That's some feat, but Geraldine Quigley has managed to make it seem easy' Roddy DoyleA tender, devastating coming-of-age debut novel about friendship, innocence and warThe end of the school year is approaching, and siblings Paddy and Liz McLaughlin, Christy Meehan, Kevin Thompson and their friends will soon have to decide what they're going to do with the rest of their lives. But it's hard to focus when there's the allure of their favourite hangout place, the dingy 'Cave', where they go to drink and flirt and smoke. Most days, Christy, Paddy and Kevin lie around listening to Dexys and Joy Division. Through a fog of marijuana, beer and budding romance, the future is distant and unreal.But this is Derry in 1981, and they can't ignore the turmoil of the outside world. A friend is killed, and Christy and Paddy, stunned out of their stupor, take matters into their own hands. Some choices are irreversible, and choosing to fight will take hold of their lives in ways they never imagined.With humour and compassion, Geraldine Quigley reveals the sometimes slippery reasons behind the decisions we make, and the unexpected and intractable ways they shape our lives.

    This edition also includes details of the Family History Centres of the Mormon Church, one of the world's richest genealogical archives.

    Ireland: a terrible beauty ; the story of Ireland today (1970's during the time of the Troubles) with 388 photographs, including 108 in full color, 213 pages.

    At the heart of that campaign lies one man: Gerry Adams. From the outbreak of the troubles to the present day, he has been an immensely influential figure. The most compelling question about the IRA is: how did a man who condoned atrocities that resulted in huge numbers of civilian deaths also become the guiding light behind the peace process? Moloney's book is now updated to encompass the anxious and uneasy peace that has prevailed to 2007.

    The wealth of Irish culture and tradition is described as well as the key events and people that have shaped the country today."

    After meeting an I rishwoman in London and moving to Dublin, Bill Barich—a “blow-in,” or stranger, in Irish parlance—found himself looking for a traditional I rish pub to be his local. There are nearly twelve thousand pubs in Ireland, so he appeared to have plenty of choices. He wanted a pub like the one in John Ford’s classic movie, The Quiet Man, offering talk and drink with no distractions, but such pubs are now scare as publicans increasingly rely on flat-screen televisions, rock music, even Texas Hold ’Em to attract a dwindling clientele. For Barich, this signaled that something deeper was at play—an erosion of the essence of Ireland, perhaps without the Irish even being aware. A Pint of Plain is Barich’s witty, deeply observant portrait of an Ireland vanishing before our eyes. Drawing on the wit and wisdom of Flann O’Brien (the title comes from one of his poems), James Joyce, Brendan Behan, and J. M. Synge, Barich explores how I rish culture has become a commodity for exports for such firms as the I rish Pub Company, which has built some five hundred “authentic” Irish pubs in forty-five countries, where “authenticity is in the eye of the beholder.” The tale of Arthur Guinness and the famous brewery he founded in the mid-eighteenth century reveals the astonishing fact that more stout is sold in Nigeria than in Ireland itself. While 85 percent of the I rish still stop by a pub at least once a month, strict drunk-driving laws have helped to kill business in rural areas. Even traditional I rish music, whose rich roots “connect the past to the present and close a circle,” is much less prominent in pub life. I ronically, while I rish pubs in the countryside are closing at the alarming rate of one per day, plastic I PC-type pubs are being born in foreign countries at the exact same rate. From the famed watering holes of Dublin to tiny village pubs, Barich introduces a colorful array of characters, and, ever pursuing craic, the ineffable Irish word for a good time, engages in an unvarnished yet affectionate discussion about what it means to be Irish today.

    Carn is the story of two women; Josie Keenan, who returns to Carn, Ireland, the provincial hometown she once left behind, and Sadie Rooney, a factory worker who dreams of leaving. As the two women strike up a friendship--fueled by hopes to better their lives, yet inextricably tied to the tenuous fate of Carn--each must confront the hard truths of her past and future. And despite its own attempt to thrive, the town itself cannot escape the daily reminders of Ireland's endless legacy of violence and unrest.Written in the raw, unsparing prose that marks McCabe's fiction, Carn is the timeless story of a small town struggling to break away from its bleak past, and the lives of two women aching to escape the forces that shaped them.

    Since its very origins, Ireland has become the home for a successive series of invaders-the Celts, Christians, Vikings, and Normans. And despite deprivation, desperation, and suppression, Ireland has developed an unwavering sense of purpose and place. In this lucid and fascinating introduction to the island's story, Richard Killeen separates the history from the myths. Ranging from Ireland's pre-Gaelic origins to the present day, it emphasizes the island's uniqueness as well as it close ties to English and European culture. The tangled and often violent relationship between Ireland and the English crown is a key part of the story, as are nationalism, religious allegiances, and the island's internal conflicts. Killeen locates Ireland in a European and Atlantic world and explores the nation's remarkable contribution internationally: through its literature, its diaspora, and its genius for popular politics.

