There, overcome by the beauty of the landscape and consumed by a history she finds fascinating, Fern is catapulted into the life of the beautiful but reckless Cecilia, a sixteenth century lady of Venice.The closer Fern comes to discovering why Cecilia appears to be pulling her back in time, the more echoes of the past reverberate in the present.When past and present collide, throwing both Fern and Cecilia into deadly danger, can Fern stay safe and come to terms with her own past?Praise for Siobhan Daiko‘…an effortless and highly entertaining read.’ Ann Bennett, bestselling author of The Orphan House.‘Loved this beautiful, evocative and sensuous book.' Renita D'Silva, bestselling author of Monsoon Memories.‘This book ticked all the right boxes for me: Italy, history, art, passion, intrigue - all things that I love to read and learn about.’ Read and Relax Reviews.

    From cooking classes held in her small New York City apartment kitchen in the 1960s to the avidly sought after Master Classes she led in her beautiful Venice home, Marcella has been the authoritative guide to Italian cooking.This much-anticipated follow-up to Marcella Cucina offers 100 new tantalizing recipes that bring Marcella's warm, conversational, and illuminating teachings into home kitchens everywhere. The legendary author and cooking teacher shares invaluable lessons in Italian cooking, including mastering traditional techniques, selecting and using ingredients, and planning and preparing complete Italian menus. Drawing on her unique ability to present each recipe as a narrative with subplots, characters, and rich history, Marcella demonstrates just how many delicious new stories she still has to tell.

    Benedict was not interested in fame, power, or legacy. He was only interested in living the Christian life to the fullest and helping those around him to do the same. The rest is history—and the work of Providence. St. Benedict is regarded as the Father of the Benedictine Order of both religious men and women that follow his Rule, a key principle of which is ora et labora—pray and work. Today, many people wear holy medals of St. Benedict, invoking his intercession for protection against the powers of evil. Not only consecrated religious but also many lay people find inspiration in his call to balance, discipline, and prayer. Historically, St. Benedict helped bridge the early Church with the medieval period by standing on the shoulders of the fathers of the monastic tradition and bringing that tradition solidly into a new era.

    It was a sport so popular that it created the geography of Italy in the minds of her citizens, and some have said that it was cycling, not political change, that united Italy.Pedalare! Pedalare! is the first complete history of Italian cycling to be published in English. The book moves chronologically from the first Giro d'Italia (Italy's equivalent of the Tour de France) in 1909 to the present day. The tragedies and triumphs of great riders such as Fausto Coppi and Gino Bartali appear alongside stories of the support riders, snow-bound mountains and the first and only woman to ride the whole Giro.Cycling's relationship with Italian history, politics and culture is always up front, with reference to fascism, the cold war and the effect of two world wars. The sport is explored alongside changes in Italian society as a whole, from the poor peasants who took up cycling in the early, pioneering period, to the slick, professional sport of today. Scandals and controversy appear throughout the book as constant features of the connection between fans, journalists and cycling.Concluding with an examination of doping, which has helped to destroy what was at one time the most popular sport of all, Pedalare, Pedalare is an engrossing history of a national passion.

    Instead, a university student totaled her car, her boss – after 16 years of loyal and excellent service – gave her a letter of termination, and her professor husband of 32 years asked for a divorce so he could marry his post-doc student with the 18-inch waist and perky boobs. Half a century old, jobless, and with only a high school diploma, Missouri must take the lemons that life has thrown her and make the best lemonade ever – even if it means traveling to Italy alone to do it.

    Now, to celebrate a decade of delighting opera fans and foes alike, musical historian and humorist David Barber has prepared a special revised and expanded edition of his hilarious bestselling history of opera. Chapters such as Serious Buffoonery, Teutonic Tunesmiths and, of course, Italian Sausage Machines display Barber's rapier wit and knack for knowing fascinating, if sometimes useless, information about music, musicians and the offbeat world they live in. This expanded edition includes new material ranging from Strauss to ragtime, opera to the Tenor Menace. From Italian castrati to German Ring-bearers, from Handel's fights with rival sopranos to Puccini's nicotine habit, the author of Bach, Beethoven and the Boys and Tenors, Tantrums and Trills delivers a funny yet informative, irreverent yet affectionate history of serious music's most serious art form as only he can - and as only he would dare to do.

