Part lucid dreaming instruction manual, part breakup in a haunted museum.

    Ever since her father was killed when she was just a child, Miranda Crabtree has kept her head down and her eyes up, ferrying contraband for a mad preacher and his declining band of followers to make ends meet and to protect an old witch and a secret child from harm.But dark forces are at work in the bayou, And when the preacher makes an unthinkable demand, it sets Miranda on a desperate, dangerous path, forcing her to consider what she is willing to sacrifice to keep her loved ones safe.

    But you are more than just a hero ora villain, cursed or charmed. You are everything in between. You are everything. In fifty poems Christine Heppermann places fairy tales side by side with the modern teenage girl. Powerful and provocative, deadly funny and deadly serious, this collection is one to read, to share, to treasure, and to come back to again and again.

    Valente's first full-length poetry collection, where freaks, emperors, bodhisattvas, beasts, witches, wicked stepmothers, Greek heroes, told seductively and wickedly in poem and prose, jostle and vie for supremacy . .

    Or not missing–perhaps she has fled, abandoned her family. Or perhaps she's been kidnapped, and set loose to wander in the dense woods of the north. Alone and possibly lost, she meets another woman in the forest. Then everything changes.On a journey that will take her through a wolf-haunted wood, down a deep well, and onto a living ship made of human bones, our heroine is forced to confront her past and may find that the evil she flees has been inside her all along. Eerie and disturbing, In the House in the Dark of the Woods is a novel of psychological horror and suspense told in Laird Hunt's acclaimed lyrical prose style. It is the story of a bewitching, a betrayal, a master huntress and her quarry. It is a story of anger, of repression, of revenge and redemption. It is a story of a haunting, one that forms the bedrock of American mythology, told in a vivid voice you will never forget.

    Twenty curses, old and new. ALL THE BETTER TO READ YOU WITH. It's a prick of blood, the bite of an apple, the evil eye, a wedding ring or a pair of red shoes. Curses come in all shapes and sizes, and they can happen to anyone, not just those of us with unpopular stepparents... Here you'll find unique twists on curses, from fairy tale classics to brand-new hexes of the modern world...expect new monsters and mythologies as well as twists on well-loved fables. Stories to shock and stories of warning, stories of monsters and stories of magic. Some might shock you, some might make you laugh, but they will all impress you with their originality. TWENTY TIMELESS FOLKTALES, NEW AND OLD.Contents: *Introduction (Cursed) • essay by Paul Kane and Marie O'Regan *Castle Cursed (2020) / short fiction by Jane Yolen *As Red As Blood, As White As Snow (2020) / short fiction by Christina Henry *Troll Bridge (1993) / short story by Neil Gaiman (variant of Troll-Bridge) *At That Age / short fiction by Catriona Ward *Listen / short fiction by Jen Williams *Henry and the Snakewood Box / short fiction by M. R. Carey *Skin / short fiction by James Brogden *Faith & Fred / short fiction by Maura Mchugh *The Black Fairy's Curse (1997) / short story by Karen Joy Fowler *Wendy, Darling (2014) / short fiction by Christopher Golden * Fairy Werewolf vs. Vampire Zombie (2011) / short story by Charlie Jane Anders *Look Inside Me (2013) / short fiction by Michael Marshall Smith *Little Red (2009) / short story by Adam Stemple and Jane Yolen *New Wine / short fiction by Angela Slatter *Haza and Ghani / short fiction by Lilith Saintcrow *Hated / short fiction by Christopher Fowler *Merrie Dancers / short fiction by Allison Littlewood *Again / short fiction by Tim Lebbon *The Girl from the Hell / short fiction by Margo Lanagan *Castle Waking / short fiction by Jane Yolen *About the Authors *About the Editors *Acknowledgements.

    As midnight approaches, the box is opened, a fateful dare is made, and the children as well as Chintana come face to face with the consequences of a malice retold and now foretold.

    It's about girls praying to The Angel of the North. It's about a mermaid born in the river Tyne. It's about Chinese lanterns, teenagers at the beach, and a family who run a sacred farm. ..You pick my arms up and spread them outso we are matching. Our woollen scarvestouch our noses - catch our breath like cloth balloons. We dig our feet into the soiland stamp down into the very deep. Somewhere below, the river sleeps with a lady screeching. She has arms that could carry boulders to the edge of cliffs. We wait for herto throw us down...' (extract from 'angel metal')"This is an arresting collection from a writer fully in command of an unusual and significant voice.” Anna Woodford“These are poems full of wonder and surprise.. Jen Campbell tells us stories about growing up...; reimagining love, childhood and home in strange and magical ways.” Liz Berry“Jen Campbell opens the doors wide and takes you through to her own fierce world where nothing goes unquestioned. A mixture of strong filmic images and rich language mean that the poems always keep their sense of wonder and strength.” Sarah Salway"The writing is luminous, immediate, and (yes) magical. I imagine she fell in love with words early, spinning them into shining nets to save herself from a kind of drowning. She’s a real poet, in other words." - Marcia Menter

