With smoke billowing, fires blazing and his people fleeing, Khalid races back to defend his city, and protect his queen. But Khalid is too late to do either. He and his men arrive to find the city in ruins, nothing but a maze of destruction, and Shahrzad is gone. But who could have wrought such devastation? Khalid fears he may already know the answer, the price of choosing love over the people of Rey all too evident.

    Too bad they had forgotten the first rule of planet exploration: Nature always has the last laugh.

    It was first published in the pulp magazine All-Story Magazine in October, 1912. The character was so popular that Burroughs continued the series into the 1940s with two dozen sequels.

    Favourites such as Jack the Giant-killer, Jack and the Beanstalk, Dick Whittington, The Three Little Pigs and The Babes in the Wood are all here among many others, but stories from different traditions also make their appearance, including The Three Bears and Little Red Hiding Hood.

    Dumas transforms minor historical figures into larger- than-life characters: the Comte d’Artagnan, an impetuous young man in pursuit of glory; the beguilingly evil seductress “Milady”; the powerful and devious Cardinal Richelieu; the weak King Louis XIII and his unhappy queen—and, of course, the three musketeers themselves, Athos, Porthos, and Aramis, whose motto “all for one, one for all” has come to epitomize devoted friendship. With a plot that delivers stolen diamonds, masked balls, purloined letters, and, of course, great bouts of swordplay, The Three Musketeers is eternally entertaining.

    When her newest client hires her to steal a fertility idol from an Amazonian sex-and-death cult, she finds herself south of the equator and shoulder deep in true believers, while Rio de Janeiro gears up for the closing celebrations of Carnival. Stealing the idol is one thing, however. Keeping it is another. The arcane black market has drawn a host of cutthroat operatives and Sara’s now in their sights. In a race across one of the most colorful cities in South America on its most famed night of the year, Sara must navigate cunning enemies, backstabbing allies, a fifty-foot wedding cake float and a new, sensually mysterious contact who may be friend or foe… and whose name she’ll never learn if she doesn’t make it to dawn alive. No matter what the cards predict, it’s going to be One Wilde Night.

    Consisting of a series of episodes in the story of the English outlaw Robin Hood and his band of Merry Men, the novel compiles traditional material into a coherent narrative in a colorful, invented "old English" idiom that preserves some flavor of the ballads, and adapts it for children. The novel is notable for taking the subject of Robin Hood, which had been increasingly popular through the 19th century, in a new direction that influenced later writers, artists, and filmmakers through the next century.[1]Pyle had been submitting illustrated poems and fairy tales to New York publications since 1876, and had met with success. The Merry Adventures of Robin Hood was the first novel he attempted. He took his material from Middle Age ballads and wove them into a cohesive story, altering them for coherence and the tastes of his child audience. For example, he included "Robin Hood and the Curtal Friar" in the narrative order to reintroduce Friar Tuck. He needed a cooperative priest for the wedding of outlaw Allan a Dale (Pyle's spelling of the original Alan-a-Dale) to his sweetheart Ellen. In the original "A Gest of Robyn Hode", the life is saved of an anonymous wrestler who had won a bout but was likely to be murdered because he was a stranger. Pyle adapted it and gave the wrestler the identity of David of Doncaster, one of Robin's band in the story "Robin Hood and the Golden Arrow." In his novelistic treatment of the tales, Pyle thus developed several characters who had been mentioned in only one ballad, such as David of Doncaster or Arthur a Bland. Pyle's book continued the 19th-century trend of portraying Robin Hood as a heroic outlaw who robs the rich to feed the poor; this portrayal contrasts with the Robin Hood of the ballads, where the protagonist is an out-and-out crook, whose crimes are motivated by personal gain rather than politics or a desire to help others.[1] For instance, he modified the ballad "Robin Hood's Progress to Nottingham", changing it from Robin killing fourteen foresters for not honoring a bet to Robin defending himself against a band of armed robbers. Pyle has Robin kill only one man, who shoots at him first. Tales are changed in which Robin steals all that an ambushed traveler carried, such as "Robin Hood and the Bishop of Hereford", so that the victim keeps a third and another third is dedicated to the poor. Pyle did not have much concern for historical accuracy, but he renamed the queen-consort in the story "Robin Hood and Queen Katherine" as Eleanor (of Aquitaine). This made her compatible historically with King Richard the Lion-Hearted, with whom Robin eventually makes peace. The novel was first published by Scribner's in 1883, and met with immediate success,[1] ushering in a new era of Robin Hood stories. It helped solidify the image of a heroic Robin Hood, which had begun in earlier works such as Walter Scott's 1819 novel Ivanhoe. In Pyle's wake, Robin Hood has become a staunch philanthropist protecting innocents against increasingly aggressive villains.[1] Along with the publication of the Child Ballads by Francis James Child, which included most of the surviving Robin Hood ballads, Pyle's novel helped increase the popularity of the Robin Hood legend in the United States. The Merry Adventures also had an effect on subsequent children's literature. It helped move the Robin Hood legend out of the realm of penny dreadfuls and into the realm of respected children's books.[2] After Pyle, Robin Hood became an increasingly popular subject for children's books: Louis Rhead's Bold Robin Hood and His Outlaw Band (1912) and Paul Creswick's Robin Hood (1917), illustrated by Pyle's pupil N. C.

    Her well-intentioned mother locks her away from society in order to protect her from an evil that seeks to use Astrid's abilities for his own means. But the resulting loneliness drives Astrid deeper into the shadowwalk—a power she is forbidden to use, a magic that lands her directly into the arms of the Shadow. This short prequel to the ShadowLight Saga offers a revealing glimpse into the history of the beautiful and mysterious warrior maiden known as Swan, called Astrid in this prequel. It takes place a few moons before Bonded begins and is a self-contained novelette of approximately 10,000 words. Includes bonus chapter preview of Bonded, Book One of the ShadowLight Saga.

