Alternate-cover edition can be found here In his second collection, Carver establishes his reputation as one of the most celebrated and beloved short-story writers in American literature—a haunting meditation on love, loss, and companionship, and finding one’s way through the dark.

    After all, isn’t it selfish to grieve when the departed goes to a better place? Being in charge of the funeral for his grandmother, Nanna, John arranges for a happy atmosphere, but not everyone understands. Tabitha, his twelve-year-old daughter, who is attending her first funeral, perceives the conflict in a very personal way. During the days before Nanna’s death, Tabitha had been comforted by dreams of the lady’s glorious entrance into Heaven, but she truly misses Nanna’s presence and wonders if her inner yearnings are wrong.    Tabitha has also had dreams about her best friend, Rose Grayson, haunting dreams that showed her friend as lost and in terror in the afterworld. No, Rose is not a Christian. In fact, her father, Phil, is an atheist, a bold atheist. Phil and Rose attend Nanna’s funeral, and when Tabitha claims to see a vision of her departed great grandmother, Phil suggests to John that Tabitha should undergo therapeutic counseling. John decides on another path, but the conflict raises doubts about his daughter’s mental and spiritual stability.

     KITCHEN BOY is the story of Andy Harrison, a working-class Maine boy, who spends every July and August working for the summer people and tourists on the Maine Coast, while dreaming of his own escape from Downeast. That escape proves at once dramatic and very humorous.The novel also is the story of a small, exclusive summer hotel and its eccentric and unforgettable female proprietors who help their young kitchen boy grow up. Through the course of six summers from 1959 to 1964, the "Kennedy years," Andy has many adventures, his loss of innocence paralleling that of his country.Stephen King on KITCHEN BOY: "If you love Maine, you will love this book." Carolyn Chute on KITCHEN BOY: "KITCHEN BOY is great. It is THICK and FLESHY and full of splendor. Sandy Phippen is a wonderful writer, one of the world's masters at character and voice." Janwillem van de Wetering on KITCHEN BOY: "To know Maine one has to live here but to really know Maine one has to meet with the sly and splendid work of Sanford Phippen."John A. Williams on KITCHEN BOY: “KITCHEN BOY is a reflective, often funny and always perceptive analysis of Maine and the people who think they have escape to it, and of the ‘Mainiacs’ who serve them. Both, in fact, have been captured forever by Sanford Phippen’s internal camera, registering drudgery, sadness, joy and, in the end, the quiet triumph of the human spirit through learning and growing into understanding.”Leo Connellan on KITCHEN BOY: “Phippen, like Erskin Caldwell and Will Rodgers, has his ear and humor universal, for people everywhere. KITCHEN BOY is that summer-people book we’ve yearned for: ‘the folk’ working for the foolish rich who take advantage of the poor, but Phippen breaks us up in the way his ‘disadvantaged’ take advantage, win our hearts, carry on, never change. Phippen has us splitting our sides laughing if we’re not crying. KITCHEN BOY IS A MUST READ!”

     Hunting a murderer in the seething mass of people shopping in the North West's biggest shopping centre, Lizzie finds herself trapped in a glass lift with four other people when it suddenly stops between floors.A young girl looking ready to give birth at any moment begins to panic, an old man tries to take charge whilst the other captives in the lift, an engaged couple whose relationship worries Lizzie, are desperate to get out.The lights go out, the shopping centre is evacuated. Lizzie has to rely on her wits to keep everyone calm and get the lift down to safety without alerting the murderer that she's onto them.

    The first of the great South African novels chronicles the adventures of three childhood friends who defy societal repression. The novel's unorthodox views on religion and marriage aroused widespread controversy upon its 1883 publication, and the work retains in power more than a century later. We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.

    A collaboration between writer, filmmaker and artist Miranda July and Harrell Fletcher, this book brings together the best of the popular website learningtoloveyoumore.com, which asks ordinary people to contribute to assignments posted on the site and features responses that are surprising, touching, imaginative, and often hilarious.

