The last remnants of humanity are fighting for survival, terrorised by the carnivorous plants and the grotesque insect life.Contents:· Hothouse · Brian W. Aldiss · nv F&SF Feb ’61 · Nomansland · Brian W. Aldiss · nv F&SF Apr ’61 · Undergrowth · Brian W. Aldiss · na F&SF Jul ’61 · Timberline · Brian W. Aldiss · nv F&SF Sep ’61 · Evergreen · Brian W. Aldiss · na F&SF Dec ’61

    Clinging to its skin are the zones, a series of semi-autonomous city-states, each of which enjoys a different—and rigidly enforced—level of technology. Horsetown is pre-industrial; in Neon Heights they have television and electric trains . . .Following an infiltration mission that went tragically wrong, Quillon has been living incognito, working as a pathologist in the district morgue. But when a near-dead angel drops onto his dissecting table, Quillon's world is wrenched apart one more time, for the angel is a winged posthuman from Spearpoint's Celestial Levels—and with the dying body comes bad news.If Quillon is to save his life, he must leave his home and journey into the cold and hostile lands beyond Spearpoint's base, starting an exile that will take him further than he could ever imagine. But there is far more at stake than just Quillon's own survival, for the limiting technologies of the zones are determined not by governments or police, but by the very nature of reality—and reality itself is showing worrying signs of instability . . .Terminal World is a snarling, drooling, crazy-eyed mongrel of a book: equal parts steampunk, western, planetary romance, and far-future SF.

    The colony ship they arrived on is aflame. The rest of their contingent is dead. They've only received half their training, and they are being asked to conquer an entire planet. Before they can, however, they must first survive each other. In this gritty tale of youths struggling to survive, Hugh Howey fuses the best of young adult fantasy with the piercing social commentary of speculative fiction. The result is a book that begs to be read in a single sitting. An adventurous romp that will leave readers exhausted and begging for more.

    Morgan arrived on the scene. He unleashed Takeshi Kovacs–private eye, soldier of fortune, and all-purpose antihero–into the body-swapping, hard-boiled, urban jungle of tomorrow in Altered Carbon, Broken Angels, and Woken Furies, winning the Philip K. Dick Award in the process. In Market Forces, he launched corporate gladiator Chris Faulkner into the brave new business of war-for-profit. Now, in Thirteen, Morgan radically reshapes and recharges science fiction yet again, with a new and unforgettable hero in Carl Marsalis: hybrid, hired gun, and a man without a country . . . or a planet.Marsalis is one of a new breed. Literally. Genetically engineered by the U.S. government to embody the naked aggression and primal survival skills that centuries of civilization have erased from humankind, Thirteens were intended to be the ultimate military fighting force. The project was scuttled, however, when a fearful public branded the supersoldiers dangerous mutants, dooming the Thirteens to forced exile on Earth’s distant, desolate Mars colony. But Marsalis found a way to slip back–and into a lucrative living as a bounty hunter and hit man before a police sting landed him in prison–a fate worse than Mars, and much more dangerous.Luckily, his “enhanced” life also seems to be a charmed one. A new chance at freedom beckons, courtesy of the government. All Marsalis has to do is use his superior skills to bring in another fugitive. But this one is no common criminal. He’s another Thirteen–one who’s already shanghaied a space shuttle, butchered its crew, and left a trail of bodies in his wake on a bloody cross-country spree. And like his pursuer, he was bred to fight to the death. Still, there’s no question Marsalis will take the job. Though it will draw him deep into violence, treachery, corruption, and painful confrontation with himself, anything is better than remaining a prisoner. The real question is: can he remain sane–and alive–long enough to succeed?2007 1st Ed Del Rey 9 8 7 6 5 4 3 2 1

    He has no communication, limited power, and an unbreakable will to survive. His one goal: find his way BACK to his family. Shepard is an astronaut on his first mission to the International Space Station. When a violent blast of solar magnetic radiation leaves him stranded in orbit, he’s forced to use his wit and guile to find a way home. He has no idea what he’ll find when he gets there. SPACEMAN is a post-apocalyptic/dystopian tale that tells the survival story of a man and the family he left behind. It’s written with the help of former astronauts, NASA team members, and well-respected astrophysicists that give SPACEMAN a unique sense of detail and desperation.

    Journalist Edward Malone, rejected by the woman he loves because he is too prosaic, decides to go in search of adventure and fame to prove himself worthy of her. Soon after, he meets Professor George Challenger, a scientist who claims to have discovered a 'lost world' populated by pterodactyls and other prehistoric monsters.

