In it, Isaac alludes to a secretive organization that is after his final bombshell equation, and he charges Hazel with safely delivering it to a trusted colleague. But first, she must find where the equation is hidden. While in Los Angeles for Isaac’s funeral, Hazel realizes she’s not the only one searching for his life’s work, and that the equation’s implications have potentially disastrous consequences for the extended Severy family, a group of dysfunctional geniuses unmoored by the sudden death of their patriarch. As agents of an enigmatic company shadow Isaac’s favorite son—a theoretical physicist—and a long-lost cousin mysteriously reappears in Los Angeles, the equation slips further from Hazel’s grasp. She must unravel a series of maddening clues hidden by Isaac inside one of her favorite novels, drawing her ever closer to his mathematical treasure. But when her efforts fall short, she is forced to enlist the help of those with questionable motives.

    Provides glimpses into the origins of Charles Simic's poetry

    N. Dyer, whose novel Ampersand stands as a classic of American teenage angst. But as Andrew Newbold Dyer delivers the eulogy for his oldest friend, he suffers a breakdown over the life he’s led and the people he’s hurt and the novel that will forever endure as his legacy. He must gather his three sons for the first time in many years—before it’s too late. So begins a wild, transformative, heartbreaking week, as witnessed by Philip Topping, who, like his late father, finds himself caught up in the swirl of the Dyer family. First there’s son Richard, a struggling screenwriter and father, returning from self-imposed exile in California. In the middle lingers Jamie, settled in Brooklyn after his twenty-year mission of making documentaries about human suffering. And last is Andy, the half brother whose mysterious birth tore the Dyers apart seventeen years ago, now in New York on spring break, determined to lose his virginity before returning to the prestigious New England boarding school that inspired Ampersand. But only when the real purpose of this reunion comes to light do these sons realize just how much is at stake, not only for their father but for themselves and three generations of their family.

    

    She doesn't believe in pseudo-science, or time travel and especially not in ghosts. So when she gets a missed call from Charlie, her closest friend from university with whom she hasn't spoken in over a year, Helen thinks there must be some mistake. Because Charlie died two days ago.Then when her young son, Jack, claims to have seen Charlie in their house just the other day, Helen begins to have doubts.Through the grief of the husband and daughter Charlie left behind, Helen is drawn into the orbit of Charlie's world, slotting in the missing pieces of her friend's past. And, as she delves into the web of their shared history, Helen finds herself entangled in the forgotten threads of her own life.Lost and Wanted is a searing novel from one of America's most exciting writers about the knottiness of female friendship, the forces which fuse us together and those which drive us apart.

    Bambrick began writing poems in order to document the forms of violence she witnessed towards the people and the environment of the Columbia River. While working there she found that reservoirs foster a uniquely complex community--from fish biologists to the owners of luxury summer homes--and became interested in the issues and tensions between the people of that place. The idea of power, literal and metaphorical, was present in every action and encounter with bosses and the people using the river. The presence of a young woman on the crew irritated her older, male co-workers who'd logged, built houses, and had to suffer various forms of class discrimination their entire lives. She found throughout this experience that their issues, while not the same, were inherently connected to the suffering of the lands they worked. Introduction by Sharon Olds.

    She has a guardian angel in the form of Sir William Dartmouth, but even when he engineers her release, Phoebe must struggle to make a living for herself. And Annie has not given up her own perverse quest for revenge . . .

    A reissuing of The Afterlife, poetry by Larry Levis.

    Friendly dies and then feels markedly better, breaks up with his lovers as a prelude to seducing them, and mangles his patients before he sends them home. And all the while Tod's life races backward in time toward the one appalling moment in modern history when such reversals make sense.

    These bonobos, like others of their species, are capable of reason and carrying on deep relationships - but unlike most bonobos, they also know American Sign Language.Isabel Duncan, a scientist at the Great Ape Language Lab, doesn’t understand people, but animals she gets - especially the bonobos. Isabel feels more comfortable in their world than she’s ever felt among humans... until she meets John Thigpen, a very married reporter who braves the ever-present animal rights protesters outside the lab to see what’s really going on inside.When an explosion rocks the lab, severely injuring Isabel and “liberating” the apes, John’s human interest piece turns into the story of a lifetime, one he’ll risk his career and his marriage to follow. Then a reality TV show featuring the missing apes debuts under mysterious circumstances, and it immediately becomes the biggest - and unlikeliest - phenomenon in the history of modern media. Millions of fans are glued to their screens watching the apes order greasy take-out, have generous amounts of sex, and sign for Isabel to come get them. Now, to save her family of apes from this parody of human life, Isabel must connect with her own kind, including John; a green-haired vegan; and a retired porn star with her own agenda.Ape House delivers great entertainment, but it also opens the animal world to us in ways few novels have done, securing Sara Gruen’s place as a master storyteller who allows us to see ourselves as we never have before.

