What he finds is the dying and the dead, an entire population suffering from a strange and unnatural plague. Is it possible that every one of the townsfolk have been poisoned? At the heart of the mystery is the local pharmacist, Aiken. He is responsible for summoning young Maxwell to Carrick. He offers motives, explanations, stories, questions. But could he also be guilty of this heinous crime? Maxwell soon realizes that, although a great violence is being done to Carrick, the town itself hides from its own secrets - events from long ago and truths hidden from outsiders at all costs, even their lives. Maxwell interviews the final survivors who are suffering from a disease characterized by a barely recognizable but nonetheless identifiable odour, and a garrulousness unusual in such taciturn people, long accustomed to keeping secrets. yet their confessions lead constantly to more questions and always back to Aiken. As one who knows him well queries, "He's like a stick in water. Is he bent or not?"In The Mysterium, Eric McCormack's second novel, the nature of truth is found to be as deadly as the poison killing the people of Carrick. For at the heart of everything, at the heart of every story and every truth, there is only the mystery.

    It was unthinkable. It was the adventure of a lifetime.When Don and Dana Starkell left Winnipeg in a tiny three-seater canoe, they had no idea of the dangers that lay ahead. Two years and 12,180 miles later, father and son had each paddled nearly twenty million strokes, slept on beaches, in jungles and fields, dined on tapir, shark, and heaps of roasted ants.They encountered piranhas, wild pigs, and hungry alligators. They were arrested, shot at, taken for spies and drug smugglers, and set upon by pirates. They had lived through terrifying hurricanes, food poisoning, and near starvation. And at the same time they had set a record for a thrilling, unforgettable voyage of discovery and old-fashioned adventure."Courageous . . . Exciting and always immediate." -- The New York Times Book ReviewFrom the Paperback edition.

    Why do three million Quebecers tune in the same absurd sitcom every week? How did they get the nickname "pepsis"? Why does Celine Dion put on a down-home accent when she returns to her home province? For referendum-weary English Canadians, Quebec is an enigma wrapped in a yawn. Taras Grescoe treats the province as an exotic destination. He takes readers onto the shuffleboard courts of Florida, to a francophone country-and-western festival in rural Mauricie, to the café tables of expatriate Quebecers in Paris. He deconstructs a Montreal Canadiens hockey game, explores the stunning diversity of Quebec’s newspapers, and dismantles Bombardier snowmobiles. En route, he meets Mohawk Warriors, Yiddish-speaking French Canadians, and the UFO-obsessed followers of Raël. Informed and incisive, Sacré Blues explores the heart of contemporary Quebec: its love-hate relationship with France and the United States; the dance, theatre, and literary productions celebrated in Europe but little known here; its fears about distinctness on an increasingly uniform continent. Along the way we meet such Quebec residents as the playwright Michel Tremblay and the novelist Neil Bissoondath, Teleglobe CEO Charles Sirois and the arctic explorer Bernard Voyer, the foul-mouthed columnist Pierre Foglia and the esteemed philosopher Charles Taylor. Sacré Blues serves up a spicy, irreverent, inside view of this unique and little-known part of North America. With side orders of poutine, maple syrup, and Vachon snack cakes. And scarcely a mention of Lucien Bouchard.From the Hardcover edition.

