hard drinkers, passionate lovers, good haters, living on the edge, hurling fury at a complacent world."

    As the history progresses over three generations, Stein also meditates on her own writing, on the making of The Making of Americans, and on America.

    Now THE BEST AMERICAN SHORT STORIES OF THE CENTURY brings together the best of the best - fifty-five extraordinary stories that represent a century's worth of unsurpassed accomplishments in this quintessentially American literary genre. Here are the stories that have endured the test of time: masterworks by such writers as Ernest Hemingway, William Faulkner, Willa Cather, F. Scott Fitzgerald, William Saroyan, Flannery O'Connor, John Cheever, Eudora Welty, Philip Roth, Joyce Carol Oates, Raymond Carver, Cynthia Ozick, and scores of others. These are the writers who have shaped and defined the landscape of the American short story, who have unflinchingly explored all aspects of the human condition, and whose works will continue to speak to us as we enter the next century. Their artistry is represented splendidly in these pages. THE BEST AMERICAN SHORT STORIES series has also always been known for making literary discoveries, and discovery proved to be an essential part of selecting the stories for this volume too. Collections from years past yielded a rich harvest of surprises, stories that may have been forgotten but still retain their relevance and luster. The result is a volume that not only gathers some of the most significant stories of our century between two covers but resurrects a handful of lost literary gems as well. Of all the great writers whose work has appeared in the series, only John Updike's contributions have spanned five consecutive decades, from his first appearance, in 1959. Updike worked with coeditor Katrina Kenison to choose stories from each decade that meet his own high standards of literary quality.

    James's --The worm in the apple --The trouble of Marcie Flint --The bella lingua --The Wrysons --The country husband --The duchess --The scarlet moving van --Just tell me who it was --Brimmer --The golden age --The lowboy --The music teacher --A woman without a country --The death of Justina --Clementina --Boy in Rome --A miscellany of characters that will not appear --The chimera --The seaside houses --The angel of the bridge --The brigadier and the golf widow --A vision of the world --Reunion --An educated American woman --Metamorphoses --Mene, mene, tekel, upharsin --Montraldo --The ocean --Marito in città --The geometry of love --The swimmer --The world of apples --Another story --Percy --The fourth alarm --Artemis, the honest well digger --Three stories --The jewels of the Cabots.

    

    Martin Quarrier has come to convert the fearful and elusive Niaruna Indians to his brand of Christianity. Lewis Moon, a stateless mercenary who is himself part Indian, has come to kill them on behalf of the local commandant. Out of their struggle Peter Matthiessen has created an electrifying moral thriller, a novel of Conradian richness that explores both the varieties of spiritual experience and the politics of cultural genocide.

    Includes "There's a certain slant of light," "Because I could not stop for death," "It was not death for I stood up."

    He didn't expect Darlene Johnson to walk into his office with her chocolate box. And certainly didn't expect what followed. . Book One of the Detectives That Don't Fit Series.

    But instead of taking off with his fishing buddy, James put down his rod and surrendered. It was a move that would change his life forever. Expecting a small fine and a lecture, James instead received enough knowledge about fishing and the great outdoors to last a lifetime.The story of an unlikely friendship, Joe and Me is a book for those who remember the mentor in their life, the one who changed the way they look at the world.

    In the privacy of their homes, who can save them from themselves? In the forests and hills and on the beautiful lakes, what could possibly be wrong? Even in the sweet hometown, with its kindly police, menace lurks in a thousand disguises. Mystery and magic surround this metropolis of the imagination. Once again, James Tate has given us a world of surprising pleasures:... lost in the interstellar space between teacups in the cupboard, found in the beak of a downy woodpecker, the lovers staring into the void and then jumping over it, flying into their beautiful tomorrows like the heroes of a storm.

