After months of grief, this will be the place where they start their life as a family of two.But something is wrong—Daniel can’t settle. There’s an odd, cold feeling in the master bedroom, and a mysterious dripping noise that seems to move from room to room. Whispers of I can’t sleep echo through the corridors, long into the night.And then Daniel uncovers the chilling story of the family who lived in the house years before, of betrayal, tragedy, and murder. Could the Nightingale House be not the home Daniel dreamed of for his daughter—but a place that will bring their worst nightmares to life?

    With a tragic history, Cwm Pot has been off-limits for decades, and unfortunately for Simon, the guide he's hired is as unpredictable and dangerous as the watery caverns that lurk beneath the earth. After a brutal struggle for survival, Simon barely escapes with his life, but predictably, the gruesome footage he managed to collect down in the earth's bowels goes viral. Ignoring the warning signs of mental trauma, and eager to capitalize on his new internet fame, Simon latches onto another escapade that has that magic click-bait mix of danger and death - a trip to Everest. But up above 8000 feet, in the infamous Death Zone, he'll need more than his dubious morals and wits to guide him, especially when he uncovers the truth behind a decade-old tragedy - a truth that means he might not be coming back alive. A truth that will change him - and anyone who views the footage he captures - forever.

    For she sees the uninvited ones—ghosts of loved ones who appear to her, unasked, unwelcomed, for they always herald impending death. On that October evening in 1918 she sees the spirit of her grandmother, rocking in her mother’s chair. An hour later, she learns her younger brother and father have killed a young German out of retaliation for the death of Ivy’s older brother Billy in the Great War.Horrified, she leaves home, to discover the flu has caused utter panic and the rules governing society have broken down. Ivy is drawn into this new world of jazz, passion, and freedom, where people live for the day, because they could be stricken by nightfall. But as her ‘uninvited guests’ begin to appear to her more often, she knows her life will be torn apart once more, but Ivy has no inkling of the other-worldly revelations about to unfold.

    The preacher that rid her of evil didn’t understand that her demon—simply known as Her—was like a sister to Clare. Now, Clare will do almost anything to get Her back. After a chance encounter with the son of the preacher who exorcised her, Clare goes on an adventure through the dark underbelly of her small Southern town, discovering its deep-seated occult roots. As she searches for Her, she must question the fine lines between good and evil, love and hate, and religion and free will. Vivid and sharp, The Good Demon tells the unusual story of friendship amid dark Gothic horror.

    of whom I can affirm only one thing, that they haunted certain brains, and have haunted, among others, my own.” First published in 1890, Lee’s most famous volume of supernatural tales occupies a special place in the literature of the fantastic for its treatment of the femme fatale and the allure of the past, along with the themes of thwarted artistic creativity and psychological obsession. This collection, which includes the four stories originally published in Hauntings and three others, enables readers to consider Lee’s work anew for its subtle redefinitions of gender and sexuality during the Victorian fin-de-siècle.The appendices, which include extensive excerpts from writings by Lee’s predecessors and peers, including Algernon Charles Swinburne, Walter Pater, and Lee’s brother Eugene Lee-Hamilton, allow the reader to see how Lee takes on the themes and preoccupations of the late-Victorian period but adapts them to her own purposes.Preface to Hauntings (1890) -- Amour dure (1887, 1890) -- Dionea (1890) -- Oke of Okehurst (1886, 1890) -- A wicked voice (1887, 1890) -- Prince Alberic and the snake lady (1896) -- A wedding chest (1904) -- Preface to The virgin of the seven daggers (1927) -- The virgin of the seven daggers (1896, 1909,1927) -- Appendix A: From Algernon Charles Swinburne, "Notes on designs of the old masters at Florence" (1868, 1875) -- Appendix B: From Walter Pater, "Pico della Mirandula" (1871, 1873) -- Appendix C: From Walter Pater, "Lionardo da Vinci" (1869, 1873) -- Appendix D: Vernon Lee, "Faustus and Helena: notes on the supernatural in art" (1880, 1881) -- Appendix E: A. Mary F. Robinson, "Before a bust of Venus" (1881) -- Appendix F: Eugene Lee-Hamilton, "The mandolin" (1882) -- Appendix G: A. Mary F. Robinson, "The ladies of Milan" (1889) -- Appendix H: Eugene Lee-Hamilton, "On a surf-rolled torso of Venus" (1884, 1894) -- Appendix I: Vernon Lee, "Out of Venice at last" (1925).

