The narrator, Steve Geddes, is a writer doing a book on collectors, especially those with "unlikely, bizarre, or exceptionally useless collections." His research leads him to the Havergals, a wealthy, eccentric couple. They "collect people"; that is, she does the "collecting" while he watches-"a bout of troilism," as Geddes calls it. By accident, Geddes learns that reclusive "cult author" Thornton McCain may have written a book that Geddes hasn't heard of. Geddes the observer becomes both obsessed collector and, for the randy Havergals, object to be collected. An insightful delight from start to finish; recommended for all fiction collections.

    Estep follows her first novel, "Diary of An Emotional Idiot, " with a set of linked stories that glimpses two women through the eyes of the men in their lives.

    He is entranced by her image, flooded by memories of their teenage summer together, and utterly conpelled to make contact with her again. Charles sends Sian a letter, knowing all the while that "from the very first sentence of the very first note there was nothing innocent about it." Sian writes back - she is now a poet living with her husband and small child on an onion farm in Pennsylvania. She is intrigued that Charles has sought her out after so many years but wary of where their correspondence might lead. For Charles, troubled by financial woes, on the verge of losing his home, and concerned about the security of his family, the letters become a secret obsession and another source of instability in his already complicated life. Despite their reservations, the power of Charles and Sian's attraction leads them to meet again . . . and again. As Charles understands it, "for the two of them, eros is linked with time. It is the very urgency of time he dreads, the sense that their minutes together are short and numbered, that he must say what he has come to say before she leaves, that gestures and words cannot be wasted." Anita Shreve takes the classic theme of "Romeo and Juliet" and gives it an unusual twist: two lovers struggle against formidable odds, reaching across a lifetime to reclaim what they once lost. In doing so, they set in motion a tumultuous series of events that moves inexorably to a shocking conclusion.

    The house sits on a hilltop, neglected and weathered, until an outlander rolls in to bring it back to life. The lively story of the sordid secrets the renovation reveals is told by a pack of local barflies, a ragged bunch of half-cocked civic boosters and gossips who give us history as seen through the bottom of a shot glass. Funny, bittersweet, and glancingly philosophical, Eaglesworth is a fanciful biography of a place, a latter-day slice of the Old Dominion that the Sage of Monticello would hardly recognize.

    Here is a town, as well as a world, defined by magnificent and nearly devastating contradictions.Louis Charles (“Lucy”) Lynch has spent all his sixty years in upstate Thomaston, New York, married to the same woman, Sarah, for forty of them, their son now a grown man. Like his late, beloved father, Lucy is an optimist, though he’s had plenty of reasons not to be—chief among them his mother, still indomitably alive. Yet it was her shrewdness, combined with that Lynch optimism, that had propelled them years ago to the right side of the tracks and created an “empire” of convenience stores about to be passed on to the next generation. Lucy and Sarah are also preparing for a once-in-a-lifetime trip to Italy, where his oldest friend, a renowned painter, has exiled himself far from anything they’d known in childhood. In fact, the exact nature of their friendship is one of the many mysteries Lucy hopes to untangle in the “history” he’s writing of his hometown and family. And with his story interspersed with that of Noonan, the native son who’d fled so long ago, the destinies building up around both of them (and Sarah, too) are relentless, constantly surprising, and utterly revealing. Bridge of Sighs is classic Russo, coursing with small-town rhythms and the claims of family, yet it is brilliantly enlarged by an expatriate whose motivations and experiences—often contrary, sometimes not—prove every bit as mesmerizing as they resonate through these richly different lives. Here is a town, as well as a world, defined by magnificent and nearly devastating contradictions.

    Before evening falls, he has kissed Franny’s mother, Beverly—thus setting in motion the dissolution of their marriages and the joining of two families.Spanning five decades, Commonwealth explores how this chance encounter reverberates through the lives of the four parents and six children involved. Spending summers together in Virginia, the Keating and Cousins children forge a lasting bond that is based on a shared disillusionment with their parents and the strange and genuine affection that grows up between them.When, in her twenties, Franny begins an affair with the legendary author Leon Posen and tells him about her family, the story of her siblings is no longer hers to control. Their childhood becomes the basis for his wildly successful book, ultimately forcing them to come to terms with their losses, their guilt, and the deeply loyal connection they feel for one another.Told with equal measures of humor and heartbreak, Commonwealth is a meditation on inspiration, interpretation, and the ownership of stories. It is a brilliant and tender tale of the far-reaching ties of love and responsibility that bind us together.#1 New York Times Bestseller

    She captures the beguiling transformation from child to adult with humor, heartache, and desperation. From grieving mothers to fathers adrift, old flames to restless teens, the isolated characters in Doll Palace are united by conflicting desires, quiet rebellions, and the private struggles of the heart.

