Then one day, running in Central Park, she lost all sensation in her legs. Two days later she was diagnosed with multiple sclerosis.Caro was no stranger to tragedy. Her father Richard contracted polio at the age of twenty and spent the rest of his life in a wheelchair. Dignified, undaunted and ingenious, he was determined to make every day count, not least seducing his nurse while still confined to an iron lung, then marrying her.But when Caro was herself blindsided by illness, cut loose from everything she depended on, she couldn’t summon any of the grace and courage she’d witnessed growing up. She was furious, toxic, humiliated. Only by looking back at her father’s extraordinary example was she able to rediscover her own grit and find a way forward, rebuilding her life shard by shard.An emotionally brutal memoir of family, vulnerability and purpose, Diving into Glass is a searing, often funny portrait of the realities of disability and an intimate account of two lives filled with vigour and audacity.'Caro Llewellyn's portrait of her father is a tour de force. It is entirely unpredictable and consistently exhilarating. I read it in one transfixed sitting.’ Janet Malcolm‘Disturbing, compelling, portentous, obsessive, repetitious, persistent, prophetic, packed with shocks of recognition.’ Annie Proulx‘Indefatigable and unsinkable, Llewellyn keeps her story on pace as if her very life, and her father’s legacy, depended on it. Inspiring and uplifting.’ Mary Norris, author of Between You & Me‘Llewellyn has landed herself alongside the great memoirists of our time. A riveting marvel.’ Elizabeth Flock, author of The Heart is a Shifting Sea

    But it is. And it is nothing like I expected.'There was a short time in Australia's European history when two women wielded extraordinary power and influence behind the scenes of the fledgling colony.One was Elizabeth Macquarie, the wife of the new governor Lachlan Macquarie, nudging him towards social reform and magnificent buildings and town planning. The other was Elizabeth Macarthur, credited with creating Australia's wool industry and married to John Macarthur, a dangerous enemy of the establishment.These women came from strikingly different backgrounds with husbands who held sharply conflicting views. They should have been bitter foes. Elizabeth & Elizabeth is about two courageous women thrown together in impossible times.Borne out of an overriding admiration for the women of early colonial Australian history, Sue Williams has written a novel of enduring fascination.

    But we did it.In Upturn Tanya Plibersek brings together some of the country's most interesting thinkers who are ready to imagine a better Australia, and to fight for it. It is a compelling vision for a stronger economy, a fairer society and a more environmentally sustainable future.

    At eight, still too small to mount her horse unaided, she was galloping miles, alone, across Coorain, her parents' thirty thousand windswept, drought-haunted acres in the Australian outback, doing a "man's job" of helping herd the sheep because World War II had taken away the able-bodied men. She loved (and makes us see and feel) the vast unpeopled landscape, beautiful and hostile, whose uncertain weathers tormented the sheep ranchers with conflicting promises of riches and inescapable disaster. She adored (and makes us know) her large-visioned father and her strong, radiant mother, who had gone willingly with him into a pioneering life of loneliness and bone-breaking toil, who seemed miraculously to succeed in creating a warmly sheltering home in the harsh outback, and who, upon her husband's sudden death when Jill was ten, began to slide—bereft of the partnership of work and love that had so utterly fulfilled her—into depression and dependency.We see Jill, staggered by the loss of her father, catapulted to what seemed another planet—the suburban Sydney of the 1950s and its crowded, noisy, cliquish school life. Then the heady excitement of the University, but with it a yet more demanding course of lessons—Jill embracing new ideas, new possibilities, while at the same time trying to be mother to her mother and resenting it, escaping into drink, pulling herself back, striking a balance. We see her slowly gaining strength, coming into her own emotionally and intellectually and beginning the joyous love affair that gave wings to her newfound self.Worlds away from Coorain, in America, Jill Conway became a historian and the first woman president of Smith College. Her story of Coorain and the road from Coorain startles by its passion and evocative power, by its understanding of the ways in which a total, deep-rooted commitment to place—or to a dream—can at once liberate and imprison. It is a story of childhood as both Eden and anguish, and of growing up as a journey toward the difficult life of the free.

    He finds it in Queensland's spectacular Gulf Country, on the sprawling cattle runs. The Gulf breeds tough men, and Billy is quickly drawn to the excitement and adventure of working with the fiery cattleman and ex-con, Blake Reilly, and his daughter, Jo.Billy finds mateship, danger and romance in the Gulf, but he also finds an untamed land with a history of violence. In the brooding heat and unpredictable storms, the future he had sought unfolds - in ways as turbulent and unexpected as the country itself - and Billy discovers a place where he can at last belong.

