This is a vivid account of a film classic's production, loss, and reclamation.A Star Is Born -- the classic Hollywood tale about a young talent rising to superstardom, and the downfall of her mentor/lover along the way -- has never gone out of style. It has seen five film adaptations, but none compares to the 1954 version starring Judy Garland in her greatest role. But while it was the crowning performance of the legendary entertainer's career, the production turned into one of the most talked about in movie history.The story, which depicts the dark side of fame, addiction, loss, and suicide, paralleled Garland's own tumultuous life in many ways. While hitting alarmingly close to home for the fragile star, it ultimately led to a superlative performance -- one that was nominated for an Academy Award, but lost in one of the biggest upsets in Oscar history. Running far too long for the studio's tastes, Warner Bros. notoriously slashed extensive amounts of footage from the finished print, leaving A Star is Born in tatters and breaking the heart of both the film's star and director George Cukor.Today, with a director's cut reconstructed from previously lost scenes and audio, the 1954 A Star is Born has taken its deserved place among the most critically acclaimed movies of all time, and continues to inspire each new generation that discovers it. Now, Lorna Luft, daughter of Judy Garland and the film's producer, Sid Luft, tells the story of the production, and of her mother's fight to save her career, as only she could. Teaming with film historian Jeffrey Vance, A Star Is Born is a vivid and refreshingly candid account of the crafting, loss, and restoration of a movie classic, complemented by a trove of images from the family collection taken both on and off the set. The book also includes essays on the other screen adaptations of A Star Is Born, to round out a complete history of a story that has remained a Hollywood favorite for close to a century.

    Rich in gossip, it is also an eyewitness report of Hollywood in transition. In the summer of 1924, Valeria Belletti and her friend Irma visited California, but instead of returning home to New York, the twenty-six-year-old Valeria decided to stay in Los Angeles. She moved into the YWCA, landed a job as Samuel Goldwyn's personal and social secretary and proceeded to trip over history in the making. As she recounts in her dozens of letters to Irma, Valeria Belletti encountered every type of Hollywood player in the course of her working day: moguls, directors, stars, writers, and hopeful extras. She shares news about Valentino's affairs, Sam Goldwyn's bootlegger, the development of the “talkies,” her own role in helping to cast Gary Cooper in his first major part and much more—often in hilarious detail. She writes of her living and working conditions, her active social life, and her hopes for the future—all the everyday concerns of a young working woman during the jazz age. Alternating sophistication with naiveté, Valeria’s letters intimately document a personal journey while giving us a unique portrait of a fascinating era.

    This unique collection of rare photographs celebrates the joy of reading in classic film style. The Hollywood Book Club captures screen luminaries on set, in films, in playful promotional photos, or in their own homes and libraries with books from literary classics to thrillers, from biographies to children's books, reading with their kids, and more. Featuring nearly 60 enchanting images, lively captions about the stars and what they're reading by Hollywood photo archivist Steven Rea, and a glamorous stamped case design, here's a real page-turner for booklovers and cinephiles.

    This book chronicles her extraordinary life in over 200 rare and previously unpublished photographs, with fascinating, information-packed extended captions.ties that made her a legendary star.

    The complete, lavishly illustrated companion to the Sex and the City film.

    And why —Come hell or high waterThrough thick and through thinFor better and for worseBut not quite until death did we part —It was great fun. — K. H.

    Drawing on the extraordinary collection of The Library of Congress, one of the greatest repositories for silent film and memorabilia, Peter Kobel has created the definitive visual history of silent film. From its birth in the 1890s, with the earliest narrative shorts, through the brilliant full-length features of the 1920s, SILENT MOVIES captures the greatest directors and actors and their immortal films. SILENT MOVIES also looks at the technology of early film, the use of color photography, and the restoration work being spearheaded by some of Hollywood's most important directors, such as Martin Scorsese and Francis Ford Coppola. Richly illustrated from the Library of Congress's extensive collection of posters, paper prints, film stills, and memorabilia-most of which have never been in print-SILENT MOVIES is an important work of history that will also be a sought-after gift book for all lovers of film.

