Toward the close of the eighteenth century, the land west of the Alleghenies and north of the Ohio River was an unbroken sea of trees. Beneath them the forest trails were dark, silent, and lonely, brightened only by a few lost beams of sunlight. Here, in the first novel of Conrad Richter's Awakening Land trilogy, the Lucketts, a wild, woods-faring family, lived their roaming life, pushing ever westward as the frontier advanced and as new settlements threatened their isolation. This novel gives an excellent feel for America's lost woods culture, which was created when most of the eastern midwest was a vast hardwood forest---virtually a jungle. The Trees conveys settler life, including conflicts with Native Americans, illness, hunting, family dynamics, and marriage.

    That was the way it was since the beginning, and the way it was to be until the end. In the barn they tended to the animals, but also to each other, transforming the hollowed-out shed into a place of human refuge, a source of intimacy and hope in a world ruled by vicious masters. But when an older man—a fellow slave—seeks to gain favor by preaching the master’s gospel on the plantation, the enslaved begin to turn on their own. Isaiah and Samuel’s love, which was once so simple, is seen as sinful and a clear danger to the plantation’s harmony.With a lyricism reminiscent of Toni Morrison, Robert Jones, Jr. fiercely summons the voices of slaver and the enslaved alike to tell the story of these two men; from Amos the preacher to the calculating slave-master himself to the long line of women that surround them, women who have carried the soul of the plantation on their shoulders. As tensions build and the weight of centuries—of ancestors and future generations to come—culminate in a climactic reckoning, The Prophets masterfully reveals the pain and suffering of inheritance, but is also shot through with hope, beauty, and truth, portraying the enormous, heroic power of love.

    We all have a tree inside us. Finding it is just a matter of time. Neda is born in Evin Prison, where her mother is allowed to nurse her for a few months before the arms of a guard appear at the cell door one day and, simply, take her away. Omid, at age three, witnesses the arrests of his political activist parents from his perch at their kitchen table, yogurt dripping from his fingertips. More than twenty years after the violent, bloody purge that took place inside Tehran's prisons, Sheida learns that her father was one of those executed, that the silent void firmly planted between her and her mother all these years was not just the sad loss that comes with death, but the anguish and the horror of murder. Neda, Omid, and Sheida are just three of the many unforgettable characters in Sahar Delijani's startling debut novel, Children of the Jacaranda Tree. Set in post-revolutionary Iran, from 1983 to 2011, it follows a group of mothers, fathers, children, and lovers, some connected by family, others brought together by the tide of history that forces its way into their lives. Finally, years later, it is the next generation that is left with the burden of the past and their country's tenuous future as a new wave of protest and political strife begins. Based on the harrowing experiences of Delijani, her family, and friends, Children of the Jacaranda Tree is a moving, timely drama about three generations of men and women moved by love, inspired by poetry, and motivated by dreams of justice and freedom. For fans of The Kite Runner and In the Shadow of the Banyan, it is a stunningly evocative look at the intimate side of revolution and a brilliant tribute to anyone who has answered the call of history.

    Toklas. But it is the honesty and vulnerability of Sergey, our young gay narrator, that hook the reader: his stuttering childhood in the shadow of his brilliant brother, his opium-fueled evenings with his sometime lover Cocteau, his troubled love life on the margins of the Ballets Russes and its legendary cast, and his isolation in war torn Berlin where he will ultimately be arrested, sent to a camp and die in 1945. A meticulously researched novel, in which you will meet an extraordinary cast of characters including Picasso, Diaghilev, Stravinsky, Magnus Hirschfield ("Tante Magnesia"), Gertrude Stein and Alice B. Toklas, Cocteau, and of course the master himself, Vladimir Nabokov, this is ultimately the story of a beautiful and vulnerable homosexual boy growing into an enlightened and courageous man.

    Here the characters' lives are linked to each other by acts of generosity or cruelty. A critic once called Rakoff "magnificent," a word which perfectly describes this wonderful novel in verse.

