Twelve years later, he’s still haunted by his rage-filled youth—which the entire world got to watch from every imaginable angle—and his anger issues have resulted in violent outbursts, zero friends, and clueless adults dumping him in the special education room at school.Nothing is ever going to change. No one cares that he’s tried to learn to control himself, and the girl he likes has no idea who he really is. Everyone’s just waiting for him to snap…and he’s starting to feel dangerously close to doing just that.In this fearless portrayal of a boy on the edge, highly acclaimed Printz Honor author A.S. King explores the desperate reality of a former child “star” who finally breaks free of his anger by creating possibilities he never knew he deserved.

    What kind of monster would do such a thing? It's true that Leonardo da Vinci did it, Shakespeare wrote about it, and the resurrection men of nineteenth-century Scotland practically made it an art. But none of this matters to Joey Crouch, a sixteen-year-old straight-A student living in Chicago with his single mom. For the most part, Joey's life is about playing the trumpet and avoiding the daily humiliations of high school.     Everything changes when Joey's mother dies in a tragic accident and he is sent to rural Iowa to live with the father he has never known, a strange, solitary man with unimaginable secrets. At first, Joey's father wants nothing to do with him, but once father and son come to terms with each other, Joey's life takes a turn both macabre and exhilarating.     Daniel Kraus's masterful plotting and unforgettable characters make Rotters a moving, terrifying, and unconventional epic about fathers and sons, complex family ties, taboos, and the ever-present specter of mortality.

    Struggling to overcome the lasting repercussions and the stifling role of "school slut," she longs to escape a life defined by her past. With subtle grace, complicated wisdom and striking emotion, Story of a Girl reminds us of our human capacity for resilience, epiphany and redemption.

    Her father was supposed to be locked up until Meredith turned eighteen. She thought she had time to grow up, get out, and start a new life. But Meredith is only fifteen, and today her father is coming home from prison. Today her time has run out.

    Not a single soul. Not one word about that night and what had been done to her had ever passed Maddy Malone’s lips. She’d thought about it at first - had been desperate, even frantic, to tell. But then had come the shame, and the intimidation from the boys who raped her - and the one who held her down. Now it’s the beginning of a new school year and Maddy is hoping that she can continue to hide, making herself as quiet and small as possible. She is consumed with keeping the memories at bay, forcing them down through small cuts and the burn from the end of a cigarette. But when her English class is given the assignment of writing a collaborative novel about a fifteen-year-old girl, The Pain Eater, fact and fiction begin to meet up. When the boys spread rumors about Maddy, she realizes that continuing to hide the truth will only give them more control, and she slowly gains the courage to confront them.

    When her fiancé and family don’t believe her, she flees her home in India to Canada, where she plans to raise the child as a single mother. For Kiran, living undocumented means constant anxiety over finances, work, safety, and whether she’ll be deported back to the dangers that await her in Punjab.Eighteen years later, Kiran’s daughter, Sahaara, is desperate to help her mother, who has been arrested and is facing deportation. In the aftermath, Kiran reveals the truth about Sahaara’s conception. Horrified, Sahaara encourages Kiran to speak out against the man who raped her—who’s now a popular political figure in Punjab. Sahaara must find the best way to support her mother while also dealing with the revelation about her parents.

    He has a strategy--knows the profile of The Girl Who Would Say Yes. In each new town, each new school, he can count on plenty of action before he and his father move again. Getting down is never a problem. Until he hooks up with the wrong girl and finds himself in the wrong place at very much the wrong time.AND THEN YOU CAN'T SEE ANYTHING ELSE.After an assault that leaves Evan bleeding and broken, his father takes him to the family cabin in rural Pearl Lake, Minnesota, so Evan's body can heal. But what about his mind?HOW DO YOU GO ON, WHEN YOU CAN'T THINK OF ONE WITHOUT THE OTHER?Nothing seems natural to Evan anymore. Nothing seems safe. The fear--and the guilt--are inescapable. He can't sort out how he feels about anyone, least of all himself. Evan's really never known another person well, and Pearl Lake is the kind of place where people know everything about each other--where there might be other reasons to talk to a girl. It's annoying as hell. It might also be Evan's best shot to untangle sex and violence.