    Mary Ruefle is of their number. Her poems discover the full beauty and anguish of life that most of us dare not see, much less depict in luminous detail for the ages.

    This is a gutsy, fun-loving, and provocative novel in which a bean can philosophises, a dessert spoon mystifies, a young waitress takes on the New York art world, and a rowdy redneck welder discovers the lost god of Palestine.

    Change is in the air and hope is running high. And for twenty-five-year-old, self-proclaimed cool man Michael Bishop, so is the alcohol and the bluster. Working a dead-end job proofing subtitles on third-rate videos, Michael has kept his future at bay through a stream of boozy nights or by blowing time in front of his Nintendo. That is, until he meets Ivy Chase, the smart, pretty pastor’s daughter whose innocent charm takes his breath away. But Ivy turns out to be much more than Michael bargained for, and in a moment that surprises even him, he makes the decision of his life.Smart, funny, poignant, and very, very timely, Last Call in the City of Bridges is a Bright Lights, Big City for the new millennium. With its memorable characters and unforgettable scenes, this insightful look into twenty-first-century America is a book you won’t want to put down.“Like the comic book heroes he obsesses over, Michael Bishop has an origin story, the story of the first wound that makes his powers necessary. In Last Call in the City of Bridges, Michael at last faces into that tragedy, resurfacing suddenly at the mid-point of his twenties, those years of snark and expectation spent proofreading DVD subtitles, drinking literature-themed cocktails, and pining over preacher’s daughters and college crushes. In this witty and charming debut, Salvatore Pane reminds us that while you can’t retcon your past, you can perhaps learn to live up to its responsibilities, by using your powers not necessarily to save the ones you love from loss, but to care for those left behind in its wake.”–Matt Bell, author of Cataclysm Baby“Quite obviously, Salvatore Pane’s mind has been dunked in video games, social media, comic books, the WebNet, and everything else our august literary authorities believe promote illiteracy. I’d like to hand the authorities Pane’s novel–a funny, moving, melancholy, sad, and immensely literate book about what being young and confused feels like these days–and tell them, ‘See? Things are going to be fine!’”-Tom Bissell, author of Extra Lives and Magic Hours“Last Call in the City of Bridges is Goodbye, Columbus 2.0, a poignant novel about looking for something real in a plastic world where Irony is Everything. This generational anthem is ultimately, despite all the 21st century detritus, an old-fashioned page turner, full of old verities and truths of the heart. Salvatore Pane’s voice is both new and necessary, one I know I’ll be reading for years to come.”–Cathy Day, author of The Circus in Winter and Comeback Season“Salvatore Pane is the acknowledged Hipster Prince of Pittsburgh, PA, which is the acknowledged Paris of Middle America. If his publishers had taken my advice they would have titled his groundbreaking first novel: A Hipster’s Guide to the Galaxy, the Book of Laughter and Longing. His very humorous novel is voice and character driven, a virtual page turner. Yet for all its humor, the novel has an underpinning of real humanity. I was laughing out loud while at the same time gritting my teeth in shared, profoundly recalled embarrassment.”-Chuck Kinder, author of Honeymooners and Last Mountain Dancer“Like his post po-mo Facebook generation, Michael Bishop, the manic narrator of Last Call in the City of Bridges, has reached the end of his irresponsible youth. Stuck and unsure, he looks back at those eight-bit Nintendo years with tender nostalgia while trying to feel his way forward. Like The Moviegoer, Salvatore Pane’s debut novel is a romantic ironist’s plea for authenticity in a fantastic age. It’s telling–and hilarious–that his hero’s model for male adulthood isn’t William Holden but Super Mario.”–Stewart O’Nan, author of The Odds: A Love Story and Snow Angels

    Laurel expects the pain might lessen but does not foresee the beguiling man she meets or that they’ll go to Paris, where the city’s magic will take over and alter everything Laurel believes about love.Thirty years later, Laurel’s daughter Annie is newly engaged and an old question resurfaces: who is Annie’s father and what happened to him? Laurel has always been vague about the details and Annie’s told herself it doesn’t matter. But with her impending marriage, Annie has to know everything. Why won’t Laurel tell her the truth?The key to unlocking Laurel’s secrets starts with a mysterious book about an infamous woman known as the Duchess of Marlborough. Annie’s quest to understand the Duchess, and therefore her own history, takes her from a charming hamlet in the English countryside, to a decaying estate kept behind barbed wire, and ultimately to Paris where answers will be found at last.

    When news spreads of a high school teacher's relationship with his underage student, participants and observers alike soon take part in an elaborate show of concern and dismay. But beneath the surface of the teenage girls' display, there simmers a new awareness of their own power. They obsessively examine the details of the affair with the curiosity, jealousy, and approbation native to any adolescent girl, under the watchful eye of their stern and enigmatic saxophone teacher, whose focus may not be as strictly on their upcoming recital as she implies.