This warm, richly detailed biography brings the beloved saint alive in all his human and profoundly spiritual dimensions.

    Tolkien and C. S. Lewis C.S. Lewis is the twentieth century’s most widely read Christian writer and J.R.R. Tolkien its most beloved mythmaker. For three decades, they and their closest associates formed a literary club known as the Inklings, which met weekly in Lewis’s Oxford rooms and in nearby pubs. They discussed literature, religion, and ideas; read aloud from works in progress; took philosophical rambles in woods and fields; gave one another companionship and criticism; and, in the process, rewrote the cultural history of modern times.In The Fellowship, Philip and Carol Zaleski offer the first complete rendering of the Inklings’ lives and works. C. S. Lewis accepts Jesus Christ while riding in the sidecar of his brother's motorcycle, maps the medieval and Renaissance mind, becomes a world-famous evangelist and moral satirist, and creates new forms of religiously attuned fiction while wrestling with personal crises. J.R.R. Tolkien transmutes an invented mythology into gripping story in The Lord of the Rings, while conducting groundbreaking Old English scholarship and elucidating, for family and friends, the Catholic teachings at the heart of his vision. Owen Barfield, a philosopher for whom language is the key to all mysteries, becomes Lewis's favorite sparring partner, and, for a time, Saul Bellow's chosen guru. And Charles Williams, poet, author of "supernatural shockers," and strange acolyte of romantic love, turns his everyday life into a mystical pageant.Romantics who scorned rebellion, fantasists who prized reality, wartime writers who believed in hope, Christians with cosmic reach, the Inklings sought to revitalize literature and faith in the twentieth century's darkest years--and did so in dazzling style.

    Through an exploration of themes that preoccupied Camus--absurdity, silence, revolt, fidelity, and moderation--Robert Zaretsky portrays a moralist who refused to be fooled by the nobler names we assign to our actions, and who pushed himself, and those about him, to challenge the status quo.Though we do not face the same dangers that threatened Europe when Camus wrote The Myth of Sisyphus and The Stranger, we confront other alarms. Herein lies Camus' abiding significance. Reading his work, we become more thoughtful observers of our own lives. For Camus, rebellion is an eternal human condition, a timeless struggle against injustice that makes life worth living. But rebellion is also bounded by self-imposed constraints--it is a noble if impossible ideal. Such a contradiction suggests that if there is no reason for hope, there is also no occasion for despair--a sentiment perhaps better suited for the ancient tragedians than modern political theorists but one whose wisdom abides. Yet we must not venerate suffering, Camus cautions: the world's beauty demands our attention no less than life's train of injustices. That recognition permits him to declare: "It was the middle of winter, I finally realized that, within me, summer was inextinguishable."

    A significant figure in French society and literary circles, whose close friends included Madame de La Fayette and La Rochefoucauld, she reflected on both significant historical events and personal issues, and in this selection of the most significant letters, spanning almost fifty years, she is by turns humorous and melancholic, profound and superficial. Whether describing the new plays of Racine and Moliere, speculating on court scandals including the intrigues of the King's mistresses or relating her own family concerns, Madame de Sevigne provides throughout an intriguing portrait of the lost age of Le Roi Soleil.

    . . Superb."--Los Angeles TimesThe World of Christopher Marlowe is the story of the troubled genius, raised in the stench and poverty of Canterbury's abbatoirs, who revolutionized English drama and poetry, challenging and scandalizing English society before he was murdered in his prime. David Riggs, a prizewinning Elizabethan scholar, evokes the atmosphere and texture of Marlowe's life from his birth to his ties to the London underworld and his triumphs onstage. It was a time when nothing was sacred, and no one was secure. Espousing sexual freedom and atheism, Marlowe proved too great a threat to the religious and political leaders of the time, who were struggling to maintain their tenuous grip on power. In the wake of his untimely death, Marlowe would leave behind a shadowed legacy of undeniable genius. This magisterial work of reconstruction illuminates his enigmatic, contradictory, and glorious life with immense richness."The book engrossingly narrates the circumstantial details of Marlowe's life against a richly detailed backdrop. Riggs writes with scholarly yet conversational elegance . . . Enjoyably provides fresh insights into the life and work of this important poet and playwright." --San Francisco Chronicle"A worthy book . . . if you want an exhaustive account of the life and times, Riggs is your man."--The New York Times Book Review