    At the heart of the novel is a love story between twenty-two-year-old midshipman Robert Hood, the Franklin expedition’s artist, and a fifteen-year-old Yellowknife girl known to the British as Greenstockings. A national bestseller, published also in Germany and China, Wiebe’s first novel in eleven years and his twelfth work of fiction won him his second Governor General’s Award for Fiction at the age of sixty, over strong competition from Margaret Atwood and Alice Munro. It is a story of love, murder, greed and passion in an unforgiving Arctic landscape. French-Canadian voyageurs paddle the small British expedition into the land of the Yellowknives to search for the fabled Northwest Passage. While this trip would not prove as disastrous as Franklin’s third expedition, nevertheless more than half his men did not survive the harsh conditions. The long winter stopover allows for interchange between the cultures. When the son of a Lancashire clergyman and the daughter of a native elder fall in love, they devise a language of their own to cross their wordless divide. Hood will not survive to see the birth of his daughter, perishing in 1821 in an attempt to reach Greenstockings’s band 450 kilometres south. Nor will the Yellowknives survive much longer: within twenty years, they will be all but wiped out by a smallpox epidemic brought by the white men.The novel is the work of a poetic mind, written in several voices: of the British explorers, of the Tetsot’ine people – named Yellowknife by the strangers – and, most unexpected of all, of the animals that live on the Barrenlands. Wiebe climbs inside the characters, bringing them and the North to life. “Most Canadians have never seen that landscape. Yet I see it as being at the centre of our national psyche. That’s the roots of our world, right there.” He began work on the novel in earnest following a canoe trip between the Coppermine River and the site of Fort Enterprize in 1988, when he was first enraptured by the landscape. The novel contains vivid images, such as stunning descriptions of caribou bursting through snow. In calling the Arctic ‘A Land Beyond Words,’ Wiebe admits how difficult it was to do it justice. “I think there’s always a total contradiction in even trying to do such a novel,” he said in an interview, “and yet it’s the very contradiction out of which any kind of artistic struggle must come. It’s not even worth trying if it doesn’t seem impossible.” In researching historical sources, Wiebe found letters, earlier accounts of the region such as those of Samuel Hearne, as well as oral stories and mythology told by the Dene elders. “I take the facts, as many of the facts as history gives me, and I use them to tell the story that I believe these facts tell us beyond themselves . . . . How did it happen, why did it happen, what was going on inside people’s heads while it was happening, why did they do what they did?” Franklin’s book on the first expedition contained a small paragraph mentioning Greenstockings as the most beautiful girl of the Dene, and a sketch of her and her father Keskarrah drawn by Robert Hood. Wiebe also discovered a claim made years later by one of the members of the team that Greenstockings had had a child by Hood (these facts are related in his book Playing Dead: A Contemplation Concerning the Arctic). From these details, he created a powerful story of their union. “It’s imagination all right, but it has to be an informed imagination.” The Kingston Whig-Standard claimed the book “is to the North what Big Bear was to the West – an imaginative, and possibly definitive, evocation of a crucial time, place and situation.” It is part of a body of significant historical fiction by Wiebe, including The Scorched-Wood People, which tells the story of Louis Riel, Gabriel Dumont and the Northwest Rebellion of 1885. The third Franklin expedition has been the subject of works by Margaret Atwood and Mordecai Richler, as well as accounts such as Frozen in Time by John Geiger and forensic anthropologist Owen Beattie. A Discovery of Strangers explores the expedition Wiebe found more fascinating: that of first contact between the Europeans and the Natives, which was so damaging to the Native people in the end, and so essential to the survival of the Europeans. In his acceptance speech for the Governor General’s Award, Wiebe said: “We know too little about our selves. In this enormous, beautiful land we inhabit, we seem to have no eyes to see, no ears to hear, the stories that are everywhere about us and clamouring to be told . . . . Only the stories we tell each other can create us as a true Canadian people.”

    A series of minority governments, and endless Quebec referendums (designed to lose narrowly, to keep the money coming) have left Canada almost ungovernable. When the Governor General resigns in disgrace and the House of Windsor implodes in London, a media baron launches the idea of a Canadian king or queen elected by lottery.It starts as a joke — except that the lucky winner, King John, a bright and charismatic guy from Toronto, knows exactly what people want. Soon Quebec is gone, while Toronto’s surprise bid to leave Canada is averted by shifting his official residence, the new seat of power, to the Toronto waterfront. Many good things happen, and the politicians go along for the ride. And the blockades of Native lands are ended for good, after John is heroically wounded keeping the peace at risk to his life.His popularity soars and Canadian morale soars with it. Soon the rest of the world is taking notice of this model leader. In the United States, the blue states look enviously northward. Then Canada’s king, ignoring assassination threats, goes on a formal visit to Washington. . .From the Hardcover edition.

