The best-selling author Anne M. Fletcher asked them a simple question: how did you do it? The result is the first completely unbiased guide for problem drinkers, one that shatters long-held assumptions about alcohol recovery.Myth: AA is the only way to get sober.Reality: More than half the people Fletcher surveyed recovered without AA.Myth: You can't get sober on your own.Reality: Many people got sober by themselves.Myth: One drink inevitably leads right back to the bottle.Reality: A small number of people find they can have an occasional drink.Myth: There's nothing you can do for someone with a drinking problem until he or she is ready.Reality: Family and friends can make a big difference if they know how to help.Weaving together the success stories of ordinary people and the latest scientific research on the subject, Fletcher uncovers a vital truth: no single path to sobriety is right for every individual. There are many ways to get sober - and stay sober. SOBER FOR GOOD is for anyone who has ever struggled not to drink, coped with someone who has a drinking problem, or secretly wondered, "Do I drink too much?"

    It opens with snapshots of her troubled childhood and early adult life in two difficult marriages. It quickly transitions to our first meeting, friendship, and relationship - not without their own complications. Through those trials, she showed tremendous strength and heart. We eventually married and lived a love story that others marveled at for years. We travelled, went to concerts, built a home, and remained completely devoted. While still in her early sixties, she lost a piece of herself. Words became harder to find. Steps to perform the simplest tasks became impossible to follow. We knew something was wrong but had no idea the severity of her condition. Our world turned upside down.The latter half of the book chronicles in exacting detail her diagnosis and life with Frontotemporal Degeneration, a dementia known as FTD. I cared for her for the three and a half years of this disease. Her mental state deteriorated rapidly. I changed to a more flexible job to stay with her more during the day as she lost even the most basic functions of eating alone, toileting, or using a phone. We still created tender moments and danced but she was losing a tremendous amount of weight and required greater and greater care.Financials not allowing me to quit work, I succumbed to the recommendations of multiple professionals and made the painful decision to place her in memory care. I visited her every day, two to three times per day, and we made the best of a horrible situation. We still shared many tender moments during this last year, including the moment I held her hand as she passed. The story is told in a vulnerable and unfiltered manner. It collects writings from both husband and wife through journals, letters, and social media posts integrated into the main narrative. It captures our real-life, undying love story through this incurable disease

    It harks back to the 1989 issue of the same name, themed around the response to the fall of the Berlin wall. Through the lenses of exile and migration, we ask ourselves what it means to be European now. Featuring a photoessay by Bruno Fert who steps inside the temporary homes of refugees in camps in Greece and France.

    Especially you.It's already too late. From overstaying your welcome at a party, to leaving passive-aggressive post-its on your roommate's belongings, to letting your date know the extent of the internet reconnaissance you did on them--you're destined to embarrass yourself again and again. In You Blew It!, Josh Gondelman, comedian and co-creator of the "Modern Seinfeld" twitter account, teams up with Joe Berkowitz, an equally wry and ruthless social-observer, to dissect a range of painfully hilarious faux pas. Breaking down the code violations of modern culture--particularly our fervent, ridiculous addiction to technology--Gondelman and Berkowitz will keep you laughing as they explore how social blunders are simply part of the mystery that is you.

    With an essay by Kevin Power.

    The gloves are off as best-selling author RD Reynolds and his co-author Blade Braxton pull no punches in looking at some of wrestling’s biggest mistakes, most comical mishaps and most egotistical performers. Among the lists included in this cornucopia of wrestling nonsense are: • Sights Wrestling Fans Should Never Be Forced To See Again! • The Greatest Mullets in the History of the Game! • Porn Stars Who Moonlighted in Wrestling! • The Proof that DX is really, REALLY Gay! • The Greatest Mugshots — Featuring Your Favourite Wrestlers! • The Pieces of Definitive Evidence that WCW May Have Been Run By Nazis! • Pro Wrestling’s Stupidest Hometowns! • The Things That Vince McMahon Always Wants to Talk About (Half of Which Involve His Genitalia)! Of course, we’d be remiss if we didn’t mention the book’s craptastic main event: the 25 Worst Gimmicks of All Time. Irreverent, off-kilter, and certain to be offensive to all, The WrestleCrap Book of Lists! is pro wrestling’s very worst of the worst!

