Both evoke a similar sensation in us — we find them beautiful and magical, but also spooky, sometimes horrifying.In this fascinating book, Maitland argues that the two forms are intimately connected: the mysterious secrets and silences, gifts and perils of the forests were both the background and the source of fairytales. Yet both forests and fairy stories are at risk and their loss deprives us of our cultural lifeblood. Maitland visits forests through the seasons, from the exquisite green of a beechwood in spring, to the muffled stillness of a snowy pine wood in winter. She camps with her son Adam, whose beautiful photographs are included in the book; she takes a barefoot walk through Epping Forest with Robert Macfarlane; she walks with a mushroom expert through an oak wood, and with a miner through the Forest of Dean. Maitland ends each chapter with a unique, imaginitive re-telling of a fairystory.Written with Sara's wonderful clarity and conversational grace, Gossip from the Forest is a magical and unique blend of nature writing, history and imaginative fiction.

    In lyrical prose and singular dialect, a saga beats forward that echoes the fables carried down for generations—like the screecher birds who swoop down for their periodic sacrifice, and the water women who lure men to wet deaths.Among its residents—wildly spanning decades, perspectives, and species—are David Sherman, a struggling musician who just happens to be God’s last son; Tyrone, a ruthless PhD candidate, whose dissertation about a childhood game ignites mayhem in the neighboring, once-segregated town of Port Yooga; and Jim, an all-too-obedient robot who serves his Master. As the book builds to its finish with Special Topics in Loneliness Studies, a fully-realized novella, two unhinged professors grapple with hugely different ambitions, and the reader comes to appreciate the intricacy of the world Scott has created—one where fantasy and reality are eternally at war.

    Little Tree as his grandparents call him is shown how to hunt and survive in the mountains, to respect nature in the Cherokee Way, taking only what is needed, leaving the rest for nature to run its course. Little Tree also learns the often callous ways of white businessmen and tax collectors, and how Granpa, in hilarious vignettes, scares them away from his illegal attempts to enter the cash economy. Granma teaches Little Tree the joys of reading and education. But when Little Tree is taken away by whites for schooling, we learn of the cruelty meted out to Indian children in an attempt to assimilate them and of Little Tree's perception of the Anglo world and how it differs from the Cherokee Way. A classic of its era, and an enduring book for all ages, The Education of Little Tree has now been redesigned for this twenty-fifth anniversary edition.

    Originally West Virginians told these hundred stories not for idle amusement but to report supernatural experiences that defied ordinary human explanation. From jealous rivals and ghostly children to murdered kinsmen and omens of death, these tales reflect the inner lives-the hopes, beliefs, and fears-of a people. Like all folklore, these tales reveal much of the history of the region: its isolation and violence, the passions and

    His fiction is an acknowledged influence on entire generations of writers, ranging from H.P. Lovecraft to James Branch Cabell, from Clark Ashton Smith to Lin Carter. Although many of his most famous stories are longer in length, the miniature portraits of Fifty-One Tales (originally published in 1915 and sometimes reprinted under the title The Food of Death) are an ideal introduction to Dunsany. Nowhere is the jewel-like quality of his prose more evident than in the short tales, seminal works which runs the gamut from whimsy to fantasy to social satire.CONTENTS:"The Assignation" "Charon" "The Death of Pan" "The Sphinx at Gizeh" "The Hen" "Wind and Fog" "The Raft Builders" "The Workman" "The Guest" "Death and Odysseus" "Death and the Orange" "The Prayer of the Flowers" "Time and the Tradesman" "The Little City" "The Unpasturable Fields" "The Worm and the Angel" "The Songless Country" "The Latest Thing" "The Demagogue and the Demi-Monde" "The Giant Poppy" "Roses" "The Man with the Golden Ear-rings" "The Dream of King Karna-Vootra" "The Storm" "A Mistaken Identity" "The True History of the Hare and the Tortoise" "Alone the Immortals" "A Moral Little Tale" "The Return of Song" "Spring in Town" "How the Enemy Came to Thlūnrāna" "A Losing Game" "Taking Up Piccadilly" "After the Fire" "The City" "The Food of Death" "The Lonely Idol" "The Sphinx in Thebes (Massachusetts)" "The Reward" "The Trouble in Leafy Green Street" "Furrow-Maker" "Lobster Salad" "The Return of the Exiles" "Nature and Time" "The Song of the Blackbird" "The Messengers" "The Three Tall Sons" "Compromise" "What We Have Come To" "The Tomb of Pan" "The Poet Speaks With Earth" (English version only) "The Mist" (American version only)

    Katharine Pyle's masterly retelling of well-loved folk tales from around the world.The Meester Stoorworm - A Story from ScotlandJean Malin and the Bull Man - A Louisiana TaleThe Widow’s Son - A Scandinavian TaleThe Wise Girl - A Serbian StoryThe History of Ali Cogia - From the Arabian NightsOh! - A Cossack StoryThe Talking Eggs - A Story from LouisianaThe Frog Princess - A Russian StoryThe Magic Turban, the Magic Sword and the Magic Carpet - A Persian StoryThe Three Silver Citrons - A Persian StoryThe Magic Pipe - A Norse TaleThe Triumph of Truth - A Hindu StoryLife’s Secret - A Story of BengalDame Pridgett and the Fairies

    The Metamorphoses of Ovid stands with the works of Homer, Virgil, Dante, and Milton as a classic of world poetry; Hughes translated twenty-four of its stories with great power and directness. The result is the liveliest twentieth-century version of the classic, at once a delight for the Latinist and an appealing introduction to Ovid for the general reader.