    Cape Breton is one of the oldest points of exploration and settlement in the Americas, with a history dating back to the first days of European discovery, and it is littered with the remnants of old settlements. But the road that Chiasson found that day was unique. Well-made and consistently wide, and at one time clearly bordered with stone walls, the road had been a major undertaking. In the two years of detective work that followed, Chiasson systematically surveyed the history of Europeans in North America, and came to a stunning conclusion: the ruins he stumbled upon did not belong to the Portuguese, the French or the English – in fact, they pre-dated John Cabot’s “discovery” of the island in 1497.Using aerial and site photographs, maps and drawings, and his own expertise as an architect, Chiasson carries the reader along as he pieces together the clues to one of the world’s great mysteries. While tantalizing mentions can be found in early navigators’ journals and maps, The Island of Seven Cities reveals for the first time the existence of a large Chinese colony that thrived on Canadian shores well before the European Age of Discovery.Chiasson addresses how the colony was abandoned and forgotten, in the New World and in China, except in the storytelling and culture of the Mi’kmaq, whose written language, clothing, technical knowledge, religious beliefs and legends, he argues, expose deep cultural roots in China. The Island of Seven Cities unveils the first tangible proof that the Chinese were in the New World before Columbus.

    He’s won the respect of his opponents for his political skill, and the trust and admiration of observers for his unwavering conviction and proven integrity. His personal story, how he rose from modest beginnings in a hard-working family to the threshold of forming government, is less well known.Now, in this fascinating autobiography, we discover the man behind the headlines, who he is, how he thinks, and how he comes by the values that shaped his character. Learn about his vision to empower Canadians to build a more prosperous, hopeful country, to reduce disparities, to protect our rights and freedoms, and to preserve our land and waters for future generations.

    But nothing offered more fatal choices than being inside a B-17 bomber above Nazi-occupied Europe. From the hellish storms of enemy flak and relentless strafing of Luftwaffe fighters, to mid-air collisions, mechanical failure, and simple bad luck, it?s a wonder any man would volunteer for such dangerous duty. But many did. Some paid the ultimate price. And some made it home. But in the end, all would achieve victory. Here, author Travis L. Ayres has gathered a collection of previously untold personal accounts of combat and camaraderie aboard the B-17 Bombers that flew countless sorties against the enemy, as related by the men who lived and fought in the air?and survived.

    Fighting for Space follows the lives of two women—Liz Evans, who founded the Portland Hotel Society, and Ann Livingston, who co-founded the Vancouver Area Network of Drug Users—and the extraordinary lengths they went to help their community weather a crisis.Throughout the 1990s and 2000s, this group of residents from Canada’s poorest neighbourhood organized themselves in response to a growing number of overdose deaths and demanded that addicts be given the same rights as any other citizen.But just as their battle came to an end, fentanyl arrived and opioid deaths across North America reached an all-time high.It’s prompted many to rethink the war on drugs. Public opinion has slowly begun to turn against prohibition, and policy-makers are finally beginning to look at addiction as a health issue as opposed to one for the criminal justice system.The previous epidemic in Vancouver sparked government action. Twenty years later, as the same pattern plays out in other cities, there is much that advocates for reform can learn from Vancouver’s experience. Fighting for Space tells that story, with the same passionate fervor as the activists whose tireless work gave dignity to addicts and saved countless lives.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    military occupation, a soldier emerged from the outskirts of a small town to report that he had just shot and killed two policemen and an outspoken Catholic priest. It’s the opening scene in a mystery that, forty years later, compels writer J.B. MacKinnon—the priest’s nephew, born five years after the incident—to visit the island nation for himself. Beginning with scant official information, he embarks on a chilling investigation of what many believe was a carefully plotted assassination—and on a search for the uncle he never knew.Winner of Canada’s highest award for literary nonfiction, Dead Man in Paradise takes MacKinnon to corners of the country far from the Caribbean paradise seen by millions of tourists; he meets with former revolutionaries and shadowy generals from the era of dictatorship, family members of the slain policemen, and struggling Dominicans for whom the dead priest is a martyr, perhaps even a saint. Along the way, he uncovers a story inseparable from the brutal history of the New World, from the fallout of American invasion, and from the pure longing for social justice that once touched a generation. Part memoir, part travelogue, part mystery thriller, Dead Man in Paradise is “a testament to the enduring virtues of literary journalism” (The Georgia Straight).

