Within days police, and even those closest to Marie, became suspicious of her story. The police swiftly pivoted and began investigating Marie. Confronted with inconsistencies in her story and the doubts of others, Marie broke down and said her story was a lie--a bid for attention. Police charged Marie with false reporting, and she was branded a liar.More than two years later, Colorado detective Stacy Galbraith was assigned to investigate a case of sexual assault. Describing the crime to her husband that night, Galbraith learned that the case bore an eerie resemblance to a rape that had taken place months earlier in a nearby town. She joined forces with the detective on that case, Edna Hendershot, and the two soon discovered they were dealing with a serial rapist: a man who photographed his victims, threatening to release the images online, and whose calculated steps to erase all physical evidence suggested he might be a soldier or a cop. Through meticulous police work the detectives would eventually connect the rapist to other attacks in Colorado--and beyond.Based on investigative files and extensive interviews with the principals, A False Report/i>is a serpentine tale of doubt, lies, and a hunt for justice, unveiling the disturbing truth of how sexual assault is investigated today - and the long history of skepticism toward rape victims.

    His girlfriend, Tracie Andrews, claimed he had been murdered in a road rage attack and, days later, appeared at a press conference making an emotional appeal for witnesses to the crime. During the days following the attack, the horrific truth about what really happened that night became apparent. It was Tracie who had killed Lee and then tried to cover her tracks with a web of lies. In this compelling and harrowing book, Maureen shares the turmoil of a bereaved mother trying to come to terms with the brutal murder of her son while at the same time fighting to bring his killer, who she had welcomed into her home, to justice. She also reveals little-known facts about the investigation and speaks of how her shattered family came through their grief and began to rebuild their lives.

    There have also been questions posted on Ask.com and other places regarding the veracity of the events in this book. Reece writes for therapy. After an unusual and generally unhappy childhood, writing is all he has - apart from work. After his ninth book he is still getting rejection slips from publishers. No one likes rejection, least of all Reece. He hits on a plan, write a first person account on the inner workings of a Serial Killer's mind. Especially while the memory of the killing is still fresh. All it takes is Research! See for yourself why this book has had so many positive reviews - you will either love it or hate it but you won't forget it. Reece rocks!

    My Daddy the Pedophile tells the harrowing true story of a teenage girl’s affair with her manipulative sociopathic father. After a terrible dark secret comes to light, the real story unfolds. "If you are easily shocked by what occurs behind closed doors in some average suburban neighborhoods, do not read this book. If you want to read a riveting tale of manipulation, abuse, and courageous healing, then this is the book for you." —Sharyn Higdon Jones, MFT, author of Healing Steps: A Gentle Path to Recovery for Survivors of Childhood Sexual Abuse "Lily Palazzi's memoir, My Daddy the Pedophile is a riveting, well-paced account of both how her father's calculated manipulation of her desperate need to be loved subjected her to the wounding distortions of incest and how through therapy and the true love of her husband she ultimately finds the healing she had once thought would never be possible." —Catherine McCall, author of the international bestseller Never Tell: A True Story of Overcoming a Terrifying Childhood “[My Daddy the Pedophile] pulls you along from page to page as the narrator skillfully recreates her naivete about her father, and then its replacement by sad knowledge that he was a predator towards girls, boys, daughters and sons. There's no self pity, no hate—just a suspenseful, honest, highly readable account of how a human being can emerge whole from even the worst of childhoods.” —Adair Lara, author of Naked, Drunk, and Writing: Shed Your Inhibitions and Craft a Compelling Memoir or Personal Essay “[Lily] tells the complicated story of love and abuse that needs to be brought out of the shadows of shame and into the light of understanding.” —Allison Elwood, MFT

