It is difficult for us now, even with all our engineering and architectural skills, to imagine the extraordinary ways these medieval houses of worship were constructed. Midway through the twelfth century, the building of cathedrals became a crusade to erect awe-inspiring churches across Europe. In their zeal, bishops, monks, masons, and workmen created the architectural style known as Gothic, arguably Christianity’s greatest contribution to the world’s art and architecture. The style evolved slowly and almost accidentally as medieval artisans combined ingenuity, inspiration, and brute strength to create a fitting monument to their God. Here are the dramatic stories of the building of Saint-Denis, Notre Dame, Chartres, Reims, and other Gothic cathedrals.

    Knowing the necessity and value of prayer isn't necessarily enough to make it a pleasant task. This best-selling book can how you how to make the time you spend with God each day a delightful one. Lea shares the teaching and experiences that have helped him to transform his prayer life from drudgery to delight. It can do the same for yours. Using the Lord's prayer as a model, Lea will show you how to spend an hour each day in prayer and find joy in it. Learning to "tarry one hour" will help you discover a way of entering into God's presence that will change your life. "Lea's book is sparking church growth and influencing the prayer lives of thousands." Yoida Full Gospel Church bulletin Seoul, Korea "Using the revelation on the Lord's prayer as Larry Lea teaches in Could You Not Tarry One Hour? over 100 people rally together for an hour of prayer daily. This has radically transformed our state resulting in approximately 50,000 salvations." Rev. Gary Whetstone, pastor Victory Christian Fellowship, New Castle, Delaware

    He was full of enthusiasm and freedom - as opposed to the tyrannical feudal society of his homeland. Letters on England discusses English religious sects, politics, scientists and writers with great admiration, yet the clever Voltaire also flattered his French readers with humorous references to the old-fashioned clothes and speech of the Quakers and to antics in the House of Commons. At first banned in France, this intriguing and often comic account of a culture viewed through foreign eyes was to prove highly influential in shaping French attitudes to England.Leonard Tancock's translation brilliantly captures Voltaire's ironic tone, and is accompanied by an introduction discussing his depiction of England and the events that led to his exile. This edition also includes notes, new further reading and chronology, and an appendix on Voltaire's verse translation of English works.

    Children will learn about their peers around the world through engaging photographs and understandable text laid out in DK's distinctive style.Highlighting over 30 countries, Children Just Like Me profiles over 40 children and their daily lives. From rural farms to busy cities to riverboats, this celebration of children around the world shows the many ways children are different and the many ways they are the same, no matter where they live.Meet Bolat, an eight-year-old from Kazakhstan who likes to cycle, play with his pet dogs, and play the dromba; Joaquin from New Jersey who enjoys reading and spending time with his family, and whose favorite food is bacon; or Yaroslav from Moscow who likes to make robots. Daily routines, stories of friends and family, and dreams for the future are spoken directly from the children themselves, making the content appropriate and interesting to draw in young readers.To celebrate the twentieth anniversary of this special project, all-new photography, maps, and facts give unique insight to children's lives in our world today showing their homes, food, outfits, schools, families, and hobbies.A passport to a celebratory journey around the world, Children Just Like Me is perfect for children who are curious about the children of the world and their stories.Reviews:"Factual, respectful, and insightful...provides just the right balance of information and visual interest." - School Library Journal"Provide[s] hours of fascinating browsing and the beginnings of real insight into other cultures." - Horn Book Magazine"The candid, approachable text, accompanying quotes, and nuggets of information make the lives of these children as vivid as a friend's." - Family Fun

    This book traces their development from earliest times through their period of glory and ultimate decline to their rediscovery and study in modern times. All of Egypt's surviving temples--from the gargantuan temple of Amun at Karnak to minuscule shrines such as the oasis Oracle of Siwa, where Alexander went to hear himself proclaimed god--are discussed and illustrated with factfiles, photographs, plans, and specially commissioned perspective views. * "Houses of Eternity" considers the historical origin and development of Egyptian temples, describing their role in ancient Egyptian society, their later Christian and Muslim use, and their modern rediscovery. * "Buildings Fit for Gods" looks at how the temples were built, decorated, expanded--and sometimes destroyed. * "Worlds Within Worlds" examines each part of the sacred structures in detail--from the massive pylon towers, colossal statues, and obelisks that fronted many temples to the darkened sanctuaries and mysterious crypts of their inner depths. * "Between Heaven and Earth" discusses the temple's relationship to the pantheon of Egypt's gods, along with the roles and rituals of pharaohs and priests, and the sacred rites and festivals enacted there. * "Temples of Gods and Kings" is the most extensive catalogue of Egyptian temples yet published in one volume and serves as a guide to the ancient sites. The book's format follows the highly successful, visual style of the other volumes in Thames Hudson's best-selling "Complete" series, creating both an authoritative reference book and an entertaining guide for everyone fascinated by the eternal mysteries of ancient Egypt.