    Marie-Joseph Angélique, a twenty-nine-year-old slave, was arrested, tried, and found guilty of starting the blaze that consumed forty-six buildings. Suspecting that she had not acted alone and angered that she had maintained her innocence, Angélique's condemners tortured her after the trial. She confessed but named no accomplices. Before Angélique was hanged, she was paraded through the city. Afterward, her corpse was burned. Angélique, who had been born in Portugal, faded into the shadows of Canadian history, vaguely remembered as the alleged arsonist behind an early catastrophic fire.The result of fifteen years of research, The Hanging of Angélique vividly tells the story of this strong-willed woman. Afua Cooper draws on extensive trial records that offer, in Angélique's own words, a detailed portrait of her life and a sense of what slavery was like in Canada at the time. Predating other first-person accounts by more than forty years, these records constitute what is arguably the oldest slave narrative in the New World.Cooper sheds new light on the largely misunderstood or ignored history of slavery in Canada. She refutes the myth that Canada was a haven at the end of the Underground Railroad. Cooper also provides a context for Canada in the larger picture of transatlantic slavery while re-creating the tragic life of one woman who refused to accept bondage.

    At first she enjoys exploring the area around their new home, including the boyhood haunts of the celebrated American writer Wallace Stegner, the back roads of the Cypress Hills, the dinosaur skeletons at the T.Rex Discovery Centre, the fossils to be found in the dust-dry hills. She also revels in her encounters with the wild inhabitants of this mysterious land-three coyotes in a ditch at night, their eyes glinting in the dark; a deer at the window; a cougar pussy-footing it through a gully a few minutes' walk from town.But as Savage explores further, she uncovers a darker reality-a story of cruelty and survival set in the still-recent past--and finds that she must reassess the story she grew up with as the daughter, granddaughter, and great-granddaughter of prairie homesteaders.Beautifully written, impeccably researched, and imbued with Savage's passion for this place, A Geography of Blood offers both a shocking new version of plains history and an unforgettable portrait of the windswept, shining country of the Cypress Hills.

    But why and how many?Canada's population has always grown slowly, when it has grown at all. That wasn't by accident. For centuries before Confederation and a century after, colonial economic policies and an inward-facing world view isolated this country, attracting few of the people and building few of the institutions needed to sustain a sovereign nation. In fact, during most years before 1967, a greater number of people fled Canada than immigrated to it. Canada's growth has faltered and left us underpopulated ever since.At Canada's 150th anniversary, a more open, pluralist and international vision has largely overturned that colonial mindset and become consensus across the country and its major political parties. But that consensus is ever fragile. Our small population continues to hamper our competitive clout, our ability to act independently in an increasingly unstable world, and our capacity to build the resources we need to make our future viable.In Maximum Canada, a bold and detailed vision for Canada's future, award-winning author and Globe and Mail columnist Doug Saunders proposes a most audacious way forward: to avoid global obscurity and create lasting prosperity, to build equality and reconciliation of indigenous and regional divides, and to ensure economic and ecological sustainability, Canada needs to triple its population.

    Before all the NHL's old barns were torn down to make way for bigger, glitzier rinks. Before expansion and parity across the league, just about anything could happen on the ice. And it often did. It was an era when huge personalities dominated the sport; and willpower was often enough to win games. And in the spring of 1993, some of the biggest talents and biggest personalities were on a collision course. The Cinderella Maple Leafs had somehow beaten the mighty Red Wings and then, just as improbably, the St. Louis Blues. Wayne Gretzky's Kings had just torn through the Flames and the Canucks. When they faced each other in the conference final, the result would be a series that fans still talk about passionately 25 years later. Taking us back to that feverish spring, The Last Good Year gives an intimate account not just of an era-defining seven games, but of what the series meant to the men who were changed by it: Marty McSorley, the tough guy who took his whole team on his shoulders; Doug Gilmour, the emerging superstar; celebrity owner Bruce McNall; Bill Berg, who went from unknown to famous when the Leafs claimed him on waivers; Kelly Hrudey, the Kings' goalie who would go on to become a Hockey Night in Canada broadcaster; Kerry Fraser, who would become the game's most infamous referee; and two very different captains, Toronto's bull in a china shop, Wendel Clark, and the immortal Wayne Gretzky. Fast-paced, authoritative, and galvanized by the same love of the game that made the series so unforgettable, The Last Good Year is a glorious testament to a moment hockey fans will never forget.