    . . Gulf War veteran Doug Gissendaner would do anything for a friend, a stranger, or the wife who broke every rule in the marriage book. Now, investigators were scouring the Georgia woods not far from Doug's home. They'd already found the charred wreckage of his car. They knew they were looking for a body. . . A Hitman Who Killed For Love. . . Gregory Owen had been having an on-again, off-again affair with Doug's wife for years. Then Kelly Gissendaner told Greg it was time for her husband to die. With a knife and a plan, Greg forced Doug to drive into the woods. When Greg finished his savage, cold-blooded deed, Kelly showed up to make sure Doug was dead. A Woman On Death Row. . . This is the astounding true story of the only woman on Georgia's Death Row and the chilling, account of how she got there. From the hold Kelly had over a good and decent man to her dramatic, controversial trial, "First We'll Kill My Husband" captures the lies, schemes, and manipulations of a woman totally bent on murder. . . Includes 16 pages of shocking photos! Lyn Riddle is a freelance writer and journalist whose work regularly appears in "The New York Times, " the "Los Angeles Times, " and "The Atlanta Constitution." She is the author of "Family Blood: The Murder that Shattered an All-American Home " and "Ashes to Ashes. "She lives in Simpsonville (near Greenville), SC.

    You never know when you're gonna have to cook for 20 guys some day." Pete Clemenza says to Michael Corleone (Al Pacino) in Francis Ford Coppola's The Godfather. it's one of the most famed movie scenes in history and of great importance to Italian-Americans. Clemenza is making "Gravy" aka Sunday Sauce, the Supreme Dish of Italian-America, and the dish that brings Italian Families together each and every Sunday. Learn How to Make Clemenza's Sunday Sauce, Meatballs, Pasta Fazool, Moma DiMaggio's Gravy, Goodfellas Sauce alla Prigione, and all of the great favorites of The Italian-American Table. Cook Sinatra's Spaghetti & Meatballs, Italian Wedding Soup and more, and delight in the many stories and factual information written by Italian Food & Wine Writer Daniel Bellino Zwicke. This book is filled with Joy & Love, and you will get many years of both, reading, cooking and eating the dishes of SUNDAY SAUCE "When Italian-Americans Cook"

    For months Kantor and Twohey had been having confidential discussions with top actresses, former Weinstein employees and other sources, learning of disturbing long-buried allegations, some of which had been covered up by onerous legal settlements. The journalists meticulously picked their way through a web of decades-old secret payouts and nondisclosure agreements, pressed some of the most famous women in the world--and some unknown ones--to risk going on the record, and faced down Weinstein, his team of high-priced defenders, and even his private investigators. But nothing could have prepared them for what followed the publication of their Weinstein story. Within days, a veritable Pandora's Box of sexual harassment and abuse was opened, and women who had suffered in silence for generations began coming forward, trusting that the world would understand their stories. Over the next twelve months, hundreds of men from every walk of life and industry would be outed for mistreating their colleagues. But did too much change--or not enough? Those questions plunged the two journalists into a new phase of reporting and some of their most startling findings yet. With superlative detail, insight, and journalistic expertise, Kantor and Twohey take us for the first time into the very heart of this social shift, reliving in real-time what it took to get the story and giving an up-close portrait of the forces that hindered and spurred change. They describe the surprising journeys of those who spoke up--for the sake of other women, for future generations, and for themselves--and so changed us all.

     In the vein of In Cold Blood, Closing Time is the stunning story of good and evil colliding in the most tragic of ways, both for the victims and their loved ones left behind to re-live their horror. Kenneth Staton was the well-respected owner of a jewelry store in Van Buren, Arkansas. Although crippled with rheumatoid arthritis and unable to walk without crutches, he had built his business through excellent watch repair work, fine quality jewelry sold at fair prices, and a dedication to his customers that surpassed all other merchants. He was the quintessential gentleman in all aspects of his life, and a beloved father. Unknown to him, two men—a seasoned criminal with a propensity for violence and a younger man, handsome, but broke and with an obsessive thirst for alcohol—plotted to rob the jewelry store at closing time on September 10, 1980. The thugs had only met each other days before, and it was the younger one's first venture into armed robbery. When Staton and his daughter Suzanne didn't show up for supper, his other two daughters became alarmed and went to the store. There they found the bodies of their father and youngest sister lying in pools of blood, gagged, hogtied, and shot twice in the head. Close to $100,000 dollars in diamonds and other jewelry had been stolen. This senseless, bloody crime rocked the town of Van Buren and set its lawmen, sworn to find the killers, on a fiercely determined hunt that led from Rogers, Arkansas to Jacksonville, Florida, and all the way to Vancouver, Canada. Seventeen years later, was justice served? Praise for Closing Time “Anita Paddock is the newest and strongest voice in true crime writing. Closing Time makes you feel as if you are there, seeing what happened, and feeling the terror and sorrow of those felled by these brutal crimes.” – Marla Cantrell, Editor of Do South Magazine and an Arkansas Art Council Fellow “Anita Paddock delivers again. Closing Time reveals an unvarnished truth that will, at times, leave her readers breathless. Those familiar with her work will quickly conclude that Closing Time is a worthy successor to her previous best seller, Blind Rage. Get ready for some late nights because you won’t be able to put this one down.” – Greg Shepard, author of Earthstains, the story of Matt and George Kimes who came of age in the Roaring Twenties with a string of sensational bank robberies.