    Lovecraft and his circle. Marina Willett, M.D., has a problem. Her husband, Charlie, has become obsessed with H.P. Lovecraft, in particular with one episode in the legendary horror writer's life: In the summer of 1934, the "old gent" lived for two months with a gay teenage fan named Robert Barlow, at Barlow's family home in central Florida. What were the two of them up to? Were they friends--or something more? Just when Charlie thinks he's solved the puzzle, a new scandal erupts, and he disappears. The police say it's suicide. Marina is a psychiatrist, and she doesn't believe them.A tour-de-force of storytelling, The Night Ocean follows the lives of some extraordinary people: Lovecraft, the most influential American horror writer of the 20th century, whose stories continue to win new acolytes, even as his racist views provoke new critics; Barlow, a seminal scholar of Mexican culture who killed himself after being blackmailed for his homosexuality (and who collaborated with Lovecraft on the beautiful story The Night Ocean); his student, future Beat writer William S. Burroughs; and L.C. Spinks, a kindly Canadian appliance salesman and science-fiction fan -- the only person who knows the origins of The Erotonomicon, purported to be the intimate diary of Lovecraft himself.As a heartbroken Marina follows her missing husband's trail in an attempt to learn the truth, the novel moves across the decades and along the length of the continent, from a remote Ontario town, through New York and Florida to Mexico City.The Night Ocean is about love and deception -- about the way that stories earn our trust, and betray it.

    Arriving in Buenos Aires, she discovers that he has been killed, but she remains: living in a tenement, without friends or family, on the brink of destitution. Still, she is seduced by the music that underscores life in the city: tango, born from lower-class immigrant voices, now the illicit, scandalous dance of brothels and cabarets. Leda eventually acts on a long-held desire to master the violin, knowing that she can never play in public as a woman. She cuts off her hair, binds her breasts, and becomes “Dante,” a young man who joins a troupe of tango musicians bent on conquering the salons of high society. Now, gradually, the lines between Leda and Dante begin to blur, and feelings that she has long kept suppressed reveal themselves, jeopardizing not only her musical career, but her life. Richly evocative of place and time, its prose suffused with the rhythms of the tango, its narrative at once resonant and gripping, this is De Robertis’s most accomplished novel yet.

    With stunningly resonant prose, “The Master is unquestionably the work of a first-rate novelist: artful, moving, and very beautiful” (The New York Times Book Review). The emotional intensity of this portrait is riveting.

    After the death of her beloved father, she is forced to maintain a shabby dignity as the unwanted boarder of her tyrannical uncle, fending off marriage to a local mill owner. But just as she is on the cusp of accepting a life of misery, events take a stunning turn when a handsome stranger—the poet and notorious rake Lord Byron—arrives at her house, stricken by what seems to be a curse, and with a cryptic message for Lucy. Suddenly her unfortunate circumstances are transformed in ways at once astonishing and seemingly impossible. With the world undergoing an industrial transformation, and with England on the cusp of revolution, Lucy is drawn into a dangerous conspiracy in which her life, and her country’s future, are in the balance. Inexplicably finding herself at the center of cataclysmic events, Lucy is awakened to a world once unknown to her: where magic and mortals collide, and the forces of ancient nature and modern progress are at war for the soul of England . . . and the world. The key to victory may be connected to a cryptic volume whose powers of enchantment are unbounded. Now, challenged by ruthless enemies with ancient powers at their command, Lucy must harness newfound mystical skills to prevent catastrophe and preserve humanity’s future. And enthralled by two exceptional men with designs on her heart, she must master her own desires to claim the destiny she deserves. The Twelfth Enchantment is the most captivating work to date of a master literary conjurer.

    So when he meets Marguerite, a bright young American with whom he can talk freely about both, he is able to love again and takes her back to Ireland as his wife. But Marguerite soon discovers that married life is not what she expected, and that she has married into a troubled family bitterly divided by love and hatred. Cashelmara becomes the curse of three generations as they play out their fates in a spellbinding drama, which moves inexorably towards murder and retribution.