    A survivalist childhood. And now a bomb strapped to her chest. See the world through her eyes in this harrowing and deeply affecting literary thriller.I’m Valkyrie White. I’m fifteen. Your government killed my family. Ever since Mabby died while picking beans in their garden — with the pock-a-pock of a helicopter overhead — four-year-old Valley knows what her job is: hide in the underground den with her brother, Bo, while Da is working, because Those People will kill them like coyotes. But now, with Da unexpectedly gone and no home to return to, a teenage Valley (now Valkyrie) and her big brother must bring their message to the outside world — a not-so-smart place where little boys wear their names on their backpacks and young men don’t pat down strangers before offering a lift. Blythe Woolston infuses her white-knuckle narrative, set in a day-after-tomorrow Montana, with a dark, trenchant humor and a keen psychological eye. Alternating past-present vignettes in prose as tightly wound as the springs of a clock and as masterfully plotted as a game of chess, she ratchets up the pacing right to the final, explosive end.

    Because no one wants to believe a girl from the wrong side of town, the truth about him has cost her everything—friends, family, and her community. Branded a liar and bullied relentlessly by a group of kids she used to hang out with, Romy’s only refuge is the diner where she works outside of town. No one knows her name or her past there; she can finally be anonymous. But when a girl with ties to both Romy and Kellan goes missing after a party, and news of him assaulting another girl in a town close by gets out, Romy must decide whether she wants to fight or carry the burden of knowing more girls could get hurt if she doesn’t speak up. Nobody believed her the first time—and they certainly won’t now — but the cost of her silence might be more than she can bear.　With a shocking conclusion and writing that will absolutely knock you out, All the Rage examines the shame and silence inflicted upon young women after an act of sexual violence, forcing us to ask ourselves: In a culture that refuses to protect its young girls, how can they survive?

    He is going to eat himself to death-live on the Internet-and everyone is invited to watch. When he first makes the announcement online to his classmates, Butter expects pity, insults, and possibly sheer indifference. What he gets are morbid cheerleaders rallying around his deadly plan. Yet as their dark encouragement grows, it begins to feel a lot like popularity. And that feels good. But what happens when Butter reaches his suicide deadline? Can he live with the fallout if he doesn't go through with his plans?With a deft hand, E.J. Lange allows readers to identify with both the bullies and the bullied in this all-consuming look at one teen's battle with himself.

    They all come to her to diagnose their problems and provide the "cure" -- be it Prozac, Ritalin, Vicodin...She's therapist, doctor, and pharmacist all in one. She helps people. And that makes her feel a little more in control -- a little more capable of dealing with her own frantic high school life. Because Thyme Gilchrest is nothing if not good at dealing.

    Against a backdrop of seedy motels, dicey bus stations, and hitched rides, the desperate fourteen-year-old meets a colorful, sometimes dangerous cast of characters. And in letters to his sibling, he catalogs them all — from an abusive stranger and a ghostly girl to a kind transsexual and an old woman with an oozing eye. The language is raw and revealing, crackling with visceral details and dark humor, yet with each interstate exit Punkzilla’s journey grows more urgent: will he make it to Tennessee in time? This daring novel offers a narrative worthy of Kerouac and a keen insight into the power of chance encounters.

    The year she emerged from her older sister’s shadow—and Kiera, who became a best-selling graphic novelist before she even graduated from high school, casts a long one. But it hasn’t worked out that way, not quite. So Normandy turns to her art and writing, and the “truth commission” she and her friends have started to find out the secrets at their school. It’s a great idea, as far as it goes—until it leads straight back to Kiera, who has been hiding some pretty serious truths of her own. Susan Juby’s The Truth Commission: A story about easy truths, hard truths, and those things best left unsaid.

    Addison killed a baby.Allegedly. She didn’t say much in that first interview with detectives, and the media filled in the only blanks that mattered: A white baby had died while under the care of a churchgoing black woman and her nine-year-old daughter. The public convicted Mary and the jury made it official. But did she do it? She wouldn’t say.Mary survived six years in baby jail before being dumped in a group home. The house isn’t really “home”—no place where you fear for your life can be considered a home. Home is Ted, who she meets on assignment at a nursing home.There wasn’t a point to setting the record straight before, but now she’s got Ted—and their unborn child—to think about. When the state threatens to take her baby, Mary must find the voice to fight her past. And her fate lies in the hands of the one person she distrusts the most: her Momma. No one knows the real Momma. But who really knows the real Mary?

    She's hearing impaired and way too smart for her West Bronx high school. She copes by reading lips and selling homework answers, and looks forward to the time each day when she can be alone in her room drawing. She's a tough girl who never gets close to anyone, until she meets Fatima, a teenage refugee who sells newspapers on Mik's block. Both Mik and Fatima unite in their efforts to befriend Jimmi, a homeless vet who is shunned by the rest of the community. The events that follow when these three outcasts converge will break open their close-knit community and change the lives of those living in the Orange Houses in explosive and unexpected ways.