    It is, in its earliest form, a spontaneous and instinctive endeavor to shape the facts of the world to meet the needs of the imagination, the cravings of the heart.Classics included in this volume include:One Eye, Two Eyes, Three Eyes,The Magic Mirror,The Enchanted Stag,Hansel and Grethel,The Story of Aladdin,This Story of Ali Baba,The Second Voyage of Sinbad the Sailor,The White Cat,The Golden Goose,The Twelve Brothers,The Fair One With the Golden Locks,Tom Thumb,Blue Beard,Cinderella,Puss In Boots,The Sleeping Beauty In the Wood,Jack and The Bean-Stalk

    Tobias, tethered to the forest, does not dwell on his past life, but he lives a perfectly unremarkable existence with his cottage, his cat, and his dryads.When Greenhollow Hall acquires a handsome, intensely curious new owner in Henry Silver, everything changes. Old secrets better left buried are dug up, and Tobias is forced to reckon with his troubled past—both the green magic of the woods, and the dark things that rest in its heart.

    Dawood in Penguin Classics.The tales told by Scheherazade over a thousand and one nights to delay her execution by the vengeful King Shahryar have become among the most popular in both Eastern and Western literature. From the epic adventures of 'Aladdin and the Enchanted Lamp' to the farcical 'Young Woman and her Five Lovers' and the social criticism of 'The Tale of the Hunchback', the stories depict a fabulous world of all-powerful sorcerers, jinns imprisoned in bottles and enchanting princesses. But despite their imaginative extravagance, the Tales are also anchored to everyday life by their bawdiness and realism, providing a full and intimate record of medieval Eastern world.In this selection, N.J. Dawood presents the reader with an unexpurgated translation of the finest and best-known tales, preserving their spirited narrative style in lively modern English. In his introduction, he discusses their origins in the East and their differences from Classical Arabic literature, and examines English translations of the tales since the eighteenth century.If you enjoyed Tales from the Thousand and One Nights, you might like Snorri Sturlson's The Prose Edda, also available in Penguin Classics.

    Gathered from around the world, from regions as diverse as sub-Saharan Africa and Western Europe, from North and South American Indian cultures and New World settlers, from Asia and the Middle East, these 100 folktales celebrate strong female heroines.Fearless Girls, Wise Women, and Beloved Sisters is for all women who are searching to define who they are, to redefine the world and shape their collective sensibility. It is for men who want to know more about what it means to be a woman. It is for our daughters and our sons, so that they can learn to value all kinds of courage, courage in battle and the courage of love. It is for all of us to help build a more just vision of woman.

    Grizzly bears lumbered down to the creeks to fish for silver salmon and steelhead trout. From vast marshlands geese, ducks, and other birds rose in thick clouds "with a sound like that of a hurricane." This land of "inexpressible fertility," as one early explorer described it, supported one of the densest Indian populations in all of North America.One of the most ground-breaking and highly-acclaimed titles that Heyday has published, _The Ohlone Way _ describes the culture of the Indian people who inhabited Bay Areas prior to the arrival of Europeans.

    But can he find out where Sky Chief keeps it? And if he does, will he be able to escape without being discovered? His dream seems impossible, but if anyone can find a way to bring light to the world, wise and clever Raven can!

    At the other end of the spectrum are classic adventures, such as The Golden Tapestry, set in 1960s Istanbul, as well as several uniquely different attempts at what would have been the most profoundly intimate of all of L'Amour's novels, a saga of reincarnation that stretches from a time before time, to the period of Alexander the Great, and on to Warlord-Era China.Illustrated with rare photographs, this book reveals the L'Amour you have never known, his personal struggles as a writer, and the contest between mortality and a literary legacy too big for one life to contain.Louis L'Amour's Lost Treasures is a project created to release some of the author's more unconventional manuscripts from the family archives.In Louis L'Amour's Lost Treasures: Volumes 1, Beau L'Amour takes the reader on a guided tour through many of the finished and unfinished short stories, novels, and treatments that his father was never able to publish during his lifetime. L'Amour's never-before-seen first novel, No Traveller Returns, faithfully completed for this program, is a voyage into danger and violence on the high seas. These exciting publications will be followed by Louis L'Amour's Lost Treasures: Volume 2.Additionally, many beloved classics will be rereleased with an exclusive Lost Treasures postscript featuring previously unpublished material, including outlines, plot notes, and alternate drafts. These postscripts tell the story behind the stories that millions of readers have come to know and cherish.

    In his late thirties, Blackwood started to write horror stories. He was very successful, writing ten books of short stories and appearing on both radio and television to tell them. He also wrote fourteen novels and a number of plays, most of which were produced but not published. He was an avid lover of nature, and many of his stories reflect this. Although Blackwood wrote a number of horror stories, his most typical work seeks less to frighten than to induce a sense of awe. Good examples are the novels The Centaur (1911), which climaxes with a traveller's sight of a herd of the mythical creatures; and Julius LeVallon (1916) and its sequel The Bright Messenger (1921), which deal with reincarnation and the possibility of a new, mystical evolution in human consciousness. His best stories, such as those collected in the book Incredible Adventures (1914), are masterpieces of atmosphere, construction and suggestion.