His investigation into her family pulls her back into a world she had escaped, and the branch of the family she has tried to avoid at all costs. Tor is infuriated and frustrated by the impossible mixture of fragility and fierceness that is Golden, true, but he is also strangely protective of her. Golden wants no part of it. Men have pushed her around her whole life. The last thing she needs is an arrogant, irritatingly handsome man telling her what to do. But it turns out Tor has a way with animals, children and, well, Golden. Before too long, she finds their overwhelming attraction is overriding her good sense, and as they are both pulled deeper into the murky world of dirty money, things are about to get messy, and Golden's small, quietly ordered life will change beyond recognition…Can Golden overcome her fears and the shadows of the past and reach for a new kind of future? Will she ever be able to get her life back on the right track?

    In a dusty back room of the old house, she discovers the crumbling photo of a handsome World War II medic - Samuel Riordan, the homestead's former occupant - and soon finds herself becoming obsessed with him. But as Audrey digs deeper into Samuel's story, she discovers he was accused of bashing to death a young woman on his return from the war in 1946. When she learns about other unexplained deaths in recent years - one of them a young woman with injuries echoing those of the first victim - she begins to suspect that the killer is still very much alive. And now Audrey, thanks to her need to uncover the past, has provided him with good reason to want to kill again.

    Their lives are shadowed by the infamous actions of her Granddad Les in his yellow weatherboard house, just over the fence.Although Les died twelve years ago, his notoriety has grown in Cub’s lifetime and the local community have ostracised the whole family. When Cub’s estranged aunt Helena and cousin Tilly move next door into the yellow house, the secrets the family want to keep buried begin to bubble to the surface. And having been kept in the dark about her grandfather’s crimes, Cub is now forced to come to terms with her family’s murky history.The Yellow House is a powerful novel about loyalty and betrayal; about the legacies of violence and the possibilities of redemption."Such energy and precision in the writing, not to mention originality." - Tegan Bennett Daylight

    What is art? What’s true courage? I could not put it down.’ —Melissa Ashley,bestselling author of THE BIRDMAN’S WIFELotti lives under the shadow of a genius: her father George Coates is a brilliant and celebrated Australian painter.When Lotti meets the outcast waif Kyla at a suburban Canberra school, two worlds are set to collide. Slowly Kyla is drawn into the orbit of the Coates family. Or is it the other way around?As Lotti and Kyla navigate their way towards adulthood, dark secrets start to unravel, with devastating consequences …WE WERE NEVER FRIENDS is unforgettable novel about friendship, the pursuit of a creative life and the legacies we leave behind.‘Margaret Bearman’s intimate, unsettling novel of family dysfunction perfectly captures the ambivalent passions of girlhood while offering an incisive critiqueof the cult of artistic genius. Sharp and subtle at the same time, refusing any easy certainties, WE WERE NEVER FRIENDS is a haunting portrait of the humancapacity for cruelty and love in equal measure.’ —Kirsten Tranter, bestselling author of THE LEGACY

    He describes the kaleidoscopic journey he has just made across northern Italy from Switzerland, while reflecting on questions of mortality, seduction, and the search for paradise. Against a rich background of earlier journeys in literature, notably Mann's Death in Venice, Robert Dessaix creates a compelling and ultimately uplifting account of a life enriched by a heightened sense of mortality.

    Estranged from her parents, and living with her grandfather who is drowning in sadness, Oli faces the reality of life beyond university alone. When she wakes on a boat with no recollection of how she got there, she accepts the help of two strangers who change the course of her future forever. With Mac and Maggie, Oli learns to navigate a life upon open ocean and the world flowers into colours she's never seen before. Four years later, Oli, fluent in the language of the sea, is the only woman among men on a yacht delivery from Noumea to Auckland. In the darkness below deck, she learns that at sea, no one can hear you scream. Moving to London, Oli's life at sea is buried. When she meets Hugo, the wind changes, and her memories are dust blown into shapes. Reminding her of everything. Below Deck is about the moments that haunt us, the moments that fan out like ripples through the deep. So that everything else, becomes everything after.