    "N-no, I'll do it." I whisper. "Then prove it." he states with a smirk, "Prove to me that you're willing to do this." "How?" I ask in a barely audible whisper, my entire body starting to shake in fear or excitement, I can't tell which. "Kiss me, as you mean it," he whispers back at me, looking down at my lips with hunger. ***************Anne De Ville is as normal as a teenage girl with three brothers and divorced parents get. She has no dogs because she is too lazy to take them for walks and spends her life reading or studying. On an average sunny day, Anna decides she needs to buy new shoes and so she goes to the closest mall and buys new converses. Little did she know that she might accidentally drop her shoes down three flights of stairs and they might accidentally fall on Hunter Denegan's head. Hunter Denegan. The baddest of the bad, the meanest of the mean, the best of the best, and the sexiest of the sexy. He is the school's bad boy and people worship him at his feet. What happens when a pair of converses land on Hunter's head and he turns into prince charming, looking for the girl who lost her shoe?

    Her father passed away while she was young. Her un-affectionate mother eventually leaves her to care for herself when she is only thirteen. Though her epic journey begins in 1920 by an almost deadly mistake, Gina will find many of her hearts desires in the most unlikely of places. The loss of everything is the catalyst that brings her to an unimagined level of accomplishment in her life. Yet Gina soon realizes it is the same events that brought her success that may also bring everything crashing down around her. The new life she has built soon beckons for something she left behind. Now the new woman must find a way to dance through a life she could have never dreamed of.

    Then the story abruptly shifts back in time to the day Simon Bell returns to his childhood home in Sherwood, Alabama, haunted by the deaths of his parents. It is a hot, unmoving summer day when he begins an affair with Delia Holladay. Delia is young, beautiful, and married. Their illicit liaison will bring about a final reckoning no one could have anticipated -- not Delia nor Simon nor Delia's husband, Sam, a teacher many years her senior who thought he knew all the history of the world ... until he met Delia. This major work by gifted writer Michael Knight is a moving exploration of the power of love and the consequences of betrayal.

    Based on historical people and real events, Miller's drama is a searing portrait of a community engulfed by hysteria. In the rigid theocracy of Salem, rumors that women are practicing witchcraft galvanize the town's most basic fears and suspicions; and when a young girl accuses Elizabeth Proctor of being a witch, self-righteous church leaders and townspeople insist that Elizabeth be brought to trial. The ruthlessness of the prosecutors and the eagerness of neighbor to testify against neighbor brilliantly illuminate the destructive power of socially sanctioned violence. Written in 1953, The Crucible is a mirror Miller uses to reflect the anti-communist hysteria inspired by Senator Joseph McCarthy's "witch-hunts" in the United States. Within the text itself, Miller contemplates the parallels, writing "Political opposition...is given an inhumane overlay, which then justifies the abrogation of all normally applied customs of civilized behavior. A political policy is equated with moral right, and opposition to it with diabolical malevolence." The Viking Critical Library edition of Arthur Miller's dramatic recreation of the Salem witch trials contains the complete text of The Crucible as well as extensive critical and contextual material about the play and the playwright, including:Selections from Miller's writings on his most frequently performed playEssays on the historical background of The Crucible, including personal narratives by participants in the trials and records of witchcraft in Salem from the original documentsReviews of The Crucible, in production by Brooks Atkinson, Walter Kerr, Eric Bentley, and othersExcerpts from Jean-Paul Sartre's Les Sorcières de Salem, a "spin-off" of Miller's play, and three analogous works by Twain, Shaw, and Budd SchulbergCritical essays on the play, on Miller, and on the play in the context of Miller's oeuvreAn introduction by the editor, a chronology, a list of topics for discussion and papers prepared by Malcolm Cowley, and a bibliography

    Her theme is one welling from the heart-springs of American life - the story of the Interstate, a railroad founded in the latter days of Jackson's presidency, which grew through one hundred stormy, changeful years of our history into a vast enterprise; and the story of the extraordinary family with whom its fortunes were intertwined, the deWitts. It is 1866. In the small Pennsylvania city of Portersville, headquarters of the Interstate, old Aaron deWitt watches enigmatically as his two sons struggle for control of the railroad he founded.