    What began in Venezuela has now reached children in Los Angeles, New York City, Baltimore, and cities around the world. No matter the location, the overarching goal of El Sistema is unwavering: to rescue children from the depredations of poverty through music. Part history, part reportage, this book reveals that arts education can indeed effect positive social change.

    Resisting standard depictions of the social and moral lives of the poor, Belmonte presents nuanced portraits of his subjects. He was also one of the first anthropologists to reflect on his own reactions and emotions. He describes the traumatic experience of living alone in a strange urban environment and his social interactions with the residents of Fontana del Re.

    In the case of Beethoven, however, the standard approach has been to treat his life and his art separately. Now, Barry Cooper's new volume incorporates the latest international research on many aspects of the composer's life and work and presents these in a truly integrated narrative. Cooper employs a strictly chronological approach that enables each work to be seen against the musical and biographical background from which it emerged. The result is a much closer confluence of life and work than is usually achieved, for two reasons. First, composition was Beethoven's central preoccupation for most of his life: I live entirely in my music, he once wrote. Second, recent study of his many musical sketches has enabled a much clearer picture of his everyday compositional activity than was previously possible, leading to rich new insights into the interaction between his life and music. This volume concentrates on Beethoven's artistic achievements both by examining the origins of his works and by expert commentary on some of their most striking and original features. It also reexamines virtually all the evidence--from fictitious anecdotes right down to the translations of individual German words--to avoid recycling old errors. And it offers numerous new details derived from sketch studies and a new edition of Beethoven's correspondence. Offering a wealth of fresh conclusions and intertwining life and work in illuminating ways, Beethoven will establish itself as the reference on one of the world's greatest composers.

    That is, until she finds herself accused of murder.Filled with newfound confidence, Zoe is enjoying the respect she is receiving all of a sudden from the inhabitants of the beautiful coastal village of Maratea in southern Italy. But just how far will her determination to take control of her life go? When she is discovered standing over the dead body of her bullying boss, the murder weapon in her hand, it looks as though it has gone way too far.When the local carabinieri regard the case as solved, travel writer and part-time sleuth Giò Brando investigates further, disturbed by her sister Agnese’s distress at having sold Zoe the scent that apparently transformed her into a killer. But it appears all the other suspects have watertight alibis for the time of the killing.With her shrewd granny’s words “A wolf is always a wolf, a lamb is always a lamb” echoing in her mind, Giò is sure that Zoe remains the gentlest of lambs. And then a chance remark in Leo’s Bar leads her to the truth – a truly heartless plan was put into action as Maratea’s clock struck two.◆◆◆ Cosy mystery fans, synchronise your watches and grab yourself a cappuccino. It’s time to help Giò investigate murder most horrid and make sure everyone gets what they deserve ◆◆◆---"When the Clock Chimes Two" is a short story in the heart warming and compelling "An Italian Village Mystery" series. Beloved by fans of Rhys Bowen, Agatha Christie, MC Beaton. Each book can be read as a standalone or enjoyed in sequence.Book 0 (prequel) - And Then There Were BonesBook 1 - Murder on The RoadBook 2 - A Fair Time for DeathBook 3 - A Mystery Before ChristmasBook 4 - Peril at the Pellicano Hotel

