She shares her secret with her classmate Callum, and the two become friends as they work to save the Osprey they’ve named Isis. They’re able to get the bird tagged by a preservationist, but after Isis flies to Africa for the winter, her signal becomes stagnant, then lost. Spurred by a promise to Iona, who has fallen ill, Callum is determined to track and save Isis, and a leap of faith and the magic of e-mail connects him with a girl in Gambia who can help him make good—in more ways than one. Set against the dramatic landscapes of Scotland and West Africa, this is a timeless tale of hope and friendship—a heartwarming novel infused with the beauty of nature.

    This uplifting story about one man's gift to the desert and the gift he receives in return has a powerful environmental lesson.

    . . . he has taken us on an unforgettable journey.” — Thomas McGuane, author of The Cadence of Grass and The Longest Silence: A Life in FishingThe New York Times has called James Prosek "the Audubon of the fishing world," and in Fly-Fishing the 41st, he uses his talent for descriptive writing to illuminate an astonishing adventure. Beginning in his hometown of Easton, Connecticut, Prosek circumnavigates the globe along the 41st parallel, traveling through Spain, Greece, Turkey, Armenia, Kyrgyzstan, China, and Japan. Along the way he shares some of the best fishing in the world with a host of wonderfully eccentric and memorable characters.

    The many-pointed star formed from large icicles balances on a rock in a quiet Dumfriesshire valley, a delicate bamboo screen stands on a Japanese beach, a great serpentine ridge of earth extends along a disused railway cutting on Tyneside, four massive snow rings mark the position of the North Pole.

    Three picture-packed gatefolds inside showcase even more familiar and exotic species. These images are part of Sartore's lifelong project to photograph every animal in the world, with special attention given to disappearing and endangered species.

    . . No scientist had seen a Blakiston’s fish owl so far south in a hundred years . . . When he was just a fledgling birdwatcher, Jonathan C. Slaght had a chance encounter with one of the most mysterious birds on Earth. Bigger than any owl he knew, it looked like a small bear with decorative feathers. He snapped a quick photo and shared it with experts. Soon he was on a five-year journey, searching for this enormous, enigmatic creature in the lush, remote forests of eastern Russia. That first sighting set his calling as a scientist.Despite a wingspan of six feet and a height of over two feet, the Blakiston’s fish owl is highly elusive. They are easiest to find in winter, when their tracks mark the snowy banks of the rivers where they feed. They are also endangered. And so, as Slaght and his devoted team set out to locate the owls, they aim to craft a conservation plan that helps ensure the species’ survival. This quest sends them on all-night monitoring missions in freezing tents, mad dashes across thawing rivers, and free-climbs up rotting trees to check nests for precious eggs. They use cutting-edge tracking technology and improvise ingenious traps. And all along, they must keep watch against a run-in with a bear or an Amur tiger. At the heart of Slaght’s story are the fish owls themselves: cunning hunters, devoted parents, singers of eerie duets, and survivors in a harsh and shrinking habitat.Through this rare glimpse into the everyday life of a field scientist and conservationist, Owls of the Eastern Ice testifies to the determination and creativity essential to scientific advancement and serves as a powerful reminder of the beauty, strength, and vulnerability of the natural world.

    Describing various examples, the text provides an intriguing look at turtles, at the ecosystems that support their survival, and at the efforts of some people to save them. At the end of the book, the author offers readers a list of things they can do to help protect these special creatures in their own communities.

    It is also peculiarly British in that it is deeply rooted in the British class system. Grouse shooting is big business, backed by powerful, wealthy lobbying groups, with tendrils running throughout British society.Inglorious makes the case for banning driven grouse shooting. Mark Avery explains why he has, after many years of soul-searching, come down in favor of an outright ban. There is too much illegal killing of wildlife, such as Buzzards, Golden Eagles, and, most egregiously of all, Hen Harriers; and, as a land use, it wrecks the ecology of the hills. However, grouse shooting is economically important, and it is a great British tradition. All of these, and other points of view, are given fair and detailed treatment and analysis, with testimony from a range of people on opposite sides of the debate.The book also sets out Avery's campaign with Chris Packham to gain support for the proposal to ban grouse shooting, culminating in "Hen Harrier Day," timed to coincide with the "Glorious" 12th. Ever controversial, Mark Avery is guaranteed to stir up a debate about field sports, the countryside, and big business in a book that all conservationists will want to read.

    What she discovered was the densest concentration of these hawks anywhere in the lower forty-eight states. Why? Houle's findings, eloquently reported, show that ranchers and grazing and wildlife not only can coexist, but in some instances must coexist if we are to save the last of the native prairies for us all.

    Anna devoted her life to protecting the wildlife of the region, founding a reserve in Kenya called Lewa Downs to care for them. Anna kept a watchful eye on the animals, especially the rhinos. One day, Anna found a small black rhino calf, likely abandoned by its mother. So she nurtured the calf, named it Samia, fed it special formula, and even let it sleep in her bed.Everywhere Anna went Samia was never far behind. The two became so close, in fact, that Anna soon learned how rhinos communicate with one another. Anna was able to distinguish the rhino’s many different grunts and what she meant by them: “Snort! Snuff,” cried Samia (“This is fun!”); “Hoo-hoo-hoo!” she called (“I’m coming!”). But with time, Samia got bigger . . . and bigger . . . and bigger—to the point where she couldn’t fit inside Anna’s house any longer. It was time for Anna to make the tough decision she always knew she would have to make at some point or another: She would need to reintroduce Samia to the wild so she could lead her life with the rest of her kind.