    But what if it really lies in the past? Hobart, 2022: a city with declining population, in the grip of a dark recession. A rusty ship sails into the harbour and begins to unload its cargo on the site of the once famous but now abandoned Gallery of Future Art, known to the world as GoFA.One day the city’s residents are awoken by a high-pitched sound no one has heard for two generations – a factory whistle. GoFA’s owner, world-famous tycoon Dundas Faussett, is creating his most ambitious installation yet. He’s going to defeat the internet’s dominance over our lives by establishing a new Year Zero: 1948. Those whose jobs and lives have been destroyed by Amazon and Uber and Airbnb are invited to fight back in the only way that can possibly succeed: by living as if the internet and the smartphone had never been invented.The hold over our lives by Gates, Bezos, Musk, Zuckerberg and the rest starts to loosen as the revolutionary example of Factory 19 spreads. Can nostalgia really defeat the future? Can the little people win back the world? We are about to find out.

    It's the kind of place where everyone knows their neighbours, and children play in the street.Isabelle Heatherington doesn't fit into this picture of family paradise. Husbandless and childless, she soon catches the attention of three Pleasant Court mothers. But Ange, Fran and Essie have their own secrets to hide. Like the reason behind Ange's compulsion to control every aspect of her life. Or why Fran won't let her sweet, gentle husband near her new baby. Or why, three years ago, Essie took her daughter to the park - and returned home without her.As their obsession with their new neighbour grows, the secrets of these three women begin to spread - and they'll soon find out that when you look at something too closely, you see things you never wanted to see.

    She's got problems though when bits of her ex-husband turn up in different places and the slimy DI Savage seems to be bending the evidence to link her to the death. Add the fact that she's being pressured into taking a ‘job’ by hard-nosed Vera Devlin from the estate and having to work in a topless bar to make ends meet and you can see she's up against it. Desperate to extricate herself from the mess she breaks into her old marital home to find the diary of her dead husband, except that his mother has taken up residence and arrives back early from bingo… Set against a backdrop of Northern council estate life, this fast paced, humorous novel exemplifies the problems caused by poverty, piles and unruly children, think Jeremy Kyle meets the Thorn Birds and you won't be far wrong!

    This time, he’s in Cairo – bang in the middle of the Arab Spring. ‘The only story in the world’ according to his editor. But it isn’t – there’s another story, more significant and potentially more dangerous, and if no one else is willing to tell it . . . then Carver will, whatever the consequences.William Carver spots the Arab Spring early, aided by one of the infamous ‘Listeners’ at the BBC monitoring station in Caversham. He and his producer Patrick chase the story across North Africa before arriving in Egypt where the battle between the corrupt old order and the new will be both bloody and potentially definitive.Meanwhile, in Eritrea, two brothers begin to make their way up from the Horn of Africa and across the continent, desperate to find a better life in Europe. The horrors they endure at the hands of people traffickers and others along the way test their endurance and humanity to its limit. Over a few tumultuous months, these two stories come together to prove inextricably linked.Carver knows this story is a complex one; the world is watching, but in the age of Facebook, Twitter and rolling news, its attention span is increasingly short. And if everyone is a reporter, then who can you believe?

    Divorced dads, IT nerds, international students - she's here for the idiosyncrasies of human behaviour, for soothing the lonely. But really for the cash.From an entrepreneurial kid to a young woman trying to find herself (and desperate to stay out of call centres), Bella started sex work for the glamour and the taboo. Instead, she found her place in this surprisingly mundane and often entertaining industry, where the hierarchy is strict, the names are fake, and spare towels always come in handy.Taking us on a funny, candid, can't-look-away journey through brothels, strip clubs, peep shows and dominatrix dungeons, Happy Endings is a hilarious and compelling memoir from a bright and bold new Australian voice.Praise for Bella Green'Authentic, hilarious, and uplifting.' WeekendNotes'No holds barred ... Smart as a whip ... Green's the real deal who wants everyone to get their happy ending.' The Advertiser (Adelaide)'A brilliant stand-up comedian.' Wil Anderson'The voice modern comedy needs.' DeAnne Smith

    Dan Ireland, a work-weary police crash investigator still hell-bent on punishing himself for his misspent youth, has ample reason for not going home to Calingarry Crossing for the school reunion, but one very good reason why he should . . . Maggie Lindeman.Maggie is back in Calingarry Crossing trying to sell the family pub, while also dealing with a restless seventeen-year-old son, a father with dementia, a fame-obsessed musician husband back in the city, and a dwindling bank account. The last thing she needs is a surprise houseguest for the summer.Fiona Bailey-Blair, daughter of an old friend and spoilt with everything but the truth, whips up a maelstrom of gossip when she blows into town in search of answers. This storm season, as Maggie’s past and present converge with the unexpected, she'll discover…… there's no keeping a lid on some secrets.