    This is the story of South American drug lords Antonio Espinoza and Javier Rodriguez, and their violent quest for power. In a sweeping family saga, we meet the women who love them and the children they vow to protect at any cost. With a complex web of interconnected families, this gritty novel delves into the lives of a power hungry clan, following the rise of their business, the destructive path of their torrid and erotic love affairs, and the struggle to balance intense greed with devout family loyalty. Strong women face tragedies that test their will and their commitment to the men they passionately desire. As young girls grow into women, their traumatic pasts will drive their actions and force them to make gut-wrenching decisions. With murder, drug trafficking, dirty politics, illegal gambling, prostitution, obsessive love affairs, and family strife, The Cartel is a whirlwind in the vein of Mario Puzo's The Godfather.Excerpt from Chapter One:BOOK I1969-1976Calí, ColombiaCHAPTER ONEEMILIO ESPINOZA TRACED THE SCARS ACROSS THE undersides of his wrists, now white with time, but still visible. Not like the ones that remained on his heart. Moving to the ornate wooden armoire, he picked up a framed photograph of his brother Antonio and his lovely young wife Lydia. He stared at his brother’s face, his eyes becoming slits of hatred. He closed them, and threw the picture across the room, smashing the frame against the wall, his hands balling into fists as his vision clouded with tears. Glass shattered into small splinters across the adobe-tiled floor. Pulling the photograph from between the shards of glass, filled with rage and despair, Emilio ripped it into pieces.Antonio was the reason the scars upon his heart never faded. What a fool his brother was! Antonio had no idea of his brother’s true feelings toward him and Emilio planned to keep it that way—for now. But when he struck, Antonio would know. He would feel nothing but pain; the kind Emilio felt everyday of his life.Emilio’s plans were long term. They had to be. He knew the desired effect might not come to fruition for years, perhaps even a decade. But he had plans and they had been brewing for nearly five years, since he was merely a boy of fifteen. He had been patient for this long. He would be patient for as long as it took.He remembered that day five years ago so very clearly. ****EMILIO CAME HOME EARLY FROM SCHOOL, DITCHING BECAUSE he hadn’t studied for a test. He did not want Antonio to find out that he’d left school early, so he crept quietly up the outside back steps to the guesthouse, which was several yards away from the main quarters, a place where he knew he could hide out until the appropriate time.He smelled the candles first. He smiled, knowing he was about to get a show from his Don Juan of a brother and some beautiful young thing. Antonio was known to bring women to the guesthouse and light a few rose scented candles, put on some soft music, and then, having set the mood, complete his conquest.Emilio crawled along the balcony of the small villa, carefully rising up to peek into the window. The music playing--soft, low, romantic--the woman’s back toward him. Antonio held her close, stroking her long black hair, whispering something in her ear.That hair, the lithe body. A shiver of delight slithered through Emilio as he watched in awe. Antonio placed his hands on the woman’s shoulders and easily slipped off her dress, letting it fall to the ground. Emilio closed his eyes, ashamed to be watching. But curiosity and raging hormones opened them. The woman stood completely naked. Antonio swept her up and carried her to the bed and laid her down on the red sateen comforter.Emilio felt the first painful tug on his heart when he saw her face.