    Lhevinne was, with Rachmaninoff, Schnabel, and Hoffman, one of the great modern masters, and was the first artist invited to teach at the newly formed Julliard Graduate School of Music. Technique, through essential, must be subordinate to musical understanding. Complete knowledge of scales, apprehended not mechanically but musically; understanding of the uses of rests and silence, which Mozart considered the greatest effect in music; a feeling for rhythm and training of the ear; these are the basic elements of a thorough grounding in musicianship and are accordingly emphasized in the opening chapters. The heart of the book is devoted to the attainment of a beautiful tone. Anyone who has heard Lhevinne play or has listened to one of his recordings will know how great were his achievements in that area. The secret lay, at least in part, in the technique he called "the arm floating in air," and in the use of the wrists as natural shock absorbers. The achievement of varieties of tone, of the singing, ringing tone, of brilliancy, of delicacy, and of power are all explained in terms of a careful analysis of the ways in which the fingers, hand, wrist, arm, and indeed the whole body function in striking the keys. There are further remarks about how to get a clear staccato and an unblurred legato, about the dangers of undue emphasis on memorization and the need for variety in practicing, and special comments on the use of the pedal, which should be employed with as much precision as the keys. Throughout, specific musical examples are presented as illustrations. The author draws not only upon his own experiences and methods, but upon the examples of Anton Rubenstein and of his teacher, Safonoff, for this remarkably lucid and concise formulation of basic principles.

    Wine director Shelley Lindgren is renowned in the business for her expeditionary commitment to handcrafted southern Italian wines. In A16: FOOD + WINE, Appleman and Lindgren share the source of their inspiration—the bold flavors of Campania. From chile-spiked seafood stews and savory roasts to delicate antipasti and vegetable sides, the recipes are beguilingly rustic and approachable. Lindgren's vivid profiles of the key grapes and producers of southern Italy provide vital context for appreciating and pairing the wines. Stunning photography captures the wood-fired ambiance of the restaurant and the Campania countryside it celebrates.

    GET D!RTYNext time you’re traveling or just chattin’ in Italian with your friends, drop the textbook formality and bust out with expressions they never teach you in school, including: Cool slang Funny insults Explicit sex terms Raw swear words Dirty Italian teaches the casual expressions heard every day on the streets of Italy:What's up?Come va?He's a real hottie.Lui è proprio un figo.This pizza's awesome!Questa pizza è buonissima!I'm totally wasted.Soo sbronzo.I gotta piss.Devo pisciare.Hey ref, you're an asshole!Arbitro cornuto!Wanna do it doggy-style?Lo facciamo alla pecorina?

    Perfect for fans of Erica James and Cathy Kelly. A summer she’ll never forget… When Olivia Montague’s grandmother passes away, she decides it’s finally time to make some changes in her own life. So she breaks up with her ‘going nowhere’ boyfriend and embarks on a journey to her Nonna’s home in Tuscany.Until now, Olivia has always believed that she’s incapable of love, after being abandoned by her parents as a baby. But with each day spent at the gorgeous villa nestled in the rolling Italian hills, she feels her heart begin to flutter…And when handsome antiques dealer Hugh St. James arrives on the scene, she realises things might be about to change forever! Praise for Karen Aldous: ‘A story of relationships, love and the importance of family, a romantic tale that leaves the reader with a glow.’ Postcard Reviews‘I could have been lost in this book for months on end and I wouldn't have noticed the days slipping by…’ Becca’s Books‘Light, easy to read and entertaining, perfect for a summer holiday read.’ Portybelle‘A perfect book for these final summer days, to indulge in with a glass of wine or two.’ Paris Baker (Amazon Reviewer)‘Escapism with more than a touch of reality…Karen Aldous is an author that you need on “auto order”!’ Crooks on Books‘A great holiday read – quick, easy and entertaining!’ Ginger Cat Blog‘Gently paced and seductively built…a great summer read.’ Brizzlelass Books‘Gloriously escapist, wonderfully entertaining and absolutely impossible to put down! Sure to appeal to fans of Cathy Kelly and Erica James.’ Bookish Jottings‘Fascinating, heartwarming, engaging, romantic and utterly compelling.’ Sparkly Words

    She has everything she wants: a successful career, the ability to make sure she is as far away from her parents as possible, and an almost equally successful boyfriend. One phone call from a dear friend brings her back to the States, to her old neighborhood where she comes face to face with her childhood crush, Christopher Hunter. And one look into his eyes brings back all the memories and feelings she thought she had long forgotten. Feelings she shouldn’t have.