    He understands his desperate plight and the ocean's unrelenting power. But what is its true colour?A beguiling young woman nurses a baby by a lake while hiding brutal scars. Uneasy descendants of a cannibal victim visit the Pacific island of their ancestor's murder. A Caribbean cruise of elderly tourists faces life with wicked optimism.Witty, clever, ever touching and always inventive, the eleven stories in The True Colour of the Sea take us to many varied coasts: whether a tense Christmas holiday apartment overlooking the Indian Ocean or the shabby glamour of a Cuban resort hotel. Relationships might be frayed, savaged, regretted or celebrated, but here there is always the life-force of the ocean - seducing, threatening, inspiring.In The True Colour of the Sea, Robert Drewe - Australia's master of the short story form - makes a gift of stories that tackle the big themes of life: love, loss, desire, family, ageing, humanity and the life of art.

    Faulkner's novel is enlivened by a strong gift for metaphor and the wisdom to use it sparingly.'When Roberta 'Bertie' Lightfoot is struck down with polio, her world collapses. But Mama doesn't tolerate self-pity, and Bertie is nobody if not her mother's daughter - until she sets her heart on becoming an artist. Through drawing, the gifted and perceptive Bertie gives form and voice to the reality of the people and the world around her. While her father is happy enough to indulge Bertie's driving passion, her mother will not let art get in the way of the future she wishes for her only daughter.In 1955 the family moves to post-colonial Port Moresby, a sometimes violent frontier town, where Bertie, determined to be the master of her own life canvas, rebels against her mother's strict control. In this tropical landscape, Bertie thrives amid the lush pallette of colours and abundance, secretly learning the techniques of drawing and painting under the tutelage of her mother's arch rival.But Roberta is not the only one deceiving her family. As secrets come to light, the domestic varnish starts to crack, and jealousy and passion threaten to forever mar the relationship between mother and daughter.Tender and witty, The Beloved is a moving debut novel which paints a vivid portrait of both the beauty and the burden of unconditional love.WINNER OF THE NITA B KIBBLE LITERARY AWARD 2013SHORTLISTED FOR THE MILES FRANKLIN AWARD 2013WINNER OF THE QUEENSLAND PREMIER'S LITERARY AWARD FOR AN EMERGING QUEENSLAND AUTHOR 2011COMMENDED FOR THE FAW CHRISTINA STEAD AWARD 2012

    Facebook-worthy baby? Tick. Bikini-body six weeks after giving birth? Um … not so much.Fashion PR exec Ally Bloom got her happy ending. Okay, her marriage might be showing the odd crack, her battleaxe mother-in-law might have come to stay, and she might not be the yummy mummy she'd imagined, but it's nothing a decent night's sleep and a firm commitment to a no-carb diet won't fix.But when Ally returns to work and finds she'll be reporting to a 22-year-old airhead, she decides to turn her back on life as a professional fashionista and embrace her inner earth mama instead.So it's out with the Louboutins and champagne and in with the sensible flats and coffee mornings with the Mummy Mafia. From attending her first grown-up dinner party only to discover that placenta is top of the menu to controlling her monster crush on local playgroup hottie Cameron, Ally must find her feet in the brave new world of the stay-at-home mum.

    The great fire of the Second World War has convulsed Europe and Asia. In its wake, Aldred Leith, an acclaimed hero of the conflict, has spent two years in China at work on an account of world-transforming change there. Son of a famed and sexually ruthless novelist, Leith begins to resist his own self-sufficiency, nurtured by war. Peter Exley, another veteran and an art historian by training, is prosecuting war crimes committed by the Japanese. Both men have narrowly escaped death in battle, and Leith saved Exley's life. The men have maintained long-distance friendship in a postwar loneliness that haunts them both, and which has swallowed Exley whole. Now in their thirties, with their youth behind them and their world in ruins, both must invent the future and retrieve a private humanity.Arriving in Occupied Japan to record the effects of the bomb at Hiroshima, Leith meets Benedict and Helen Driscoll, the Australian son and daughter of a tyrannical medical administrator. Benedict, at twenty, is doomed by a rare degenerative disease. Helen, still younger, is inseparable from her brother. Precocious, brilliant, sensitive, at home in the books they read together, these two have been, in Leith's words, delivered by literature. The young people capture Leith's sympathy; indeed, he finds himself struggling with his attraction to this girl whose feelings are as intense as his own and from whom he will soon be fatefully parted.