    Moms and dads making long commutes. Teenagers headed to the beach. Bands on their way to the next gig. Truckers pulling long hauls. Families driving cross country to visit their kin.But there are others, too. The desperate and the lost. The cruel and the criminal.Theirs is a world of roadside honky-tonks, truck stops, motels, and the empty miles between destinations. The unseen spaces.And there are even stranger things. Places that aren’t on any map. Wayfaring terrors and haunted legends about which seasoned and road-weary travelers only whisper.But those are just stories. Aren’t they?Find out for yourself as you get behind the wheel with some of today’s finest authors of the dark and horrific as they bring you these harrowing tales from the road.Tales that could only be spawned by the endless miles of America’s lost highways.So go ahead and hop in. Let’s take a ride.Line-up: Introduction by Brian Keene doungjai gam & Ed Kurtz — “Crossroads of Opportunity” Matt Hayward — “Where the Wild Winds Blow” Joe R. Lansdale — “Not from Detroit” Kristi DeMeester — “A Life That is Not Mine” Robert Ford — “Mr. Hugsy” Lisa Kröger — “Swamp Dog” Orrin Grey — “No Exit” Michael Bailey — “The Long White Line” Kelli Owen — “Jim’s Meats” Bracken MacLeod — “Back Seat” Jess Landry — “The Heart Stops at the End of Laurel Lane” Jonathan Janz — “Titan, Tyger” Nick Kolakowski — “Your Pound of Flesh” Richard Thomas — “Requital” Damien Angelica Walters — “That Pilgrims’ Hands Do Touch” Cullen Bunn — “Outrunning the End” Christopher Buehlman — “Motel Nine” Rachel Autumn Deering — “Dew Upon the Wing” Josh Malerman — “Room 4 at the Haymaker” Rio Youers — “The Widow” Proudly represented by Crystal Lake Publishing—Tales from the Darkest Depths. Interview with the editor:So what makes Lost Highways: Dark Fictions From the Road so special?Lost Highways comes at the theme of road stories with the desire to push the boundaries of what that theme means. Because of that, it collects authors of diverse levels of experience and notoriety in the worlds of horror and dark fiction. This brings together voices like Joe R. Lansdale, Cullen Bunn, Josh Malerman, Damien Angelica Walters, Rio Youers, Bracken MacLeod, Rachel Autumn Deering, Matt Hayward, doungjai gam with Ed Kurtz, and Kristi DeMeester. All of these unique voices bring a fresh and often unexpected take on the theme.What made you think of this theme for the anthology?Road trips can be fun but they can also be long and boring.

    Every morning, employees arrive to find broken Kjerring bookshelves, shattered Glans water goblets, and smashed Liripip wardrobes. Sales are down, security cameras reveal nothing, and store managers are panicking. To unravel the mystery, three employees volunteer to work a nine-hour dusk-till-dawn shift. In the dead of the night, they’ll patrol the empty showroom floor, investigate strange sights and sounds, and encounter horrors that defy the imagination. A traditional haunted house story in a thoroughly contemporary setting, Horrorstör is designed to retain its luster and natural appearance for a lifetime of use. Pleasingly proportioned with generous French flaps and a softcover binding, Horrorstör delivers the psychological terror you need in the elegant package you deserve.Designed by Andie Reid, cover photography by Christine Ferrara.