    As a falsely accused drug lord, escaped convict, and hunted felon from the Michigan Department of Correction, incarceration was never far from her consciousness. Sent to prison at age 19 on a minor drug offenseâ��a 10-to-20-year sentence after sheâ��d been promised probationâ��Susan Marie LeFevre chose to escape the life sheâ��d been dealt and begin a new one. She married, raised three children, volunteered for charity events and played tennis and bridge with her many friends and neighborsâ��all the while carrying the secret of her past. Not even her husband knew who she really was. The explosive story of her capture played out in the news, usually with the headline starting "Fugitive Mom..." as she became a voiceless pawn shuttling across country on a prison-bound bus back to the confines of Michiganâ��s notoriously cruel penitentiary system. In this riveting new autobiography, Marie Walsh aka Susan LeFevreâ��s story begins in the fractious, idealistic 70s, delves into the world of drugs and touches on church scandal, race relations and a corrupt judicial system. Readers will experience the headiness of that all-consuming first love, the humiliation of squatting naked in a jail cell, the friendshipsâ��and enmitiesâ��forged by necessity among prison women. And finally, readers will understand the price one pays in trying to escape the past and the lessons to be learned by confronting it. Her parallel worlds were forever intertwined as the country witnessed it played out in courtrooms, news media and before public officials who ultimately decided her fate. Two lives â�� one story.

    Told from the perspective of a young wife who’s become increasingly frustrated with her mild-mannered husband, “The Trespassers” begins as a quiet domestic drama and quickly escalates into a nightmare. When Evan refuses to confront men who are illegally hunting on the couple’s remote homestead, Chris takes matters into her own hands, with terrifying results. Written in 1958, when Leonard was working at a Detroit advertising agency and writing short stories on the side, “The Trespassers” shows the emerging talent of a man whose spare style and dark wit would redefine a literary genre. Filled with as much sexual menace as Sam Peckinpah’s classic thriller “Straw Dogs,” this timelessly relevant story delivers a sly surprise that could only come from the mind of Elmore Leonard. ABOUT THE AUTHOR Elmore Leonard wrote forty-five novels across his six-decade career, including the bestsellers “Road Dogs,” “Up in Honey’s Room,” “The Hot Kid,” “Mr. Paradise,” “Tishomingo Blues,” and the critically acclaimed collection of short stories “When the Women Come Out to Dance.” Many of his books have been made into movies, including “Get Shorty,” “Out of Sight,” and “Jackie Brown.” “Justified,” the hit series from FX, is based on Leonard’s character Raylan Givens, who appears in “Riding the Rap,” “Pronto,” the short story “Fire in the Hole,” and the novel “Raylan.” Leonard received the National Book Foundation’s Medal for Distinguished Contribution to American Letters, the Lifetime Achievement Award from PEN USA, and the Grand Master Award of the Mystery Writers of America. He was known to many as the “Dickens of Detroit” and had lived in the Detroit area since 1934. PRAISE FOR ELMORE LEONARD “Elmore Leonard can write circles around almost anybody active in the crime novel today.” —The New York Times Book Review “There is no greater writer of crime fiction than Elmore Leonard, and no one who has more resplendent energy.” —The Guardian (UK) “Elmore ‘Dutch’ Leonard is more than just one of the all-time greats of crime fiction. He’s … an authentic American icon.” —The Seattle Times “People look on writers that they like as an irreplaceable resource. I do. Elmore Leonard, every day I wake up and—not to be morbid or anything, although morbid is my life to a degree—don’t see his obituary in the paper, I think to myself, ‘Great! He’s probably working somewhere. He’s gonna produce another book, and I’ll have another book to read.’ Because when he’s gone, there’s nobody else.” — Stephen King “The King Daddy of crime novelists.” —The Seattle Times “As crime fiction goes, Leonard has few living equals. His characters leap from the page with a few short keystrokes, like a form of bloodstained haiku.” —The Cleveland Plain Dealer “[Leonard’s] finely honed sentences can sound as flinty/poetic as Hemingway or as hard-boiled as Raymond Chandler. His ear for the way people talk—or should—is peerless.” —The Detroit News “A master of narrative … A poet of the vernacular … Leonard paints an intimate, precise, funny, frightening, and irresistible mural of the