    

    Throughout, Olson makes a compelling case for preserving the wilderness. He puts forth his own life as an example of how nature can have a spiritual effect on the human soul, and proposes diligence on behalf of those who fight to conserve our forests, wetlands, and dunes.

    Propelled since childhood by the untimely deaths of his parents, Elliott traveled the globe to meet with these luminaries and directly find out their answers to the fundamental questions of existence: What is life's purpose? What is God or Ultimate Reality? Why do people suffer? Does a part of us live on after death? The list of people he met is both diverse and impressive. Not only do they represent every major religious tradition, from Rober Schuller, Rabbi Harold Kushner, and Norman Vincent Peale to His Holiness the Dalai Lama and Jack Kornfield, but also an exciting variety of perspectives, from Ram Dass to Mother Teresa to psychologist B.F. Skinner.Time and again, the sages included here warmed to Elliott's heartfelt longing for meaning in the world. Their views are framed by Elliott's endearing voice, engaging and perceptive, and by his wonderfully warm sense of humor. Tying Rocks to Clouds is sometimes sad, often funny, and always filled with freshness and joy as it reveals wisdom collected from across the world.

    75,000 first printing. $75,000 ad/promo.

    A true tale of wickedness, despair, and redemption. Not to be missed. Born into a Dark and Secretive World of Domestic Violence ”What kind of life is this you live? Can you remember even one day you didn’t go to bed afraid and wake up afraid?” These are the words Jena Parks says, looking in the mirror as a child. Imagine being a child and every day a desperate struggle to survive. This was the life Jena endured from birth until the day she escaped the living nightmare of her father’s abuse. In The Fear of the Blow, Jena tells her candid personal story of the cruelty, abuse, and terror her father inflicted upon her, her brother, and her mother. She provides an insider perspective on the horrors of domestic violence and child abuse that inform and inspire the reader to help those who struggle. Unthinkable Horrors - a True-Life Story From the opening passages, Parks tells us of being witness to spousal abuse as her father would hit and kick her mother. She then begins to recount stories of her father’s “games” in which he would routinely nearly strangle his children. Verbal and physical beatings were a daily occurrence. Jena lived in terror of her father’s rage, often made worse by his alcoholism. She tells of the delight he would take in threatening to kill her or her mother. How Could This Kind of Domestic Abuse Continue Unchallenged? Parks helps the reader to understand how domestic violence can take root and go unchallenged for years - often until too late. She reminds us that child abuse, spousal abuse, and domestic violence thrive in silence - and that they form the most secretive and horrific epidemics known today. It is through educating ourselves about the reality of domestic violence that we can gain insight into the extensive and crippling effects on the children who are born into and raised inside of that dark world. And this empowers us to speak up and take action to help those in need. The Fear of the Blow is sure to break your heart, open your mind, and inspire courage and faith. Join the Fight to Raise Awareness Jena Parks is a committed to raising awareness about the prevalence of Domestic Violence and Child Abuse. She has written The Fear of the Blow in the hope of empowering others to speak up and to find a safe way out before it's too late. Because Child Abuse and Domestic Violence thrive in the silence please join Jena on her mission to shine a light on this epidemic. The only way we can stop it is to reveal it, to stand up and tell the truth, tell our stories and create real change in a still broken system that traps so many helpless women and children inside this Russian roulette life. Jena’s experiences expose the extreme cruelty and wickedness of which some are capable, but also points you to the place where one can always find hope and a safe harbor. Click the Buy button on this page to get your copy today.

