She thinks she ought to be happy, but he isn't. Instead she feels that she has vanished, that she is like something lost down the back of the sofa. Because Alice has a secret that is never spoken of in the family: she can't read. Now timid, quiet Alice must start out on her own brave journey, and for it she chooses the strangest companion. For the first time in her life, she knows what she wants and she is going to get it. With the help of the book boy.

    

    In The Lost Art of Reading, David L. Ulin asks a number of timely questions - why is literature important? What does it offer, especially now? Blending commentary with memoir, Ulin addresses the importance of the simple act of reading in an increasingly digital culture. Reading a book, flipping through hard pages, or shuffling them on screen - it doesn't matter. The key is the act of reading, and it's seriousness and depth. Ulin emphasizes the importance of reflection and pause allowed by stopping to read a book, and the accompanying focus required to let the mind run free in a world that is not one's own. Are we willing to risk our collective interest in contemplation, nuanced thinking, and empathy? Far from preaching to the choir, The Lost Art of Reading is a call to arms, or rather, to pages.

    Then stranger Tom McLysaght arrives in the community, and the members of the club find their lives changing in ways they never could have imagined.None of them realise that Tom is hiding a secret. On the surface, his move to Fairweather was to escape his highflying life in London and to put some much-needed distance between him and his ex-fiancée - but deep down Tom knows that there are some things he cannot run from.As the months pass with book club gatherings, secrets are shared and hurts begin to heal. New friendships might be the last thing on their minds but the members of the book club are about to discover that opening themselves up to other people might be the only thing that will help them all to live, and to love, again.

      Anna Wilson travels the world as a professional housesitter – stepping into other people’s lives - caring for their homes, pets and sometimes even neighbours. Living vicariously.   But all Anna has ever really wanted is a home of her own – a proper one, filled with family and love and happy memories. If only she knew where to start.   Growing up in foster care, she always envied her friends their secure and carefree lives, their certainty and confidence. And, while those same friends may have become her family of choice, Anna is still stuck in that nomadic cycle, looking for answers, trying to find the courage to put down roots and find a place to call home.   Compelling, rich and evocative, Home is Anna’s journey to discovering that it isn’t where you settle down that matters, but the people you have around you when you do.

    The technique is controlled, not ostentatious, and one senses here a conscious link to the work of older poets such as Larkin and Levertov. Karr's strength lies in her delicate and meticulous control of detail. Characteristically, she describes a cat's nighttime prowl with humor and precision: `` . . . he pounced and rabbit-kicked my head. / I had to disentangle from my hair / all four sets of claws, then tossed him / out into the pyramid of boxes / we'd erected in the yard.'' Such loving attention to seemingly insignificant events is reminiscent of the early work of Adrienne Rich and the use of imagery is similarly evocative (``When the moon / clicked over the sun like a black lens / over a white eye. . . ''). Karr's work generally falls into clipped stanzas, the lines flowing over for an effect of ironic tension appropriate for much of the ``devilish'' material with which she is concerned. While the poet's unflinching consciousness stands out in this text, the poetic voice is not completely developed. (Apr.)

    At that time, four books in the line were being market-tested by the publisher to see how young readers would react to R.L. Stine's particular brand of humor-tinged horror. One element that was sure to catch the attention of little eyes everywhere was striking cover art, and, boy, did they find it!The imagery provided by the covers of the Goosebumps series is part and parcel to the 90s Kid zeitgeist, helping to create a visual brand for R.L. Stine's smash-hit horror series. The covers helped set the tone for the numerous adaptations of the series, including a television series, a theatre experience, and, more recently, blockbuster films!