    Peddled by the icy Srebrenka, few have managed to escape the drug and its dealer. But Maggie has.Inspired by Hans Christian Andersen's "The Snow Queen," The Grimoire of Kensington Market is the story of Maggie, guardian of The Grimoire bookstore, which expands and contracts as stories are born . . . or die. Only those who are destined to find The Grimoire enter through its front door. But one day a messenger arrives with a mysterious note that reads, "follow me." The next day, another note arrives and then another. The messages, Maggie realizes, are from her brother, Kyle, who has fallen under the influence of the Elysium. Kyle has gone too far into the Silver World and needs his sister, a recovering addict herself, to rescue him.Driven by guilt and love in equal measure, Maggie sets off on a quest where bands of robbers stalk the woods, tavern keepers weave clouds to hide mountains and caribou fly on the Northern Lights. A journey where dreams and the dead both come to life.

    These bewitching poems and stories unwind a fevered world of magic and longing and young women who chance the uncanny and gain wisdom beyond their years.

    Ewing's narrative takes us from the streets of 1990s Chicago to an unspecified future, deftly navigating the boundaries of space, time, and reality. Ewing imagines familiar figures in magical circumstances, and identifies everyday objects - hair moisturizer, a spiral notebook - as precious icons.Her visual art is spare, playful, and poignant: a cereal box decoder ring that allows the wearer to understand what Black girls are saying; a teacher's angry, subversive message scrawled on the chalkboard. Electric Arches invites fresh conversations about race, gender, the city, identity, and the joy and pain of growing up.

    Her husband is delighted. “You think this baby is going to be like you, but it’s not like you at all,” she warns him. “This baby is an owl-baby.”When Chouette is born small and broken-winged, Tiny works around the clock to meet her daughter’s needs. Left on her own to care for a child who seems more predatory bird than baby, Tiny vows to raise Chouette to be her authentic self. Even in those times when Chouette’s behaviors grow violent and strange, Tiny’s loving commitment to her daughter is unwavering. When she discovers that her husband is on an obsessive and increasingly dangerous quest to find a “cure” for their daughter, Tiny must decide whether Chouette should be raised to fit in or to be herself—and learn what it truly means to be a mother.Arresting, darkly funny, and unsettling, Chouette is a brilliant exploration of ambition, sacrifice, perceptions of ability, and the ferocity of motherly love.

     These are not the mild-mannered maidens of your childhood. These are fallen princesses and fierce women with no recollection of who they are, where they came from, or how they arrived in a mysterious town called Everafter. All they know is that they've been sentenced to a stretch in a half-way house by a malicious judge with an ax to grind. They've been stripped of their freedom, their kingdoms, and their true loves. Now, they have nothing left to lose. Snow White is the newest parolee to arrive at Granny's House for Girls. It isn't long before she learns that her housemates harbor secrets, and that the mansion itself is a meandering enigma. She stumbles upon forbidden doorways, ghostly passages, and walls that seem to breathe. Determined to find out what’s really happening inside those old walls, Snow embarks on a dangerous discovery mission. Not everyone is thrilled about her nosing around. In fact, there are some who would kill to keep the secrets that the house—and its occupants—hold.

    In fact, she never thought she would escape her small and peculiar hometown. When We Were Animals is Lumen's confessional: as a well-behaved and over-achieving teenager, she fell beneath the sway of her community's darkest, strangest secret. For one year, beginning at puberty, every resident "breaches" during the full moon. On these nights, adolescents run wild, destroying everything in their path.Lumen resists. Promising her father she will never breach, she investigates the mystery of her community's traditions and the stories erased from the town record. But the more we learn about the town's past, the more we realize that Lumen's memories are harboring secrets of their own.A gothic coming-of-age tale for modern times, When We Were Animals is a dark, provocative journey into the American heartland.

    Traditional fairytales are rife with cliches and gender stereotypes: beautiful, silent princesses; ugly, jealous, and bitter villainesses; girls who need rescuing; and men who take all the glory. But in this rousing new prose and poetry collection, Nikita Gill gives Once Upon a Time a much-needed modern makeover. Through her gorgeous reimagining of fairytale classics and spellbinding original tales, she dismantles the old-fashioned tropes that have been ingrained in our minds. In this book, gone are the docile women and male saviors. Instead, lines blur between heroes and villains. You will meet fearless princesses, a new kind of wolf lurking in the concrete jungle, and an independent Gretel who can bring down monsters on her own. Complete with beautifully hand-drawn illustrations by Gill herself, Fierce Fairytales is an empowering collection of poems and stories for a new generation.