    Dakin wants three things more than anything else: to visit the farthest-away mountain, to meet a gargoyle, and to marry a prince. Everyone in her village thinks she's crazy, especially since no one has ever been to the farthest-away mountain. But one day, when she is nearly 15, she hears the mountain calling her. Dakin sets off on a tantalizing journey that will change her life, and the lives of others, forever. From the Hardcover Library Binding edition.

    When Katy meets her Cousin Helen, an invalid, Katy is awed by her kindness, prettiness, and generosity. Katy is determined to become more like Helen, a resolution that lasts only a few hours. Soon, however, Katy gets a chance to become more like cousin Helen than she ever wished as she finds herself confined to her bedroom for four years as a result of an accident. Much of the story is focused on the change Katy undergoes during her illness. Helen visits again to advise Katy to learn from her experience and to try to become the center of the house by making her room and herself more attractive to others. One way Katy decides to take Helen's advice is through assuming the responsibility of running the house, a job that consists of giving the servants instructions and ringing her bell to summon her sisters when she has a task for them. As soon as Katy has learned the lesson about how to care for others, she recovers and regains the ability to walk. Grade 5-8

    It’s the Bliss Cookery Booke—an ancient, leather-bound volume of enchanted recipes like Stone Sleep Snickerdoodles and Singing Gingersnaps. Rose and her siblings are supposed to keep the Cookery Booke under lock and whisk-shaped key while their parents are out of town, but then a mysterious stranger shows up. “Aunt” Lily rides a motorcycle, wears purple sequins, and whips up exotic (but delicious) dishes for dinner. Soon boring, non-magical recipes feel like life before Aunt Lily—a lot less fun.So Rose and her siblings experiment with just a couple of recipes from the forbidden Cookery Booke.A few Love Muffins and a few dozen Cookies of Truth couldn’t cause too much trouble . . . could they?Kathryn Littlewood’s culinary caper blends rich emotional flavor with truly magical wit, yielding one heaping portion of hilarious family adventure.

    When the selfish townspeople of Hamelin refuse to pay the piper for spiriting away the hordes of rats that had plagued them, he exacts his revenge by luring away their greatest treasure, the children of the town.Excerpt from The Pied Piper of Hamelin The Pied Piper of Hamelin. I. Hamelin Town's in Brunswick, By famous Hanover city;The river Weser, deep and wide, Washes its wall on the southern side;A pleasanter spot you never spied;But, when begins my ditty, Almost five hundred years ago, To see the townsfolk suffer soFrom vermin, was a pity.

    The basis for many film and opera adaptations, and still a story traditionally read aloud to children on Christmas Eve in Ukraine and Russia, The Night Before Christmas is the best holiday tale by the man whom Vladimir Nabokov called 'the greatest writer Russia has yet produced'.Nikolai Gogol (1809-1852) was the son of a Ukrainian gentleman farmer. He attended a variety of boarding schools, where he proved an indifferent student but was admired for his theatrical abilities. In 1828 he moved to St. Petersburg and began to publish stories, and by the mid-1830s he had established himself in the literary world and been warmly praised by Pushkin. In 1836, his play The Inspector-General was attacked as immoral, and he left Russia, remaining abroad for most of the next dozen years. During that time he wrote two of his best-known stories, The Nose and The Overcoat and in 1842 he published the first section of his masterpiece Dead Souls. Gogol became increasingly religious as the years passed, and in 1847 he became the disciple of an Orthodox priest who influenced him to burn the second part of Dead Souls and then abandon writing altogether. After undertaking an extreme fast, he died at the age of forty-two.

    But will the prince find Cinderella after her ball gown turns back into rags? This classic tale is retold by Ruth Sanderson with the very youngest of readers in mind.

    The RIFT Saga begins here.In the ruins of what was once North America lays the Covenant, a nation forged by the iron will of the Moon people, who descended from their dusty refuge on the Moon after the Fall. The Moon people are wealthy, ruled by a strong government who protects its citizens from the dangers from outside their borders. Their greatest achievement is having learned the secret of immortality, and every citizen has the opportunity to live nearly forever if they choose to, a life of riches and abundance.The English are the descendants of the original inhabitants of this place, and they live very different lives from that of the Moon people. They only live to serve the greater good, and citizenship is something few have the opportunity to earn. At the age of fifty all non-citizens are subjected to mandatory euthanasia. In order to maintain a sustainable society, they are told.Every year a number of girls and boys at the age of eighteen are selected for Service to the State. The brightest and most talented are sent to become Students. The strong, the fighters and the athletes become Janissaries, a band of soldiers protecting the northern border from the enemies of the Covenant. The Wardens, a secretive organization known to operate far to the west, near the Rift, which makes up the border to the wastelands, sometimes choses one or two initiates, but nobody knows what becomes of them. And then there is the Corpus, where the whip rules and backs are bent.Those who complete their Service, may become citizens. And although they will never be equal to the Moon people, they will have access to all the riches and opportunities granted by the Covenant leadership to its citizens.As Sue is nearing Selection Day, she secretly hopes to be chosen, despite having to leave her mother and brother behind. She doesn't crave glory or wealth though. A man or woman with citizen status can do a lot of good, and although few return to their home towns, Sue hopes to return to give her family a better life on the other side of Service.But the Covenant is rotten to the core, and as she begins to learn its secrets, Sue must question everything she has always taken for granted. Soon she will find herself in dire peril, for she has seen the truth and there will be no turning back after that...This science fiction dystopian trilogy is set more than two centuries after the events of Exodus, in a future dystopian society forged from the ashes of global disaster."Mr. Christensen has absolutely found his genre, and I hope he keeps the stories coming!"