    But in this major new work, Bancroft Prize-winning scholar Odd Arne Westad argues that the Cold War must be understood as a global ideological confrontation, with early roots in the Industrial Revolution and ongoing repercussions around the world.In The Cold War, Westad offers a new perspective on a century when great power rivalry and ideological battle transformed every corner of our globe. From Soweto to Hollywood, Hanoi, and Hamburg, young men and women felt they were fighting for the future of the world. The Cold War may have begun on the perimeters of Europe, but it had its deepest reverberations in Asia, Africa, and the Middle East, where nearly every community had to choose sides. And these choices continue to define economies and regimes across the world.Today, many regions are plagued with environmental threats, social divides, and ethnic conflicts that stem from this era. Its ideologies influence China, Russia, and the United States; Iraq and Afghanistan have been destroyed by the faith in purely military solutions that emerged from the Cold War.Stunning in its breadth and revelatory in its perspective, this book expands our understanding of the Cold War both geographically and chronologically, and offers an engaging new history of how today’s world was created.

    On the eve of the battle, a cross appeared to him in the sky with an exhortation, "By this sign conquer." Inscribing the cross on the shields of his soldiers, Constantine drove his rivals into the Tiber and claimed the imperial capital for himself. Under Constantine, Christianity emerged from the shadows, its adherents no longer persecuted. Constantine united the western and eastern halves of the Roman Empire. He founded a new capital city, Constantinople. Thereafter the Christian Roman Empire endured in the East, while Rome itself fell to the barbarian hordes. Paul Stephenson offers a nuanced and deeply satisfying account of a man whose cultural and spiritual renewal of the Roman Empire gave birth to the idea of a unified Christian Europe underpinned by a commitment to religious tolerance.

    natural resource policies and collaborative ecosystem management, and the role of economics and market incentives in environmental policy. Incorporating analysis of the eight years under George W. Bush and a look ahead to the Barack Obama administration, all chapters include new scholarship, case studies, poll data, court rulings, congressional actions, agency decisions, and other events at the international, national, state, and local levels. With its clear, engaging writing, this tried and true reader makes great environmental research and scholarship accessible to an undergraduate audience.Environmental Policy includes new coverage of:national energy policyclimate changeimplementation of the Endangered Species Actexploration for oil and natural gas on public landsecosystem managementthe role of science in environmental policycourt decisions that challenge administrative rulemakingthe greening of industryurban sustainability initiativesthe environmental effects of national security decisionseconomic development and the environment

     In 1942, following their lightning strikes on Pearl Harbor and Hong Kong, the Japanese invaded Burma. British forces were rapidly driven out, following a swift and total defeat. The British and Indian forces retaliated with limited offences and with mixed results. The Japanese advance continued, driving victoriously for the domination of Asia. Then came the Japanese attack of Imphal and Kohima, starting one of the most ferocious campaign of the war. Burma Victory portrays the “forgotten war” and the Allied fight to push the Japanese out of Burma. David Rooney – who saw war service in India and West Africa – tells the story of the campaigns of the new Fourteenth Army, under the command of the remarkable General Slim. Rooney captures the ebb and flow of battle and the roles of Wingate, Stilwell and the Chindits. In doing so, he offers a new analysis of the role of airpower and highlights the influence of British, American, Japanese and Chinese thinking at the highest level. Burma Victory is essential reading for anyone interested in General Slim, the Second World War and how defeat can be turned into victory. Recommended reading for fans of Max Hastings, Antony Beevor and Andrew Roberts.

    Examines all the key events of the six-year conflict, with thoroughly researched text accompanied by 140 highly detailed maps that give an entirely original visual reappraisal of this global war.

