It's a couple of hours that almost kill him, as he's swindled, robbed, framed for murder, and hunted down by an assassin in one of the wildest, scariest, funniest, fastest twenty-four hours ever packed into one novel.

    Every night, on the point of losing his mind, he drowns their screams in drink. His solution is to kill those who engineered their deaths.From the greedy politicians to the corrupt security forces, the street thugs to the complacent bystanders who let it happen, all are called to account. But when Fegan's vendetta threatens to derail a hard-won truce and destabilise the government, old comrades and enemies alike want him dead.Winner of the Los Angeles Times Book Prize for Best Thriller.

    The scene matches in every detail a series of murders two years ago-murders that ended when irrefutable forensic evidence secured the conviction of a deeply disturbed young man named Derek Tyler.But there's no way Tyler could have killed the latest victim. He's been locked up in a mental institution since his trial, barely speaking a word. So is there a copycat?All his years of experience tell top criminal psychologist Dr. Tony Hill that there isn't-but that would make the murders literally impossible. While Hill tries to crack Tyler, DCI Carol Jordan and her team must mount a desperate undercover operation to trap the murderer-a decision that will have terrible consequences.The Mermaids Singing:This was the summer he discovered what he wanted--at a gruesome museum of criminology far off the beaten track of more timid tourists. Visions of torture inspired his fantasies like a muse. It would prove so terribly fulfilling.The bodies of four men have been discovered in the town of Bradfield. Enlisted to investigate is criminal psychologist Tony Hill. Even for a seasoned professional, the series of mutilation sex murders is unlike anything he's encountered before. But profiling the psychopath is not beyond him. Hill's own past has made him the perfect man to comprehend the killer's motives. It's also made him the perfect victim.A game has begun for the hunter and the hunted. But as Hill confronts his own hidden demons, he must also come face-to-face with an evil so profound he may not have the courage--or the power--to stop it...

    Blow-out sales and shady deals are his life. When a stockroom boy hooked on speed metal and the fast life disappears, Nick has to help find him.

    Unfortunately, tragedy strikes and he has to rebuild his life, care for his children and cope with his own loss until he gathers the strength to find a new beginning.Set against the backdrop of war, passion and international intrigue, Jewels is the story of a great house of gems, a rare family and an extraordinary marriage.Vanished tells the story of a man and woman faced with an almost unthinkable tragedy-the mysterious abduction of their young son.

    Within hours Lang is butting heads with a Buddha statue, matching wits with evil billionaires, and putting his life (among other things) in the hands of a bevy of femmes fatales, whilst trying to save a beautiful lady ...and prevent an international bloodbath to boot.

    Among them is Vernon Smothers' son Lucas, a teenaged boy about whom only Vernon and Billy Bob know the truth. Lucas is really Billy Bob's illegitimate son, and when Lucas is arrested for murder, Billy Bob knows that he has no choice but to confront the past and serve as the boy's criminal attorney. During Lucas's trial, Billy Bob realizes that he will have to bring injury upon Lucas as well as himself in order to save his son. And as a result, Billy Bob creates enemies that are far more dangerous than any he had faced as a Texas Ranger.

    Ridgway has much to say, through showing not telling, about male violence, crowd psychology, the borders between play and abuse, and the motivations of policemen and criminals. But this is no humdrum crime novel. Ridgway is writing about people whose understanding of their own situations is only partial and fuzzy, who are consumed by emotions and motivations and narratives, or the lack thereof, that they cannot master. He focuses on peripheral figures to whom things happen, and happen confusingly, and his fictional strategies reflect this focus, so that his fictions themselves have an air of incompleteness and frustration about them. It's a high-wire act for a novelist but one that commands attention and provokes the dropping of jaws.

    At just 37 years of age, he is shocked when his doctor tells him that he’s dying. What is more, the cause is discovered to be prolonged exposure to toxins; in other words, someone has slowly but surely been poisoning him.Determined to find out who wants him dead, Jaakko embarks on a suspenseful rollercoaster journey full of unusual characters, bizarre situations and unexpected twists. With a nod to Fargo and the best elements of the Scandinavian noir tradition, The Man Who Died is a page-turning thriller brimming with the blackest comedy surrounding life and death, and love and betrayal, marking a stunning new departure for the King of Helsinki Noir. '‘Brilliant. Absolutely brilliant. I enjoyed every single sentence’ Thomas Enger ‘An original and darkly funny thriller with a Coen Brothersesque feel & tremendous style’ Eva Dolan ‘Comparisons have been made with Carl Hiassen and the Coen Brothers, but Tuomainen is his own man; liberally salted with macabre, improbable incidents of violence, The Man Who Died is deftly plotted, poignant and perceptive in its wry reflections on mortality and very funny’ Irish Times ‘Tuomainen’s dark story manages to be as delicious as it is Toxic’ Sunday Express ‘Told in a darkly funny, deadpan style … The result is a rollercoaster read’ Guardian

    Discworld is a flat planet, supported on the backs of four elephants, who in turn stand on the back of the great turtle A'Tuin as it swims majestically through space.

    Reprint.

    But something else is. Something stunning, beautiful and inexplicable. Clemmie photographs the wondrous object on her cell phone and makes the irrevocable error of forwarding it. As the picture swirls over the internet, Clemmie tries desperately to keep a grip on her own personal network of secrets. Can fifty years of careful hiding under names not her own be ruined by one careless picture?And although what Clemmie finds is a work of art, what the police find is a body. . . in a place where Clemmie wasn't supposed to be, and where she left her fingerprints. Suddenly, the bland, quiet life Clemmie has built for herself in her sleepy South Carolina retirement community comes crashing down as her dark past surges into the present.

    No man could resist her charms—not even the hardboiled NYPD detective sent to find out who turned her into a faceless corpse. As this tough cop probes the mystery of Laura's death, he becomes obsessed with her strange power. Soon he realizes he's been seduced by a dead woman—or has he? Laura won lasting renown as an Academy Award-nominated 1944 film, the greatest noir romance of all time. Vera Caspary's equally haunting novel is remarkable for its stylish, hardboiled writing, its electrifying plot twists, and its darkly complex characters—including a woman who stands as the ultimate femme fatale.

    

    Bob Tidey, an honest policeman, discouraged by his colleagues making deals with criminals and about to commit perjury, is investigating the murder of a crooked banker. A call from an old acquaintance will change his course of investigation. Maura Coady, a retired nun living on regrets and bad memories, sees something that she can't ignore and decides to tell someone. She makes a phone call that sets in motion a violent fate.