    Whether set in terrestrial oceans or on far-off space stations, Cat Rambo’s masterfully told stories explore themes of gender, despair, tragedy, and the triumph of both human and non-human alike. Cats talk, fur wraps itself around you, aliens overstay their welcome, and superheroes deal with everyday problems.Contents:Near: Stories of the Near Future and the Far *Introduction (Near / Far) (2012) • essay by Cat Rambo *Near (2012) •• collection by Cat Rambo * The Mermaids Singing, Each to Each (2009) / short fiction by Cat Rambo * Peaches of Immortality (2011) / short fiction by Cat Rambo (variant of “The immortality Game” in Lightspeed) * Close Your Eyes (2011) / short story by Cat Rambo * Therapy Buddha (2010) / short fiction by Cat Rambo * Ms. Liberty Gets a Haircut (2009) / short story by Cat Rambo * Memories of Moments, Bright as Falling Stars (2006) / short story by Cat Rambo * 10 New Metaphors for Cyberspace (2007) / short fiction by Cat Rambo * RealFur (2008) / short story by Cat Rambo * Not Waving, but Drowning (2010) / short fiction by Cat Rambo * Vocobox (2012) / short fiction by Cat Rambo * Long Enough and Just So Long (2011) / short story by Cat Rambo * Legends of the Gone (2009) / short fiction by Cat RamboFar (2012) •• collection by Cat Rambo * Futures (2011) / short story by Cat Rambo * Kallakak's Cousins (2008) / short story by Cat Rambo * Amid the Words of War (2010) / short story by Cat Rambo * Timesnip (2011) / short fiction by Cat Rambo * Angry Rose's Lament (2008) / short story by Cat Rambo * Seeking Nothing (2010) / short story by Cat Rambo * A Querulous Flute of Bone (2011) / short fiction by Cat Rambo * Zeppelin Follies (2011) / short story by Cat Rambo * Space Elevator Music (2012) / short fiction by Cat Rambo * Surrogates (2010) / short fiction by Cat Rambo * Five Ways to Fall in Love on Planet Porcelain (2012) / short story by Cat Rambo * Bus Ride to Mars (2012) / short story by Cat Rambo.

    Except the people who tried to kill him. By 2081, privacy no longer exists. The Lattice enables anyone to re-live any moment of your life. People can experience past and present events—or see into the mind of anyone, living or dead. Most people love it. Some want to destroy it. Colonel Byron Shaw has just saved the Lattice from the most dangerous attack in its history. Now he must find those responsible. But there’s a question nobody’s asking: does the Lattice deserve to be saved? The answer may cost him his life.

    Earth has been dominated for 1,000 years by an alien invader—and man is an endangered species. From the handful of surviving humans a courageous leader emerges—Jonnie Goodboy Tyler, who challenges the invincible might of the alien Psychlo empire in a battle of epic scale, danger and intrigue with the fate of the Earth and of the universe in the tenuous balance.

    The Circle, run out of a sprawling California campus, links users' personal emails, social media, banking, and purchasing with their universal operating system, resulting in one online identity and a new age of civility and transparency. As Mae tours the open-plan office spaces, the towering glass dining facilities, the cozy dorms for those who spend nights at work, she is thrilled with the company's modernity and activity. There are parties that last through the night, there are famous musicians playing on the lawn, there are athletic activities and clubs and brunches, and even an aquarium of rare fish retrieved from the Marianas Trench by the CEO. Mae can't believe her luck, her great fortune to work for the most influential company in the world--even as life beyond the campus grows distant, even as a strange encounter with a colleague leaves her shaken, even as her role at the Circle becomes increasingly public. What begins as the captivating story of one woman's ambition and idealism soon becomes a heart-racing novel of suspense, raising questions about memory, history, privacy, democracy, and the limits of human knowledge.(front flap)

    Le Guin is one of the greatest science fiction writers and many times the winner of the Hugo and Nebula Awards. Her career as a novelist was launched by the three novels contained in Worlds Of Exile And Illusion. These novels, Rocannon's World, Planet Of Exile, and City Of Illusions, are set in the same universe as Le Guin's ground-breaking classic, The Left Hand Of Darkness.Tor is pleased to return these previously unavailable works to print in this attractive new edition.

    A new technology of linked jump gates has rendered most forms of transporation--including starships--virtually obsolete. Every place on earth, every distant planet mankind has settled, is now merely a step away from any other. And all seems wonderful...until a crashed alien spaceship is found on a newly-located world 89 light years from Earth, harboring seventeen human victims. And of the high-powered team dispatched to investigate the mystery, one is an alien spy...Bursting with tension and big ideas, this standalone series highlights the inventiveness of an author at the top of his game, as the interweaving story lines tell us not only how humanity arrived at this moment, but also the far-future consequences that spin off from it.

    The age of star formation is long past. Yet there is life here, feeding off the energies of the stellar remnants, and there is mind, a tremendous galaxy-spanning intelligence each of whose thoughts lasts a hundred thousand years. And this mind cradles memories of a long-gone age when a more compact universe was full of light... The 27th century: Proxima Centauri, an undistinguished red dwarf star, is the nearest star to our sun. How would it be to live on such a world?

    For welfare rats like Andrew Grayson, there are only two ways out of the crime-ridden and filthy welfare tenements, where you're restricted to two thousand calories of badly flavored soy every day:You can hope to win the lottery and draw a ticket on a colony ship settling off-world, or you can join the service.With the colony lottery a pipe dream, Andrew chooses to enlist in the armed forces for a shot at real food, a retirement bonus, and maybe a ticket off Earth. But as he starts a career of supposed privilege, he soon learns that the good food and decent health care come at a steep price…and that the settled galaxy holds far greater dangers than military bureaucrats or the gangs that rule the slums.

    From here the story spans centuries of ignorance, violence, and barbarism, viewing through a sharp, satirical eye the relentless progression of a human race damned by its inherent humanness to recelebrate its grand foibles and repeat its grievous mistakes.