    Shrouded in fog and hidden behind a curtain of redwoods, this rundown mill town is home to a peculiar cast of characters, a unique homegrown horticultural industry, and one of the last bookstores in America.No one is more surprised by the unlikely survival of the Firebreathing Dragon than Lewis Hartman, its newest owner. By the time his uncle Sy died and left the bookstore to Lewis, even the most ardent bibliophiles had abandoned printed books in favor of a charming and highly literate digital device called the Gizmo. Bookstores all over the country had closed their doors. But somehow, the Firebreathing Dragon has kept going.Lewis and his wife Emily find themselves in the unlikely position of owning one of the last bookstores in America. But how has the Firebreathing Dragon managed to survive the death of the book? And if it isn't keeping itself afloat selling books, what is it selling? Reporters, federal agents, and corporate executives out to salvage their own imperiled industries all converge on the bookstore to uncover its secrets. What they discover is a small town that has fallen under the spell of the Firebreathing Dragon's unique offerings.In this short work of fiction, bestselling author and bookstore owner Amy Stewart takes an offbeat and lighthearted look at small-town life and the future of that marvelous two thousand year-old communication device, the printed book.

    It could be a train ticket, a letter, an advertisement, a photograph, or a four-leaf clover. Eventually the book finds its way into the world-a library, a flea market, other people's bookshelves, or to a used bookstore. But what becomes of those forgotten bookmarks? What stories could they tell?By day, Michael Popek works in his family's used bookstore. By night, he's the voyeuristic force behind www.forgottenbookmarks.com, where he shares the weird objects he has found among the stacks at his store.Forgotten Bookmarks is a scrapbook of Popek's most interesting finds. Sure, there are actual bookmarks, but there are also pictures and ticket stubs, old recipes and notes, valentines, unsent letters, four-leaf clovers, and various sordid, heartbreaking, and bizarre keepsakes. Together this collection of lost treasures offers a glimpse into other readers' lives that they never intended for us to see.

    Unconventional, raw, and impossible to categorize, his work continues to provide powerful criticism of American culture, a society defined by excess and determined to break the human spirit.Born in Germany in 1920, Bukowski did not begin writing until the age of 40. Still, he managed to publish 45 books—six of them novels—capturing the brilliant range of his perspective. His voice was one of dry humor, a general distaste for society, dysphoria, and—from time to time—a bit of madness. Bukowski’s gritty, blunt growl was one of the greatest to rise out of Los Angeles—a city hiding behind fantasies of wealth and progress—and expose its contradictions and delusions.In Bukowski For Beginners, playwright Carlos Polimeni evaluates the life and literary achievements of the man behind the antipathy; the father of words—no, calls to action!—that linger still, rousing and challenging readers globally.

    But in the 1950s and 1960s, they were a pop culture phenomenon. The Great Books of Western Civilization, fifty-four volumes chosen by intellectuals at the University of Chicago, began as an educational movement, and evolved into a successful marketing idea. Why did a million American households buy books by Hippocrates and Nicomachus from door-to-door salesmen? And how and why did the great books fall out of fashion?In A Great Idea at the Time Alex Beam explores the Great Books mania, in an entertaining and strangely poignant portrait of American popular culture on the threshold of the television age. Populated with memorable characters, A Great Idea at the Time will leave readers asking themselves: Have I read Lucretius’s De Rerum Natura lately? If not, why not?