    She's the daughter of the town whore so no one seems particularly concerned.No one cares except Tommy Johns, who loves Sarah Vale with all the unadulterated, tentative passion of a teenage boy. He galvanises the town's policeman Sergeant Henson and, together, they turn the town inside out, searching for the lost girl.A delicate and layered exploration of secrets and lies, forgotten children and absent parents, and the long shadows of the past.An extraordinary debut from a talented new writer.

    Despite her anger and grief, she sets about running the house, taking care of her younger sister, and helping her father clear their wild acreage to carve out a farm. But gradually they realise that while they may own the land, they cannot tame it – nor can they escape their past.Anchor Point is an eloquent and arresting Australian novel no reader will easily forget.

    A young PR man working at General Electric sold his first magazine piece. By the time he'd sold his third, he decided to quit his job and join the likes of Salinger, Hemingway, Fitzgerald and Faulkner, and make a living as a full-time writer. That young man was Kurt Vonnegut.Bagombo Snuff Box collects Vonnegut’s favourite stories from the postwar years that sharpened his dark, vaudevillian and quietly subversive voice. Here we see the mind-bending wit and central themes of his masterpiece, Slaughterhouse-Five. A must-read for Vonnegut aficionados new and old.

    Out of the desert staggers a young diviner, Michael Random, offering salvation to this parched town. The once comatose community is indeed stirred to life, by hate as much as by love, and its people find salvation neither in water nor gold.

    But Lythe was once the heart of an Elizabethan feudal estate and home to a young English tutor named William Shakespeare, and as Isobel investigates the strange history of her family, her neighbors, and her village, she occasionally gets caught in Shakespearean time warps. Meanwhile, she gets closer to the shocking truths about her missing mother, her war-hero father, and the hidden lives of her close friends and classmates. A stunning feat of imagination and storytelling, Kate Atkinson's Human Croquet is rich with the disappointments and possibilities every family shares.

    With these characters William will make us laugh and cry. And never again will we think that someone is just a regular bloke - everyone can be a king or a queen in their own suburb.

    It has been translated into sixteen languages, made into a prize-winning motion picture, and staged as a play at high schools all over the United States; its very title has become part of the American idiom.Never before has a novel so compellingly laid bare the inner workings of a metropolitan high school. Up the Down Staircase is the funny and touching story of a committed, idealistic teacher whose clash with school bureaucracy is a timeless lesson for students, teachers, parents--anyone concerned about public education. Bel Kaufman lets her characters speak for themselves through memos, letters, directives from the principal, comments by students, notes between teachers, and papers from desk drawers and wastebaskets, evoking a vivid picture of teachers fighting the good fight against all that stands in the way of good teaching.

    Her routines are few and small. One day a stranger arrives at her door, looking as if she has been blown in from the sea. This woman—Frida—claims to be a care worker sent by the government. Ruth lets her in.Now that Frida is in her house, is Ruth right to fear the tiger she hears on the prowl at night, far from its jungle habitat? Why do memories of childhood in Fiji press upon her with increasing urgency? How far can she trust this mysterious woman, Frida, who seems to carry with her, her own troubled past? And how far can Ruth trust herself?

    There are two stories here.Hannah Mulvey left her island home as a teenager. But her stubborn, defiant mother is dying, and now Hannah has returned to Chesil, taking up a teaching post at the tiny schoolhouse, doing what she can in the long days of this final year.But though Hannah cannot pinpoint exactly when it begins, something threatens her small community. A girl disappears entirely from class. Odd reports and rumours reach her through her young charges. People mutter on street corners, the church bell tolls through the night and the island's women gather at strange hours...And then the miracles begin.A page-turning, thought-provoking portrayal of a remote community caught up in a collective moment of madness, of good intentions turned terribly awry. A blistering examination of truth and power, and how we might tell one from the other.'Catherine Noske's debut novel grapples with questions of familial obligation, complicity, remorse and the fallibility of memory...The Salt Madonna will appeal to readers who enjoyed Laura Elizabeth Woollett's Beautiful Revolutionary.' Books+Publishing'Catherine Noske's The Salt Madonna is Australian Gothic at its most sublime and uncanny. Superbly atmospheric and darkly unsettling, the characters are haunted by their colonial pasts, manifested in guilty silence...Noske's taut, subversive writing exposes unspeakable truths buried in dazzling stories, miracles and epiphanies.' Cassandra Atherton