    They span many fiction genres; jungle tale, Gothic horror story, psychological study, and morality tale- and possess a universality that has made him a classic Latin American writer.Horacio Quiroga was a master storyteller and author of over two hundred pieces of Latin American fiction that have been compared to the works of Poe, Kipling, and London. Like his stories, his own life from his birth in Uruguay to his suicide in Argentina was filled with adventure, tragedy, and violence.

    Not just a job for Ruby, it's a crusade and one she wants to bring to the High Street. Psychic Surveys is born. Based in Lewes, East Sussex, Ruby and her team of freelance psychics have been kept busy of late. Specialising in domestic cases, their solid reputation is spreading - it's not just the dead that can rest in peace but the living too. All is threatened when Ruby receives a call from the irate new owner of Highdown Hall. Film star Cynthia Hart is still in residence, despite having died in 1958. Winter deepens and so does the mystery surrounding Cynthia. She insists the devil is blocking her path to the light long after Psychic Surveys have 'disproved' it. Investigating her apparently unblemished background, Ruby is pulled further and further into Cynthia's world and the darkness that now inhabits it. For the first time in her career, Ruby's deepest beliefs are challenged. Does evil truly exist? And if so, is it the most relentless force of all?

    St John is everything Henry isn't: Brilliant, graceful, rich, universally respected. And as if that wasn't enough, St John is also the leader of the Blithe Company, the clique of Natural Philosophy majors who rule Wadham with style. But when being St John's protege ends up becoming a weirder experience than Henry anticipated -- and the Blithe Company doesn't quite turn out to be the decadent, debauched crew he dreamed of -- Henry has some big decisons to make. Should he beg the forgiveness of his only friend, naive underclassman John Wilmot, 2nd Earl of Rochester, or should he ride it out with St John and try to come out on top?Tangling with a Calipash is an invariably risky endeavor. From antiquity to the modern era, few who have encountered members of that family have benefited from the acquaintance. If only Henry knew the that Calipashes are notorious for their history of sinister schemes, lewd larks, and eldritch experiments, he would realize there are way worse things than being unpopular...

    Welcome to the afterlife.”What if death is only the beginning?When Harriet Stoker dies after falling from a balcony in a long-abandoned building, she discovers a group of ghosts, each with a special power.Felix, Kasper, Rima and Leah welcome Harriet into their world, eager to make friends with the new arrival after decades alone. Yet Harriet is more interested in unleashing her own power, even if it means destroying everyone around her. But when all of eternity is at stake, the afterlife can be a dangerous place to make an enemy.

    Stine, Holly Black, Brett Helquist, and many more. You’ll never look at your closest door, your cat, your sock drawer, or even yourself in the mirror the same way again.

    Collected in this chilling volume are some of the famous Japanese mystery writer Edogawa Rampo's best stories—bizarre and blood-curdling expeditions into the fantastic, the perverse, and the strange, in a marvelous homage to Rampo's literary 'mentor', Edgar Allan Poe.

    The summer Jake turns twelve, he befriends a pair of siblings new to town, and so Calvin decides to initiate them all into the "Saturday Night Ghost Club." But as the summer goes on, what begins as a seemingly lighthearted project may ultimately uncover more than any of its members had imagined. With the alternating warmth and sadness of the best coming-of-age stories, The Saturday Night Ghost Club examines the haunting mutability of memory and storytelling, as well as the experiences that form the people we become.

    Faraday, the son of a maid who has built a life of quiet respectability as a country physician, is called to a patient at lonely Hundreds Hall. Home to the Ayres family for over two centuries, the Georgian house, once impressive and handsome, is now in decline, its masonry crumbling, its gardens choked with weeds, the clock in its stable yard permanently fixed at twenty to nine. Its owners—mother, son, and daughter—are struggling to keep pace with a changing society, as well as with conflicts of their own. But are the Ayreses haunted by something more sinister than a dying way of life? Little does Dr. Faraday know how closely, and how terrifyingly, their story is about to become intimately entwined with his.