Perfect for 9+ readers and fans of Elle McNicoll, Lisa Thompson and Onjali Rauf's bestselling THE BOY AT THE BACK OF THE CLASS.My name’s Archie Albright, and I know two things for certain:  1. My mum and dad kind of hate each other, and they’re not doing a great job of pretending that they don’t anymore.  2. They’re both keeping a secret from me, but I can’t figure out what. Things aren't going great for Archie Albright. His dad's acting weird, his mum too, and all he wants is for everything to go back to normal, to three months before when his parents were happy and still lived together. When Archie sees a colourful, crumpled flyer fall out of Dad's pocket, he thinks he may have found the answer. Only problem? The answer might just lie at the end of the rainbow, an adventure away.  Together with his best friends, Bell and Seb, Archie sets off on a heartwarming and unforgettable journey to try and fix his family, even if he has to break a few rules to do it...

    But when his estranged childhood best friend Emir Shah shows up to summer training camp, Sebastian realizes the team's success may end up in the hands of the one guy who hates him. Determined to reconnect with Emir for the sake of the Lions, he sets out to regain Emir's trust. But to Sebastian's surprise, sweaty days on the pitch, wandering the town's streets, and bonding on the weekends sparks more than just friendship between them.

    And still, today, a wealth of novels, plays and films draw their inspiration from stories first told almost three thousand years ago. But modern tellers of Greek myth have usually been men, and have routinely shown little interest in telling women’s stories.Now, in Pandora’s Jar, Natalie Haynes – broadcaster, writer and passionate classicist – redresses this imbalance. Taking Greek creation myths as her starting point and then retelling the four great mythic sagas: the Trojan War, the Royal House of Thebes, Jason and the Argonauts, Heracles, she puts the female characters on equal footing with their menfolk. The result is a vivid and powerful account of the deeds – and misdeeds - of Hera, Aphrodite, Athene and Circe. And away from the goddesses of Mount Olympus it is Helen, Clytemnestra, Jocasta, Antigone and Medea who sing from these pages, not Paris, Agamemnon, Orestes or Jason.

    Some disabilities are visible, others less apparent—but all are underrepresented in media and popular culture. Now, just in time for the thirtieth anniversary of the Americans with Disabilities Act, activist Alice Wong brings together this urgent, galvanizing collection of contemporary essays by disabled people.From Harriet McBryde Johnson’s account of her debate with Peter Singer over her own personhood to original pieces by authors like Keah Brown and Haben Girma; from blog posts, manifestos, and eulogies to Congressional testimonies, and beyond: this anthology gives a glimpse into the rich complexity of the disabled experience, highlighting the passions, talents, and everyday lives of this community. It invites readers to question their own understandings. It celebrates and documents disability culture in the now. It looks to the future and the past with hope and love.

    In her poem “Deliverance” about her daughter’s birth she writes “What is the word for when the light leaves the body?/What is the word for when it/at last, returns?”Through poems that are as unforgettably beautiful as they are accessible, Kate proves herself to truly be an exemplary voice in modern poetry. As easy to post on Instagram as they are to print out and frame, Kate’s words make women feel seen in their own bodies, in their own marriages, and in their own lives. Her poems are those you share with your mother, your daughter, your sister, and your friends.

    So it’s not exactly a surprise when he’s kicked out of the elite Ellis Station Academy in less than twenty-four hours.But Nax’s one-way trip back to Earth is cut short when a terrorist group attacks the Academy. Nax and three other washouts escape—barely—but they’re also the sole witnesses to the biggest crime in the history of space colonization. And the perfect scapegoats.On the run and framed for atrocities they didn’t commit, Nax and his fellow failures execute a dangerous heist to spread the truth about what happened at the Academy.They may not be “Academy material,” and they may not get along, but they’re the only ones left to step up and fight.

    The captain of the ship, Xiala, is a disgraced Teek whose song can calm the waters around her as easily as it can warp a man’s mind. Her ship carries one passenger. Described as harmless, the passenger, Serapio, is a young man, blind, scarred, and cloaked in destiny. As Xiala well knows, when a man is described as harmless, he usually ends up being a villain.

    For no crime on his record, the young officer had been identity wiped, and his innumerable, now-forgotten enemies were still tracking him across the galaxy.