    In the Magdalene laundries, girls and women were incarcerated and condemned to servitude. And in the mother-and-baby homes, women who had become pregnant out of wedlock were hidden from view, and in most cases their babies were adopted - sometimes illegally.Mortality rates in these institutions were shockingly high, and the discovery of a mass infant grave at the mother-and-baby home in Tuam made news all over the world. The Irish state has commissioned investigations. But the workings of the institutions and of the culture that underpinned it - a shame-industrial complex - have long been cloaked in secrecy and silence. For countless people, a search for answers continues.Caelainn Hogan - a brilliant young journalist, born in an Ireland that was only just starting to free itself from the worst excesses of Catholic morality - has been talking to the survivors of the institutions, to members of the religious orders that ran them, and to priests and bishops. She has visited the sites of the institutions, and studied Church and state documents that have much to reveal about how they operated. Reporting and writing with great curiosity, tenacity and insight, she has produced a startling and often moving account of how an entire society colluded in this repressive system, and of the damage done to survivors and their families. Republic of Shame is an astounding portrait of a deeply bizarre culture of control.

    . . I grabbed my suitcase, containing Pot. Chlor., Sulph Ac, gelignite, detonators, electrical and ignition, and the rest of my Sinn Fein conjurer's outfit, and carried it to the window . . ." The men were, of course, the police, and seventeen-year-old Behan. He spent three years as a prisoner in England, primarily in Borstal (reform school), and was then expelled to his homeland, a changed but hardly defeated rebel. Once banned in the Irish Republic, Borstal Boy is both a riveting self-portrait and a clear look into the problems, passions, and heartbreak of Ireland.

    Many of these were Irish citizens who died on board ships carrying them away from Ireland. Promised jobs and a better life in North America, they emigrated, crowding onto aptly named “coffin ships,” whose gruesome conditions rivaled those of slave transports. But on one ship, decency prevailed, and each of the thousands of passengers who went aboard survived. Among these thousands was a baby boy born on the ship’s maiden voyage. That boy, Nicholas—Nicholas Richard James Thomas William John Gabriel Carls Michael John Alexander Trabaret Archibald Cornelius Hugh Arthur Edward Johnston Reilly, so named for the captain, doctor, and crew of the Jeanie Johnston—would go on to make his own remarkable voyage into the heart of America.     All Standing chronicles the life of Nicholas, his fellow passengers, and the heroic crew members who conveyed them to safety. Using personal interviews, newspaper accounts, rare archival documents, and her own sailing experience, Miles takes readers back to another time and place that, for all its extremity, seems strangely familiar—a dire moment in history shaped by home foreclosures and company bailouts, seemingly untreatable pandemics, and the threat of immigrant labor. Against the backdrop of one of history’s greatest atrocities, Miles weaves a thrilling, intimate narrative, chronicling the sea-passage and birth of one Irish-American family.

    This is a vividly-written, compelling narrative placing events in Ireland in the wider context of a world in turmoil after the ending of a global war: one that saw the collapse of empires and the rise of fascist Italy and communist Russia. Walsh shows how developments in Europe and America had a profound effect on Ireland, influencing the attitudes and expectations of combatants and civilians. Walsh also brings to life what Irish people who were not fully involved in the fighting were doing - the plays they went to, the exciting films they watched in the new cinemas, the books they read and the work they did. The freedom from Britain that most of them wanted was, when it came, a bitter disappointment to a generation aware of the promise of modernity.

    Sketches a rough and ready picture of the more prominent peaks that rise out of Ireland's past-the high spots in the story of the Irish race. Written especially for the American reader (whom the author found to be as unknowing about Ireland's past as about the past of Borneo)... --alibris ... 'Indispensable for anyone who wants to understand the Irish people--their political struggle, their magnificent literature, and their whole great contribution to Western Civilization, a contribution amazing in its richness and variety." --from jacket flap.

    In Paddy Whacked, bestselling author and organized crime expert T. J. English brings to life nearly two centuries of Irish American gangsterism, which spawned such unforgettable characters as Mike "King Mike" McDonald, Chicago's subterranean godfather; Big Bill Dwyer, New York's most notorious rumrunner during Prohibition; Mickey Featherstone, troubled Vietnam vet turned Westies gang leader; and James "Whitey" Bulger, the ruthless and untouchable Southie legend. Stretching from the earliest New York and New Orleans street wars through decades of bootlegging scams, union strikes, gang wars, and FBI investigations, Paddy Whacked is a riveting tour de force that restores the Irish American gangster to his rightful preeminent place in our criminal history -- and penetrates to the heart of the American experience.

    There are thousands who have yet to discover this extraordinary memoir of an Irish woman who has stepped away from the traditional roles to define herself and find contentment. They will make this paperback a long-selling classic.