    Like George Washington and his own hero Julius Caesar, he was one of the greatest soldier-statesmen of all times. Andrew Roberts’s Napoleon is the first one-volume biography to take advantage of the recent publication of Napoleon’s thirty-three thousand letters, which radically transform our understanding of his character and motivation. At last we see him as he was: protean multitasker, decisive, surprisingly willing to forgive his enemies and his errant wife Josephine. Like Churchill, he understood the strategic importance of telling his own story, and his memoirs, dictated from exile on St. Helena, became the single bestselling book of the nineteenth century. An award-winning historian, Roberts traveled to fifty-three of Napoleon’s sixty battle sites, discovered crucial new documents in archives, and even made the long trip by boat to St. Helena. He is as acute in his understanding of politics as he is of military history. Here at last is a biography worthy of its subject: magisterial, insightful, beautifully written, by one of our foremost historians.

    Dispensing with the long-established Victorian picture of Shelley as a blandly ethereal character, Holmes projects a startling image of "a darker and more earthly, crueler and more capable figure." Expelled from college, disowned by his aristocratic father, driven from England, Shelley led a life marked from its beginning to its early end by a violent rejection of society; he embraced rebellion and disgrace without thought of the cost to himself or to others. Here we have the real Shelley—radical agitator, atheist, apostle of free love, but above all a brilliant and uncompromising poetic innovator, whose life and work have proved an essential inspiration to poets as varied as W.B. Yeats and Allen Ginsberg.

    At times a painter, sculptor, inventor, draftsman, and anatomist, Leonardo's life cannot easily be summarized. And yet, Nicholl skillfully traces the artist's early days as an illegitimate child in Tuscany; his apprenticeship with Verrocchio in Florence; his service with some of the most powerful Renaissance families; his relationships with Michelangelo and Machiavelli; and his final days at the French royal court. In addition, Nicholl looks beyond the well-known stories of Leonardo's famous masterpieces, and gives us a glimpse into the artist's everyday life. We learn of Leonardo's penchant for jokes, his fascination with flight, his obsessive note making, and even what he ate. Nicholl weaves these details together in a fascinating portrait that goes far towards revealing the enigmatic figure who continues to fascinate present-day readers.

    Christopher Herold vigorously tells the story of the fierce Madame de Stael, revealing her courageous opposition to Napoleon, her whirlwind affairs with the great intellectuals of her day, and her idealistic rebellion against all that was cynical, tyrannical, and passionless. Germaine de Stael's father was Jacques Necker, the finance minister to Louis XVI, and her mother ran an influential literary-political salon in Paris. Always precocious, at nineteen Germaine married the Swedish ambassador to France, Eric Magnus Baron de Stael-Holstein, and in 1785 took over her mother's salon with great success. Germaine and de Stael lived most of their married life apart. She had many brilliant lovers. Talleyrand was the first, Narbonne, the minister of war, another; Benjamin Constant was her most significant and long-lasting one. She published several political and literary essays, including "A Treatise on the Influence of the Passions upon the Happiness of Individuals and of Nations," which became one of the most important documents of European Romanticism. Her bold philosophical ideas, particularly those in "On Literature," caused feverish commotion in France and were quickly noticed by Napoleon, who saw her salon as a rallying point for the opposition. He eventually exiled her from France. This winner of the 1959 National Book Award is "excellent ... detailed, full of color, movement, great names, and lively incident" -- The New York Times "Mr. Herold's full-bodied biography is clear-eyed, intelligent, and written with abundant wit and zest." -- The Atlantic Monthly

    It is told through the letters of Peter Abélard, a French philosopher and one of the greatest logicians of the twelfth century, and of his gifted pupil Héloïse. Through their impassioned writings unfolds the story of a romance, from its reckless, ecstatic beginnings through to public scandal, an enforced secret marriage and its devastating consequences. These eloquent and intimate letters express a vast range of emotions from adoration and devotion to reproach, indignation and grief, and offer a fascinating insight into religious life in the Middle Ages.This is the revised edition of Betty Radice's highly regarded translation, in which Michael Clanchy, the biographer of Abélard, updates the scholarship on the letters and the lovers. This volume includes Abélard's remarkable autobiography and his spiritual advice to Héloïse and her nuns, as well as a selection of the 'lost love letters' of Abélard and Héloïse, letters between Héloïse and Peter the Venerable, two of Abélard's hymns, a chronology, notes and maps.