    After being rescued from a harrowing life as an Oracle of Delphi, Kahina is glad to be a part of the Hunt; living among a group of female warriors gives her a chance to reclaim her strength, even while her prophetic powers linger. But when a routine mission goes awry, Kahina breaks the first rule in order to save the legendary huntress Atalanta. To earn back Artemis’s favor, Kahina must complete a dangerous task in the kingdom of Arkadia— where the king’s daughter is revealed to be none other than Atalanta. Still reeling from her disastrous quest and her father’s insistence on marriage, Atalanta isn’t sure what to make of Kahina. As her connection to Atalanta deepens, Kahina finds herself in danger of breaking Artemis’ second rule.She helps Atalanta devise a dangerous game to avoid marriage, and word spreads throughout Greece, attracting suitors willing to tempt fate to go up against Atalanta in a race for her hand. But when the men responsible for both the girls’ dark pasts arrive, the game turns deadly.

    A far cry from the monster legends depict, she’s spent her time educating herself, gardening, and desperately trying to frighten away adventure seekers who occasionally end up, much to her dismay, as statues when they manage to catch her off guard. As time marches on without her, Medusa wishes for nothing more than to be given a second chance at a life stolen away at far too young an age.But then comes a day when Hermes, one of the few friends she still has and the only deity she trusts, petitions the rest of the gods and goddesses to reverse the curse. Thus begins a journey toward healing and redemption, of reclaiming a life after tragedy, and of just how powerful friendship and love can be—because sometimes, you have to sink in the deep end of the sea before you can rise back up again.

    Compiled by her sister after the poet's death and originally published in 1956, this is the definitive edition of Millay, right up through her last poem, Mine the Harvest.

    The night of her birth, a sea-witch cast a spell that made Sanna’s people, including her landish mother, forget how and where she was born. Now Sanna is sixteen and an outsider in the seavish matriarchy, and she is determined to find her mother and learn who she is. She apprentices herself to the witch to learn the magic of making and unmaking, and with a new pair of legs and a quest to complete for her teacher, she follows a clue that leads her ashore on the Thirty-Seven Dark Islands. There, as her fellow mermaids wait in the sea, Sanna stumbles into a wall of white roses thirsty for blood, a hardscrabble people hungry for miracles, and a baroness who will do anything to live forever.

    . . Georgina Fernweh waits with growing impatience for the tingle of magic in her fingers—magic that has been passed down through every woman in her family. Her twin sister, Mary, already shows an ability to defy gravity. But with their eighteenth birthday looming at the end of this summer, Georgina fears her gift will never come.An island where strange things happen . . . No one on the island of By-the-Sea would ever call the Fernwehs what they really are, but if you need the odd bit of help—say, a sleeping aid concocted by moonlight—they are the ones to ask.No one questions the weather, as moody and erratic as a summer storm.No one questions the (allegedly) three-hundred-year-old bird who comes to roost on the island every year.A summer that will become legend . . . When tragedy strikes, what made the Fernweh women special suddenly casts them in suspicion. Over the course of her last summer on the island—a summer of storms, of love, of salt—Georgina will learn the truth about magic, in all its many forms.

    Follow in real time as the author grapples with the excitement, hesitation, and fear of asking yourself… did I just find the one? Raw and honest and written without thoughts of publication, this collection is perfect for romantics and skeptics alike."I thought the reckoning was shifting everyone’s lives and bringing a change so great it was rewriting the fabric of the universe. Turns out I was just falling in love. The two can feel very similar, I think."

    The only daughter of the kingdom of Kekaya, she is raised on tales about the might and benevolence of the gods: how they churned the vast ocean to obtain the nectar of immortality, how they vanquish evil and ensure the land of Bharat prospers, and how they offer powerful boons to the devout and the wise. Yet she watches as her father unceremoniously banishes her mother, listens as her own worth is reduced to how great a marriage alliance she can secure. And when she calls upon the gods for help, they never seem to hear.Desperate for some measure of independence, she turns to the texts she once read with her mother and discovers a magic that is hers alone. With this power, Kaikeyi transforms herself from an overlooked princess into a warrior, diplomat, and most favored queen, determined to carve a better world for herself and the women around her.But as the evil from her childhood stories threatens the cosmic order, the path she has forged clashes with the destiny the gods have chosen for her family. And Kaikeyi must decide if resistance is worth the destruction it will wreak—and what legacy she intends to leave behind.A stunning debut from a powerful new voice, Kaikeyi is a tale of fate, family, courage, and heartbreak—of an extraordinary woman determined to leave her mark in a world where gods and men dictate the shape of things to come.