    A century later, David tells his own tale of unashamed decadence while waiting to be released from prison, addressing his story to the lover who betrayed him. Where their paths cross, in the politically sensitive 1950s, the artist Colin Read tentatively explores his sexuality as he draws in preparation for his most ambitious painting yet — ‘London Triptych’.Rent boys, aristocrats, artists and felons populate this bold début as Jonathan Kemp skilfully interweaves the lives and loves of three very different men across the decades

    James muddles through a topsy-turvy relationship with his son, Rufus, which is further complicated when Rufus marries Claudia Christie.Claudia’s mother—Agnes Miller Christie—is a beautiful African American woman who survives a chance encounter on a Georgia road that propels her into a new life in the Bronx. Soon after, her husband, Eddie Christie, is called to duty on an air craft carrier in Vietnam, where Tom Stoppard’s play “Rosencrantz and Guildenstern Are Dead” becomes Eddie’s life anchor, as he grapples with mounting racial tensions on the ship and counts the days until he will see Agnes again.These unforgettable characters’ lives intersect with a cast of lovers and friends—the unapologetic black lesbian who finds her groove in 1970s Berlin; a moving man stranded in Portsmouth, New Hampshire, during a Thanksgiving storm; two half-brothers who meet as adults in a crayon factory; and a Coney Island waitress whose Prince Charming is too good to be true.With piercing humor, exacting dialogue, and a beautiful sense of place, Regina Porter’s debut is both an intimate family portrait and a sweeping exploration of what it means to be American today.

    As an informal confidant of Sir Robert Cecil, adviser to King James I, he witnesses the making of history, from the Gunpowder Plot to the accession of King Charles I and the growing animosity between Parliament and court.Tradescant's talents soon come to the attention of the most powerful man in the country, the irresistible Duke of Buckingham, the lover of King Charles I. Tradescant has always been faithful to his masters, but Buckingham is unlike any he has ever known: flamboyant, outrageously charming, and utterly reckless. Every certainty upon which Tradescant has based his life--his love of his wife and children, his passion for his work, his loyalty to his country--is shattered as he follows Buckingham to court, to war, and to the forbidden territories of human love.

    Paris in the 1920s shimmers with excitement, dissipation, and freedom. It is a place of intoxicating ambition, passion, art, and discontent, where louche jazz venues like the Chameleon Club draw expats, artists, libertines, and parvenus looking to indulge their true selves. It is at the Chameleon where the striking Lou Villars, an extraordinary athlete and scandalous cross-dressing lesbian, finds refuge among the club's loyal denizens, including the rising Hungarian photographer Gabor Tsenyi, the socialite and art patron Baroness Lily de Rossignol; and the caustic American writer Lionel Maine. As the years pass, their fortunes - and the world itself - evolve. Lou falls desperately in love and finds success as a race car driver. Gabor builds his reputation with startlingly vivid and imaginative photographs, including a haunting portrait of Lou and her lover, which will resonate through all their lives. As the exuberant twenties give way to darker times, Lou experiences another metamorphosis - sparked by tumultuous events - that will warp her earnest desire for love and approval into something far more.

    When a young graduate student and his pregnant wife—Fred and Rose Nemser—move into Shirley and Stanley’s home in the fall of 1964, they are quickly cast under the magnetic spell of their brilliant and proudly unconventional hosts.While Fred becomes preoccupied with his teaching schedule, Rose forms an unlikely, turbulent friendship with the troubled and unpredictable Shirley. Fascinated by the Hymans’ volatile marriage and inexplicably drawn to the darkly enigmatic author, Rose nonetheless senses something amiss—something to do with nightly unanswered phone calls and inscrutable accounts of a long-missing female student. Chillingly atmospheric and evocative of Jackson’s own classic stories, Shirley is an elegant thriller with one of America’s greatest horror writers at its heart.