    The price might have upset the union chief, convicted gangster, and major-league James Joyce book collector Dennis Silverman, who had sold his copy, signed and inscribed by the author, for a mere 135,000 ten years earlier. Great books attract all kinds and come to fascinating destinies of their own, as Nabokov's Butterfly amply demonstrates. Here, noted author and rare book dealer Rick Gekoski — whose vocation led to the BBC radio series titled Rare Books, Rare People, — profiles twenty editions of major books that have passed through his hands and made publishing history, as they have become the legends of rare book collectors. Sued by J. D. Salinger, harassed by Harold Pinter, berated by Ted Hughes who unloaded his personal and passionately inscribed copy of Sylvia Plath's The Colossus, Gekoski is a convivial participant in these histories, including his sale of Mr. Tolkien's college gown. He recalls one day purchasing from Graham Greene his first edition of Lolita, with Nabokov's signature drawing of a butterfly inside, and on the next day he sold it to Elton John's lyricist at a 10,000 profit.

    The themes Keegan concentrates on in this short volume are essential to our understanding of why war remains the single greatest affliction of humanity in the twenty-first century, surpassing famine and disease, its traditional companions.

    The most extraordinary thing he found when writing about his experiences is that the most common comment about his work is "OMG that's me. You are telling my story. I don't feel so alone now."Living with mental illness is hard, but it's especially difficult when dealing with more than one condition at the same time. Many books about coping with mental illness focus on one disorder, such as bipolar disorder, anxiety, panic attacks, or depression. Because Dave Mowry didn't see any that dealt with his situation of living with multiple disorders simultaneously, he decided to write about it himself.OMG That's Me! is sometimes funny, often poignant, but always deeply honest, open, and personal. Mowry's stories let others know there is help and there is hope, and that they too can recover and live a full life. This book is a must read for family members and friends who will gain true insight into the experiences of loved ones living with a mental illness. This book is a must read for mental health professionals who will better understand the symptoms faced by their patients. And ordinary people will see the strength, resilience, and beauty of people that will shatter the stigma surrounding mental illness.

    When I'm there, sitting with those folks, listening and talking, he said to Coles, I'm part of that life, and I'm near it in my head, too.... Back here, sitting near this typewriter--its different. I'm a writer. I'm a doctor living in Rutherford who is describing 'a world elsewhere.' Williams captured the great difficulty in documentary writing--the gulf that separates the reality of the subject from the point of view of the observer . Now, in this thought-provoking volume, the renowned child psychiatrist Robert Coles, author of the Pulitzer Prize-winning Children in Crisis series, offers a penetrating look into the nature of documentary work. Utilizing the documentaries of writers, photographers, and others, Coles shows how their prose and pictures are influenced by the observer's frame of reference: their social and educational background, personal morals, and political beliefs. He discusses literary documentaries: James Agee's searching portrait of Depression-era tenant farmers, Let Us Now Praise Famous Men, and George Orwell's passionate description of England's coal-miners, The Road to Wigan Pier. Like many documentarians, Coles argues, Agee and Orwell did not try to be objective, but instead showered unadulterated praise on the noble poor and vituperative contempt on the more privileged classes (including themselves) for exploiting these workers. Documentary photographs could be equally revealing about the observer. Coles analyzes how famous photographers such as Walker Evans and Dorthea Lange edited and cropped their pictures to produce a desired effect. Even the shield of the camera could not hide the presence of the photographer. Coles also illuminates his points through his personal portraits of William Carlos Williams; Robert Moses, one of the leaders of the Student Non-Violent Coordinating Committee during the 1960s; Erik H. Erikson, biographer of Mahatma Gandhi and Martin Luther; and others. Documentary work, Coles concludes, is more a narrative constructed by the observer than a true slice of reality. With the growth in popularity of films such as Ken Burns's The Civil War and the controversial basketball documentary Hoop Dreams, the question of what is real in documentary work is more pressing than ever. Through revealing discussions with documentarians and insightful analysis of their work, complemented by dramatic black-and-white photographs from Lange and Evans, Doing Documentary Work will provoke the reader into reconsidering how fine the line is between truth and fiction. It is an invaluable resource for students of the documentary and anyone interested in this important genre.