    The Mithridiatic wars stretched over half a century and two continents, and have a fascinating cast of pirates, rebels, turncoats and poisoners (though an unfortunate lack of heroes with untarnished motives). There are pitched battles, epic sieges, double-crosses and world-class political conniving, assassinations and general treachery. Through it all, the story is built about the dominant character of Mithridates, connoisseur of poisons, arch-schemer and strategist; resilient in defeat, savage and vindictive in victory. Almost by definition, this book will break new ground, in that nothing has been written on Mithridates for the general public for almost half a century, though scholarly journals have been adding a steady trickle of new evidence, which is drawn upon here.Few enough leaders went to war with Rome and lived long to tell the tale, but in the first half of the first century BC, Mithridates did so three times. At the high point of his career his armies swept the Romans out of Asia Minor and Greece, reversing a century of Roman expansion in the region. Even once fortune had turned against him he would not submit. Upto the day he died, a fugitive drive to suicide by the treachery of his own son, he was still planning an overland invasion of Roman itself.

    Today, urban art has traveled to nearly every corner of the globe, shifting and morphing into a highly complex and ornate art form. Displaying their art within what is effectively the largest, most open museum in the world, urban artists unveil their beliefs and imaginations to a public unable to avoid their work. Yet, at its best, urban art is not simply an aesthetic based on slogans, political posturing, or personal promotion: it is an art form deeply committed to the diversity of the street and to a spontaneous creativity that is topographically connected to the architecture of the metropolis.From Inkie in Bristol to Steve Powers in Philadelphia, and from JR in Paris to Os Gêmeos in Brazil and Drewfunk in Australia, The World Atlas of Street Art and Graffiti is the definitive reference guide to international urban art. It focuses on the most influential and significant urban artists across the world and identifies the key locations of their work. Organized geographically, the text focuses on the individual practitioners within each country or region and explores the historical background to their works. This book strives toward a more nuanced understanding of what has become a widespread art practice.Since the lives and works of urban artists are inextricably bound to streets and places, this definitive reference locates the meeting point between art and atlas, between urban artists and their personal understanding of public spaces, not via a cartographic bird’s-eye view, but through a more intimate, human-centered perspective that challenges contemporary ideas about the mapping of urban space.

    Every two years the international art world descends on Venice for the opening of the Biennale. Among them is Jeff Atman–a jaded and dissolute journalist–whose dedication to the cause of Bellini-fuelled partygoing is only intermittently disturbed by the obligation to file a story. When he meets the spellbinding Laura, he is rejuvenated and ecstatic. Their romance blossoms quickly, but is it destined to disappear just as rapidly? Every day thousands of pilgrims head to the banks of the Ganges at Varanasi, the holiest Hindu city in India. Among their number is a narrator who may or may not be the Atman previously seen in Venice. Intending to visit only for a few days he ends up staying for months, and suddenly finds–or should that be loses?–a hitherto unexamined idea of himself, the self. In a romance he can only observe, he sees a reflection of the kind of pleasures that, willingly or not, he has renounced. In the process, two ancient and watery cities become versions of each other. Could two stories, in two different cities, actually be one and the same story? Nothing Geoff Dyer has written before is as wonderfully unbridled, as dead-on in evocation of place, longing and the possibility of neurotic enlightenment, and as irrepressibly entertaining as Jeff in Venice, Death in Varanasi.

    Developing out of the graffiti-writing tradition of the 1980s through the work of artists such as Banksy and Futura 2000, it has long since reached the mainstream. Street Art is the first measured, critical account of the development of this global phenomenon.  Tracing street art’s origins in cave painting through the Paris walls photographed by Brassai in the ’20s through the witty, sophisticated imagery found on city streets today, the book also features new and exclusive interviews with key figures associated with street art of the last 35 years, including Lady Pink, Barry McGee, Shepard Fairy, Futura 2000, Malcolm McLaren, Miss Van, and Os Gemeos. Street Art reveals the extent to which the walls and streets of cities around the world have become the birthplace of some of the most dynamic and inspirational art being made today.

    She had not heard the Gospel before, but was willing and eager to listen. So I spoke and Misaki San translated, and our hearts prayed most earnestly. `Lord Jesus, help her. O help her to understand and open her heart to Thee now.' She seemed to be just about to turn to Him in faith when she suddenly noticed my hands. It was cold weather and I had on fur gloves. `What are these?' she asked, stretching out her hand and touching mine. She was old and ill and easily distracted. I cannot remember whether or not we were able to recall her to what mattered so much more than gloves. But this I do remember. I went home, took off my English clothes, put on my Japanese kimono, and never again, I trust, risked so very much for the sake of so little."