    Lawrence. Children will "slither" like water snakes and "slide" like otters while singing to the tune of "Over in a Meadow." And theyll count baby animals in watersheds all over North America! What a delightful way to learn about riparian habitats and geography at the same time!

    Gobble, Gobble is a great resource to learn about the seasons and the life cycle of wild turkeys through the storytelling of a child.Arrow-shaped footprints lead a young backyard naturalist to a flock of funny-looking birds with big strong feet: Wild Turkeys! Once nearly extinct, these comical critters now gobble their way across North America. Follow Jenny through a year of enchantment as she shares her discovery of these wonderful birds. Gobble, gobble! Jenny wrote a journal, too, with lots of fascinating stuff about a distinctly American bird. Although it once numbered in the millions, wild turkeys nearly disappeared with over-hunting and habitat destruction, but are now making a comeback. The unique illustrations are block prints over collages. The collages are made from cut and torn paper plus all sorts of things from nature—bark, leaves, feathers, even wasp nests! Falwell also offers tips for children to make their own cut-paper pictures and how to keep a nature journal.

    Not much more than a moment but the meetinglofts a rush of childhood questions—27 in all—inspiring answers as big as all outdoors. Caldecott medalist Chris Raschka, himself the boy perhaps,has created a book in the sparest language against the simplest setting, to inspire in any young listener the wonder of wondering.

    By some estimates, we may already have lost almost half of the songbirds that filled the skies only forty years ago. Renowned biologist Bridget Stutchbury convincingly argues that songbirds truly are the "canaries in the coal mine"--except the coal mine looks a lot like Earth and we are the hapless excavators.Following the birds on their six-thousand-mile migratory journey, Stutchbury leads us on an ecological field trip to explore firsthand the major threats to songbirds: pesticides, still a major concern decades after Rachel Carson first raised the alarm; the destruction of vital habitat, from the boreal forests of Canada to the diminishing continuous forests of the United States to the grasslands of Argentina; coffee plantations, which push birds out of their forest refuges so we can have our morning fix; the bright lights and structures in our cities, which prove a minefield for migrating birds; and global warming. We could well wake up in the near future and hear no songbirds singing. But we won't just be missing their cheery calls, we'll be missing a vital part of our ecosystem. Without songbirds, our forests would face uncontrolled insect infestations, and our trees, flowers, and gardens would lose a crucial element in their reproductive cycle. As Stutchbury shows, saving songbirds means protecting our ecosystem and ultimately ourselves.Some of the threats to songbirds: - The U.S. annually uses 4-5 million pounds of active ingredient acephate, an insecticide that, even in small quantities, throws off the navigation systems of White-throated sparrows and other songbirds, making them unable to tell north from south. - The U.S. Fish and Wildlife Service conservatively estimated that 4-5 million birds are killed by crashing into communication towers each year.- A Michigan study found that 600 domestic cats killed more than 6,000 birds during a typical 10-week breeding season. Wood thrush, Kentucky warbler, the Eastern kingbird--migratory songbirds are disappearing at a frightening rate. By some estimates, we may already have lost almost half of the songbirds that filled the skies only forty years ago. Renowned biologist Bridget Stutchbury convincingly argues that songbirds truly are the "canaries in the coal mine"--except the coal mine looks a lot like Earth and we are the hapless excavators.Following the birds on their six-thousand-mile migratory journey, Stutchbury leads us on an ecological field trip to explore firsthand the major threats to songbirds: pesticides, still a major concern decades after Rachel Carson first raised the alarm; the destruction of vital habitat, from the boreal forests of Canada to the diminishing continuous forests of the United States to the grasslands of Argentina; coffee plantations, which push birds out of their forest refuges so we can have our morning fix; the bright lights and structures in our cities, which prove a minefield for migrating birds; and global warming. We could well wake up in the near future and hear no songbirds singing. But we won't just be missing their cheery calls, we'll be missing a vital part of our ecosystem. Without songbirds, our forests would face uncontrolled insect infestations, and our trees, flowers, and gardens would lose a crucial element in their reproductive cycle. As Stutchbury shows, saving songbirds means protecting our ecosystem and ultimately ourselves.Some of the threats to songbirds: - The U.S. annually uses 4-5 million pounds of active ingredient acephate, an insecticide that, even in small quantities, throws off the navigation systems of White-throated sparrows and other songbirds, making them unable to tell north from south. - The U.S. Fish and Wildlife Service conservatively estimated that 4-5 million birds are killed by crashing into communication towers each year.- A Michigan study found that 600 domestic cats killed more than 6,000 birds during a typical 10-week breeding season.

    The charming, rhyming text highlights an action verb for each creature, from chattering monkeys to crouching jaguars.