    These stories are informed by a childhood growing up near that middle-class mecca, the Grand Concourse; falling in love with three voluptuous librarians at a public library in the Lower Depths of the South Bronx; and eating at Mafia-owned restaurants along Arthur Avenue's restaurant row, amid a "land of deprivation…where fathers trundled home…with a monumental sadness on their shoulders."In "Lorelei," a lonely hearts grifter returns home and finds his childhood sweetheart still living in the same apartment house on the Concourse; in "Archy and Mehitabel" a high school romance blossoms around a newspaper comic strip; in "Major Leaguer" a former New York Yankee confronts both a gang of drug dealers and the wreckage that Robert Moses wrought in his old neighborhood; and in three interconnected stories—"Silk Silk," "Little Sister," and "Marla"—Marla Silk, a successful Manhattan attorney, discovers her father's past in the Bronx and a mysterious younger sister who was hidden from her, kept in a fancy rest home near the Botanical Garden. In these stories and others, the past and present tumble together in Charyn's singular and distinctly "New York prose, street-smart, sly, and full of lurches" (John Leonard, New York Times).Throughout it all looms the "master builder" Robert Moses, a man who believed he could "save" the Bronx by building a highway through it, dynamiting whole neighborhoods in the process. Bitter Bronx stands as both a fictional eulogy for the people and places paved over by Moses' expressway and an affirmation of Charyn's "brilliant imagination" (Elizabeth Taylor, Chicago Tribune).

    You can walk for hours. The streets slip by. There is so much to look at, so much to take in. I walk a lot. Especially when I am not writing . . . Lily Brett's love affair with New York began as an outsider in her late teens when she was posted on assignment there as a young Australian rock journalist. In her early forties she returned, together with her soul mate and three children, to start a new life, and for the best part of three decades she has called New York home. This witty, candid and moving collection of short pieces celebrates the city that's now part of her heartbeat. A compulsive walker, Brett takes us to her favourite places and introduces us to the characters of the city that has nurtured, perplexed and inspired her. She brings to life the delights of Chinatown, the majesty of Grand Central Station, the lure of spandex and sequins in the Garment District, and the peculiarity of canine couture. And she muses on the miracle of love in the Lodz ghetto, the possibility of loneliness amidst skyscrapers, and the joy and redemption in a child's curiosity. Full of wisdom, humour and grace, Only in New York is a human portrait of a city much loved - and of a woman in step with herself. 'Pithy, entertaining and personal . . . the natural, light quality of Brett's writing is a pleasure akin to a conversation with a friend . . . Brett leavens her observations with dry humour.'� Weekend Australian 'New York is a city of character and characters and anyone thinking of visiting should use this as a guide to its flavour - and also as an insight into where to eat.'� Herald Sun 'Charm[ing] . . . Her snippets are short and sharp as they portray the essence of New York.'� West Australian 'A charming and unique narrative on the city. [Brett] achieves a perfect combination of wit and naivety, creating a memoir that acknowledges the existence of good and bad experiences, awkward quirks and love affairs with buildings . . . Brett's words have the ability to transport you to the city from the comfort of your own back yard: you may even find it unnecessary to fly to New York after reading [it].�Readings�

    Following the intertwined lives of a group of kickass career women, the series is a heartwarming mix of angsty romance and laugh-out-loud humour. She wished summer would never end. Violet Archer can't believe her luck. Her gorgeous new boyfriend is whisking her off on a romantic sun-drenched getaway! Well, not quite. There'll definitely be sun. But there'll also be a advertising shoot, a film crew, their eccentric best friend, Max, and one of the senior partners of their new ad agency. Oh, and of course, the teeny tiny issue that Violet's boyfriend is her best friend and soon-to-be boss, Ethan Fraser, and if anyone finds out they're together, he'll be fired. In the Santorini sunshine, can Ethan and Violet pull off a successful shoot, keep their secret hidden, and still find time for a little bit of summer sizzle? FRIENDLY NOTE #1: All of Elizabeth’s books feature realistic characters who do things real people do (like have sex) and say things real people say (like drop f-bombs). FRIENDLY NOTE #2: All of Elizabeth’s books are written in British English, not American English. We spell a few words differently.

    As they carve out lives as Americans, their days are filled with drama, success, and sometimes tragedy. A widow becomes crazy after her son is killed in Vietnam, her remaining word "nada." Another woman carries on after the death of her husband, keeping their store, filled with plantain, Bustello coffee, jamon y queso, open as a refuge for her neighbors. And there are Cofer's stories of growing up with a dictatorial and straying father, a caring mother, and a love for language that will lead to a career as a teacher and writer.