    This private album of rare snapshots—many never published before—show Hepburn in her everyday life as she strolls around the city, alone or with her family, arriving at or leaving the airport, buying postcards and flowers; walking her Yorkie Mr. Famous, carrying pastries to a Sunday lunch with her mother-in-law, having breakfast, and more. This is Audrey as we have never seen her before.Divided into three distinct parts—the 1950s, the 1960s, and the 1970s, Audrey in Rome captures day-to-day moments of this iconic actress’s life all the while examining the evolution of her personal style. Throughout, renowned fashion editor Sciascia Gambacini provides knowledgeable commentary on Hepburn’s covetable look and the designers of her clothing, accessories, and hairstyles, pointing both to the styles of times as well as to Audrey’s aesthetics and influence. Fans will love seeing how Audrey dressed off screen and stage—her minimalist approach to elegance is in full view. Each chapter discusses the actress’s life, films, and style during each decade. Key aspects of her style are pointed out and explored throughout the book: the basket bag, the little black dress, the pill box hat with a scarf tied around it, her array of ballet flats, loafers, cropped trousers, day dresses and coats, even evening wear. The book also contains set photographs of the films she made during her Rome years (Roman Holiday, War and Peace, The Nun's Story, Breakfast at Tiffany's), including images of Audrey with her directors, costars, and even on break in costume. Irresistible as the actress herself, Audrey in Rome opens the door to Hepburn's personal world.

    William Travilla is one of the best costume designers of all time and Marilyn Monroe his most famous client. Dressing Marilyn: How a Hollywood Icon Was Styled by William Travilla focuses on the striking dresses that Travilla designed for Marilyn, from his early work on the thriller Don't Bother to Knock and the gorgeous pink dress in which Marilyn sang "Diamonds Are a Girl's Best Friend" to the legendary white dress from The Seven Year Itch, which arguably contributed to the collapse of Marilyn's marriage to Joe DiMaggio. Featuring Travilla's original sketches, rare costume test shots, dress patterns, photographs of Marilyn wearing the dresses, plus exclusive and never-before-seen extracts from interviews with Travilla, this book offers a fresh insight into the golden age of Hollywood.

    With rare and never-before-published photographs, personal letters, and documents, this groundbreaking book reveals the style secrets that helped make Grant a fashion icon.

    Now, for the first time, the story of this remakable film is revealed. Writing with the full cooperation of the director's family and many crew members, Dan Auiler offers up a remarkable in-deph re-creation of Hitchcock's signature thriller. The result is one of the most thorough and illuminating studies of a single film ever published, and a testament to the enduring power of Hitchcock's masterwork of suspense.

    Her career spanned nearly half a century and included such classic films as Rear Window and Sunset Boulevard. Her private life and professional achievements have been the subject of speculation since she rose to the top in the late 1940s. Ruthlessly competitive and intensely secretive, Head had few close friends and many detractors. Her longtime friend, protégé, and confidant David Chierichetti offers a privileged glimpse into the personality behind the famously impenetrable "schoolmarm" façade and a comprehensive account of her creative process.With more than 150 images –– including family snapshots, sketches, and studio portraits of the stars and roles she helped to create, Edith Head is a fresh and vital portrait of the designer, as well as of the era she epitomizes.

    The poster art from the noir era has a bold look and an iconography all its own. During noir's golden age, studios commissioned these arresting illustrations for even the lowliest "B" thriller. The Art of Noir is the first book to present this striking artwork in a lavishly produced, large-format, full-color volume. The more than 300 dazzling posters and other promotional material range from the classics to rare archive films such as The Devil Thumbs a Ride and Blonde Kiss. With rare offerings from around the world and background information on the illustrators, The Art of Noir is the ultimate companion for movie buffs and collectors, as well as artists and designers.

    80 black-and-white photos.

    The magic of the silent screen, illuminated by the recollections of those who created it.A narrative and photographic history of the early days of the movies, combining fact, anecdote, and reminiscence in a critical survey of films, actors, directors, producers, writers, editors, technicians, and other participants and hangers-on.