    Without words to express their grief, the parents, John and Ricky, try to return to their previous lives. Struggling to regain a semblance of normalcy for themselves and for their two older children, they find themselves pretending not only that little has changed, but that their marriage, their family, have always been intact. Yet in the aftermath of the baby's death, long-suppressed uncertainties about their relationship come roiling to the surface. A dreadful secret emerges with reverberations that reach far into their past and threaten their future.The couple's children, ten-year-old Biscuit and thirteen-year-old Paul, responding to the unnamed tensions around them, begin to act out in exquisitely- perhaps courageously-idiosyncratic ways. But as the four family members scatter into private, isolating grief, an unexpected visitor arrives, and they all find themselves growing more alert to the sadness and burdens of others-to the grief that is part of every human life but that also carries within it the power to draw us together.Moving, psychologically acute, and gorgeously written, "The Grief of Others" asks how we balance personal autonomy with the intimacy of relationships, how we balance private decisions with the obligations of belonging to a family, and how we take measure of our own sorrows in a world rife with suffering. This novel shows how one family, by finally allowing itself to experience the shared quality of grief, is able to rekindle tenderness and hope.

    Whether illuminating a common laborer or a legendary thinker, Dubie meets his subjects with utter compassion for their humanity and the dignity behind their creative work. In pursuit of the well-told story, his love of history is ever-present—though often he recreates his own.“With its restoration of so many out-of-print poems and its addition of new works, The Mercy Seat was one of last year’s most significant publications.” —American Book Review“The voices of Dubie’s monologues are full of astonishing intimacy.” —The Washington Post Book World

    

    Unable to resume his normal life, he flies south to North Carolina to visit his aged father, a widowed Episcopal priest who is cared for by live-in nurse Audrey Thornton and her grown son, Marcus. During his stay -- with help from his cantankerous father, Audrey, Marcus, and an alluring old flame named Gwyn -- Mabry is compelled to explore his tormented relationship with his father and a world he fondly remembers but has long since abandoned. Back in New York a week later, Mabry faces his old life, which lies in ruins before his eyes. There, he must once again confront change and uncertainty -- and a daunting disease that may prove fatal. In an elegantly crafted and profoundly moving novel, Reynolds Price follows one man's wrenching journey to come to terms with two familiar worlds that have been radically altered.

    He is a writer, observes the "Chicago Tribune," who can "convincingly squeeze whole lives into a mere twenty pages or so." Now Chaon marshals his notable talents in his much-anticipated debut novel. "You Remind Me of Me" begins with a series of separate incidents: In 1977, a little boy is savagely attacked by his mother's pet Doberman; in 1997 another little boy disappears from his grandmother's backyard on a sunny summer morning; in 1966, a pregnant teenager admits herself to a maternity home, with the intention of giving her child up for adoption; in 1991, a young man drifts toward a career as a drug dealer, even as he hopes for something better. With penetrating insight and a deep devotion to his characters, Dan Chaon" "explores the secret connections that irrevocably link them. In the process he examines questions of identity, fate, and circumstance: Why do we become the people that we become? How do we end up stuck in lives that we never wanted? And can we change the course of what seems inevitable? In language that is both unflinching and exquisite, Chaon moves deftly between the past and the present in the small-town prairie Midwest and shows us the extraordinary lives of "ordinary" people.

    The inaugural winner of the annual American Poetry Review/Honickman First Book Award.

    Paul and Mary Emmons were having lunch in a diner called Happy's when Mary happened to notice a dog in a car in the parking lot with his head turned upside down." Thus begins the strange and captivating saga of Paul Nash, a.k.a. Paul Emmons, a fallen accountant whose inadvisable return to New England, the region of his crimes, sets the stage for this darkly comic novel of love, death, guilt, redemption, and the various forms of clam chowder. More than a dog's head gets turned upside down in the course of Paul's transatlantic misadventures. Through it all Paul strives to find and accomplish his mission in life, and myriad characters contrive to tell their stories -- of unkept promises, nightmarish evenings, identities lost and found.

    Wrestling with a new language, on a site running behind schedule, and with a relationship in flux, he becomes increasingly untethered.Set against the structural evolution of a sprawling city, this meditation on language, memory and yearning is underpinned by the site’s physical reality. As the narrator explores the mind’s fragile architecture, he begins to map his own strange geography through a series of notebooks, or‘Love Notes’.This is at once a treatise on language, memory, building and desire, relayed in translucent Sebaldian prose in a voice new to Irish fiction.