    He’s in his late thirties, single, and comfortably set in his ways. But when a woman from his past, Morgan Johnson, calls to ask him to look at her late husband’s books, he is drawn into the dark machinations of a family whose mixed loyalties and secret history will have fatal results.Hound, the first novel featuring Henry Sullivan, is the debut work of a longtime Boston bookseller. It is a paean to books, bookselling, and the transformative power of the printed word. Even as it evolves into a gripping murder mystery, it is also a reminder that there are still quiet corners of the world where the rhythms of life are calmer, where there’s still time for reading, time for getting out for a beer with friends, time to investigate the odd details of lives lived on the edges of the book world.As the true story unfolds, its mysteries are also of the everyday sort: love found and love lost, life given and life taken away. At the center is Henry himself, with his troubled relationships and his love of old books. There’s his landlady Mrs. Prowder whose death unsettles Henry’s life and begins the sequence of events that overturns it. There’s the secret room his friend Albert discovers while doing "refuse removal," a room that reveals the story of a woman who lived and loved a century ago.And throughout the novel are those of us whose lives revolve around books: the readers, writers, bookstore people, and agents—as well as Henry, the bookhound, always searching for the great find, but usually just getting by, happy enough to be in the pursuit.“McCaffrey, the owner of Boston’s legendary Avenue Victor Hugo Bookshop, succeeds in conveying his love of books in his intriguing debut.”—Publishers Weekly“Hound is billed as a mystery, and it’s a good one, but its fuse is long and its pace befitting an old bookshop. That’s a good thing. There’s something charismatic and timeless about the way the story builds and McCaffrey opens Henry’s life to the reader. It wasn’t until the action started to heat up about 100 or so pages in that we remembered we were reading a mystery at all. And while we’re a little tired of books about books and the people who love them—which often come off more as marketing initiatives— McCaffrey is never cloying or playing to demographic. He’s just telling a compelling, old-school yarn, the kind of story a man who knows his literature tells.”—Time Out Chicago“Vincent McCaffrey’s debut mystery is crammed with stories, with likable, eccentric characters, much like his marvelous Avenue Victor Hugo Bookshop—of all the bookstores in the world, the one I still miss most of all. Like all good mysteries, Hound concerns more than murder: it’s rich in detail and knowledgeable asides about bookselling, the world of publishing, and life lived in the pubs, shabby apartments, penthouses, and strange corners of the city of Boston.”—Kelly Link, author of Pretty Monsters"McCaffrey's bookseller, Henry Sullivan, is as endearing, frustrating, and compelling a character I've come across in some time. Hound is more than Henry's show, however.  It's a slow burn murder mystery, a sharp character study, a detailed exploration of Boston, and a mediation on the secrets of history—both personal and universal. But I'm wasting our precious time trying to pigeonhole his wonderful first novel. Hound is, quite simply, a great book."—Paul Tremblay, author of The Little Sleep.Vincent McCaffrey has owned and operated the Avenue Victor Hugo Bookshop for more than thirty years, first in Boston, and now online from Abington, Massachusetts. He has been paid by others to do lawn work, shovel snow, paint houses, and to be an office-boy, warehouse grunt, dishwasher, waiter, and hotel night clerk. He has since chosen at various times to be a writer, editor, publisher, and bookseller. He can still remember the first time he sold books for money in 1963—and what most of those books were. Hound is his first novel.

    They describe the comics and childhood classics that first inspired them to read, and what today continues to do so. Contributors include Catherine Cookson, Jeanette Winterson, John Mortimer and Sue Townsend.

    The Ivy League superachievers drew upon an authentic 1499 Renaissance text to create their thriller about two Princeton undergraduates who try to unravel the mysteries of the Hypnerotomachia Poliphili (pronounced "HIPneROtoMAkia POliFEEli").The Hypnerotomachia Poliphili is an erotic, pagan epic, written in a private language peppered with words taken from Latin and Greek and decorated with Egyptian hieroglyphs. It was not translated into English for 500 years, until 1999, when Joscelyn Godwin finally achieved that nearimpossible task.In The Real Rule of Four, Professor Godwin carefully investigates each aspect of the history of the Hypnerotomachia Poliphili and its use in The Rule of Four, including:What is the Hypnerotomachia?Who wrote the Hypnerotomachia? (A central theme of The Rule of Four)What does the Hypnerotomachia mean?Places and people in The Rule of FourGlossary of names and terms in The Rule of FourLavishly illustrated with reproductions of the many beautiful woodcuts in the Hypnerotomachia Poliphili, a foldout color map and photographs of the featured locations at Princeton University, The Real Rule of Four is an indispensable guide to the many fans of Caldwell and Thomason's bestselling novel.

    In An Alphabetical Life, Werris reflects upon how she came to embrace the book culture as her singular way of being in the world. Her career began when the book business was conducted amid an atmosphere of civility and wry humor, and her memoir captures the essence of this time and the people she met along the way. The challenges she faced, in what was then a male-dominated industry, are also discussed — particularly in 1976 when she was one of only two women repping books in the entire country. In describing the hilarious, eccentric characters that were her colleagues, lovers, and partners in crime, the essence of retail bookselling comes alive. Among the figures she profiles are Henry Robbins, editor of The World According to Garp; Alan Kahn, then of Pickwick Bookshop in Los Angeles, now President of Barnes and Noble Publishing; and many great and memorable retail bookbuyers and authors.