renounced violence when he left the June 2nd Movement in 1972.Security police seized the original German edition, Wie Alles Anfing, when it appeared in 1975. The resulting trial and publicity raised an international outcry and the book ended up being republished in German and translated into six languages.In an age when public protests—against corporate greed, against free trade agreements, and for social justice—are becoming more frequent and more violent, How It All Began provides a fascinating glimpse into the thinking behind urban struggle, and the consequences of action.As Baumann himself said, "Violence is a perfectly adequate means, I never had any hangups about it."The first English version of How It All Began was published by Arsenal in 1977 and updated in 1981. Long out of print, it has been re-issued, making it available to readers once again.Bommi Baumann was a leading member of the June 2nd Movement, one of the most active urban guerrilla groups in West Berlin. From a low-income, unstable family background, Baumann left the movement and the urban guerrilla struggle in 1972 and went underground to write this book. He was arrested in London in 1981 and there has been no word from him since.

    I was stolen as a baby to be part of one of the most terrible of all Nazi experiments: Lebensborn.’ Watch the 2016 interview with the author. In 1942 Erika, a baby girl from Rogaška Slatina, the Slovenian town that was renamed Sauerbrunn (another town with the same name exists in Austria, which made it harder for the author to find her roots after the war) by Nazi occupiers of the northern part of Slovenia, the only present-day European nation that was trisected and completely annexed into both Nazi Germany and Fascist Italy during WWII, was one of many children that were stolen from their parents by the Nazi occupiers, declared an ‘Aryan’, her true identity erased, and sent to German couples who could not have their own children under the pretense that children were saved from dysfunctional families, struck by prostitution and whatnot, so she was renamed Ingrid, and given new surname "von Oelhafen".After the war, Erika/Ingrid began to uncover her true identity, the full scale of the Lebensborn scheme and the Nazi obsession with bloodlines became clear -- including the kidnapping of up to half a million babies like her and the deliberate murder of children born into the program who were deemed ‘substandard.’The Lebensborn program was the brainchild of Himmler: an extraordinary plan to create an Aryan master race, leaving behind thousands of displaced victims in the wake of the Nazi regime.Written with insight and compassion, this is a powerful meditation on the personal legacy of Hitler’s vision, of Germany’s brutal past and of a divided Europe that for many years struggled to come to terms with its own history.

    When she leaves for Moscow to audition for drama school, she defies her mother and grandparents and abandons her first love, Andrei.Before she leaves, Sasha discovers the hidden war journal of her uncle Kolya, an artist still missing in action years after the war has ended. His pages expose the official lies and the forbidden truth of Stalin’s brutality. Kolya’s revelations and his tragic love story guide Sasha through drama school and cement her determination to live a thousand lives onstage. After graduation, she begins acting in Leningrad, where Andrei, now a Communist Party apparatchik, becomes a censor of her work. As a past secret comes to light, Sasha’s ambitions converge with Andrei’s duties, and Sasha must decide if her dreams are truly worth the necessary sacrifice and if, as her grandmother likes to say, all will indeed be well.

    However, not even the pastoral surroundings of their new home can protect them from the terrors of war. When the Nazis invade and Greta is kidnapped, Henrik must shed his youthful innocence and search for his lost sister, a quest that will further reveal a harrowing landscape of violence and struggle―but also unexpected connections.Uniquely told from the perspective of youth plunged into adult chaos, Pastel Orphans is a coming-of-age story that explores profound lessons in self-belief, kindness, and human endurance. Revised edition: This edition of Pastel Orphans includes editorial revisions.

    As all of fashionable society passes through her fitting room, Susanna touches numerous lives as matchmaker, comforter, confidante...and passionate lover. From the improverished yet proud Countess von Metz, to Nini the volatile Hungarian anarchist; from Sigismund Kraszinsky, the young musical prodigy, to Susanna's hidden lover himself, Eva Ibbotson conjures up a perfect miniature of a vanished society. But while the world hurtles towards war, the secrets and sorrows which lie behind Susanna's bewitching charm emerge as she and her friends live out the last, glittering days of Imperial Vienna in the idyllic surroundings of Madensky Square

    Izabela and prisoner of war Bill have secretly married and are on the run, with Izzy dressed as a man. The young husband and wife evade capture for as long as possible--until they are cornered by Nazi soldiers with tracking dogs.Izzy's disguise works. The couple are assumed to be escaped British soldiers and transported to a POW camp. However, their ordeal has just begun, as they face appalling living conditions and the constant fear of Izzy's exposure. But in the midst of danger and deprivation comes hope, for the young couple are befriended by a small group of fellow prisoners. These men become their new family, willing to jeopardize their lives to save Izzy from being discovered and shot.The Prisoner's Wife tells of an incredible risk, and of how our deepest bonds are tested in desperate times. Bill and Izzy's story is one of love and survival against the darkest odds.

    Eliot), Ernst Robert Curtius (1886-1956), one of the foremost literary scholars of this century, examines the continuity of European literature from Homer to Goethe, with particular emphasis on the Latin Middle Ages. In an extensive new epilogue, drawing on hitherto unpublished material, Peter Godman, Professor of Medieval Latin at the University of Tubingen, analyzes the intellectual and political context and character of Curtius's ideas.

    Long after her grandmother’s death, she found a shoebox tucked in the closet containing photographs of her grandmother with a mysterious stranger, a cryptic telegram from the Red Cross, and a drawing signed by Picasso. This discovery sent Freeman on a decade-long quest to uncover the significance of these keepsakes, taking her from Picasso’s archives in Paris to a secret room in a farmhouse in Auvergne to Long Island to Auschwitz. Freeman pieces together the puzzle of her family’s past, discovering more about the lives of her grandmother and her three brothers, Jacques, Henri, and Alex. Their stories sometimes typical, sometimes astonishing—reveal the broad range of experiences of Eastern European Jews during Holocaust. This thrilling family saga is filled with extraordinary twists, vivid characters, and famous cameos, illuminating the Jewish and immigrant experience in the World War II era. Addressing themes of assimilation, identity, and home, this powerful story about the past echoes issues that remain relevant today.

     Subaltern on the Somme is a record of his daily life, and ranges across different aspects of his war in the trenches - including fear, shellfire, drunkenness, mud, frustration and his views about his fellow officers and British army commanders. Subaltern on the Somme is for anybody who wonders what trench warfare was like for a junior officer.