    Presenting photographs of legendary figures, among them the model Kiki, Modigliani, Picasso, Satie, Matisse, Leger, Gertrude Stein, James Joyce and Miro. Gossip and anecdotes aim to bring this world alive.

    the bomb-bursts moving nearer and then moving away, hold one like a love-charm' --Graham GreeneWhen the first bombs fell on London in August 1940, the city was transformed overnight into a strange kind of battlefield. For most Londoners, the sirens, guns, planes, and bombs brought sleepless nights, fear and loss. But for a group of writers, the war became an incomparably vivid source of inspiration, the blazing streets scenes of exhilaration in which fear could transmute into love. In this powerful chronicle of literary life under the Blitz, Lara Feigel vividly conjures the lives of five prominent writers: Elizabeth Bowen, Graham Greene, Rose Macaulay, Hilde Spiel and the novelist Henry Green. Starting with a sparklingly detailed recreation of a single night of September 1940, the narrative traces the tempestuous experiences of these five figures through five years in London and Ireland, followed by postwar Vienna and Berlin.Volunteering to drive ambulances, patrol the streets and fight fires, the protagonists all exhibited a unified spirit of a nation under siege, but as individuals their emotions were more volatile. As the sky whistled and the ground shook, nerves were tested, loyalties examined and torrid affairs undertaken. Literary historian and journalist Feigel brilliantly and beautifully interweaves the letters, diaries, journalism and fiction of her writers with official records to chart the history of a burning world, experienced through the eyes of extraordinary individuals.

    After gaining admission to Oxford, and moving to the United States to become a journalist, through several love affairs, then marriage and family, Mead read and reread Middlemarch. The novel, which Virginia Woolf famously described as "one of the few English novels written for grown-up people," offered Mead something that modern life and literature did not.In this wise and revealing work of biography, reporting, and memoir, Rebecca Mead leads us into the life that the book made for her, as well as the many lives the novel has led since it was written. Employing a structure that deftly mirrors that of the novel, My Life in Middlemarch takes the themes of Eliot's masterpiece--the complexity of love, the meaning of marriage, the foundations of morality, and the drama of aspiration and failure--and brings them into our world. Offering both a fascinating reading of Eliot's biography and an exploration of the way aspects of Mead's life uncannily echo that of Eliot herself.

    In the New Yorker, James Wood wrote: “When Erpenbeck wins the Nobel Prize in a few years, I suspect that this novel will be cited.”On the heels of this literary breakthrough comes a book of personal, profound, often humorous meditations and reflections. Erpenbeck writes, "With this collection of texts, I am looking back for the first time at many years of my life, at the thoughts that filled my life from day to day."Starting with her childhood days in East Berlin ("I start with my life as a schoolgirl … my own conscious life begins at the same time as the socialist life of Leipziger Strasse"), Not a Novel provides a glimpse of growing up in the GDR and of what it was like to be twenty-two when the wall collapsed; it takes us through Erpenbeck’s early adult years, working in a bakery after immersing herself in the worlds of music, theater, and opera, and ultimately discovering her path as a writer.There are lively essays about her literary influences (Thomas Bernhard, the Brothers Grimm, Kafka, and Thomas Mann), unforgettable reflections on the forces at work in her novels (including history, silence, and time), and scathing commentaries on the dire situation of America and Europe today. "Why do we still hear laments for the Germans who died attempting to flee over the wall, but almost none for the countless refugees who have drowned in the Mediterranean in recent years, turning the sea into a giant grave?"With deep insight and warm intelligence, Jenny Erpenbeck provides us with a collection of unforgettable essays that take us into the heart and mind of "one of the finest and most exciting writers alive" (Michel Faber).

    But Natalie had no interest in marriage and made no secret of the fact that she was attracted to women. Brought up by a talented and rebellious mother-the painter Alice Barney-Natalie cultivated an interest in poetry and the arts. When she moved to Paris in the early 1900s, she plunged into the city's literary scene, opening a famed Left Bank literary salon and engaging in a string of scandalous affairs with courtesan Liane de Pougy, poet Renee Vivien, and painter Romaine Brooks, among others. For the rest of her long and controversial life Natalie Barney was revered by writers for her generous, eccentric spirit and reviled by high society for her sexual appetite. In the end, she served as an inspiration and came to know many of the greatest names of 20th century arts and letters-including Proust, Colette, Edna St. Vincent Millay, Isadora Duncan, Gertrude Stein, Ezra Pound, and Truman Capote.A dazzling literary biography, Wild Heart: A Life is a story of a woman who has been an icon to many. Set against the backdrop of two different societies-Victorian America and Belle Epoque Europe—Wild Heart: A Life beautifully captures the richness of their lore.