    Her pa was once a famed Texas Ranger and the list of those who want to see him dead is long. When the Anthony brothers gun him down in a cold-blooded act of revenge, the sixteen-year-old didn’t play the game as well as she could have when the outlaws escape with their lives, and she’s left injured and on her own. Afraid they’ll come back for her, a wounded Randy plans on leaving the New Mexico Territory to head west with her temperamental horse Al, her gun Pearl, and the ashes of her family as her only companions. A Horse Thief with Heart: All Trevor wants is a decent horse. When he sees the best-looking horse he's ever laid eyes on and tries to steal it, he finds himself in an awful predicament when he discovers he wasn’t fighting a boy but a very sick girl with a mean punch. He decides to save her life instead and he is smitten. The Real Journey Begins: Randy has a new traveling companion but finds she is in over her head when they run into an old family friend that knows she’s a great shot, a skilled sharpshooter of the likes of Annie Oakley. He exploits her amazing skill and her name quickly rises to fame as they cross the West. Because no one knows her pa is gone, the mob of outlaws on their tail is growing and they’re dead set on revenge She might be a prodigy with a gun but becoming legendary as Miranda Carter was not what she wanted. Neither was falling in love. What must Randy sacrifice to find the peace she was looking for?

     This collection of stories recalls outrageous tales of criminals running from the police, patients arriving in the ER with one foot over the threshold of death's door, stupid ways patients have injured themselves, and a variety of recollections of patients penetrating themselves with household objects. But not every case is funny. Some of the stories recounted are filled with crippling grief, can offer a glimpse of the fear ER workers feel, and detail that sometimes nurses and doctors simply can't win against the power fighting against them. 'But I Came by Ambulance!' is a perfect read for a lazy afternoon, when you're stuck inside due to the weather, or when you're in between caring for the same types of patients described within these pages.

    The Job is an explosive and intriguing account of what it takes to be a criminal investigator at the highest level.

    Then Kim's drug-dealing boyfriend, Justin Thomas, stabbed Regina to death--and set her on fire while a cocaine-dazed Kim waited. Days later, authorities tracked down the couple. Here is the true story of a triangle from hell--of a yearning for friendship and love that turned into a fatal vile obsession, and how one Texas jury faced the difficult task of separating innocence from guilt. Photo insert.

    "People think that because I am against the death penalty and don't think people should be executed, that I forgive those people for what they did. Well, it isn't my place to forgive people, and if it were, I probably wouldn't. I'm a judgmental and not very forgiving guy. Just ask my wife."It this spellbinding true crime narrative, Dow takes us inside of prisons, inside the complicated minds of judges, inside execution-administration chambers, into the lives of death row inmates (some shown to be innocent, others not) and even into his own home--where the toll of working on these gnarled and difficult cases is perhaps inevitably paid. He sheds insight onto unexpected phenomena-- how even religious lawyer and justices can evince deep rooted support for putting criminals to death-- and makes palpable the suspense that clings to every word and action when human lives hang in the balance.